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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB10F it is the complementary color #C24EF0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB10F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB10F shade: #42B10A, #53C31D, #64D530, #75E743 and #86F956

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB10F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB10F shade: #3DB10F, #2C9F00, #1B8D00, #0A7B00 and #006900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB10F shade: #3DB20F, #69B20F, #95B20F, #B2A30F and #B2770F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB10F shade: #3DB20F, #11B20F, #0FB239, #0FB264 and #0FB290

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB10F shade matches the following richer shades: #3DB20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB10F shade: #3DB20F, #44A21F, #4B922E, #52833E and #58734E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB10F shade: #97B20F, #6BB20F, #40B20F, #14B20F and #0FB235

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB10F shade: #236608, #308C0C, #3DB20F, #4AD812 and #5FEC28

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB10F shade: #3DB10F, #0FB2A2 and #B20F81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB10F shade: #3DB10F, #0F40B2 and #B20F40

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB10F shade: #3DB10F, #0FB2A2, #810FB2 and #B20F1F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB10F shade: #3DB10F, #0F91B2, #810FB2 and #B2300F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 92 / 31

HEX #3DB10F

RGB 61 177 15

HSL 102.96, 0.84%, 0.38%

LAB 63.73, -57.96, 62.28

 

Complementary color

CMYK 19 / 68 / 0 / 6

HEX #C24EF0

RGB 194 78 240

HSL 282.96, 0.84%, 0.62%

LAB 55.29, 69.6, -61.08

 

CMYK 63 / 0 / 94 / 31

HEX #42B10A

RGB 66 177 10

HSL 99.88, 0.89%, 0.37%

LAB 63.86, -56.95, 63.15

 

CMYK 57 / 0 / 85 / 24

HEX #53C31D

RGB 83 195 29

HSL 100.48, 0.74%, 0.44%

LAB 70.15, -58.38, 65.32

 

CMYK 53 / 0 / 77 / 16

HEX #64D530

RGB 100 213 48

HSL 101.09, 0.66%, 0.51%

LAB 76.38, -59.35, 66.17

 

CMYK 49 / 0 / 71 / 9

HEX #75E743

RGB 117 231 67

HSL 101.71, 0.77%, 0.58%

LAB 82.56, -59.99, 66.17

 

CMYK 46 / 0 / 65 / 2

HEX #86F956

RGB 134 249 86

HSL 102.33, 0.93%, 0.66%

LAB 88.68, -60.4, 65.68

 

CMYK 66 / 0 / 92 / 31

HEX #3DB10F

RGB 61 177 15

HSL 102.96, 0.84%, 0.38%

LAB 63.73, -57.96, 62.28

 

CMYK 72 / 0 / 100 / 38

HEX #2C9F00

RGB 44 159 0

HSL 103.4, 1%, 0.31%

LAB 57.4, -55.9, 59.07

 

CMYK 81 / 0 / 100 / 45

HEX #1B8D00

RGB 27 141 0

HSL 108.51, 1%, 0.28%

LAB 51.02, -53, 53.85

 

CMYK 92 / 0 / 100 / 52

HEX #0A7B00

RGB 10 123 0

HSL 115.12, 1%, 0.24%

LAB 44.56, -49.4, 48.6

 

CMYK 100 / 0 / 100 / 59

HEX #006900

RGB 0 105 0

HSL 120, 1%, 0.21%

LAB 38.03, -44.89, 43.32

 

CMYK 66 / 0 / 92 / 30

HEX #3DB20F

RGB 61 178 15

HSL 103.07, 0.84%, 0.38%

LAB 64.05, -58.29, 62.55

 

CMYK 41 / 0 / 92 / 30

HEX #69B20F

RGB 105 178 15

HSL 86.87, 0.84%, 0.38%

LAB 65.65, -45.74, 64.53

 

CMYK 16 / 0 / 92 / 30

HEX #95B20F

RGB 149 178 15

HSL 70.67, 0.84%, 0.38%

LAB 68.22, -28.72, 67.68

 

CMYK 0 / 8 / 92 / 30

HEX #B2A30F

RGB 178 163 15

HSL 54.48, 0.84%, 0.38%

LAB 66.29, -8.5, 67.15

 

CMYK 0 / 33 / 92 / 30

HEX #B2770F

RGB 178 119 15

HSL 38.28, 0.84%, 0.38%

LAB 54.75, 15.57, 58.33

 

CMYK 66 / 0 / 92 / 30

HEX #3DB20F

RGB 61 178 15

HSL 103.07, 0.84%, 0.38%

LAB 64.05, -58.29, 62.55

 

CMYK 90 / 0 / 92 / 30

HEX #11B20F

RGB 17 178 15

HSL 119.26, 0.84%, 0.38%

LAB 63.34, -64.54, 61.66

 

CMYK 92 / 0 / 68 / 30

HEX #0FB239

RGB 15 178 57

HSL 135.46, 0.84%, 0.38%

LAB 63.54, -61.93, 49.36

 

CMYK 92 / 0 / 44 / 30

HEX #0FB264

RGB 15 178 100

HSL 151.29, 0.84%, 0.38%

LAB 64.05, -55.7, 29.42

 

CMYK 92 / 0 / 19 / 30

HEX #0FB290

RGB 15 178 144

HSL 167.48, 0.84%, 0.38%

LAB 64.93, -45.83, 6.8

 

CMYK 66 / 0 / 92 / 30

HEX #3DB20F

RGB 61 178 15

HSL 103.07, 0.84%, 0.38%

LAB 64.05, -58.29, 62.55

 

CMYK 66 / 0 / 92 / 30

HEX #3DB20F

RGB 61 178 15

HSL 103.07, 0.84%, 0.38%

LAB 64.05, -58.29, 62.55

 

