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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DBEFA it is the complementary color #C24105. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DBEFA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DBEFA shade: #42BEF5, #53D0FF, #64E2FF, #75F4FF and #86FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DBEFA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DBEFA shade: #3DBEFA, #2CACE7, #1B9AD4, #0A88C1 and #0076AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DBEFA shade: #3DBEFA, #3D8BFA, #3D58FA, #543DFA and #873DFA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DBEFA shade: #3DBEFA, #3D8BFA, #3D58FA and #3D3DFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DBEFA shade matches the following richer shades: #3DBEFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DBEFA shade: #3DBEFA, #4DB8E9, #5DB2D9, #6DACC9 and #7DA6B9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DBEFA shade: #3DFAD1, #3DF0FA, #3DBEFA, #3D8BFA and #3D59FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DBEFA shade: #0599DE, #14B0F8, #3DBEFA, #65CBFB and #8DD8FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DBEFA shade: #3DBEFA, #9E3DFA and #FAEA3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DBEFA shade: #3DBEFA, #FA3DBE and #BEFA3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DBEFA shade: #3DBEFA, #9E3DFA, #FA783D and #98FA3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DBEFA shade: #3DBEFA, #D73DFA, #FA783D and #5FFA3D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

Complementary color

CMYK 0 / 66 / 97 / 24

HEX #C24105

RGB 194 65 5

HSL 19.05, 0.95%, 0.39%

LAB 45.99, 49.56, 55.78

 

CMYK 73 / 22 / 0 / 4

HEX #42BEF5

RGB 66 190 245

HSL 198.44, 0.9%, 0.61%

LAB 72.61, -16.4, -37

 

CMYK 67 / 18 / 0 / 0

HEX #53D0FF

RGB 83 208 255

HSL 196.4, 1%, 0.66%

LAB 78.56, -20.3, -33.13

 

CMYK 61 / 11 / 0 / 0

HEX #64E2FF

RGB 100 226 255

HSL 191.23, 1%, 0.7%

LAB 84.13, -26.64, -24.55

 

CMYK 54 / 4 / 0 / 0

HEX #75F4FF

RGB 117 244 255

HSL 184.78, 1%, 0.73%

LAB 89.72, -32.24, -16.05

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 81 / 26 / 0 / 9

HEX #2CACE7

RGB 44 172 231

HSL 198.93, 0.8%, 0.54%

LAB 66.37, -13.82, -39.14

 

CMYK 87 / 27 / 0 / 17

HEX #1B9AD4

RGB 27 154 212

HSL 198.81, 0.77%, 0.47%

LAB 59.98, -11.94, -38.65

 

CMYK 95 / 30 / 0 / 24

HEX #0A88C1

RGB 10 136 193

HSL 198.69, 0.9%, 0.4%

LAB 53.52, -9.59, -38.09

 

CMYK 100 / 32 / 0 / 32

HEX #0076AE

RGB 0 118 174

HSL 199.31, 1%, 0.34%

LAB 46.99, -6.71, -37.43

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 76 / 44 / 0 / 2

HEX #3D8BFA

RGB 61 139 250

HSL 215.24, 0.95%, 0.61%

LAB 58.38, 13.73, -62.22

 

CMYK 76 / 65 / 0 / 2

HEX #3D58FA

RGB 61 88 250

HSL 231.43, 0.95%, 0.61%

LAB 45.46, 45.16, -83.19

 

CMYK 66 / 76 / 0 / 2

HEX #543DFA

RGB 84 61 250

HSL 247.3, 0.95%, 0.61%

LAB 41.41, 62.2, -89.81

 

CMYK 46 / 76 / 0 / 2

HEX #873DFA

RGB 135 61 250

HSL 263.49, 0.95%, 0.61%

LAB 46.16, 68.33, -81.82

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 76 / 44 / 0 / 2

HEX #3D8BFA

RGB 61 139 250

HSL 215.24, 0.95%, 0.61%

LAB 58.38, 13.73, -62.22

 

CMYK 76 / 65 / 0 / 2

HEX #3D58FA

RGB 61 88 250

HSL 231.43, 0.95%, 0.61%

LAB 45.46, 45.16, -83.19

 

CMYK 76 / 76 / 0 / 2

HEX #3D3DFA

RGB 61 61 250

HSL 240, 0.95%, 0.61%

LAB 39.97, 60.3, -92.25

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 67 / 21 / 0 / 9

HEX #4DB8E9

RGB 77 184 233

HSL 198.85, 0.78%, 0.61%

LAB 70.69, -15.6, -33.45

 

