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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3DA12D it is the complementary color #C25ED2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3DA12D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3DA12D shade: #42A128, #53B33B, #64C54E, #75D761 and #86E974

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3DA12D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3DA12D shade: #3DA12D, #2C8F1A, #1B7D07, #0A6B00 and #005900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3DA12D shade: #3C9F2C, #5B9F2C, #7A9F2C, #999F2C and #9F862C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3DA12D shade: #3C9F2C, #2C9F3B, #2C9F5A, #2C9F79 and #2C9F98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3DA12D shade matches the following richer shades: #3C9F2C, #30AF1C and #24C00B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3DA12D shade: #3C9F2C, #488E3D, #547E4D, #606D5E and #6C5D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3DA12D shade: #7A9F2C, #5C9F2C, #3E9F2C, #2C9F3A and #2C9F58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3DA12D shade: #245E1A, #307E23, #3C9F2C, #48BF35 and #61CD50

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3DA12D shade: #3DA12D, #2C999F and #9F2C6B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3DA12D shade: #3DA12D, #2C3E9F and #9F2C3E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3DA12D shade: #3DA12D, #2C999F, #8D2C9F and #9F322C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3DA12D shade: #3DA12D, #2C779F, #8D2C9F and #9F542C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 72 / 37

HEX #3DA12D

RGB 61 161 45

HSL 111.72, 0.56%, 0.4%

LAB 58.67, -50.79, 49.26

 

Complementary color

CMYK 8 / 55 / 0 / 18

HEX #C25ED2

RGB 194 94 210

HSL 291.72, 0.56%, 0.6%

LAB 56.22, 56.69, -42.7

 

CMYK 59 / 0 / 75 / 37

HEX #42A128

RGB 66 161 40

HSL 107.11, 0.6%, 0.39%

LAB 58.79, -49.94, 51.31

 

CMYK 54 / 0 / 67 / 30

HEX #53B33B

RGB 83 179 59

HSL 108, 0.5%, 0.47%

LAB 65.27, -50.58, 50.81

 

CMYK 49 / 0 / 60 / 23

HEX #64C54E

RGB 100 197 78

HSL 108.91, 0.51%, 0.54%

LAB 71.69, -50.91, 49.89

 

CMYK 46 / 0 / 55 / 16

HEX #75D761

RGB 117 215 97

HSL 109.83, 0.6%, 0.61%

LAB 78.02, -51.04, 48.78

 

CMYK 42 / 0 / 50 / 9

HEX #86E974

RGB 134 233 116

HSL 110.77, 0.73%, 0.68%

LAB 84.28, -51.04, 47.6

 

CMYK 62 / 0 / 72 / 37

HEX #3DA12D

RGB 61 161 45

HSL 111.72, 0.56%, 0.4%

LAB 58.67, -50.79, 49.26

 

CMYK 69 / 0 / 82 / 44

HEX #2C8F1A

RGB 44 143 26

HSL 110.77, 0.69%, 0.33%

LAB 52.12, -49.63, 49.32

 

CMYK 78 / 0 / 94 / 51

HEX #1B7D07

RGB 27 125 7

HSL 109.83, 0.89%, 0.26%

LAB 45.52, -47.66, 47.98

 

CMYK 91 / 0 / 100 / 58

HEX #0A6B00

RGB 10 107 0

HSL 114.39, 1%, 0.21%

LAB 38.86, -44.47, 44.04

 

CMYK 100 / 0 / 100 / 65

HEX #005900

RGB 0 89 0

HSL 120, 1%, 0.17%

LAB 32.13, -39.99, 38.6

 

CMYK 62 / 0 / 72 / 38

HEX #3C9F2C

RGB 60 159 44

HSL 111.65, 0.57%, 0.4%

LAB 57.98, -50.39, 48.93

 

CMYK 43 / 0 / 72 / 38

HEX #5B9F2C

RGB 91 159 44

HSL 95.48, 0.57%, 0.4%

LAB 59.16, -41.34, 50.52

 

