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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DE1F4 it is the complementary color #C21E0B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DE1F4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DE1F4 shade: #42E1EF, #53F3FF, #64FFFF, #75FFFF and #86FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DE1F4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DE1F4 shade: #3DE1F4, #2CCFE1, #1BBDCE, #0AABBB and #0099A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DE1F4 shade: #3EE0F3, #3EAFF3, #3E7FF3, #3E4EF3 and #5F3EF3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DE1F4 shade: #3EE0F3, #3EAFF3, #3E7FF3, #3E4EF3 and #3E3EF3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DE1F4 shade matches the following richer shades: #3EE0F3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DE1F4 shade: #3EE0F3, #4ED3E3, #5FC6D2, #6FB9C2 and #80ACB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DE1F4 shade: #3EF3A5, #3EF3D5, #3EE1F3, #3EB1F3 and #3E80F3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DE1F4 shade: #0CBED3, #17DAF1, #3EE0F3, #65E7F6 and #8CEDF8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DE1F4 shade: #3DE1F4, #743EF3 and #F3BD3E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DE1F4 shade: #3DE1F4, #F33EE1 and #E1F33E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DE1F4 shade: #3DE1F4, #743EF3, #F3503E and #BDF33E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DE1F4 shade: #3DE1F4, #AB3EF3, #F3503E and #86F33E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 8 / 0 / 4

HEX #3DE1F4

RGB 61 225 244

HSL 186.23, 0.89%, 0.6%

LAB 82.58, -34.7, -21.18

 

Complementary color

CMYK 0 / 85 / 94 / 24

HEX #C21E0B

RGB 194 30 11

HSL 6.23, 0.89%, 0.4%

LAB 41.88, 61.07, 51.7

 

CMYK 72 / 6 / 0 / 6

HEX #42E1EF

RGB 66 225 239

HSL 184.86, 0.84%, 0.6%

LAB 82.51, -35.62, -18.63

 

CMYK 67 / 5 / 0 / 0

HEX #53F3FF

RGB 83 243 255

HSL 184.19, 1%, 0.66%

LAB 88.52, -37.27, -17.94

 

CMYK 61 / 0 / 0 / 0

HEX #64FFFF

RGB 100 255 255

HSL 180, 1%, 0.7%

LAB 92.33, -40.27, -12.2

 

CMYK 54 / 0 / 0 / 0

HEX #75FFFF

RGB 117 255 255

HSL 180, 1%, 0.73%

LAB 92.8, -37.35, -11.44

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 75 / 8 / 0 / 4

HEX #3DE1F4

RGB 61 225 244

HSL 186.23, 0.89%, 0.6%

LAB 82.58, -34.7, -21.18

 

CMYK 80 / 8 / 0 / 12

HEX #2CCFE1

RGB 44 207 225

HSL 185.97, 0.75%, 0.53%

LAB 76.43, -33.53, -20.39

 

CMYK 87 / 8 / 0 / 19

HEX #1BBDCE

RGB 27 189 206

HSL 185.7, 0.77%, 0.46%

LAB 70.24, -32.07, -19.51

 

CMYK 95 / 9 / 0 / 27

HEX #0AABBB

RGB 10 171 187

HSL 185.42, 0.9%, 0.39%

LAB 63.98, -30.23, -18.53

 

CMYK 100 / 9 / 0 / 34

HEX #0099A8

RGB 0 153 168

HSL 185.36, 1%, 0.33%

LAB 57.66, -27.97, -17.43

 

CMYK 74 / 8 / 0 / 5

HEX #3EE0F3

RGB 62 224 243

HSL 186.3, 0.88%, 0.6%

LAB 82.27, -34.42, -21.11

 

CMYK 74 / 28 / 0 / 5

HEX #3EAFF3

RGB 62 175 243

HSL 202.54, 0.88%, 0.6%

LAB 68.13, -9.48, -42.91

 

