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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D7E0E it is the complementary color #C281F1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D7E0E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D7E0E shade: #427E09, #53901C, #64A22F, #75B442 and #86C655

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D7E0E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D7E0E shade: #3D7E0E, #2C6C00, #1B5A00, #0A4800 and #003600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D7E0E shade: #3C7B0D, #597B0D, #777B0D, #7B620D and #7B450D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D7E0E shade: #3C7B0D, #1E7B0D, #0D7B1A, #0D7B38 and #0D7B56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D7E0E shade matches the following richer shades: #3C7B0D and #3A8702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D7E0E shade: #3C7B0D, #3D7018, #3F6524, #415A2F and #434F3A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D7E0E shade: #787B0D, #5A7B0D, #3D7B0D, #207B0D and #0D7B18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D7E0E shade: #183105, #2A5609, #3C7B0D, #4DA111 and #5FC616

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D7E0E shade: #3D7E0E, #0D7B62 and #7B0D69

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D7E0E shade: #3D7E0E, #0D3D7B and #7B0D3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D7E0E shade: #3D7E0E, #0D7B62, #4C0D7B and #7B0D27

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D7E0E shade: #3D7E0E, #0D747B, #4C0D7B and #7B150D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 89 / 51

HEX #3D7E0E

RGB 61 126 14

HSL 94.82, 0.8%, 0.27%

LAB 46.9, -39.38, 48.08

 

Complementary color

CMYK 20 / 46 / 0 / 5

HEX #C281F1

RGB 194 129 241

HSL 274.82, 0.8%, 0.73%

LAB 64.58, 45.16, -46.85

 

CMYK 48 / 0 / 93 / 51

HEX #427E09

RGB 66 126 9

HSL 90.77, 0.87%, 0.26%

LAB 47.1, -37.89, 49.41

 

CMYK 42 / 0 / 81 / 44

HEX #53901C

RGB 83 144 28

HSL 91.55, 0.67%, 0.34%

LAB 53.89, -38.76, 50.86

 

CMYK 38 / 0 / 71 / 36

HEX #64A22F

RGB 100 162 47

HSL 92.35, 0.55%, 0.41%

LAB 60.56, -39.27, 50.93

 

CMYK 35 / 0 / 63 / 29

HEX #75B442

RGB 117 180 66

HSL 93.16, 0.46%, 0.48%

LAB 67.14, -39.55, 50.3

 

CMYK 32 / 0 / 57 / 22

HEX #86C655

RGB 134 198 85

HSL 93.98, 0.5%, 0.55%

LAB 73.62, -39.67, 49.36

 

CMYK 52 / 0 / 89 / 51

HEX #3D7E0E

RGB 61 126 14

HSL 94.82, 0.8%, 0.27%

LAB 46.9, -39.38, 48.08

 

CMYK 59 / 0 / 100 / 58

HEX #2C6C00

RGB 44 108 0

HSL 95.56, 1%, 0.21%

LAB 40.02, -38.02, 45.29

 

CMYK 70 / 0 / 100 / 65

HEX #1B5A00

RGB 27 90 0

HSL 102, 1%, 0.18%

LAB 33.02, -35.81, 39.52

 

CMYK 86 / 0 / 100 / 72

HEX #0A4800

RGB 10 72 0

HSL 111.67, 1%, 0.14%

LAB 25.86, -32.88, 33.45

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 51 / 0 / 89 / 52

HEX #3C7B0D

RGB 60 123 13

HSL 94.36, 0.81%, 0.27%

LAB 45.85, -38.52, 47.38

 

CMYK 28 / 0 / 89 / 52

HEX #597B0D

RGB 89 123 13

HSL 78.55, 0.81%, 0.27%

LAB 47.39, -27.55, 49.32

 

CMYK 3 / 0 / 89 / 52

HEX #777B0D

RGB 119 123 13

HSL 62.18, 0.81%, 0.27%

LAB 49.64, -14.15, 52.1

 

