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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DAD61 it is the complementary color #C2529E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DAD61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DAD61 shade: #42AD5C, #53BF6F, #64D182, #75E395 and #86F5A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DAD61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DAD61 shade: #3DAD61, #2C9B4E, #1B893B, #0A7728 and #006515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DAD61 shade: #3CAD61, #3CAD42, #55AD3C, #73AD3C and #92AD3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DAD61 shade: #3CAD61, #3CAD7F, #3CAD9D, #3C9EAD and #3C80AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DAD61 shade matches the following richer shades: #3CAD61, #2AC05A, #17D353 and #04E64C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DAD61 shade: #3CAD61, #4F9A67, #62876E, #757475 and #88617C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DAD61 shade: #55AD3C, #3CAD42, #3CAD60, #3CAD7E and #3CAD9C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DAD61 shade: #27703F, #328F50, #3CAD61, #51C275 and #70CC8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DAD61 shade: #3DAD61, #3C73AD and #AD3C46

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DAD61 shade: #3DAD61, #603CAD and #AD603C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DAD61 shade: #3DAD61, #3C73AD, #AD3C89 and #AD773C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DAD61 shade: #3DAD61, #3C51AD, #AD3C89 and #AD983C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 44 / 32

HEX #3DAD61

RGB 61 173 97

HSL 139.29, 0.48%, 0.46%

LAB 63.13, -48.59, 29.95

 

Complementary color

CMYK 0 / 58 / 19 / 24

HEX #C2529E

RGB 194 82 158

HSL 319.29, 0.48%, 0.54%

LAB 51.81, 53.52, -19.5

 

CMYK 62 / 0 / 47 / 32

HEX #42AD5C

RGB 66 173 92

HSL 134.58, 0.45%, 0.47%

LAB 63.19, -48.37, 32.65

 

CMYK 57 / 0 / 42 / 25

HEX #53BF6F

RGB 83 191 111

HSL 135.56, 0.46%, 0.54%

LAB 69.65, -48.52, 31.23

 

CMYK 52 / 0 / 38 / 18

HEX #64D182

RGB 100 209 130

HSL 136.51, 0.54%, 0.61%

LAB 76.02, -48.5, 29.88

 

CMYK 48 / 0 / 34 / 11

HEX #75E395

RGB 117 227 149

HSL 137.45, 0.66%, 0.67%

LAB 82.32, -48.38, 28.62

 

CMYK 45 / 0 / 31 / 4

HEX #86F5A8

RGB 134 245 168

HSL 138.38, 0.85%, 0.74%

LAB 88.54, -48.2, 27.44

 

CMYK 65 / 0 / 44 / 32

HEX #3DAD61

RGB 61 173 97

HSL 139.29, 0.48%, 0.46%

LAB 63.13, -48.59, 29.95

 

CMYK 72 / 0 / 50 / 39

HEX #2C9B4E

RGB 44 155 78

HSL 138.38, 0.56%, 0.39%

LAB 56.61, -48.08, 31.49

 

CMYK 80 / 0 / 57 / 46

HEX #1B893B

RGB 27 137 59

HSL 137.45, 0.67%, 0.32%

LAB 50.03, -47.09, 33.11

 

CMYK 92 / 0 / 66 / 53

HEX #0A7728

RGB 10 119 40

HSL 136.51, 0.84%, 0.25%

LAB 43.38, -45.31, 34.68

 

CMYK 100 / 0 / 79 / 60

HEX #006515

RGB 0 101 21

HSL 132.48, 1%, 0.2%

LAB 36.67, -42.36, 35.82

 

CMYK 65 / 0 / 44 / 32

HEX #3CAD61

RGB 60 173 97

HSL 139.65, 0.48%, 0.46%

LAB 63.1, -48.79, 29.91

 

CMYK 65 / 0 / 62 / 32

HEX #3CAD42

RGB 60 173 66

HSL 123.19, 0.48%, 0.46%

LAB 62.71, -53.26, 44.74

 

CMYK 51 / 0 / 65 / 32

HEX #55AD3C

RGB 85 173 60

HSL 106.73, 0.48%, 0.46%

LAB 63.46, -47.59, 48.45

 

