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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3D1FCC it is the complementary color #C2E033. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3D1FCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3D1FCC shade: #421FC7, #5331DA, #6443ED, #7555FF and #8667FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3D1FCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3D1FCC shade: #3D1FCC, #2C0DB9, #1B00A6, #0A0093 and #000080

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3D1FCC shade: #3C1ECC, #6B1ECC, #9A1ECC, #C91ECC and #CC1EA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3D1FCC shade: #3C1ECC and #1E1ECC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3D1FCC shade matches the following richer shades: #3C1ECC and #300BDF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3D1FCC shade: #3C1ECC, #4831B9, #5544A6, #615793 and #6E6A80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3D1FCC shade: #1E5ECC, #1E2FCC, #3B1ECC, #691ECC and #981ECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3D1FCC shade: #271384, #3119A8, #3C1ECC, #5133E0 and #6F57E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3D1FCC shade: #3D1FCC, #CC1E8C and #47CC1E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3D1FCC shade: #3D1FCC, #CC3B1E and #1ECC3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3D1FCC shade: #3D1FCC, #CC1E8C, #AFCC1E and #1ECC5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3D1FCC shade: #3D1FCC, #CC1E58, #AFCC1E and #1ECC92

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 85 / 0 / 20

HEX #3D1FCC

RGB 61 31 204

HSL 250.4, 0.74%, 0.46%

LAB 30.23, 60.38, -82.08

 

Complementary color

CMYK 13 / 0 / 77 / 12

HEX #C2E033

RGB 194 224 51

HSL 70.4, 0.74%, 0.54%

LAB 84.49, -30.88, 74.6

 

CMYK 67 / 84 / 0 / 22

HEX #421FC7

RGB 66 31 199

HSL 252.5, 0.73%, 0.45%

LAB 30.06, 59.37, -79.43

 

CMYK 62 / 78 / 0 / 15

HEX #5331DA

RGB 83 49 218

HSL 252.07, 0.7%, 0.52%

LAB 36.17, 58.6, -80.31

 

CMYK 58 / 72 / 0 / 7

HEX #6443ED

RGB 100 67 237

HSL 251.65, 0.83%, 0.6%

LAB 42.52, 57.29, -80.63

 

CMYK 54 / 67 / 0 / 0

HEX #7555FF

RGB 117 85 255

HSL 251.29, 1%, 0.67%

LAB 48.88, 55.52, -80.23

 

CMYK 47 / 60 / 0 / 0

HEX #8667FF

RGB 134 103 255

HSL 252.24, 1%, 0.7%

LAB 54.02, 48.68, -71.81

 

CMYK 70 / 85 / 0 / 20

HEX #3D1FCC

RGB 61 31 204

HSL 250.4, 0.74%, 0.46%

LAB 30.23, 60.38, -82.08

 

CMYK 76 / 93 / 0 / 27

HEX #2C0DB9

RGB 44 13 185

HSL 250.81, 0.87%, 0.39%

LAB 24.72, 60.04, -80.09

 

CMYK 84 / 100 / 0 / 35

HEX #1B00A6

RGB 27 0 166

HSL 249.76, 1%, 0.33%

LAB 19.99, 57.75, -76.59

 

CMYK 93 / 100 / 0 / 42

HEX #0A0093

RGB 10 0 147

HSL 244.08, 1%, 0.29%

LAB 16.36, 52.63, -70.99

 

CMYK 100 / 100 / 0 / 50

HEX #000080

RGB 0 0 128

HSL 240, 1%, 0.25%

LAB 12.98, 47.51, -64.7

 

CMYK 71 / 85 / 0 / 20

HEX #3C1ECC

RGB 60 30 204

HSL 250.34, 0.74%, 0.46%

LAB 30.03, 60.69, -82.42

 

CMYK 48 / 85 / 0 / 20

HEX #6B1ECC

RGB 107 30 204

HSL 266.55, 0.74%, 0.46%

LAB 34.83, 64.95, -74.33

 

CMYK 25 / 85 / 0 / 20

HEX #9A1ECC

RGB 154 30 204

HSL 282.76, 0.74%, 0.46%

LAB 41.47, 71.33, -63.21

 

CMYK 1 / 85 / 0 / 20

HEX #C91ECC

RGB 201 30 204

HSL 298.97, 0.74%, 0.46%

LAB 49.14, 79.15, -50.45

 

CMYK 0 / 85 / 22 / 20

HEX #CC1EA0

RGB 204 30 160

HSL 315.17, 0.74%, 0.46%

LAB 47.37, 73.64, -27.39

 

CMYK 71 / 85 / 0 / 20

HEX #3C1ECC

RGB 60 30 204

HSL 250.34, 0.74%, 0.46%

LAB 30.03, 60.69, -82.42

 

CMYK 85 / 85 / 0 / 20

HEX #1E1ECC

RGB 30 30 204

HSL 240, 0.74%, 0.46%

LAB 28.29, 59.24, -85.37

 

CMYK 71 / 85 / 0 / 20

HEX #3C1ECC

RGB 60 30 204

HSL 250.34, 0.74%, 0.46%

LAB 30.03, 60.69, -82.42

 

CMYK 78 / 95 / 0 / 13

HEX #300BDF

RGB 48 11 223

HSL 250.47, 0.91%, 0.46%

LAB 29.9, 70.29, -93.67

 

CMYK 71 / 85 / 0 / 20

HEX #3C1ECC

RGB 60 30 204

HSL 250.34, 0.74%, 0.46%

LAB 30.03, 60.69, -82.42

 

