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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C761D it is the complementary color #C389E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C761D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C761D shade: #417618, #52882B, #639A3E, #74AC51 and #85BE64

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C761D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C761D shade: #3C761D, #2B640A, #1A5200, #094000 and #002E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C761D shade: #3C771C, #54771C, #6C771C, #77681C and #77501C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C761D shade: #3C771C, #23771C, #1C772E, #1C7746 and #1C775E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C761D shade matches the following richer shades: #3C771C, #388310 and #358E04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C761D shade: #3C771C, #3F6B28, #435F34, #475340 and #4A474C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C761D shade: #6C771C, #54771C, #3C771C, #24771C and #1C772D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C761D shade: #1A340C, #2B5514, #3C771C, #4D9824 and #5DB92C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C761D shade: #3C761D, #1C7769 and #771C60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C761D shade: #3C761D, #1C3C77 and #771C3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C761D shade: #3C761D, #1C7769, #571C77 and #771C2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C761D shade: #3C761D, #1C6977, #571C77 and #772A1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 75 / 54

HEX #3C761D

RGB 60 118 29

HSL 99.1, 0.61%, 0.29%

LAB 44.24, -35.51, 40.8

 

Complementary color

CMYK 14 / 39 / 0 / 11

HEX #C389E2

RGB 195 137 226

HSL 279.1, 0.61%, 0.71%

LAB 65.74, 37.9, -36.74

 

CMYK 45 / 0 / 80 / 54

HEX #417618

RGB 65 118 24

HSL 93.83, 0.66%, 0.28%

LAB 44.44, -34.13, 42.95

 

CMYK 40 / 0 / 68 / 47

HEX #52882B

RGB 82 136 43

HSL 94.84, 0.52%, 0.35%

LAB 51.36, -34.57, 42.68

 

CMYK 36 / 0 / 60 / 40

HEX #639A3E

RGB 99 154 62

HSL 95.87, 0.43%, 0.42%

LAB 58.14, -34.75, 41.78

 

CMYK 33 / 0 / 53 / 33

HEX #74AC51

RGB 116 172 81

HSL 96.92, 0.36%, 0.5%

LAB 64.81, -34.78, 40.66

 

CMYK 30 / 0 / 47 / 25

HEX #85BE64

RGB 133 190 100

HSL 98, 0.41%, 0.57%

LAB 71.37, -34.72, 39.47

 

CMYK 49 / 0 / 75 / 54

HEX #3C761D

RGB 60 118 29

HSL 99.1, 0.61%, 0.29%

LAB 44.24, -35.51, 40.8

 

CMYK 57 / 0 / 90 / 61

HEX #2B640A

RGB 43 100 10

HSL 98, 0.82%, 0.22%

LAB 37.21, -34.68, 40.28

 

CMYK 68 / 0 / 100 / 68

HEX #1A5200

RGB 26 82 0

HSL 100.98, 1%, 0.16%

LAB 30.04, -33.03, 37.15

 

CMYK 86 / 0 / 100 / 75

HEX #094000

RGB 9 64 0

HSL 111.56, 1%, 0.13%

LAB 22.74, -30.2, 30.39

 

CMYK 100 / 0 / 100 / 82

HEX #002E00

RGB 0 46 0

HSL 120, 1%, 0.09%

LAB 15.24, -25.96, 21.62

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 29 / 0 / 76 / 53

HEX #54771C

RGB 84 119 28

HSL 83.08, 0.62%, 0.29%

LAB 45.86, -26.99, 43.22

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 0 / 13 / 76 / 53

HEX #77681C

RGB 119 104 28

HSL 50.11, 0.62%, 0.29%

LAB 44.1, -2.97, 42.48

 

CMYK 0 / 33 / 76 / 53

HEX #77501C

RGB 119 80 28

HSL 34.29, 0.62%, 0.29%

LAB 37.38, 11.25, 35.83

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 71 / 0 / 76 / 53

HEX #23771C

RGB 35 119 28

HSL 115.38, 0.62%, 0.29%

LAB 43.7, -42.89, 40.36

 

CMYK 76 / 0 / 61 / 53

HEX #1C772E

RGB 28 119 46

HSL 131.87, 0.62%, 0.29%

LAB 43.71, -42.25, 32.21

 

CMYK 76 / 0 / 41 / 53

HEX #1C7746

RGB 28 119 70

HSL 147.69, 0.62%, 0.29%

LAB 44.06, -38.13, 19.64

 

CMYK 76 / 0 / 21 / 53

HEX #1C775E

RGB 28 119 94

HSL 163.52, 0.62%, 0.29%

LAB 44.59, -32.45, 6.33

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 57 / 0 / 88 / 49

HEX #388310

RGB 56 131 16

HSL 99.13, 0.78%, 0.29%

LAB 48.4, -42.8, 48.84

 

CMYK 63 / 0 / 97 / 44

HEX #358E04

RGB 53 142 4

HSL 98.7, 0.95%, 0.29%

LAB 51.96, -48.08, 54.15

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 41 / 0 / 63 / 58

HEX #3F6B28

RGB 63 107 40

HSL 99.4, 0.46%, 0.29%

LAB 40.78, -28.46, 32.16

 

