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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D597A it is the complementary color #C2A685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D597A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D597A shade: #425975, #536B88, #647D9B, #758FAE and #86A1C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D597A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D597A shade: #3D597A, #2C4767, #1B3554, #0A2341 and #00112E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D597A shade: #3D597A, #3D487A, #423D7A, #523D7A and #633D7A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D597A shade: #3D597A, #3D487A and #3D3D7A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D597A shade matches the following richer shades: #3D597A, #2E5888, #1F5697, #1055A6 and #0254B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D597A shade: #3D597A, #4C5A6B, #5B5B5C, #6A5C4D and #785E3E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D597A shade: #3D7A7A, #3D697A, #3D597A, #3D497A and #413D7A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D597A shade: #213143, #2F455E, #3D597A, #4B6D95 and #5C81AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D597A shade: #3D597A, #693D7A and #727A3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D597A shade: #3D597A, #7A3D59 and #597A3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D597A shade: #3D597A, #693D7A, #7A5D3D and #4D7A3D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D597A shade: #3D597A, #7A3D78, #7A5D3D and #3D7A3F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

Complementary color

CMYK 0 / 14 / 31 / 24

HEX #C2A685

RGB 194 166 133

HSL 32.46, 0.33%, 0.64%

LAB 69.78, 5.33, 20.89

 

CMYK 44 / 24 / 0 / 54

HEX #425975

RGB 66 89 117

HSL 212.94, 0.28%, 0.36%

LAB 37.09, -0.69, -18.64

 

CMYK 39 / 21 / 0 / 47

HEX #536B88

RGB 83 107 136

HSL 212.83, 0.24%, 0.43%

LAB 44.42, -1.06, -18.81

 

CMYK 35 / 19 / 0 / 39

HEX #647D9B

RGB 100 125 155

HSL 212.73, 0.22%, 0.5%

LAB 51.55, -1.35, -19.02

 

CMYK 33 / 18 / 0 / 32

HEX #758FAE

RGB 117 143 174

HSL 212.63, 0.26%, 0.57%

LAB 58.49, -1.59, -19.26

 

CMYK 31 / 17 / 0 / 24

HEX #86A1C1

RGB 134 161 193

HSL 212.54, 0.32%, 0.64%

LAB 65.29, -1.8, -19.52

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 57 / 31 / 0 / 60

HEX #2C4767

RGB 44 71 103

HSL 212.54, 0.4%, 0.29%

LAB 29.47, 0.2, -21.81

 

CMYK 68 / 37 / 0 / 67

HEX #1B3554

RGB 27 53 84

HSL 212.63, 0.51%, 0.22%

LAB 21.65, 1.25, -21.79

 

CMYK 85 / 46 / 0 / 75

HEX #0A2341

RGB 10 35 65

HSL 212.73, 0.73%, 0.15%

LAB 13.52, 3.01, -21.81

 

CMYK 100 / 63 / 0 / 82

HEX #00112E

RGB 0 17 46

HSL 217.83, 1%, 0.09%

LAB 5.4, 5.12, -21.16

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 50 / 41 / 0 / 52

HEX #3D487A

RGB 61 72 122

HSL 229.18, 0.33%, 0.36%

LAB 31.88, 10.48, -29.91

 

CMYK 46 / 50 / 0 / 52

HEX #423D7A

RGB 66 61 122

HSL 244.92, 0.33%, 0.36%

LAB 29.16, 19.11, -34.21

 

CMYK 33 / 50 / 0 / 52

HEX #523D7A

RGB 82 61 122

HSL 260.66, 0.33%, 0.36%

LAB 30.73, 23.59, -31.62

 

CMYK 19 / 50 / 0 / 52

HEX #633D7A

RGB 99 61 122

HSL 277.38, 0.33%, 0.36%

LAB 32.69, 28.72, -28.39

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 50 / 41 / 0 / 52

HEX #3D487A

RGB 61 72 122

HSL 229.18, 0.33%, 0.36%

LAB 31.88, 10.48, -29.91

 

CMYK 50 / 50 / 0 / 52

HEX #3D3D7A

RGB 61 61 122

HSL 240, 0.33%, 0.36%

LAB 28.73, 17.82, -34.92

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 66 / 35 / 0 / 47

HEX #2E5888

RGB 46 88 136

HSL 212, 0.49%, 0.36%

LAB 36.63, 1.57, -31.1

 

CMYK 79 / 43 / 0 / 41

HEX #1F5697

RGB 31 86 151

HSL 212.5, 0.66%, 0.36%

LAB 36.33, 6.3, -40.71

 

CMYK 90 / 49 / 0 / 35

HEX #1055A6

RGB 16 85 166

HSL 212.4, 0.82%, 0.36%

LAB 36.67, 11.71, -49.18

 

