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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB122 it is the complementary color #C24EDD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB122. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB122 shade: #42B11D, #53C330, #64D543, #75E756 and #86F969

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB122. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB122 shade: #3DB122, #2C9F0F, #1B8D00, #0A7B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB122 shade: #3CAF21, #62AF21, #88AF21, #AFAF21 and #AF8921

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB122 shade: #3CAF21, #21AF2C, #21AF53, #21AF79 and #21AF9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB122 shade matches the following richer shades: #3CAF21 and #31C010

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB122 shade: #3CAF21, #469E32, #518D43, #5B7C54 and #666B65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB122 shade: #89AF21, #63AF21, #3DAF21, #21AF2A and #21AF50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB122 shade: #246A14, #308C1A, #3CAF21, #48D228 and #63DC47

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB122 shade: #3DB122, #21AFAF and #AF2176

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB122 shade: #3DB122, #213DAF and #AF213D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB122 shade: #3DB122, #21AFAF, #9321AF and #AF2121

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB122 shade: #3DB122, #2184AF, #9321AF and #AF4C21

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 81 / 31

HEX #3DB122

RGB 61 177 34

HSL 108.67, 0.68%, 0.41%

LAB 63.8, -57.16, 58.03

 

Complementary color

CMYK 12 / 65 / 0 / 13

HEX #C24EDD

RGB 194 78 221

HSL 288.67, 0.68%, 0.59%

LAB 54.17, 65.95, -52.18

 

CMYK 63 / 0 / 84 / 31

HEX #42B11D

RGB 66 177 29

HSL 105, 0.72%, 0.4%

LAB 63.91, -56.3, 59.56

 

CMYK 57 / 0 / 75 / 24

HEX #53C330

RGB 83 195 48

HSL 105.71, 0.6%, 0.48%

LAB 70.23, -57.36, 60.03

 

CMYK 53 / 0 / 69 / 16

HEX #64D543

RGB 100 213 67

HSL 106.44, 0.63%, 0.55%

LAB 76.5, -58.03, 59.72

 

CMYK 49 / 0 / 63 / 9

HEX #75E756

RGB 117 231 86

HSL 107.17, 0.75%, 0.62%

LAB 82.7, -58.43, 58.98

 

CMYK 46 / 0 / 58 / 2

HEX #86F969

RGB 134 249 105

HSL 107.92, 0.92%, 0.69%

LAB 88.85, -58.63, 58.01

 

CMYK 66 / 0 / 81 / 31

HEX #3DB122

RGB 61 177 34

HSL 108.67, 0.68%, 0.41%

LAB 63.8, -57.16, 58.03

 

CMYK 72 / 0 / 91 / 38

HEX #2C9F0F

RGB 44 159 15

HSL 107.92, 0.83%, 0.34%

LAB 57.43, -55.49, 56.77

 

CMYK 81 / 0 / 100 / 45

HEX #1B8D00

RGB 27 141 0

HSL 108.51, 1%, 0.28%

LAB 51.02, -53, 53.85

 

CMYK 92 / 0 / 100 / 52

HEX #0A7B00

RGB 10 123 0

HSL 115.12, 1%, 0.24%

LAB 44.56, -49.4, 48.6

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 66 / 0 / 81 / 31

HEX #3CAF21

RGB 60 175 33

HSL 108.59, 0.68%, 0.41%

LAB 63.12, -56.76, 57.68

 

CMYK 44 / 0 / 81 / 31

HEX #62AF21

RGB 98 175 33

HSL 92.54, 0.68%, 0.41%

LAB 64.46, -46.25, 59.4

 

CMYK 22 / 0 / 81 / 31

HEX #88AF21

RGB 136 175 33

HSL 76.48, 0.68%, 0.41%

LAB 66.52, -32.14, 62.04

 

CMYK 0 / 0 / 81 / 31

HEX #AFAF21

RGB 175 175 33

HSL 60, 0.68%, 0.41%

LAB 69.39, -15.62, 65.66

 

CMYK 0 / 22 / 81 / 31

HEX #AF8921

RGB 175 137 33

HSL 43.94, 0.68%, 0.41%

LAB 59.08, 4.65, 56.63

 

CMYK 66 / 0 / 81 / 31

HEX #3CAF21

RGB 60 175 33

HSL 108.59, 0.68%, 0.41%

LAB 63.12, -56.76, 57.68

 

CMYK 81 / 0 / 75 / 31

HEX #21AF2C

RGB 33 175 44

HSL 124.65, 0.68%, 0.41%

LAB 62.65, -60.57, 53.49

 

CMYK 81 / 0 / 53 / 31

HEX #21AF53

RGB 33 175 83

HSL 141.13, 0.68%, 0.41%

LAB 63.02, -56.04, 36.85

 

CMYK 81 / 0 / 31 / 31

HEX #21AF79

RGB 33 175 121

HSL 157.18, 0.68%, 0.41%

LAB 63.64, -48.85, 17.67

 

CMYK 81 / 0 / 9 / 31

HEX #21AF9F

RGB 33 175 159

HSL 173.24, 0.68%, 0.41%

LAB 64.55, -39.22, -2.04

 

CMYK 66 / 0 / 81 / 31

HEX #3CAF21

RGB 60 175 33

HSL 108.59, 0.68%, 0.41%

LAB 63.12, -56.76, 57.68

 

CMYK 74 / 0 / 92 / 25

HEX #31C010

RGB 49 192 16

HSL 108.75, 0.85%, 0.41%

LAB 68.31, -64.96, 65.87

 

CMYK 66 / 0 / 81 / 31

HEX #3CAF21

RGB 60 175 33

HSL 108.59, 0.68%, 0.41%

LAB 63.12, -56.76, 57.68

 

