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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D66D9 it is the complementary color #C29926. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D66D9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D66D9 shade: #4266D4, #5378E7, #648AFA, #759CFF and #86AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D66D9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D66D9 shade: #3D66D9, #2C54C6, #1B42B3, #0A30A0 and #001E8D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D66D9 shade: #3F67D9, #403FD9, #693FD9, #933FD9 and #BC3FD9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D66D9 shade: #3F67D9 and #3F3FD9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D66D9 shade matches the following richer shades: #3F67D9, #2C5EEB and #1A56FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D66D9 shade: #3F67D9, #5170C6, #6479B3, #7782A1 and #898B8E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D66D9 shade: #3FBAD9, #3F91D9, #3F68D9, #3F3FD9 and #683FD9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D66D9 shade: #2043A5, #2751C7, #3F67D9, #6182DF and #849EE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D66D9 shade: #3D66D9, #CE3FD9 and #A5D93F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D66D9 shade: #3D66D9, #D93F68 and #68D93F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D66D9 shade: #3D66D9, #CE3FD9, #D9B03F and #49D93F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D66D9 shade: #3D66D9, #D93FB5, #D9B03F and #3FD963

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 53 / 0 / 15

HEX #3D66D9

RGB 61 102 217

HSL 224.23, 0.67%, 0.55%

LAB 46.32, 24.77, -63.2

 

Complementary color

CMYK 0 / 21 / 80 / 24

HEX #C29926

RGB 194 153 38

HSL 44.23, 0.67%, 0.45%

LAB 65.27, 4.59, 61.24

 

CMYK 69 / 52 / 0 / 17

HEX #4266D4

RGB 66 102 212

HSL 225.21, 0.63%, 0.55%

LAB 46.2, 23.66, -60.53

 

CMYK 64 / 48 / 0 / 9

HEX #5378E7

RGB 83 120 231

HSL 225, 0.76%, 0.62%

LAB 52.99, 21.71, -60.27

 

CMYK 60 / 45 / 0 / 2

HEX #648AFA

RGB 100 138 250

HSL 224.8, 0.94%, 0.69%

LAB 59.7, 20.1, -60.02

 

CMYK 54 / 39 / 0 / 0

HEX #759CFF

RGB 117 156 255

HSL 223.04, 1%, 0.73%

LAB 65.58, 14.36, -53.34

 

CMYK 47 / 32 / 0 / 0

HEX #86AEFF

RGB 134 174 255

HSL 220.17, 1%, 0.76%

LAB 71.26, 7.79, -44.32

 

CMYK 72 / 53 / 0 / 15

HEX #3D66D9

RGB 61 102 217

HSL 224.23, 0.67%, 0.55%

LAB 46.32, 24.77, -63.2

 

CMYK 78 / 58 / 0 / 22

HEX #2C54C6

RGB 44 84 198

HSL 224.42, 0.64%, 0.47%

LAB 39.5, 27.33, -63.38

 

CMYK 85 / 63 / 0 / 30

HEX #1B42B3

RGB 27 66 179

HSL 224.61, 0.74%, 0.4%

LAB 32.67, 30.43, -63.41

 

CMYK 94 / 70 / 0 / 37

HEX #0A30A0

RGB 10 48 160

HSL 224.8, 0.88%, 0.33%

LAB 25.91, 34.07, -63.12

 

CMYK 100 / 79 / 0 / 45

HEX #001E8D

RGB 0 30 141

HSL 227.23, 1%, 0.28%

LAB 19.44, 37.93, -62.13

 

CMYK 71 / 53 / 0 / 15

HEX #3F67D9

RGB 63 103 217

HSL 224.42, 0.67%, 0.55%

LAB 46.67, 24.4, -62.63

 

CMYK 71 / 71 / 0 / 15

HEX #403FD9

RGB 64 63 217

HSL 240.39, 0.67%, 0.55%

LAB 37.22, 49.07, -78.06

 

CMYK 52 / 71 / 0 / 15

HEX #693FD9

RGB 105 63 217

HSL 256.36, 0.67%, 0.55%

LAB 40.52, 54.4, -72.51

 

CMYK 32 / 71 / 0 / 15

HEX #933FD9

RGB 147 63 217

HSL 272.73, 0.67%, 0.55%

LAB 45.31, 61.67, -64.49

 

CMYK 13 / 71 / 0 / 15

HEX #BC3FD9

RGB 188 63 217

HSL 288.7, 0.67%, 0.55%

LAB 50.99, 69.79, -55.05

 

CMYK 71 / 53 / 0 / 15

HEX #3F67D9

RGB 63 103 217

HSL 224.42, 0.67%, 0.55%

LAB 46.67, 24.4, -62.63

 

CMYK 71 / 71 / 0 / 15

HEX #3F3FD9

RGB 63 63 217

HSL 240, 0.67%, 0.55%

LAB 37.15, 48.97, -78.16

 

CMYK 71 / 53 / 0 / 15

HEX #3F67D9

RGB 63 103 217

HSL 224.42, 0.67%, 0.55%

LAB 46.67, 24.4, -62.63

 

CMYK 81 / 60 / 0 / 8

HEX #2C5EEB

RGB 44 94 235

HSL 224.29, 0.83%, 0.55%

LAB 45, 34.66, -75.57

 

CMYK 90 / 66 / 0 / 0

HEX #1A56FE

RGB 26 86 254

HSL 224.21, 0.99%, 0.55%

LAB 44.28, 45.51, -87.41

 