CMYK 29 / 0 / 45 / 63

HEX #435F34

RGB 67 95 52

HSL 99.07, 0.29%, 0.29%

LAB 37.16, -19.3, 21.32

 

CMYK 14 / 0 / 23 / 67

HEX #475340

RGB 71 83 64

HSL 97.89, 0.13%, 0.29%

LAB 33.77, -8.82, 9.59

 

CMYK 3 / 7 / 0 / 70

HEX #4A474C

RGB 74 71 76

HSL 276, 0.03%, 0.29%

LAB 30.6, 2.35, -2.55

 

CMYK 9 / 0 / 76 / 53

HEX #6C771C

RGB 108 119 28

HSL 67.25, 0.62%, 0.29%

LAB 47.58, -16.5, 45.48

 

CMYK 29 / 0 / 76 / 53

HEX #54771C

RGB 84 119 28

HSL 83.08, 0.62%, 0.29%

LAB 45.86, -26.99, 43.22

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 70 / 0 / 76 / 53

HEX #24771C

RGB 36 119 28

HSL 114.73, 0.62%, 0.29%

LAB 43.73, -42.68, 40.4

 

CMYK 76 / 0 / 62 / 53

HEX #1C772D

RGB 28 119 45

HSL 131.21, 0.62%, 0.29%

LAB 43.7, -42.39, 32.69

 

CMYK 50 / 0 / 77 / 80

HEX #1A340C

RGB 26 52 12

HSL 99, 0.63%, 0.13%

LAB 18.81, -18.76, 21.29

 

CMYK 49 / 0 / 76 / 67

HEX #2B5514

RGB 43 85 20

HSL 98.77, 0.62%, 0.21%

LAB 31.95, -27.53, 31.77

 

CMYK 50 / 0 / 76 / 53

HEX #3C771C

RGB 60 119 28

HSL 98.9, 0.62%, 0.29%

LAB 44.57, -36.01, 41.52

 

CMYK 49 / 0 / 76 / 40

HEX #4D9824

RGB 77 152 36

HSL 98.79, 0.62%, 0.37%

LAB 56.25, -43.6, 50.36

 

CMYK 50 / 0 / 76 / 27

HEX #5DB92C

RGB 93 185 44

HSL 99.15, 0.62%, 0.45%

LAB 67.43, -51.15, 58.75

 

CMYK 49 / 0 / 75 / 54

HEX #3C761D

RGB 60 118 29

HSL 99.1, 0.61%, 0.29%

LAB 44.24, -35.51, 40.8

 

CMYK 76 / 0 / 12 / 53

HEX #1C7769

RGB 28 119 105

HSL 170.77, 0.62%, 0.29%

LAB 44.89, -29.38, 0.21

 

CMYK 0 / 76 / 19 / 53

HEX #771C60

RGB 119 28 96

HSL 315.16, 0.62%, 0.29%

LAB 28.37, 45.84, -18.34

 

CMYK 49 / 0 / 75 / 54

HEX #3C761D

RGB 60 118 29

HSL 99.1, 0.61%, 0.29%

LAB 44.24, -35.51, 40.8

 

CMYK 76 / 50 / 0 / 53

HEX #1C3C77

RGB 28 60 119

HSL 218.9, 0.62%, 0.29%

LAB 26.19, 10.66, -37.22

 

CMYK 0 / 76 / 50 / 53

HEX #771C3C

RGB 119 28 60

HSL 338.9, 0.62%, 0.29%

LAB 26.96, 41.36, 3.47

 

CMYK 49 / 0 / 75 / 54

HEX #3C761D

RGB 60 118 29

HSL 99.1, 0.61%, 0.29%

LAB 44.24, -35.51, 40.8

 

CMYK 76 / 0 / 12 / 53

HEX #1C7769

RGB 28 119 105

HSL 170.77, 0.62%, 0.29%

LAB 44.89, -29.38, 0.21

 

CMYK 27 / 76 / 0 / 53

HEX #571C77

RGB 87 28 119

HSL 278.9, 0.62%, 0.29%

LAB 24.29, 42.47, -40.02

 

CMYK 0 / 76 / 65 / 53

HEX #771C2A

RGB 119 28 42

HSL 350.77, 0.62%, 0.29%

LAB 26.5, 39.87, 15

 

CMYK 49 / 0 / 75 / 54

HEX #3C761D

RGB 60 118 29

HSL 99.1, 0.61%, 0.29%

LAB 44.24, -35.51, 40.8

 

CMYK 76 / 12 / 0 / 53

HEX #1C6977

RGB 28 105 119

HSL 189.23, 0.62%, 0.29%

LAB 40.71, -17.71, -14.46

 

CMYK 27 / 76 / 0 / 53

HEX #571C77

RGB 87 28 119

HSL 278.9, 0.62%, 0.29%

LAB 24.29, 42.47, -40.02

 

CMYK 0 / 65 / 76 / 53

HEX #772A1C

RGB 119 42 28

HSL 9.23, 0.62%, 0.29%

LAB 28.54, 32.87, 26.46

 

Description

Color code: HEX #3C761D | qconv.com Color code: HEX #3C761D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 118 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 118 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 75 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 75% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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