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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DC1DB it is the complementary color #C23E24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DC1DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DC1DB shade: #42C1D6, #53D3E9, #64E5FC, #75F7FF and #86FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DC1DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DC1DB shade: #3DC1DB, #2CAFC8, #1B9DB5, #0A8BA2 and #00798F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DC1DB shade: #3DC1DB, #3D96DB, #3D6BDB, #3D41DB and #633DDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DC1DB shade: #3DC1DB, #3D96DB, #3D6BDB, #3D41DB and #3D3DDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DC1DB shade matches the following richer shades: #3DC1DB and #2ACDED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DC1DB shade: #3DC1DB, #4FB4C8, #62A8B6, #749CA3 and #878F91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DC1DB shade: #3DDB9E, #3DDBC8, #3DC3DB, #3D99DB and #3D6FDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DC1DB shade: #1E90A7, #25AFCA, #3DC1DB, #5FCCE1 and #82D7E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DC1DB shade: #3DC1DB, #743DDB and #DBB33D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DC1DB shade: #3DC1DB, #DB3DC3 and #C3DB3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DC1DB shade: #3DC1DB, #743DDB, #DB543D and #A4DB3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DC1DB shade: #3DC1DB, #A43DDB, #DB543D and #74DB3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

Complementary color

CMYK 0 / 68 / 81 / 24

HEX #C23E24

RGB 194 62 36

HSL 9.87, 0.69%, 0.45%

LAB 45.69, 51.38, 44.06

 

CMYK 69 / 10 / 0 / 16

HEX #42C1D6

RGB 66 193 214

HSL 188.51, 0.64%, 0.55%

LAB 72.33, -27.71, -20.63

 

CMYK 64 / 9 / 0 / 9

HEX #53D3E9

RGB 83 211 233

HSL 188.8, 0.77%, 0.62%

LAB 78.64, -28.41, -21.25

 

CMYK 60 / 9 / 0 / 1

HEX #64E5FC

RGB 100 229 252

HSL 189.08, 0.96%, 0.69%

LAB 84.88, -28.95, -21.83

 

CMYK 54 / 3 / 0 / 0

HEX #75F7FF

RGB 117 247 255

HSL 183.48, 1%, 0.73%

LAB 90.56, -33.65, -14.79

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 78 / 13 / 0 / 22

HEX #2CAFC8

RGB 44 175 200

HSL 189.62, 0.64%, 0.48%

LAB 66.03, -25.74, -22.59

 

CMYK 85 / 13 / 0 / 29

HEX #1B9DB5

RGB 27 157 181

HSL 189.35, 0.74%, 0.41%

LAB 59.6, -24.32, -21.83

 

CMYK 94 / 14 / 0 / 36

HEX #0A8BA2

RGB 10 139 162

HSL 189.08, 0.88%, 0.34%

LAB 53.1, -22.47, -20.96

 

CMYK 100 / 15 / 0 / 44

HEX #00798F

RGB 0 121 143

HSL 189.23, 1%, 0.28%

LAB 46.52, -20.09, -19.97

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 72 / 32 / 0 / 14

HEX #3D96DB

RGB 61 150 219

HSL 206.2, 0.69%, 0.55%

LAB 59.82, -3.82, -42.76

 

CMYK 72 / 51 / 0 / 14

HEX #3D6BDB

RGB 61 107 219

HSL 222.53, 0.69%, 0.55%

LAB 47.78, 22.32, -61.97

 

CMYK 72 / 70 / 0 / 14

HEX #3D41DB

RGB 61 65 219

HSL 238.48, 0.69%, 0.55%

LAB 37.64, 48.29, -78.52

 

CMYK 55 / 72 / 0 / 14

HEX #633DDB

RGB 99 61 219

HSL 254.43, 0.69%, 0.55%

LAB 39.76, 55.07, -74.93

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 72 / 32 / 0 / 14

HEX #3D96DB

RGB 61 150 219

HSL 206.2, 0.69%, 0.55%

LAB 59.82, -3.82, -42.76

 

CMYK 72 / 51 / 0 / 14

HEX #3D6BDB

RGB 61 107 219

HSL 222.53, 0.69%, 0.55%

LAB 47.78, 22.32, -61.97

 

CMYK 72 / 70 / 0 / 14

HEX #3D41DB

RGB 61 65 219

HSL 238.48, 0.69%, 0.55%

LAB 37.64, 48.29, -78.52

 

CMYK 72 / 72 / 0 / 14

HEX #3D3DDB

RGB 61 61 219

HSL 240, 0.69%, 0.55%

LAB 36.83, 50.55, -79.86

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 82 / 14 / 0 / 7

HEX #2ACDED

RGB 42 205 237

HSL 189.85, 0.84%, 0.55%

LAB 76.23, -28.99, -27.14

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 61 / 10 / 0 / 22

HEX #4FB4C8

RGB 79 180 200

HSL 189.92, 0.52%, 0.55%

LAB 68.37, -23.34, -18.95

 