CMYK 71 / 53 / 0 / 15

HEX #3F67D9

RGB 63 103 217

HSL 224.42, 0.67%, 0.55%

LAB 46.67, 24.4, -62.63

 

CMYK 59 / 43 / 0 / 22

HEX #5170C6

RGB 81 112 198

HSL 224.1, 0.51%, 0.55%

LAB 48.78, 15.07, -48.33

 

CMYK 44 / 32 / 0 / 30

HEX #6479B3

RGB 100 121 179

HSL 224.05, 0.34%, 0.55%

LAB 51.43, 7.9, -33.13

 

CMYK 26 / 19 / 0 / 37

HEX #7782A1

RGB 119 130 161

HSL 224.29, 0.18%, 0.55%

LAB 54.51, 3.17, -17.86

 

CMYK 4 / 2 / 0 / 44

HEX #898B8E

RGB 137 139 142

HSL 216, 0.02%, 0.55%

LAB 57.79, -0.13, -1.86

 

CMYK 71 / 14 / 0 / 15

HEX #3FBAD9

RGB 63 186 217

HSL 192.08, 0.67%, 0.55%

LAB 70.3, -23.69, -25.36

 

CMYK 71 / 33 / 0 / 15

HEX #3F91D9

RGB 63 145 217

HSL 208.05, 0.67%, 0.55%

LAB 58.34, -1.35, -43.97

 

CMYK 71 / 52 / 0 / 15

HEX #3F68D9

RGB 63 104 217

HSL 224.03, 0.67%, 0.55%

LAB 46.93, 23.76, -62.2

 

CMYK 71 / 71 / 0 / 15

HEX #3F3FD9

RGB 63 63 217

HSL 240, 0.67%, 0.55%

LAB 37.15, 48.97, -78.16

 

CMYK 52 / 71 / 0 / 15

HEX #683FD9

RGB 104 63 217

HSL 255.97, 0.67%, 0.55%

LAB 40.42, 54.25, -72.67

 

CMYK 81 / 59 / 0 / 35

HEX #2043A5

RGB 32 67 165

HSL 224.21, 0.68%, 0.39%

LAB 31.89, 24.74, -56.31

 

CMYK 80 / 59 / 0 / 22

HEX #2751C7

RGB 39 81 199

HSL 224.25, 0.67%, 0.47%

LAB 38.62, 29.18, -65.4

 

CMYK 71 / 53 / 0 / 15

HEX #3F67D9

RGB 63 103 217

HSL 224.42, 0.67%, 0.55%

LAB 46.67, 24.4, -62.63

 

CMYK 57 / 42 / 0 / 13

HEX #6182DF

RGB 97 130 223

HSL 224.29, 0.66%, 0.63%

LAB 55.92, 15.53, -51.07

 

CMYK 43 / 31 / 0 / 10

HEX #849EE6

RGB 132 158 230

HSL 224.08, 0.66%, 0.71%

LAB 65.81, 9.24, -39.23

 

CMYK 72 / 53 / 0 / 15

HEX #3D66D9

RGB 61 102 217

HSL 224.23, 0.67%, 0.55%

LAB 46.32, 24.77, -63.2

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 24 / 0 / 71 / 15

HEX #A5D93F

RGB 165 217 63

HSL 80.26, 0.67%, 0.55%

LAB 80.73, -38.45, 66.5

 

CMYK 72 / 53 / 0 / 15

HEX #3D66D9

RGB 61 102 217

HSL 224.23, 0.67%, 0.55%

LAB 46.32, 24.77, -63.2

 

CMYK 0 / 71 / 52 / 15

HEX #D93F68

RGB 217 63 104

HSL 344.03, 0.67%, 0.55%

LAB 51.04, 62.06, 12.09

 

CMYK 52 / 0 / 71 / 15

HEX #68D93F

RGB 104 217 63

HSL 104.03, 0.67%, 0.55%

LAB 77.83, -58.73, 62.64

 

CMYK 72 / 53 / 0 / 15

HEX #3D66D9

RGB 61 102 217

HSL 224.23, 0.67%, 0.55%

LAB 46.32, 24.77, -63.2

 

CMYK 5 / 71 / 0 / 15

HEX #CE3FD9

RGB 206 63 217

HSL 295.71, 0.67%, 0.55%

LAB 53.69, 73.53, -50.57

 

CMYK 0 / 19 / 71 / 15

HEX #D9B03F

RGB 217 176 63

HSL 44.03, 0.67%, 0.55%

LAB 73.65, 3.38, 60.75

 

CMYK 66 / 0 / 71 / 15

HEX #49D93F

RGB 73 217 63

HSL 116.1, 0.67%, 0.55%

LAB 76.92, -66.03, 61.41

 

CMYK 72 / 53 / 0 / 15

HEX #3D66D9

RGB 61 102 217

HSL 224.23, 0.67%, 0.55%

LAB 46.32, 24.77, -63.2

 

CMYK 0 / 71 / 17 / 15

HEX #D93FB5

RGB 217 63 181

HSL 314.03, 0.67%, 0.55%

LAB 53.65, 70.5, -29.83

 

CMYK 0 / 19 / 71 / 15

HEX #D9B03F

RGB 217 176 63

HSL 44.03, 0.67%, 0.55%

LAB 73.65, 3.38, 60.75

 

CMYK 71 / 0 / 54 / 15

HEX #3FD963

RGB 63 217 99

HSL 134.03, 0.67%, 0.55%

LAB 77.03, -63.94, 46.28

 

Description

Color code: HEX #3D66D9 | qconv.com Color code: HEX #3D66D9 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 102 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 102 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 53 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 53% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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