CMYK 58 / 0 / 81 / 36

HEX #44A21F

RGB 68 162 31

HSL 103.05, 0.68%, 0.38%

LAB 59.13, -50.36, 54.63

 

CMYK 49 / 0 / 68 / 43

HEX #4B922E

RGB 75 146 46

HSL 102.6, 0.52%, 0.38%

LAB 54.29, -40.99, 44.42

 

CMYK 37 / 0 / 53 / 49

HEX #52833E

RGB 82 131 62

HSL 102.61, 0.36%, 0.38%

LAB 49.95, -30.22, 31.91

 

CMYK 23 / 0 / 32 / 55

HEX #58734E

RGB 88 115 78

HSL 103.78, 0.19%, 0.38%

LAB 45.48, -17.47, 17.37

 

CMYK 15 / 0 / 92 / 30

HEX #97B20F

RGB 151 178 15

HSL 69.94, 0.84%, 0.38%

LAB 68.35, -27.88, 67.85

 

CMYK 40 / 0 / 92 / 30

HEX #6BB20F

RGB 107 178 15

HSL 86.13, 0.84%, 0.38%

LAB 65.75, -45.05, 64.65

 

CMYK 64 / 0 / 92 / 30

HEX #40B20F

RGB 64 178 15

HSL 101.96, 0.84%, 0.38%

LAB 64.13, -57.63, 62.65

 

CMYK 89 / 0 / 92 / 30

HEX #14B20F

RGB 20 178 15

HSL 118.16, 0.84%, 0.38%

LAB 63.36, -64.32, 61.69

 

CMYK 92 / 0 / 70 / 30

HEX #0FB235

RGB 15 178 53

HSL 133.99, 0.84%, 0.38%

LAB 63.51, -62.32, 50.94

 

CMYK 66 / 0 / 92 / 60

HEX #236608

RGB 35 102 8

HSL 102.77, 0.85%, 0.22%

LAB 37.62, -37.87, 41.06

 

CMYK 66 / 0 / 91 / 45

HEX #308C0C

RGB 48 140 12

HSL 103.13, 0.84%, 0.3%

LAB 51.16, -48.35, 52.01

 

CMYK 66 / 0 / 92 / 30

HEX #3DB20F

RGB 61 178 15

HSL 103.07, 0.84%, 0.38%

LAB 64.05, -58.29, 62.55

 

CMYK 66 / 0 / 92 / 15

HEX #4AD812

RGB 74 216 18

HSL 103.03, 0.85%, 0.46%

LAB 76.44, -67.8, 72.61

 

CMYK 60 / 0 / 83 / 7

HEX #5FEC28

RGB 95 236 40

HSL 103.16, 0.84%, 0.54%

LAB 83.22, -68.95, 74.55

 

CMYK 66 / 0 / 92 / 31

HEX #3DB10F

RGB 61 177 15

HSL 102.96, 0.84%, 0.38%

LAB 63.73, -57.96, 62.28

 

CMYK 92 / 0 / 9 / 30

HEX #0FB2A2

RGB 15 178 162

HSL 174.11, 0.84%, 0.38%

LAB 65.4, -40.91, -2.49

 

CMYK 0 / 92 / 28 / 30

HEX #B20F81

RGB 178 15 129

HSL 318.04, 0.84%, 0.38%

LAB 40.23, 66.89, -20.02

 

CMYK 66 / 0 / 92 / 31

HEX #3DB10F

RGB 61 177 15

HSL 102.96, 0.84%, 0.38%

LAB 63.73, -57.96, 62.28

 

CMYK 92 / 64 / 0 / 30

HEX #0F40B2

RGB 15 64 178

HSL 221.96, 0.84%, 0.38%

LAB 31.77, 30.67, -64.3

 

CMYK 0 / 92 / 64 / 30

HEX #B20F40

RGB 178 15 64

HSL 341.96, 0.84%, 0.38%

LAB 38.16, 61.24, 18.17

 

CMYK 66 / 0 / 92 / 31

HEX #3DB10F

RGB 61 177 15

HSL 102.96, 0.84%, 0.38%

LAB 63.73, -57.96, 62.28

 

CMYK 92 / 0 / 9 / 30

HEX #0FB2A2

RGB 15 178 162

HSL 174.11, 0.84%, 0.38%

LAB 65.4, -40.91, -2.49

 

CMYK 28 / 92 / 0 / 30

HEX #810FB2

RGB 129 15 178

HSL 281.96, 0.84%, 0.38%

LAB 34.44, 65.71, -59.53

 

CMYK 0 / 92 / 83 / 30

HEX #B20F1F

RGB 178 15 31

HSL 354.11, 0.84%, 0.38%

LAB 37.67, 59.87, 37.91

 

CMYK 66 / 0 / 92 / 31

HEX #3DB10F

RGB 61 177 15

HSL 102.96, 0.84%, 0.38%

LAB 63.73, -57.96, 62.28

 

CMYK 92 / 19 / 0 / 30

HEX #0F91B2

RGB 15 145 178

HSL 192.15, 0.84%, 0.38%

LAB 55.65, -19.82, -26.21

 

CMYK 28 / 92 / 0 / 30

HEX #810FB2

RGB 129 15 178

HSL 281.96, 0.84%, 0.38%

LAB 34.44, 65.71, -59.53

 

CMYK 0 / 73 / 92 / 30

HEX #B2300F

RGB 178 48 15

HSL 12.15, 0.84%, 0.38%

LAB 40.59, 50.97, 47.93

 

Description

Color code: HEX #3DB10F | qconv.com Color code: HEX #3DB10F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 177 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 177 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 92 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 92% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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