CMYK 0 / 20 / 89 / 52

HEX #7B620D

RGB 123 98 13

HSL 46.36, 0.81%, 0.27%

LAB 42.73, 1.87, 46.61

 

CMYK 0 / 44 / 89 / 52

HEX #7B450D

RGB 123 69 13

HSL 30.55, 0.81%, 0.27%

LAB 35, 19.1, 40.26

 

CMYK 51 / 0 / 89 / 52

HEX #3C7B0D

RGB 60 123 13

HSL 94.36, 0.81%, 0.27%

LAB 45.85, -38.52, 47.38

 

CMYK 76 / 0 / 89 / 52

HEX #1E7B0D

RGB 30 123 13

HSL 110.73, 0.81%, 0.27%

LAB 44.9, -46.24, 46.19

 

CMYK 89 / 0 / 79 / 52

HEX #0D7B1A

RGB 13 123 26

HSL 127.09, 0.81%, 0.27%

LAB 44.7, -47.78, 41.98

 

CMYK 89 / 0 / 54 / 52

HEX #0D7B38

RGB 13 123 56

HSL 143.45, 0.81%, 0.27%

LAB 44.99, -44.12, 28.52

 

CMYK 89 / 0 / 30 / 52

HEX #0D7B56

RGB 13 123 86

HSL 159.82, 0.81%, 0.27%

LAB 45.53, -37.92, 12.34

 

CMYK 51 / 0 / 89 / 52

HEX #3C7B0D

RGB 60 123 13

HSL 94.36, 0.81%, 0.27%

LAB 45.85, -38.52, 47.38

 

CMYK 57 / 0 / 99 / 47

HEX #3A8702

RGB 58 135 2

HSL 94.74, 0.97%, 0.27%

LAB 49.78, -44.22, 52.82

 

CMYK 51 / 0 / 89 / 52

HEX #3C7B0D

RGB 60 123 13

HSL 94.36, 0.81%, 0.27%

LAB 45.85, -38.52, 47.38

 

CMYK 46 / 0 / 79 / 56

HEX #3D7018

RGB 61 112 24

HSL 94.77, 0.65%, 0.27%

LAB 42.23, -32.92, 40.73

 

CMYK 38 / 0 / 64 / 60

HEX #3F6524

RGB 63 101 36

HSL 95.08, 0.47%, 0.27%

LAB 38.71, -26.02, 31.82

 

CMYK 28 / 0 / 48 / 65

HEX #415A2F

RGB 65 90 47

HSL 94.88, 0.31%, 0.27%

LAB 35.28, -18.18, 21.81

 

CMYK 15 / 0 / 27 / 69

HEX #434F3A

RGB 67 79 58

HSL 94.29, 0.15%, 0.27%

LAB 32.01, -9.26, 10.87

 

CMYK 2 / 0 / 89 / 52

HEX #787B0D

RGB 120 123 13

HSL 61.64, 0.81%, 0.27%

LAB 49.72, -13.68, 52.21

 

CMYK 27 / 0 / 89 / 52

HEX #5A7B0D

RGB 90 123 13

HSL 78, 0.81%, 0.27%

LAB 47.45, -27.13, 49.4

 

CMYK 50 / 0 / 89 / 52

HEX #3D7B0D

RGB 61 123 13

HSL 93.82, 0.81%, 0.27%

LAB 45.89, -38.19, 47.44

 

CMYK 74 / 0 / 89 / 52

HEX #207B0D

RGB 32 123 13

HSL 109.64, 0.81%, 0.27%

LAB 44.94, -45.86, 46.25

 

CMYK 89 / 0 / 80 / 52

HEX #0D7B18

RGB 13 123 24

HSL 126, 0.81%, 0.27%

LAB 44.68, -47.94, 42.67

 