CMYK 23 / 0 / 72 / 38

HEX #7A9F2C

RGB 122 159 44

HSL 79.3, 0.57%, 0.4%

LAB 60.88, -29.71, 52.81

 

CMYK 4 / 0 / 72 / 38

HEX #999F2C

RGB 153 159 44

HSL 63.13, 0.57%, 0.4%

LAB 63.14, -16.57, 55.78

 

CMYK 0 / 16 / 72 / 38

HEX #9F862C

RGB 159 134 44

HSL 46.96, 0.57%, 0.4%

LAB 56.69, -0.48, 49.62

 

CMYK 62 / 0 / 72 / 38

HEX #3C9F2C

RGB 60 159 44

HSL 111.65, 0.57%, 0.4%

LAB 57.98, -50.39, 48.93

 

CMYK 72 / 0 / 63 / 38

HEX #2C9F3B

RGB 44 159 59

HSL 127.83, 0.57%, 0.4%

LAB 57.7, -52.2, 42.14

 

CMYK 72 / 0 / 43 / 38

HEX #2C9F5A

RGB 44 159 90

HSL 144, 0.57%, 0.4%

LAB 58.1, -47.53, 27.06

 

CMYK 72 / 0 / 24 / 38

HEX #2C9F79

RGB 44 159 121

HSL 160.17, 0.57%, 0.4%

LAB 58.71, -40.92, 10.82

 

CMYK 72 / 0 / 4 / 38

HEX #2C9F98

RGB 44 159 152

HSL 176.35, 0.57%, 0.4%

LAB 59.52, -32.65, -5.51

 

CMYK 62 / 0 / 72 / 38

HEX #3C9F2C

RGB 60 159 44

HSL 111.65, 0.57%, 0.4%

LAB 57.98, -50.39, 48.93

 

CMYK 73 / 0 / 84 / 31

HEX #30AF1C

RGB 48 175 28

HSL 111.84, 0.72%, 0.4%

LAB 62.82, -59.37, 58.66

 

CMYK 81 / 0 / 94 / 25

HEX #24C00B

RGB 36 192 11

HSL 111.71, 0.89%, 0.4%

LAB 68.09, -66.88, 66.28

 

CMYK 62 / 0 / 72 / 38

HEX #3C9F2C

RGB 60 159 44

HSL 111.65, 0.57%, 0.4%

LAB 57.98, -50.39, 48.93

 

CMYK 49 / 0 / 57 / 44

HEX #488E3D

RGB 72 142 61

HSL 111.85, 0.4%, 0.4%

LAB 53.02, -38.63, 35.98

 

CMYK 33 / 0 / 39 / 51

HEX #547E4D

RGB 84 126 77

HSL 111.43, 0.24%, 0.4%

LAB 48.69, -24.86, 22.17

 

CMYK 12 / 0 / 14 / 57

HEX #606D5E

RGB 96 109 94

HSL 112, 0.07%, 0.4%

LAB 44.56, -8.06, 6.73

 

CMYK 2 / 15 / 0 / 57

HEX #6C5D6E

RGB 108 93 110

HSL 292.94, 0.08%, 0.4%

LAB 41.44, 9.45, -7.41

 

CMYK 23 / 0 / 72 / 38

HEX #7A9F2C

RGB 122 159 44

HSL 79.3, 0.57%, 0.4%

LAB 60.88, -29.71, 52.81

 

CMYK 42 / 0 / 72 / 38

HEX #5C9F2C

RGB 92 159 44

HSL 94.96, 0.57%, 0.4%

LAB 59.21, -41, 50.58

 

CMYK 61 / 0 / 72 / 38

HEX #3E9F2C

RGB 62 159 44

HSL 110.61, 0.57%, 0.4%

LAB 58.04, -49.9, 49.01

 

CMYK 72 / 0 / 64 / 38

HEX #2C9F3A

RGB 44 159 58

HSL 127.3, 0.57%, 0.4%

LAB 57.69, -52.32, 42.58

 