CMYK 61 / 74 / 0 / 27

HEX #4831B9

RGB 72 49 185

HSL 250.15, 0.58%, 0.46%

LAB 31.98, 47.64, -68

 

CMYK 49 / 59 / 0 / 35

HEX #5544A6

RGB 85 68 166

HSL 250.41, 0.42%, 0.46%

LAB 35.63, 33.04, -50.68

 

CMYK 34 / 41 / 0 / 42

HEX #615793

RGB 97 87 147

HSL 250, 0.26%, 0.46%

LAB 40.35, 18.65, -31.67

 

CMYK 14 / 17 / 0 / 50

HEX #6E6A80

RGB 110 106 128

HSL 250.91, 0.09%, 0.46%

LAB 45.88, 6.33, -11.61

 

CMYK 85 / 54 / 0 / 20

HEX #1E5ECC

RGB 30 94 204

HSL 217.93, 0.74%, 0.46%

LAB 42.22, 21.86, -62.45

 

CMYK 85 / 77 / 0 / 20

HEX #1E2FCC

RGB 30 47 204

HSL 234.14, 0.74%, 0.46%

LAB 31.04, 51.18, -80.8

 

CMYK 71 / 85 / 0 / 20

HEX #3B1ECC

RGB 59 30 204

HSL 250, 0.74%, 0.46%

LAB 29.96, 60.63, -82.55

 

CMYK 49 / 85 / 0 / 20

HEX #691ECC

RGB 105 30 204

HSL 265.86, 0.74%, 0.46%

LAB 34.58, 64.72, -74.75

 

CMYK 25 / 85 / 0 / 20

HEX #981ECC

RGB 152 30 204

HSL 282.07, 0.74%, 0.46%

LAB 41.16, 71.02, -63.72

 

CMYK 70 / 86 / 0 / 48

HEX #271384

RGB 39 19 132

HSL 250.62, 0.75%, 0.3%

LAB 18.2, 42.81, -58.48

 

CMYK 71 / 85 / 0 / 34

HEX #3119A8

RGB 49 25 168

HSL 250.07, 0.74%, 0.38%

LAB 24.24, 51.72, -70.67

 

CMYK 71 / 85 / 0 / 20

HEX #3C1ECC

RGB 60 30 204

HSL 250.34, 0.74%, 0.46%

LAB 30.03, 60.69, -82.42

 

CMYK 64 / 77 / 0 / 12

HEX #5133E0

RGB 81 51 224

HSL 250.4, 0.74%, 0.54%

LAB 36.93, 59.16, -82.51

 

CMYK 52 / 62 / 0 / 10

HEX #6F57E5

RGB 111 87 229

HSL 250.14, 0.73%, 0.62%

LAB 46.78, 45.89, -69.1

 

CMYK 70 / 85 / 0 / 20

HEX #3D1FCC

RGB 61 31 204

HSL 250.4, 0.74%, 0.46%

LAB 30.23, 60.38, -82.08

 

CMYK 0 / 85 / 31 / 20

HEX #CC1E8C

RGB 204 30 140

HSL 322.07, 0.74%, 0.46%

LAB 46.52, 71.31, -16.67

 

CMYK 65 / 0 / 85 / 20

HEX #47CC1E

RGB 71 204 30

HSL 105.86, 0.74%, 0.46%

LAB 72.64, -64.18, 67.17

 

CMYK 70 / 85 / 0 / 20

HEX #3D1FCC

RGB 61 31 204

HSL 250.4, 0.74%, 0.46%

LAB 30.23, 60.38, -82.08

 

CMYK 0 / 71 / 85 / 20

HEX #CC3B1E

RGB 204 59 30

HSL 10, 0.74%, 0.46%

LAB 47.05, 55.69, 48.84

 

CMYK 85 / 0 / 71 / 20

HEX #1ECC3B

RGB 30 204 59

HSL 130, 0.74%, 0.46%

LAB 72.08, -68.45, 57.65

 

CMYK 70 / 85 / 0 / 20

HEX #3D1FCC

RGB 61 31 204

HSL 250.4, 0.74%, 0.46%

LAB 30.23, 60.38, -82.08

 

CMYK 0 / 85 / 31 / 20

HEX #CC1E8C

RGB 204 30 140

HSL 322.07, 0.74%, 0.46%

LAB 46.52, 71.31, -16.67

 

CMYK 14 / 0 / 85 / 20

HEX #AFCC1E

RGB 175 204 30

HSL 70, 0.74%, 0.46%

LAB 77.52, -29.94, 73.28

 

CMYK 85 / 0 / 54 / 20

HEX #1ECC5E

RGB 30 204 94

HSL 142.07, 0.74%, 0.46%

LAB 72.41, -64.39, 42.94

 

CMYK 70 / 85 / 0 / 20

HEX #3D1FCC

RGB 61 31 204

HSL 250.4, 0.74%, 0.46%

LAB 30.23, 60.38, -82.08

 

CMYK 0 / 85 / 57 / 20

HEX #CC1E58

RGB 204 30 88

HSL 340, 0.74%, 0.46%

LAB 44.9, 66.7, 13.01

 

CMYK 14 / 0 / 85 / 20

HEX #AFCC1E

RGB 175 204 30

HSL 70, 0.74%, 0.46%

LAB 77.52, -29.94, 73.28

 

CMYK 85 / 0 / 28 / 20

HEX #1ECC92

RGB 30 204 146

HSL 160, 0.74%, 0.46%

LAB 73.24, -54.71, 17.46

 

Description

Color code: HEX #3D1FCC | qconv.com Color code: HEX #3D1FCC | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 61 red, 31 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
61 31 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 85 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 85% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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