CMYK 34 / 0 / 65 / 32

HEX #73AD3C

RGB 115 173 60

HSL 90.8, 0.48%, 0.46%

LAB 64.85, -37.69, 50.36

 

CMYK 16 / 0 / 65 / 32

HEX #92AD3C

RGB 146 173 60

HSL 74.34, 0.48%, 0.46%

LAB 66.77, -25.6, 52.98

 

CMYK 65 / 0 / 44 / 32

HEX #3CAD61

RGB 60 173 97

HSL 139.65, 0.48%, 0.46%

LAB 63.1, -48.79, 29.91

 

CMYK 65 / 0 / 27 / 32

HEX #3CAD7F

RGB 60 173 127

HSL 155.58, 0.48%, 0.46%

LAB 63.66, -42.82, 14.48

 

CMYK 65 / 0 / 9 / 32

HEX #3CAD9D

RGB 60 173 157

HSL 171.5, 0.48%, 0.46%

LAB 64.39, -35.41, -1.11

 

CMYK 65 / 9 / 0 / 32

HEX #3C9EAD

RGB 60 158 173

HSL 187.96, 0.48%, 0.46%

LAB 60.28, -23.5, -16.22

 

CMYK 65 / 26 / 0 / 32

HEX #3C80AD

RGB 60 128 173

HSL 203.89, 0.48%, 0.46%

LAB 51.17, -7.12, -30.22

 

CMYK 65 / 0 / 44 / 32

HEX #3CAD61

RGB 60 173 97

HSL 139.65, 0.48%, 0.46%

LAB 63.1, -48.79, 29.91

 

CMYK 78 / 0 / 53 / 25

HEX #2AC05A

RGB 42 192 90

HSL 139.2, 0.64%, 0.46%

LAB 68.7, -59.73, 40.39

 

CMYK 89 / 0 / 61 / 17

HEX #17D353

RGB 23 211 83

HSL 139.15, 0.8%, 0.46%

LAB 74.44, -68.59, 50.39

 

CMYK 98 / 0 / 67 / 10

HEX #04E64C

RGB 4 230 76

HSL 139.12, 0.97%, 0.46%

LAB 80.26, -75.8, 59.76

 

CMYK 65 / 0 / 44 / 32

HEX #3CAD61

RGB 60 173 97

HSL 139.65, 0.48%, 0.46%

LAB 63.1, -48.79, 29.91

 

CMYK 49 / 0 / 33 / 40

HEX #4F9A67

RGB 79 154 103

HSL 139.2, 0.32%, 0.46%

LAB 57.8, -35.14, 19.77

 

CMYK 27 / 0 / 19 / 47

HEX #62876E

RGB 98 135 110

HSL 139.46, 0.16%, 0.46%

LAB 53, -18.42, 9.32

 

CMYK 0 / 1 / 0 / 54

HEX #757475

RGB 117 116 117

HSL 300, 0%, 0.46%

LAB 48.95, 0.59, -0.42

 

CMYK 0 / 29 / 9 / 47

HEX #88617C

RGB 136 97 124

HSL 318.46, 0.17%, 0.46%

LAB 45.96, 20.42, -8.83

 

CMYK 51 / 0 / 65 / 32

HEX #55AD3C

RGB 85 173 60

HSL 106.73, 0.48%, 0.46%

LAB 63.46, -47.59, 48.45

 

CMYK 65 / 0 / 62 / 32

HEX #3CAD42

RGB 60 173 66

HSL 123.19, 0.48%, 0.46%

LAB 62.71, -53.26, 44.74

 

CMYK 65 / 0 / 45 / 32

HEX #3CAD60

RGB 60 173 96

HSL 139.12, 0.48%, 0.46%

LAB 63.09, -48.96, 30.41

 

CMYK 65 / 0 / 27 / 32

HEX #3CAD7E

RGB 60 173 126

HSL 155.04, 0.48%, 0.46%

LAB 63.63, -43.04, 15

 