CMYK 57 / 18 / 0 / 15

HEX #5DB2D9

RGB 93 178 217

HSL 198.87, 0.62%, 0.61%

LAB 68.88, -14.59, -27.47

 

CMYK 46 / 14 / 0 / 21

HEX #6DACC9

RGB 109 172 201

HSL 198.91, 0.46%, 0.61%

LAB 67.26, -12.48, -21.08

 

CMYK 32 / 10 / 0 / 27

HEX #7DA6B9

RGB 125 166 185

HSL 199, 0.3%, 0.61%

LAB 65.85, -9.2, -14.25

 

CMYK 76 / 0 / 16 / 2

HEX #3DFAD1

RGB 61 250 209

HSL 166.98, 0.95%, 0.61%

LAB 88.91, -55.07, 6.56

 

CMYK 76 / 4 / 0 / 2

HEX #3DF0FA

RGB 61 240 250

HSL 183.17, 0.95%, 0.61%

LAB 87.1, -39.87, -17.51

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 76 / 44 / 0 / 2

HEX #3D8BFA

RGB 61 139 250

HSL 215.24, 0.95%, 0.61%

LAB 58.38, 13.73, -62.22

 

CMYK 76 / 64 / 0 / 2

HEX #3D59FA

RGB 61 89 250

HSL 231.11, 0.95%, 0.61%

LAB 45.69, 44.56, -82.82

 

CMYK 98 / 31 / 0 / 13

HEX #0599DE

RGB 5 153 222

HSL 199.08, 0.96%, 0.45%

LAB 59.97, -8.64, -44.25

 

CMYK 92 / 29 / 0 / 3

HEX #14B0F8

RGB 20 176 248

HSL 198.95, 0.94%, 0.53%

LAB 68, -11.53, -45.88

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 60 / 19 / 0 / 2

HEX #65CBFB

RGB 101 203 251

HSL 199.2, 0.95%, 0.69%

LAB 77.55, -16.03, -32.51

 

CMYK 44 / 14 / 0 / 1

HEX #8DD8FC

RGB 141 216 252

HSL 199.46, 0.95%, 0.77%

LAB 82.81, -14.07, -24.84

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 37 / 76 / 0 / 2

HEX #9E3DFA

RGB 158 61 250

HSL 270.79, 0.95%, 0.61%

LAB 48.89, 71.79, -77.25

 

CMYK 0 / 6 / 76 / 2

HEX #FAEA3D

RGB 250 234 61

HSL 54.92, 0.95%, 0.61%

LAB 91.46, -12.34, 79.55

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 0 / 76 / 24 / 2

HEX #FA3DBE

RGB 250 61 190

HSL 319.05, 0.95%, 0.61%

LAB 59.32, 80, -25.8

 

CMYK 24 / 0 / 76 / 2

HEX #BEFA3D

RGB 190 250 61

HSL 79.05, 0.95%, 0.61%

LAB 91.53, -43.67, 78.07

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 37 / 76 / 0 / 2

HEX #9E3DFA

RGB 158 61 250

HSL 270.79, 0.95%, 0.61%

LAB 48.89, 71.79, -77.25

 

CMYK 0 / 52 / 76 / 2

HEX #FA783D

RGB 250 120 61

HSL 18.73, 0.95%, 0.61%

LAB 65.04, 46.04, 54.18

 

CMYK 39 / 0 / 76 / 2

HEX #98FA3D

RGB 152 250 61

HSL 91.11, 0.95%, 0.61%

LAB 89.57, -56.95, 75.53

 

CMYK 76 / 24 / 0 / 2

HEX #3DBEFA

RGB 61 190 250

HSL 199.05, 0.95%, 0.61%

LAB 72.71, -15.34, -39.56

 

CMYK 14 / 76 / 0 / 2

HEX #D73DFA

RGB 215 61 250

HSL 288.89, 0.95%, 0.61%

LAB 56.77, 81.58, -64.11

 

CMYK 0 / 52 / 76 / 2

HEX #FA783D

RGB 250 120 61

HSL 18.73, 0.95%, 0.61%

LAB 65.04, 46.04, 54.18

 

CMYK 62 / 0 / 76 / 2

HEX #5FFA3D

RGB 95 250 61

HSL 109.21, 0.95%, 0.61%

LAB 87.55, -72.45, 72.89

 

Description

Color code: HEX #3DBEFA | qconv.com Color code: HEX #3DBEFA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 190 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 190 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 24 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 24% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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