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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DB806 it is the complementary color #C247F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DB806. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DB806 shade: #42B801, #53CA14, #64DC27, #75EE3A and #86FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DB806. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DB806 shade: #3DB806, #2CA600, #1B9400, #0A8200 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DB806 shade: #3CB705, #6CB705, #9CB705, #B7A205 and #B77205

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DB806 shade: #3CB705, #0CB705, #05B72E, #05B75E and #05B78E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DB806 shade matches the following richer shades: #3CB705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DB806 shade: #3CB705, #42A714, #489824, #4D8933 and #537942

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DB806 shade: #9CB705, #6DB705, #3DB705, #0EB705 and #05B72C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DB806 shade: #226603, #2F8F04, #3CB705, #49DF06 and #5CF717

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DB806 shade: #3DB806, #05B7A2 and #B70584

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DB806 shade: #3DB806, #053DB7 and #B7053D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DB806 shade: #3DB806, #05B7A2, #7E05B7 and #B7051A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DB806 shade: #3DB806, #0596B7, #7E05B7 and #B72605

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 0 / 97 / 28

HEX #3DB806

RGB 61 184 6

HSL 101.46, 0.94%, 0.37%

LAB 65.97, -60.47, 65.32

 

Complementary color

CMYK 22 / 71 / 0 / 2

HEX #C247F9

RGB 194 71 249

HSL 281.46, 0.94%, 0.63%

LAB 54.88, 74.1, -66.75

 

CMYK 64 / 0 / 99 / 28

HEX #42B801

RGB 66 184 1

HSL 98.69, 0.99%, 0.36%

LAB 66.09, -59.49, 66.08

 

CMYK 59 / 0 / 90 / 21

HEX #53CA14

RGB 83 202 20

HSL 99.23, 0.82%, 0.44%

LAB 72.32, -61.11, 68.95

 

CMYK 55 / 0 / 82 / 14

HEX #64DC27

RGB 100 220 39

HSL 99.78, 0.72%, 0.51%

LAB 78.49, -62.3, 70.6

 

CMYK 51 / 0 / 76 / 7

HEX #75EE3A

RGB 117 238 58

HSL 100.33, 0.84%, 0.58%

LAB 84.61, -63.14, 71.19

 

CMYK 47 / 0 / 70 / 0

HEX #86FF4D

RGB 134 255 77

HSL 100.79, 1%, 0.65%

LAB 90.38, -63.33, 70.8

 

CMYK 67 / 0 / 97 / 28

HEX #3DB806

RGB 61 184 6

HSL 101.46, 0.94%, 0.37%

LAB 65.97, -60.47, 65.32

 

CMYK 73 / 0 / 100 / 35

HEX #2CA600

RGB 44 166 0

HSL 104.1, 1%, 0.33%

LAB 59.71, -58.12, 60.92

 

CMYK 82 / 0 / 100 / 42

HEX #1B9400

RGB 27 148 0

HSL 109.05, 1%, 0.29%

LAB 53.4, -55.16, 55.75

 

CMYK 92 / 0 / 100 / 49

HEX #0A8200

RGB 10 130 0

HSL 115.38, 1%, 0.25%

LAB 47.01, -51.51, 50.56

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 67 / 0 / 97 / 28

HEX #3CB705

RGB 60 183 5

HSL 101.46, 0.95%, 0.37%

LAB 65.62, -60.37, 65.15

 

CMYK 41 / 0 / 97 / 28

HEX #6CB705

RGB 108 183 5

HSL 85.28, 0.95%, 0.37%

LAB 67.33, -46.93, 67.23

 

CMYK 15 / 0 / 97 / 28

HEX #9CB705

RGB 156 183 5

HSL 69.1, 0.95%, 0.37%

LAB 70.14, -28.33, 70.63

 

CMYK 0 / 11 / 97 / 28

HEX #B7A205

RGB 183 162 5

HSL 52.92, 0.95%, 0.37%

LAB 66.46, -5.87, 68.85

 

CMYK 0 / 38 / 97 / 28

HEX #B77205

RGB 183 114 5

HSL 36.74, 0.95%, 0.37%

LAB 54.15, 20.43, 60.11

 

CMYK 67 / 0 / 97 / 28

HEX #3CB705

RGB 60 183 5

HSL 101.46, 0.95%, 0.37%

LAB 65.62, -60.37, 65.15

 

CMYK 93 / 0 / 97 / 28

HEX #0CB705

RGB 12 183 5

HSL 117.64, 0.95%, 0.37%

LAB 64.93, -66.49, 64.3

 

CMYK 97 / 0 / 75 / 28

HEX #05B72E

RGB 5 183 46

HSL 133.82, 0.95%, 0.37%

LAB 65.04, -64.92, 55.11

 

CMYK 97 / 0 / 49 / 28

HEX #05B75E

RGB 5 183 94

HSL 150, 0.95%, 0.37%

LAB 65.52, -58.94, 34.39

 

CMYK 97 / 0 / 22 / 28

HEX #05B78E

RGB 5 183 142

HSL 166.18, 0.95%, 0.37%

LAB 66.41, -48.77, 10

 

CMYK 67 / 0 / 97 / 28

HEX #3CB705

RGB 60 183 5

HSL 101.46, 0.95%, 0.37%

LAB 65.62, -60.37, 65.15

 

CMYK 67 / 0 / 97 / 28

HEX #3CB705

RGB 60 183 5

HSL 101.46, 0.95%, 0.37%

LAB 65.62, -60.37, 65.15

 