CMYK 74 / 48 / 0 / 5

HEX #3E7FF3

RGB 62 127 243

HSL 218.45, 0.88%, 0.6%

LAB 54.73, 18.65, -64.21

 

CMYK 74 / 68 / 0 / 5

HEX #3E4EF3

RGB 62 78 243

HSL 234.7, 0.88%, 0.6%

LAB 42.68, 48.81, -83.84

 

CMYK 61 / 74 / 0 / 5

HEX #5F3EF3

RGB 95 62 243

HSL 250.94, 0.88%, 0.6%

LAB 41.77, 60.86, -85.27

 

CMYK 74 / 8 / 0 / 5

HEX #3EE0F3

RGB 62 224 243

HSL 186.3, 0.88%, 0.6%

LAB 82.27, -34.42, -21.11

 

CMYK 74 / 28 / 0 / 5

HEX #3EAFF3

RGB 62 175 243

HSL 202.54, 0.88%, 0.6%

LAB 68.13, -9.48, -42.91

 

CMYK 74 / 48 / 0 / 5

HEX #3E7FF3

RGB 62 127 243

HSL 218.45, 0.88%, 0.6%

LAB 54.73, 18.65, -64.21

 

CMYK 74 / 68 / 0 / 5

HEX #3E4EF3

RGB 62 78 243

HSL 234.7, 0.88%, 0.6%

LAB 42.68, 48.81, -83.84

 

CMYK 74 / 74 / 0 / 5

HEX #3E3EF3

RGB 62 62 243

HSL 240, 0.88%, 0.6%

LAB 39.48, 57.7, -89.12

 

CMYK 74 / 8 / 0 / 5

HEX #3EE0F3

RGB 62 224 243

HSL 186.3, 0.88%, 0.6%

LAB 82.27, -34.42, -21.11

 

CMYK 74 / 8 / 0 / 5

HEX #3EE0F3

RGB 62 224 243

HSL 186.3, 0.88%, 0.6%

LAB 82.27, -34.42, -21.11

 

CMYK 66 / 7 / 0 / 11

HEX #4ED3E3

RGB 78 211 227

HSL 186.44, 0.73%, 0.6%

LAB 78.32, -30.91, -18.55

 

CMYK 55 / 6 / 0 / 18

HEX #5FC6D2

RGB 95 198 210

HSL 186.26, 0.56%, 0.6%

LAB 74.49, -26.47, -15.11

 

CMYK 43 / 5 / 0 / 24

HEX #6FB9C2

RGB 111 185 194

HSL 186.51, 0.4%, 0.6%

LAB 70.85, -20.68, -11.79

 

CMYK 28 / 3 / 0 / 31

HEX #80ACB1

RGB 128 172 177

HSL 186.12, 0.24%, 0.6%

LAB 67.48, -13.47, -7.36

 

CMYK 74 / 0 / 32 / 5

HEX #3EF3A5

RGB 62 243 165

HSL 154.14, 0.88%, 0.6%

LAB 85.93, -62.08, 25.08

 

CMYK 74 / 0 / 12 / 5

HEX #3EF3D5

RGB 62 243 213

HSL 170.06, 0.88%, 0.6%

LAB 86.96, -51.1, 1.66

 

CMYK 74 / 7 / 0 / 5

HEX #3EE1F3

RGB 62 225 243

HSL 185.97, 0.88%, 0.6%

LAB 82.56, -34.89, -20.67

 

CMYK 74 / 27 / 0 / 5

HEX #3EB1F3

RGB 62 177 243

HSL 201.88, 0.88%, 0.6%

LAB 68.71, -10.58, -42.01

 

CMYK 74 / 47 / 0 / 5

HEX #3E80F3

RGB 62 128 243

HSL 218.12, 0.88%, 0.6%

LAB 55, 18.04, -63.77

 

