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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D9ABA it is the complementary color #C26545. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D9ABA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D9ABA shade: #429AB5, #53ACC8, #64BEDB, #75D0EE and #86E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D9ABA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D9ABA shade: #3D9ABA, #2C88A7, #1B7694, #0A6481 and #00526E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D9ABA shade: #3B98B8, #3B77B8, #3B55B8, #443BB8 and #653BB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D9ABA shade: #3B98B8, #3B77B8, #3B55B8 and #3B3BB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D9ABA shade matches the following richer shades: #3B98B8, #28A2CC, #14ACE0 and #00B5F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D9ABA shade: #3B98B8, #4F8FA5, #638591, #777B7D and #8B7269

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D9ABA shade: #3BB895, #3BB8B6, #3B99B8, #3B78B8 and #3B57B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D9ABA shade: #27657A, #317F99, #3B98B8, #55AAC8 and #75BAD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D9ABA shade: #3D9ABA, #743BB8 and #B8A63B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D9ABA shade: #3D9ABA, #B83B99 and #99B83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D9ABA shade: #3D9ABA, #743BB8, #B85B3B and #80B83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D9ABA shade: #3D9ABA, #993BB8, #B85B3B and #5BB83B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 17 / 0 / 27

HEX #3D9ABA

RGB 61 154 186

HSL 195.36, 0.51%, 0.48%

LAB 59.57, -17.15, -24.64

 

Complementary color

CMYK 0 / 48 / 64 / 24

HEX #C26545

RGB 194 101 69

HSL 15.36, 0.51%, 0.52%

LAB 53.17, 34.43, 34.64

 

CMYK 64 / 15 / 0 / 29

HEX #429AB5

RGB 66 154 181

HSL 194.09, 0.47%, 0.48%

LAB 59.53, -17.91, -21.86

 

CMYK 59 / 14 / 0 / 22

HEX #53ACC8

RGB 83 172 200

HSL 194.36, 0.52%, 0.55%

LAB 66.15, -18.46, -22.32

 

CMYK 54 / 13 / 0 / 14

HEX #64BEDB

RGB 100 190 219

HSL 194.62, 0.62%, 0.63%

LAB 72.66, -18.88, -22.75

 

CMYK 51 / 13 / 0 / 7

HEX #75D0EE

RGB 117 208 238

HSL 194.88, 0.78%, 0.7%

LAB 79.08, -19.19, -23.16

 

CMYK 47 / 11 / 0 / 0

HEX #86E2FF

RGB 134 226 255

HSL 194.38, 1%, 0.76%

LAB 85.34, -19.97, -22.6

 

CMYK 67 / 17 / 0 / 27

HEX #3D9ABA

RGB 61 154 186

HSL 195.36, 0.51%, 0.48%

LAB 59.57, -17.15, -24.64

 

CMYK 74 / 19 / 0 / 35

HEX #2C88A7

RGB 44 136 167

HSL 195.12, 0.58%, 0.41%

LAB 52.88, -16.18, -24.14

 

CMYK 82 / 20 / 0 / 42

HEX #1B7694

RGB 27 118 148

HSL 194.88, 0.69%, 0.34%

LAB 46.08, -14.85, -23.58

 

CMYK 92 / 22 / 0 / 49

HEX #0A6481

RGB 10 100 129

HSL 194.62, 0.86%, 0.27%

LAB 39.18, -12.99, -22.91

 

CMYK 100 / 25 / 0 / 57

HEX #00526E

RGB 0 82 110

HSL 195.27, 1%, 0.22%

LAB 32.17, -10.42, -22.11

 

CMYK 68 / 17 / 0 / 28

HEX #3B98B8

RGB 59 152 184

HSL 195.36, 0.51%, 0.48%

LAB 58.83, -17.04, -24.65

 

CMYK 68 / 35 / 0 / 28

HEX #3B77B8

RGB 59 119 184

HSL 211.2, 0.51%, 0.48%

LAB 48.99, 1.88, -40

 