CMYK 99 / 54 / 0 / 29

HEX #0254B5

RGB 2 84 181

HSL 212.51, 0.98%, 0.36%

LAB 37.28, 17.9, -57.09

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 29 / 16 / 0 / 58

HEX #4C5A6B

RGB 76 90 107

HSL 212.9, 0.17%, 0.36%

LAB 37.68, -1.06, -11.5

 

CMYK 1 / 1 / 0 / 64

HEX #5B5B5C

RGB 91 91 92

HSL 240, 0.01%, 0.36%

LAB 38.69, 0.21, -0.58

 

CMYK 0 / 13 / 27 / 58

HEX #6A5C4D

RGB 106 92 77

HSL 31.03, 0.16%, 0.36%

LAB 40.01, 3.07, 10.72

 

CMYK 0 / 22 / 48 / 53

HEX #785E3E

RGB 120 94 62

HSL 33.1, 0.32%, 0.36%

LAB 41.76, 6.1, 22.33

 

CMYK 50 / 0 / 0 / 52

HEX #3D7A7A

RGB 61 122 122

HSL 180, 0.33%, 0.36%

LAB 47.39, -19.65, -6.1

 

CMYK 50 / 14 / 0 / 52

HEX #3D697A

RGB 61 105 122

HSL 196.72, 0.33%, 0.36%

LAB 42, -10.17, -14.2

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 50 / 40 / 0 / 52

HEX #3D497A

RGB 61 73 122

HSL 228.2, 0.33%, 0.36%

LAB 32.17, 9.82, -29.45

 

CMYK 47 / 50 / 0 / 52

HEX #413D7A

RGB 65 61 122

HSL 243.93, 0.33%, 0.36%

LAB 29.07, 18.85, -34.36

 

CMYK 51 / 27 / 0 / 74

HEX #213143

RGB 33 49 67

HSL 211.76, 0.34%, 0.2%

LAB 19.74, -0.77, -13.33

 

CMYK 50 / 27 / 0 / 63

HEX #2F455E

RGB 47 69 94

HSL 211.91, 0.33%, 0.28%

LAB 28.56, -0.8, -17.44

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 50 / 27 / 0 / 42

HEX #4B6D95

RGB 75 109 149

HSL 212.43, 0.33%, 0.44%

LAB 45.09, -0.54, -25.58

 

CMYK 47 / 25 / 0 / 32

HEX #5C81AD

RGB 92 129 173

HSL 212.59, 0.33%, 0.52%

LAB 52.94, -0.73, -27.35

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 14 / 50 / 0 / 52

HEX #693D7A

RGB 105 61 122

HSL 283.28, 0.33%, 0.36%

LAB 33.45, 30.58, -27.15

 

CMYK 7 / 0 / 50 / 52

HEX #727A3D

RGB 114 122 61

HSL 67.87, 0.33%, 0.36%

LAB 49.29, -12.8, 32.15

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 0 / 50 / 27 / 52

HEX #7A3D59

RGB 122 61 89

HSL 332.46, 0.33%, 0.36%

LAB 34.39, 30.09, -4.63

 

CMYK 27 / 0 / 50 / 52

HEX #597A3D

RGB 89 122 61

HSL 92.46, 0.33%, 0.36%

LAB 47.47, -23.29, 29.51

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 14 / 50 / 0 / 52

HEX #693D7A

RGB 105 61 122

HSL 283.28, 0.33%, 0.36%

LAB 33.45, 30.58, -27.15

 

CMYK 0 / 24 / 50 / 52

HEX #7A5D3D

RGB 122 93 61

HSL 31.48, 0.33%, 0.36%

LAB 41.69, 7.49, 22.88

 

CMYK 37 / 0 / 50 / 52

HEX #4D7A3D

RGB 77 122 61

HSL 104.26, 0.33%, 0.36%

LAB 46.76, -27.86, 28.47

 

CMYK 50 / 27 / 0 / 52

HEX #3D597A

RGB 61 89 122

HSL 212.46, 0.33%, 0.36%

LAB 37.01, -0.5, -21.88

 

CMYK 0 / 50 / 2 / 52

HEX #7A3D78

RGB 122 61 120

HSL 301.97, 0.33%, 0.36%

LAB 35.66, 35.52, -22.27

 

CMYK 0 / 24 / 50 / 52

HEX #7A5D3D

RGB 122 93 61

HSL 31.48, 0.33%, 0.36%

LAB 41.69, 7.49, 22.88

 

CMYK 50 / 0 / 48 / 52

HEX #3D7A3F

RGB 61 122 63

HSL 121.97, 0.33%, 0.36%

LAB 46, -32.94, 26.27

 

Description

Color code: HEX #3D597A | qconv.com Color code: HEX #3D597A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 89 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 89 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 27 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 27% 0% 52% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

18% - UX Clip(29):JavaScri...
Link: http://www.atmarkit.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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