CMYK 56 / 0 / 68 / 38

HEX #469E32

RGB 70 158 50

HSL 108.89, 0.52%, 0.41%

LAB 58.02, -46.91, 46.66

 

CMYK 43 / 0 / 52 / 45

HEX #518D43

RGB 81 141 67

HSL 108.65, 0.36%, 0.41%

LAB 53.17, -34.53, 33.22

 

CMYK 27 / 0 / 32 / 51

HEX #5B7C54

RGB 91 124 84

HSL 109.5, 0.19%, 0.41%

LAB 48.61, -20.07, 18.16

 

CMYK 5 / 0 / 6 / 58

HEX #666B65

RGB 102 107 101

HSL 110, 0.03%, 0.41%

LAB 44.63, -3.16, 2.69

 

CMYK 22 / 0 / 81 / 31

HEX #89AF21

RGB 137 175 33

HSL 76.06, 0.68%, 0.41%

LAB 66.59, -31.73, 62.13

 

CMYK 43 / 0 / 81 / 31

HEX #63AF21

RGB 99 175 33

HSL 92.11, 0.68%, 0.41%

LAB 64.5, -45.92, 59.46

 

CMYK 65 / 0 / 81 / 31

HEX #3DAF21

RGB 61 175 33

HSL 108.17, 0.68%, 0.41%

LAB 63.15, -56.54, 57.71

 

CMYK 81 / 0 / 76 / 31

HEX #21AF2A

RGB 33 175 42

HSL 123.8, 0.68%, 0.41%

LAB 62.63, -60.72, 54.18

 

CMYK 81 / 0 / 54 / 31

HEX #21AF50

RGB 33 175 80

HSL 139.86, 0.68%, 0.41%

LAB 62.98, -56.5, 38.29

 

CMYK 66 / 0 / 81 / 58

HEX #246A14

RGB 36 106 20

HSL 108.84, 0.68%, 0.25%

LAB 39.13, -38.45, 38.84

 

CMYK 66 / 0 / 81 / 45

HEX #308C1A

RGB 48 140 26

HSL 108.42, 0.69%, 0.33%

LAB 51.22, -47.69, 48.51

 

CMYK 66 / 0 / 81 / 31

HEX #3CAF21

RGB 60 175 33

HSL 108.59, 0.68%, 0.41%

LAB 63.12, -56.76, 57.68

 

CMYK 66 / 0 / 81 / 18

HEX #48D228

RGB 72 210 40

HSL 108.71, 0.68%, 0.49%

LAB 74.59, -65.46, 66.48

 

CMYK 55 / 0 / 68 / 14

HEX #63DC47

RGB 99 220 71

HSL 108.72, 0.68%, 0.57%

LAB 78.63, -60.51, 60.42

 

CMYK 66 / 0 / 81 / 31

HEX #3DB122

RGB 61 177 34

HSL 108.67, 0.68%, 0.41%

LAB 63.8, -57.16, 58.03

 

CMYK 81 / 0 / 0 / 31

HEX #21AFAF

RGB 33 175 175

HSL 180, 0.68%, 0.41%

LAB 65.02, -34.56, -10.25

 

CMYK 0 / 81 / 33 / 31

HEX #AF2176

RGB 175 33 118

HSL 324.08, 0.68%, 0.41%

LAB 40.43, 61.4, -12.94

 

CMYK 66 / 0 / 81 / 31

HEX #3DB122

RGB 61 177 34

HSL 108.67, 0.68%, 0.41%

LAB 63.8, -57.16, 58.03

 

CMYK 81 / 65 / 0 / 31

HEX #213DAF

RGB 33 61 175

HSL 228.17, 0.68%, 0.41%

LAB 31.24, 32.67, -63.36

 

CMYK 0 / 81 / 65 / 31

HEX #AF213D

RGB 175 33 61

HSL 348.17, 0.68%, 0.41%

LAB 38.79, 56.52, 20.79

 

CMYK 66 / 0 / 81 / 31

HEX #3DB122

RGB 61 177 34

HSL 108.67, 0.68%, 0.41%

LAB 63.8, -57.16, 58.03

 

CMYK 81 / 0 / 0 / 31

HEX #21AFAF

RGB 33 175 175

HSL 180, 0.68%, 0.41%

LAB 65.02, -34.56, -10.25

 

CMYK 16 / 81 / 0 / 31

HEX #9321AF

RGB 147 33 175

HSL 288.17, 0.68%, 0.41%

LAB 38.53, 63.92, -50.99

 

CMYK 0 / 81 / 81 / 31

HEX #AF2121

RGB 175 33 33

HSL 0, 0.68%, 0.41%

LAB 38.4, 55.29, 37.29

 

CMYK 66 / 0 / 81 / 31

HEX #3DB122

RGB 61 177 34

HSL 108.67, 0.68%, 0.41%

LAB 63.8, -57.16, 58.03

 

CMYK 81 / 25 / 0 / 31

HEX #2184AF

RGB 33 132 175

HSL 198.17, 0.68%, 0.41%

LAB 51.75, -12.44, -30.52

 

CMYK 16 / 81 / 0 / 31

HEX #9321AF

RGB 147 33 175

HSL 288.17, 0.68%, 0.41%

LAB 38.53, 63.92, -50.99

 

CMYK 0 / 57 / 81 / 31

HEX #AF4C21

RGB 175 76 33

HSL 18.17, 0.68%, 0.41%

LAB 44.79, 38.01, 43.52

 

Description

Color code: HEX #3DB122 | qconv.com Color code: HEX #3DB122 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 177 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 177 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 81 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 81% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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