CMYK 65 / 0 / 10 / 32

HEX #3CAD9C

RGB 60 173 156

HSL 170.97, 0.48%, 0.46%

LAB 64.36, -35.68, -0.59

 

CMYK 65 / 0 / 44 / 56

HEX #27703F

RGB 39 112 63

HSL 139.73, 0.48%, 0.3%

LAB 41.81, -34.46, 20.74

 

CMYK 65 / 0 / 44 / 44

HEX #328F50

RGB 50 143 80

HSL 139.35, 0.48%, 0.38%

LAB 52.84, -41.88, 25.66

 

CMYK 65 / 0 / 44 / 32

HEX #3CAD61

RGB 60 173 97

HSL 139.65, 0.48%, 0.46%

LAB 63.1, -48.79, 29.91

 

CMYK 58 / 0 / 40 / 24

HEX #51C275

RGB 81 194 117

HSL 139.12, 0.48%, 0.54%

LAB 70.61, -49.16, 29.36

 

CMYK 45 / 0 / 30 / 20

HEX #70CC8E

RGB 112 204 142

HSL 139.57, 0.47%, 0.62%

LAB 75.19, -41.09, 22.58

 

CMYK 65 / 0 / 44 / 32

HEX #3DAD61

RGB 61 173 97

HSL 139.29, 0.48%, 0.46%

LAB 63.13, -48.59, 29.95

 

CMYK 65 / 34 / 0 / 32

HEX #3C73AD

RGB 60 115 173

HSL 210.8, 0.48%, 0.46%

LAB 47.29, 0.6, -36.3

 

CMYK 0 / 65 / 60 / 32

HEX #AD3C46

RGB 173 60 70

HSL 354.69, 0.48%, 0.46%

LAB 42.09, 46.78, 19.4

 

CMYK 65 / 0 / 44 / 32

HEX #3DAD61

RGB 61 173 97

HSL 139.29, 0.48%, 0.46%

LAB 63.13, -48.59, 29.95

 

CMYK 45 / 65 / 0 / 32

HEX #603CAD

RGB 96 60 173

HSL 259.12, 0.48%, 0.46%

LAB 35.47, 42.09, -55.07

 

CMYK 0 / 45 / 65 / 32

HEX #AD603C

RGB 173 96 60

HSL 19.12, 0.48%, 0.46%

LAB 48.98, 27.99, 33.88

 

CMYK 65 / 0 / 44 / 32

HEX #3DAD61

RGB 61 173 97

HSL 139.29, 0.48%, 0.46%

LAB 63.13, -48.59, 29.95

 

CMYK 65 / 34 / 0 / 32

HEX #3C73AD

RGB 60 115 173

HSL 210.8, 0.48%, 0.46%

LAB 47.29, 0.6, -36.3

 

CMYK 0 / 65 / 21 / 32

HEX #AD3C89

RGB 173 60 137

HSL 319.12, 0.48%, 0.46%

LAB 44.12, 54.07, -19.01

 

CMYK 0 / 31 / 65 / 32

HEX #AD773C

RGB 173 119 60

HSL 31.33, 0.48%, 0.46%

LAB 54.45, 15.16, 40.22

 

CMYK 65 / 0 / 44 / 32

HEX #3DAD61

RGB 61 173 97

HSL 139.29, 0.48%, 0.46%

LAB 63.13, -48.59, 29.95

 

CMYK 65 / 53 / 0 / 32

HEX #3C51AD

RGB 60 81 173

HSL 228.85, 0.48%, 0.46%

LAB 37.59, 22.23, -51.77

 

CMYK 0 / 65 / 21 / 32

HEX #AD3C89

RGB 173 60 137

HSL 319.12, 0.48%, 0.46%

LAB 44.12, 54.07, -19.01

 

CMYK 0 / 12 / 65 / 32

HEX #AD983C

RGB 173 152 60

HSL 48.85, 0.48%, 0.46%

LAB 63.07, -3.13, 49.71

 

Description

Color code: HEX #3DAD61 | qconv.com Color code: HEX #3DAD61 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 173 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 173 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 44 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 44% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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