CMYK 68 / 54 / 0 / 28

HEX #3B55B8

RGB 59 85 184

HSL 227.52, 0.51%, 0.48%

LAB 39.39, 23.43, -55.36

 

CMYK 63 / 68 / 0 / 28

HEX #443BB8

RGB 68 59 184

HSL 244.32, 0.51%, 0.48%

LAB 33.6, 41.15, -64.76

 

CMYK 45 / 68 / 0 / 28

HEX #653BB8

RGB 101 59 184

HSL 260.16, 0.51%, 0.48%

LAB 36.66, 46.67, -59.64

 

CMYK 68 / 17 / 0 / 28

HEX #3B98B8

RGB 59 152 184

HSL 195.36, 0.51%, 0.48%

LAB 58.83, -17.04, -24.65

 

CMYK 68 / 35 / 0 / 28

HEX #3B77B8

RGB 59 119 184

HSL 211.2, 0.51%, 0.48%

LAB 48.99, 1.88, -40

 

CMYK 68 / 54 / 0 / 28

HEX #3B55B8

RGB 59 85 184

HSL 227.52, 0.51%, 0.48%

LAB 39.39, 23.43, -55.36

 

CMYK 68 / 68 / 0 / 28

HEX #3B3BB8

RGB 59 59 184

HSL 240, 0.51%, 0.48%

LAB 32.96, 39.94, -65.84

 

CMYK 68 / 17 / 0 / 28

HEX #3B98B8

RGB 59 152 184

HSL 195.36, 0.51%, 0.48%

LAB 58.83, -17.04, -24.65

 

CMYK 80 / 21 / 0 / 20

HEX #28A2CC

RGB 40 162 204

HSL 195.37, 0.67%, 0.48%

LAB 62.21, -18.07, -30.69

 

CMYK 91 / 23 / 0 / 12

HEX #14ACE0

RGB 20 172 224

HSL 195.29, 0.84%, 0.48%

LAB 65.78, -17.84, -36.25

 

CMYK 100 / 26 / 0 / 4

HEX #00B5F4

RGB 0 181 244

HSL 195.49, 1%, 0.48%

LAB 69.17, -16.21, -41.89

 

CMYK 68 / 17 / 0 / 28

HEX #3B98B8

RGB 59 152 184

HSL 195.36, 0.51%, 0.48%

LAB 58.83, -17.04, -24.65

 

CMYK 52 / 13 / 0 / 35

HEX #4F8FA5

RGB 79 143 165

HSL 195.35, 0.35%, 0.48%

LAB 56.11, -14.23, -17.93

 

CMYK 32 / 8 / 0 / 43

HEX #638591

RGB 99 133 145

HSL 195.65, 0.19%, 0.48%

LAB 53.46, -8.89, -10.31

 

CMYK 5 / 2 / 0 / 51

HEX #777B7D

RGB 119 123 125

HSL 200, 0.02%, 0.48%

LAB 51.35, -1.08, -1.62

 

CMYK 0 / 18 / 24 / 45

HEX #8B7269

RGB 139 114 105

HSL 15.88, 0.14%, 0.48%

LAB 50.15, 8.33, 8.66

 

CMYK 68 / 0 / 19 / 28

HEX #3BB895

RGB 59 184 149

HSL 163.2, 0.51%, 0.48%

LAB 67.56, -42.54, 7.9

 

CMYK 68 / 0 / 1 / 28

HEX #3BB8B6

RGB 59 184 182

HSL 179.04, 0.51%, 0.48%

LAB 68.45, -33.77, -8.96

 

CMYK 68 / 17 / 0 / 28

HEX #3B99B8

RGB 59 153 184

HSL 194.88, 0.51%, 0.48%

LAB 59.13, -17.57, -24.18

 

CMYK 68 / 35 / 0 / 28

HEX #3B78B8

RGB 59 120 184

HSL 210.72, 0.51%, 0.48%

LAB 49.28, 1.27, -39.54

 