CMYK 94 / 10 / 0 / 17

HEX #0CBED3

RGB 12 190 211

HSL 186.33, 0.89%, 0.44%

LAB 70.6, -31.63, -21.69

 

CMYK 90 / 10 / 0 / 5

HEX #17DAF1

RGB 23 218 241

HSL 186.33, 0.89%, 0.52%

LAB 80, -35.06, -23.55

 

CMYK 74 / 8 / 0 / 5

HEX #3EE0F3

RGB 62 224 243

HSL 186.3, 0.88%, 0.6%

LAB 82.27, -34.42, -21.11

 

CMYK 59 / 6 / 0 / 4

HEX #65E7F6

RGB 101 231 246

HSL 186.21, 0.89%, 0.68%

LAB 85.29, -31.41, -18.05

 

CMYK 44 / 4 / 0 / 3

HEX #8CEDF8

RGB 140 237 248

HSL 186.11, 0.89%, 0.76%

LAB 88.41, -25.84, -14.27

 

CMYK 75 / 8 / 0 / 4

HEX #3DE1F4

RGB 61 225 244

HSL 186.23, 0.89%, 0.6%

LAB 82.58, -34.7, -21.18

 

CMYK 52 / 74 / 0 / 5

HEX #743EF3

RGB 116 62 243

HSL 257.9, 0.88%, 0.6%

LAB 43.7, 63.48, -82.02

 

CMYK 0 / 22 / 74 / 5

HEX #F3BD3E

RGB 243 189 62

HSL 42.1, 0.88%, 0.6%

LAB 79.5, 7.61, 67.78

 

CMYK 75 / 8 / 0 / 4

HEX #3DE1F4

RGB 61 225 244

HSL 186.23, 0.89%, 0.6%

LAB 82.58, -34.7, -21.18

 

CMYK 0 / 74 / 7 / 5

HEX #F33EE1

RGB 243 62 225

HSL 305.97, 0.88%, 0.6%

LAB 59.83, 82.8, -45

 

CMYK 7 / 0 / 74 / 5

HEX #E1F33E

RGB 225 243 62

HSL 65.97, 0.88%, 0.6%

LAB 91.89, -26.86, 78.93

 

CMYK 75 / 8 / 0 / 4

HEX #3DE1F4

RGB 61 225 244

HSL 186.23, 0.89%, 0.6%

LAB 82.58, -34.7, -21.18

 

CMYK 52 / 74 / 0 / 5

HEX #743EF3

RGB 116 62 243

HSL 257.9, 0.88%, 0.6%

LAB 43.7, 63.48, -82.02

 

CMYK 0 / 67 / 74 / 5

HEX #F3503E

RGB 243 80 62

HSL 5.97, 0.88%, 0.6%

LAB 57.21, 61.3, 45.11

 

CMYK 22 / 0 / 74 / 5

HEX #BDF33E

RGB 189 243 62

HSL 77.9, 0.88%, 0.6%

LAB 89.52, -40.94, 75.85

 

CMYK 75 / 8 / 0 / 4

HEX #3DE1F4

RGB 61 225 244

HSL 186.23, 0.89%, 0.6%

LAB 82.58, -34.7, -21.18

 

CMYK 30 / 74 / 0 / 5

HEX #AB3EF3

RGB 171 62 243

HSL 276.13, 0.88%, 0.6%

LAB 50.19, 72.06, -71.16

 

CMYK 0 / 67 / 74 / 5

HEX #F3503E

RGB 243 80 62

HSL 5.97, 0.88%, 0.6%

LAB 57.21, 61.3, 45.11

 

CMYK 45 / 0 / 74 / 5

HEX #86F33E

RGB 134 243 62

HSL 96.13, 0.88%, 0.6%

LAB 86.76, -59.83, 72.25

 

Description

Color code: HEX #3DE1F4 | qconv.com Color code: HEX #3DE1F4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 225 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 225 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 8 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 8% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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