CMYK 60 / 0 / 88 / 35

HEX #42A714

RGB 66 167 20

HSL 101.22, 0.79%, 0.37%

LAB 60.65, -53.19, 58.77

 

CMYK 53 / 0 / 76 / 40

HEX #489824

RGB 72 152 36

HSL 101.38, 0.62%, 0.37%

LAB 56.05, -45.13, 50.09

 

CMYK 44 / 0 / 63 / 46

HEX #4D8933

RGB 77 137 51

HSL 101.86, 0.46%, 0.37%

LAB 51.51, -36, 39.15

 

CMYK 31 / 0 / 45 / 53

HEX #537942

RGB 83 121 66

HSL 101.45, 0.29%, 0.37%

LAB 46.85, -24.42, 25.93

 

CMYK 15 / 0 / 97 / 28

HEX #9CB705

RGB 156 183 5

HSL 69.1, 0.95%, 0.37%

LAB 70.14, -28.33, 70.63

 

CMYK 40 / 0 / 97 / 28

HEX #6DB705

RGB 109 183 5

HSL 84.94, 0.95%, 0.37%

LAB 67.37, -46.59, 67.29

 

CMYK 67 / 0 / 97 / 28

HEX #3DB705

RGB 61 183 5

HSL 101.12, 0.95%, 0.37%

LAB 65.65, -60.16, 65.18

 

CMYK 92 / 0 / 97 / 28

HEX #0EB705

RGB 14 183 5

HSL 116.97, 0.95%, 0.37%

LAB 64.94, -66.38, 64.31

 

CMYK 97 / 0 / 76 / 28

HEX #05B72C

RGB 5 183 44

HSL 133.15, 0.95%, 0.37%

LAB 65.03, -65.07, 55.79

 

CMYK 67 / 0 / 97 / 60

HEX #226603

RGB 34 102 3

HSL 101.21, 0.94%, 0.21%

LAB 37.57, -38.37, 42.36

 

CMYK 67 / 0 / 97 / 44

HEX #2F8F04

RGB 47 143 4

HSL 101.44, 0.95%, 0.29%

LAB 52.13, -49.87, 54.21

 

CMYK 67 / 0 / 97 / 28

HEX #3CB705

RGB 60 183 5

HSL 101.46, 0.95%, 0.37%

LAB 65.62, -60.37, 65.15

 

CMYK 67 / 0 / 97 / 13

HEX #49DF06

RGB 73 223 6

HSL 101.47, 0.95%, 0.45%

LAB 78.58, -70.42, 75.64

 

CMYK 63 / 0 / 91 / 3

HEX #5CF717

RGB 92 247 23

HSL 101.52, 0.93%, 0.53%

LAB 86.43, -73.74, 80.43

 

CMYK 67 / 0 / 97 / 28

HEX #3DB806

RGB 61 184 6

HSL 101.46, 0.94%, 0.37%

LAB 65.97, -60.47, 65.32

 

CMYK 97 / 0 / 11 / 28

HEX #05B7A2

RGB 5 183 162

HSL 172.92, 0.95%, 0.37%

LAB 66.91, -43.46, -0.29

 

CMYK 0 / 97 / 28 / 28

HEX #B70584

RGB 183 5 132

HSL 317.19, 0.95%, 0.37%

LAB 40.96, 69.39, -20.66

 

CMYK 67 / 0 / 97 / 28

HEX #3DB806

RGB 61 184 6

HSL 101.46, 0.94%, 0.37%

LAB 65.97, -60.47, 65.32

 

CMYK 97 / 67 / 0 / 28

HEX #053DB7

RGB 5 61 183

HSL 221.12, 0.95%, 0.37%

LAB 31.32, 34.25, -68.01

 

CMYK 0 / 97 / 67 / 28

HEX #B7053D

RGB 183 5 61

HSL 341.12, 0.95%, 0.37%

LAB 38.75, 63.51, 21.06

 

CMYK 67 / 0 / 97 / 28

HEX #3DB806

RGB 61 184 6

HSL 101.46, 0.94%, 0.37%

LAB 65.97, -60.47, 65.32

 

CMYK 97 / 0 / 11 / 28

HEX #05B7A2

RGB 5 183 162

HSL 172.92, 0.95%, 0.37%

LAB 66.91, -43.46, -0.29

 

CMYK 31 / 97 / 0 / 28

HEX #7E05B7

RGB 126 5 183

HSL 280.79, 0.95%, 0.37%

LAB 33.91, 67.73, -63.4

 

CMYK 0 / 97 / 86 / 28

HEX #B7051A

RGB 183 5 26

HSL 352.92, 0.95%, 0.37%

LAB 38.29, 62.25, 41.6

 

CMYK 67 / 0 / 97 / 28

HEX #3DB806

RGB 61 184 6

HSL 101.46, 0.94%, 0.37%

LAB 65.97, -60.47, 65.32

 

CMYK 97 / 18 / 0 / 28

HEX #0596B7

RGB 5 150 183

HSL 191.12, 0.95%, 0.37%

LAB 57.33, -21.11, -26.46

 

CMYK 31 / 97 / 0 / 28

HEX #7E05B7

RGB 126 5 183

HSL 280.79, 0.95%, 0.37%

LAB 33.91, 67.73, -63.4

 

CMYK 0 / 79 / 97 / 28

HEX #B72605

RGB 183 38 5

HSL 11.12, 0.95%, 0.37%

LAB 40.35, 55.73, 51.57

 

Description

Color code: HEX #3DB806 | qconv.com Color code: HEX #3DB806 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 184 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 184 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, none magenta, 97 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 0% 97% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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