CMYK 51 / 0 / 90 / 81

HEX #183105

RGB 24 49 5

HSL 94.09, 0.81%, 0.11%

LAB 17.47, -18.78, 22.57

 

CMYK 51 / 0 / 90 / 66

HEX #2A5609

RGB 42 86 9

HSL 94.29, 0.81%, 0.19%

LAB 32.19, -29.09, 36.07

 

CMYK 51 / 0 / 89 / 52

HEX #3C7B0D

RGB 60 123 13

HSL 94.36, 0.81%, 0.27%

LAB 45.85, -38.52, 47.38

 

CMYK 52 / 0 / 89 / 37

HEX #4DA111

RGB 77 161 17

HSL 95, 0.81%, 0.35%

LAB 59.07, -48.06, 58.18

 

CMYK 52 / 0 / 89 / 22

HEX #5FC616

RGB 95 198 22

HSL 95.11, 0.8%, 0.43%

LAB 71.47, -56.43, 68.06

 

CMYK 52 / 0 / 89 / 51

HEX #3D7E0E

RGB 61 126 14

HSL 94.82, 0.8%, 0.27%

LAB 46.9, -39.38, 48.08

 

CMYK 89 / 0 / 20 / 52

HEX #0D7B62

RGB 13 123 98

HSL 166.36, 0.81%, 0.27%

LAB 45.82, -34.79, 5.69

 

CMYK 0 / 89 / 15 / 52

HEX #7B0D69

RGB 123 13 105

HSL 309.82, 0.81%, 0.27%

LAB 28.16, 52.28, -24.46

 

CMYK 52 / 0 / 89 / 51

HEX #3D7E0E

RGB 61 126 14

HSL 94.82, 0.8%, 0.27%

LAB 46.9, -39.38, 48.08

 

CMYK 89 / 50 / 0 / 52

HEX #0D3D7B

RGB 13 61 123

HSL 213.82, 0.81%, 0.27%

LAB 26.31, 9.95, -39.57

 

CMYK 0 / 89 / 50 / 52

HEX #7B0D3D

RGB 123 13 61

HSL 333.82, 0.81%, 0.27%

LAB 26.26, 47.03, 1.89

 

CMYK 52 / 0 / 89 / 51

HEX #3D7E0E

RGB 61 126 14

HSL 94.82, 0.8%, 0.27%

LAB 46.9, -39.38, 48.08

 

CMYK 89 / 0 / 20 / 52

HEX #0D7B62

RGB 13 123 98

HSL 166.36, 0.81%, 0.27%

LAB 45.82, -34.79, 5.69

 

CMYK 38 / 89 / 0 / 52

HEX #4C0D7B

RGB 76 13 123

HSL 274.36, 0.81%, 0.27%

LAB 21.04, 46.91, -47.94

 

CMYK 0 / 89 / 68 / 52

HEX #7B0D27

RGB 123 13 39

HSL 345.82, 0.81%, 0.27%

LAB 25.7, 45.41, 16.14

 

CMYK 52 / 0 / 89 / 51

HEX #3D7E0E

RGB 61 126 14

HSL 94.82, 0.8%, 0.27%

LAB 46.9, -39.38, 48.08

 

CMYK 89 / 6 / 0 / 52

HEX #0D747B

RGB 13 116 123

HSL 183.82, 0.81%, 0.27%

LAB 44.24, -23.73, -11.53

 

CMYK 38 / 89 / 0 / 52

HEX #4C0D7B

RGB 76 13 123

HSL 274.36, 0.81%, 0.27%

LAB 21.04, 46.91, -47.94

 

CMYK 0 / 83 / 89 / 52

HEX #7B150D

RGB 123 21 13

HSL 4.36, 0.81%, 0.27%

LAB 26.09, 42.26, 32.76

 

Description

Color code: HEX #3D7E0E | qconv.com Color code: HEX #3D7E0E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 126 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 126 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 89 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 89% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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