CMYK 68 / 53 / 0 / 28

HEX #3B57B8

RGB 59 87 184

HSL 226.56, 0.51%, 0.48%

LAB 39.93, 22.13, -54.49

 

CMYK 68 / 17 / 0 / 52

HEX #27657A

RGB 39 101 122

HSL 195.18, 0.52%, 0.32%

LAB 39.82, -12.69, -17.61

 

CMYK 68 / 17 / 0 / 40

HEX #317F99

RGB 49 127 153

HSL 195, 0.51%, 0.4%

LAB 49.66, -15.18, -20.96

 

CMYK 68 / 17 / 0 / 28

HEX #3B98B8

RGB 59 152 184

HSL 195.36, 0.51%, 0.48%

LAB 58.83, -17.04, -24.65

 

CMYK 58 / 15 / 0 / 22

HEX #55AAC8

RGB 85 170 200

HSL 195.65, 0.51%, 0.56%

LAB 65.63, -17.02, -23.1

 

CMYK 44 / 11 / 0 / 18

HEX #75BAD2

RGB 117 186 210

HSL 195.48, 0.51%, 0.64%

LAB 71.93, -15.48, -18.89

 

CMYK 67 / 17 / 0 / 27

HEX #3D9ABA

RGB 61 154 186

HSL 195.36, 0.51%, 0.48%

LAB 59.57, -17.15, -24.64

 

CMYK 37 / 68 / 0 / 28

HEX #743BB8

RGB 116 59 184

HSL 267.36, 0.51%, 0.48%

LAB 38.38, 49.61, -56.77

 

CMYK 0 / 10 / 68 / 28

HEX #B8A63B

RGB 184 166 59

HSL 51.36, 0.51%, 0.48%

LAB 67.86, -5.85, 55.48

 

CMYK 67 / 17 / 0 / 27

HEX #3D9ABA

RGB 61 154 186

HSL 195.36, 0.51%, 0.48%

LAB 59.57, -17.15, -24.64

 

CMYK 0 / 68 / 17 / 28

HEX #B83B99

RGB 184 59 153

HSL 314.88, 0.51%, 0.48%

LAB 46.47, 59.75, -24.88

 

CMYK 17 / 0 / 68 / 28

HEX #99B83B

RGB 153 184 59

HSL 74.88, 0.51%, 0.48%

LAB 70.43, -28.14, 57.35

 

CMYK 67 / 17 / 0 / 27

HEX #3D9ABA

RGB 61 154 186

HSL 195.36, 0.51%, 0.48%

LAB 59.57, -17.15, -24.64

 

CMYK 37 / 68 / 0 / 28

HEX #743BB8

RGB 116 59 184

HSL 267.36, 0.51%, 0.48%

LAB 38.38, 49.61, -56.77

 

CMYK 0 / 51 / 68 / 28

HEX #B85B3B

RGB 184 91 59

HSL 15.36, 0.51%, 0.48%

LAB 49.48, 35.08, 35.43

 

CMYK 30 / 0 / 68 / 28

HEX #80B83B

RGB 128 184 59

HSL 86.88, 0.51%, 0.48%

LAB 68.89, -37.89, 55.26

 

CMYK 67 / 17 / 0 / 27

HEX #3D9ABA

RGB 61 154 186

HSL 195.36, 0.51%, 0.48%

LAB 59.57, -17.15, -24.64

 

CMYK 17 / 68 / 0 / 28

HEX #993BB8

RGB 153 59 184

HSL 285.12, 0.51%, 0.48%

LAB 43.3, 57.55, -48.58

 

CMYK 0 / 51 / 68 / 28

HEX #B85B3B

RGB 184 91 59

HSL 15.36, 0.51%, 0.48%

LAB 49.48, 35.08, 35.43

 

CMYK 51 / 0 / 68 / 28

HEX #5BB83B

RGB 91 184 59

HSL 104.64, 0.51%, 0.48%

LAB 67.14, -50.25, 52.9

 

Description

Color code: HEX #3D9ABA | qconv.com Color code: HEX #3D9ABA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 154 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 154 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 17 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 17% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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