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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DE53A it is the complementary color #C21AC5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DE53A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DE53A shade: #42E535, #53F748, #64FF5B, #75FF6E and #86FF81

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DE53A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DE53A shade: #3DE53A, #2CD327, #1BC114, #0AAF01 and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DE53A shade: #3BE538, #6AE538, #98E538, #C7E538 and #E5D438

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DE53A shade: #3BE538, #38E563, #38E592, #38E5C1 and #38DAE5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DE53A shade matches the following richer shades: #3BE538 and #29F726

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DE53A shade: #3BE538, #4CD34A, #5EC05C, #6FAE6E and #819C81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DE53A shade: #9AE538, #6CE538, #3EE538, #38E560 and #38E58E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DE53A shade: #1AB317, #1FD81C, #3BE538, #5FE95C and #83EE81

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DE53A shade: #3DE53A, #38C8E5 and #E53883

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DE53A shade: #3DE53A, #383EE5 and #E5383E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DE53A shade: #3DE53A, #38C8E5, #DF38E5 and #E55538

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DE53A shade: #3DE53A, #3894E5, #DF38E5 and #E58938

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 75 / 10

HEX #3DE53A

RGB 61 229 58

HSL 118.95, 0.77%, 0.56%

LAB 80.37, -72.29, 66.54

 

Complementary color

CMYK 2 / 87 / 0 / 23

HEX #C21AC5

RGB 194 26 197

HSL 298.95, 0.77%, 0.44%

LAB 47.29, 77.55, -49.42

 

CMYK 71 / 0 / 77 / 10

HEX #42E535

RGB 66 229 53

HSL 115.57, 0.77%, 0.55%

LAB 80.43, -71.83, 68.22

 

CMYK 66 / 0 / 71 / 3

HEX #53F748

RGB 83 247 72

HSL 116.23, 0.92%, 0.63%

LAB 86.42, -73.13, 68.02

 

CMYK 61 / 0 / 64 / 0

HEX #64FF5B

RGB 100 255 91

HSL 116.71, 1%, 0.68%

LAB 89.39, -70.7, 64.15

 

CMYK 54 / 0 / 57 / 0

HEX #75FF6E

RGB 117 255 110

HSL 117.1, 1%, 0.72%

LAB 90.06, -64.84, 57.08

 

CMYK 47 / 0 / 49 / 0

HEX #86FF81

RGB 134 255 129

HSL 117.62, 1%, 0.75%

LAB 90.86, -58.18, 49.56

 

CMYK 73 / 0 / 75 / 10

HEX #3DE53A

RGB 61 229 58

HSL 118.95, 0.77%, 0.56%

LAB 80.37, -72.29, 66.54

 

CMYK 79 / 0 / 82 / 17

HEX #2CD327

RGB 44 211 39

HSL 118.26, 0.69%, 0.49%

LAB 74.36, -70.42, 66.35

 

CMYK 86 / 0 / 90 / 24

HEX #1BC114

RGB 27 193 20

HSL 117.57, 0.81%, 0.42%

LAB 68.33, -67.86, 65.12

 

CMYK 94 / 0 / 99 / 31

HEX #0AAF01

RGB 10 175 1

HSL 116.9, 0.99%, 0.35%

LAB 62.28, -64.46, 62.65

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 74 / 0 / 76 / 10

HEX #3BE538

RGB 59 229 56

HSL 118.96, 0.77%, 0.56%

LAB 80.32, -72.73, 67.13

 

CMYK 54 / 0 / 76 / 10

HEX #6AE538

RGB 106 229 56

HSL 102.66, 0.77%, 0.56%

LAB 81.5, -63, 68.69

 

CMYK 34 / 0 / 76 / 10

HEX #98E538

RGB 152 229 56

HSL 86.71, 0.77%, 0.56%

LAB 83.44, -48.76, 71.22

 

CMYK 13 / 0 / 76 / 10

HEX #C7E538

RGB 199 229 56

HSL 70.4, 0.77%, 0.56%

LAB 86.24, -31, 74.85

 

CMYK 0 / 7 / 76 / 10

HEX #E5D438

RGB 229 212 56

HSL 54.1, 0.77%, 0.56%

LAB 83.98, -10.37, 73.6

 

CMYK 74 / 0 / 76 / 10

HEX #3BE538

RGB 59 229 56

HSL 118.96, 0.77%, 0.56%

LAB 80.32, -72.73, 67.13

 

CMYK 76 / 0 / 57 / 10

HEX #38E563

RGB 56 229 99

HSL 134.91, 0.77%, 0.56%

LAB 80.62, -68.97, 50.52

 

CMYK 76 / 0 / 36 / 10

HEX #38E592

RGB 56 229 146

HSL 151.21, 0.77%, 0.56%

LAB 81.27, -61.42, 28.47

 

CMYK 76 / 0 / 16 / 10

HEX #38E5C1

RGB 56 229 193

HSL 167.51, 0.77%, 0.56%

LAB 82.23, -51, 5.3

 

CMYK 76 / 5 / 0 / 10

HEX #38DAE5

RGB 56 218 229

HSL 183.82, 0.77%, 0.56%

LAB 79.98, -36.38, -17.15

 

CMYK 74 / 0 / 76 / 10

HEX #3BE538

RGB 59 229 56

HSL 118.96, 0.77%, 0.56%

LAB 80.32, -72.73, 67.13

 

CMYK 83 / 0 / 85 / 3

HEX #29F726

RGB 41 247 38

HSL 119.14, 0.93%, 0.56%

LAB 85.57, -81.05, 76.71

 

CMYK 74 / 0 / 76 / 10

HEX #3BE538

RGB 59 229 56

HSL 118.96, 0.77%, 0.56%

LAB 80.32, -72.73, 67.13

 