CMYK 46 / 8 / 0 / 29

HEX #62A8B6

RGB 98 168 182

HSL 190, 0.37%, 0.55%

LAB 64.95, -18.27, -14.08

 

CMYK 29 / 4 / 0 / 36

HEX #749CA3

RGB 116 156 163

HSL 188.94, 0.2%, 0.55%

LAB 61.77, -11.89, -8.09

 

CMYK 7 / 1 / 0 / 43

HEX #878F91

RGB 135 143 145

HSL 192, 0.04%, 0.55%

LAB 58.83, -2.49, -2.07

 

CMYK 72 / 0 / 28 / 14

HEX #3DDB9E

RGB 61 219 158

HSL 156.84, 0.69%, 0.55%

LAB 78.53, -54.54, 18.53

 

CMYK 72 / 0 / 9 / 14

HEX #3DDBC8

RGB 61 219 200

HSL 172.78, 0.69%, 0.55%

LAB 79.51, -44.39, -2.36

 

CMYK 72 / 11 / 0 / 14

HEX #3DC3DB

RGB 61 195 219

HSL 189.11, 0.69%, 0.55%

LAB 72.98, -27.82, -22.37

 

CMYK 72 / 30 / 0 / 14

HEX #3D99DB

RGB 61 153 219

HSL 205.06, 0.69%, 0.55%

LAB 60.68, -5.53, -41.4

 

CMYK 72 / 49 / 0 / 14

HEX #3D6FDB

RGB 61 111 219

HSL 221.01, 0.69%, 0.55%

LAB 48.85, 19.8, -60.23

 

CMYK 82 / 14 / 0 / 35

HEX #1E90A7

RGB 30 144 167

HSL 190.07, 0.7%, 0.39%

LAB 55.09, -22.04, -20.77

 

CMYK 82 / 13 / 0 / 21

HEX #25AFCA

RGB 37 175 202

HSL 189.82, 0.69%, 0.47%

LAB 66, -25.75, -23.76

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 58 / 9 / 0 / 12

HEX #5FCCE1

RGB 95 204 225

HSL 189.69, 0.68%, 0.63%

LAB 76.71, -25.23, -19.86

 

CMYK 44 / 7 / 0 / 9

HEX #82D7E8

RGB 130 215 232

HSL 190, 0.69%, 0.71%

LAB 81.39, -21.4, -16.41

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 47 / 72 / 0 / 14

HEX #743DDB

RGB 116 61 219

HSL 260.89, 0.69%, 0.55%

LAB 41.48, 57.65, -72.04

 

CMYK 0 / 18 / 72 / 14

HEX #DBB33D

RGB 219 179 61

HSL 44.81, 0.69%, 0.55%

LAB 74.6, 2.57, 62.56

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 0 / 72 / 11 / 14

HEX #DB3DC3

RGB 219 61 195

HSL 309.11, 0.69%, 0.55%

LAB 54.38, 73.59, -36.76

 

CMYK 11 / 0 / 72 / 14

HEX #C3DB3D

RGB 195 219 61

HSL 69.11, 0.69%, 0.55%

LAB 83.23, -27.68, 70.31

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 47 / 72 / 0 / 14

HEX #743DDB

RGB 116 61 219

HSL 260.89, 0.69%, 0.55%

LAB 41.48, 57.65, -72.04

 

CMYK 0 / 62 / 72 / 14

HEX #DB543D

RGB 219 84 61

HSL 8.73, 0.69%, 0.55%

LAB 53.75, 51.59, 40.67

 

CMYK 25 / 0 / 72 / 14

HEX #A4DB3D

RGB 164 219 61

HSL 80.89, 0.69%, 0.55%

LAB 81.23, -39.83, 67.68

 

CMYK 72 / 12 / 0 / 14

HEX #3DC1DB

RGB 61 193 219

HSL 189.87, 0.69%, 0.55%

LAB 72.39, -26.83, -23.26

 

CMYK 25 / 72 / 0 / 14

HEX #A43DDB

RGB 164 61 219

HSL 279.11, 0.69%, 0.55%

LAB 47.42, 66.16, -62.11

 

CMYK 0 / 62 / 72 / 14

HEX #DB543D

RGB 219 84 61

HSL 8.73, 0.69%, 0.55%

LAB 53.75, 51.59, 40.67

 

CMYK 47 / 0 / 72 / 14

HEX #74DB3D

RGB 116 219 61

HSL 99.11, 0.69%, 0.55%

LAB 78.88, -56.19, 64.55

 

Description

Color code: HEX #3DC1DB | qconv.com Color code: HEX #3DC1DB | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 193 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 193 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 12 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 12% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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