CMYK 72 / 0 / 45 / 38

HEX #2C9F58

RGB 44 159 88

HSL 142.96, 0.57%, 0.4%

LAB 58.07, -47.89, 28.09

 

CMYK 62 / 0 / 72 / 63

HEX #245E1A

RGB 36 94 26

HSL 111.18, 0.57%, 0.24%

LAB 34.91, -33.15, 32.1

 

CMYK 62 / 0 / 72 / 51

HEX #307E23

RGB 48 126 35

HSL 111.43, 0.57%, 0.32%

LAB 46.54, -41.82, 40.57

 

CMYK 62 / 0 / 72 / 38

HEX #3C9F2C

RGB 60 159 44

HSL 111.65, 0.57%, 0.4%

LAB 57.98, -50.39, 48.93

 

CMYK 62 / 0 / 72 / 25

HEX #48BF35

RGB 72 191 53

HSL 111.74, 0.57%, 0.48%

LAB 68.68, -58.24, 56.61

 

CMYK 53 / 0 / 61 / 20

HEX #61CD50

RGB 97 205 80

HSL 111.84, 0.56%, 0.56%

LAB 74.05, -54.63, 51.66

 

CMYK 62 / 0 / 72 / 37

HEX #3DA12D

RGB 61 161 45

HSL 111.72, 0.56%, 0.4%

LAB 58.67, -50.79, 49.26

 

CMYK 72 / 4 / 0 / 38

HEX #2C999F

RGB 44 153 159

HSL 183.13, 0.57%, 0.4%

LAB 57.87, -27.65, -11.96

 

CMYK 0 / 72 / 33 / 38

HEX #9F2C6B

RGB 159 44 107

HSL 327.13, 0.57%, 0.4%

LAB 38.26, 52.47, -9.62

 

CMYK 62 / 0 / 72 / 37

HEX #3DA12D

RGB 61 161 45

HSL 111.72, 0.56%, 0.4%

LAB 58.67, -50.79, 49.26

 

CMYK 72 / 61 / 0 / 38

HEX #2C3E9F

RGB 44 62 159

HSL 230.61, 0.57%, 0.4%

LAB 30.6, 27.19, -54.77

 

CMYK 0 / 72 / 61 / 38

HEX #9F2C3E

RGB 159 44 62

HSL 350.61, 0.57%, 0.4%

LAB 36.97, 48.16, 17.18

 

CMYK 62 / 0 / 72 / 37

HEX #3DA12D

RGB 61 161 45

HSL 111.72, 0.56%, 0.4%

LAB 58.67, -50.79, 49.26

 

CMYK 72 / 4 / 0 / 38

HEX #2C999F

RGB 44 153 159

HSL 183.13, 0.57%, 0.4%

LAB 57.87, -27.65, -11.96

 

CMYK 11 / 72 / 0 / 38

HEX #8D2C9F

RGB 141 44 159

HSL 290.61, 0.57%, 0.4%

LAB 37.78, 56.07, -42.65

 

CMYK 0 / 69 / 72 / 38

HEX #9F322C

RGB 159 50 44

HSL 3.13, 0.57%, 0.4%

LAB 37.54, 44.67, 29.07

 

CMYK 62 / 0 / 72 / 37

HEX #3DA12D

RGB 61 161 45

HSL 111.72, 0.56%, 0.4%

LAB 58.67, -50.79, 49.26

 

CMYK 72 / 25 / 0 / 38

HEX #2C779F

RGB 44 119 159

HSL 200.87, 0.57%, 0.4%

LAB 47.28, -9.36, -28.17

 

CMYK 11 / 72 / 0 / 38

HEX #8D2C9F

RGB 141 44 159

HSL 290.61, 0.57%, 0.4%

LAB 37.78, 56.07, -42.65

 

CMYK 0 / 47 / 72 / 38

HEX #9F542C

RGB 159 84 44

HSL 20.87, 0.57%, 0.4%

LAB 44.08, 27.76, 36.44

 

Description

Color code: HEX #3DA12D | qconv.com Color code: HEX #3DA12D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 161 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 161 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 72 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 72% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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