CMYK 64 / 0 / 65 / 17

HEX #4CD34A

RGB 76 211 74

HSL 119.12, 0.61%, 0.56%

LAB 75.21, -62.42, 55.34

 

CMYK 51 / 0 / 52 / 25

HEX #5EC05C

RGB 94 192 92

HSL 118.8, 0.44%, 0.56%

LAB 70.07, -48.95, 41.4

 

CMYK 36 / 0 / 37 / 32

HEX #6FAE6E

RGB 111 174 110

HSL 119.06, 0.28%, 0.56%

LAB 65.57, -33.38, 26.63

 

CMYK 17 / 0 / 17 / 39

HEX #819C81

RGB 129 156 129

HSL 120, 0.12%, 0.56%

LAB 61.68, -14.88, 11.05

 

CMYK 33 / 0 / 76 / 10

HEX #9AE538

RGB 154 229 56

HSL 86.01, 0.77%, 0.56%

LAB 83.54, -48.05, 71.35

 

CMYK 53 / 0 / 76 / 10

HEX #6CE538

RGB 108 229 56

HSL 101.97, 0.77%, 0.56%

LAB 81.57, -62.47, 68.78

 

CMYK 73 / 0 / 76 / 10

HEX #3EE538

RGB 62 229 56

HSL 117.92, 0.77%, 0.56%

LAB 80.38, -72.28, 67.2

 

CMYK 76 / 0 / 58 / 10

HEX #38E560

RGB 56 229 96

HSL 133.87, 0.77%, 0.56%

LAB 80.59, -69.35, 51.83

 

CMYK 76 / 0 / 38 / 10

HEX #38E58E

RGB 56 229 142

HSL 149.83, 0.77%, 0.56%

LAB 81.2, -62.18, 30.42

 

CMYK 85 / 0 / 87 / 30

HEX #1AB317

RGB 26 179 23

HSL 118.85, 0.77%, 0.4%

LAB 63.77, -63.79, 60.56

 

CMYK 86 / 0 / 87 / 15

HEX #1FD81C

RGB 31 216 28

HSL 119.04, 0.77%, 0.48%

LAB 75.75, -73.72, 70.07

 

CMYK 74 / 0 / 76 / 10

HEX #3BE538

RGB 59 229 56

HSL 118.96, 0.77%, 0.56%

LAB 80.32, -72.73, 67.13

 

CMYK 59 / 0 / 61 / 9

HEX #5FE95C

RGB 95 233 92

HSL 118.72, 0.76%, 0.64%

LAB 82.64, -64.1, 56.17

 

CMYK 45 / 0 / 46 / 7

HEX #83EE81

RGB 131 238 129

HSL 118.9, 0.76%, 0.72%

LAB 85.79, -52.24, 43.22

 

CMYK 73 / 0 / 75 / 10

HEX #3DE53A

RGB 61 229 58

HSL 118.95, 0.77%, 0.56%

LAB 80.37, -72.29, 66.54

 

CMYK 76 / 13 / 0 / 10

HEX #38C8E5

RGB 56 200 229

HSL 190.06, 0.77%, 0.56%

LAB 74.7, -27.77, -25.16

 

CMYK 0 / 76 / 43 / 10

HEX #E53883

RGB 229 56 131

HSL 333.99, 0.77%, 0.56%

LAB 53.09, 69.99, -0.95

 

CMYK 73 / 0 / 75 / 10

HEX #3DE53A

RGB 61 229 58

HSL 118.95, 0.77%, 0.56%

LAB 80.37, -72.29, 66.54

 

CMYK 76 / 73 / 0 / 10

HEX #383EE5

RGB 56 62 229

HSL 237.92, 0.77%, 0.56%

LAB 37.74, 52.79, -84.07

 

CMYK 0 / 76 / 73 / 10

HEX #E5383E

RGB 229 56 62

HSL 357.92, 0.77%, 0.56%

LAB 51.65, 65.41, 38.22

 

CMYK 73 / 0 / 75 / 10

HEX #3DE53A

RGB 61 229 58

HSL 118.95, 0.77%, 0.56%

LAB 80.37, -72.29, 66.54

 

CMYK 76 / 13 / 0 / 10

HEX #38C8E5

RGB 56 200 229

HSL 190.06, 0.77%, 0.56%

LAB 74.7, -27.77, -25.16

 

CMYK 3 / 76 / 0 / 10

HEX #DF38E5

RGB 223 56 229

HSL 297.92, 0.77%, 0.56%

LAB 56.26, 81.06, -53.11

 

CMYK 0 / 63 / 76 / 10

HEX #E55538

RGB 229 85 56

HSL 10.06, 0.77%, 0.56%

LAB 55.52, 54.39, 45.74

 

CMYK 73 / 0 / 75 / 10

HEX #3DE53A

RGB 61 229 58

HSL 118.95, 0.77%, 0.56%

LAB 80.37, -72.29, 66.54

 

CMYK 76 / 35 / 0 / 10

HEX #3894E5

RGB 56 148 229

HSL 208.09, 0.77%, 0.56%

LAB 59.6, 0.23, -48.68

 

CMYK 3 / 76 / 0 / 10

HEX #DF38E5

RGB 223 56 229

HSL 297.92, 0.77%, 0.56%

LAB 56.26, 81.06, -53.11

 

CMYK 0 / 40 / 76 / 10

HEX #E58938

RGB 229 137 56

HSL 28.09, 0.77%, 0.56%

LAB 65.62, 28.95, 56.08

 

Description

Color code: HEX #3DE53A | qconv.com Color code: HEX #3DE53A | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 229 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 229 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 75 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 75% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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