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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C6752 it is the complementary color #C398AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C6752. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C6752 shade: #41674D, #527960, #638B73, #749D86 and #85AF99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C6752. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C6752 shade: #3C6752, #2B553F, #1A432C, #093119 and #001F06

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C6752 shade: #3C6652, #3C6646, #3D663C, #49663C and #54663C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C6752 shade: #3C6652, #3C665D, #3C6466, #3C5966 and #3C4D66

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C6752 shade matches the following richer shades: #3C6652, #2F7452, #218152, #148E53 and #079B53

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C6752 shade: #3C6652, #495951, #564C51, #633F51 and #713250

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C6752 shade: #3D663C, #3C6646, #3C6651, #3C665C and #3C6566

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C6752 shade: #1D3228, #2D4C3D, #3C6652, #4B8066 and #5A9A7B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C6752 shade: #3C6752, #3C4966 and #66403C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C6752 shade: #3C6752, #513C66 and #66513C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C6752 shade: #3C6752, #3C4966, #663C51 and #665A3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C6752 shade: #3C6752, #3C3C66, #663C51 and #66663C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 20 / 60

HEX #3C6752

RGB 60 103 82

HSL 150.7, 0.26%, 0.32%

LAB 40.03, -20.25, 7.21

 

Complementary color

CMYK 0 / 22 / 11 / 24

HEX #C398AD

RGB 195 152 173

HSL 330.7, 0.26%, 0.68%

LAB 67.33, 19.44, -4.76

 

CMYK 37 / 0 / 25 / 60

HEX #41674D

RGB 65 103 77

HSL 138.95, 0.23%, 0.33%

LAB 40.18, -19.71, 10.48

 

CMYK 32 / 0 / 21 / 53

HEX #527960

RGB 82 121 96

HSL 141.54, 0.19%, 0.4%

LAB 47.38, -19.42, 9.4

 

CMYK 29 / 0 / 17 / 45

HEX #638B73

RGB 99 139 115

HSL 144, 0.17%, 0.47%

LAB 54.4, -19.16, 8.43

 

CMYK 26 / 0 / 15 / 38

HEX #749D86

RGB 116 157 134

HSL 146.34, 0.17%, 0.54%

LAB 61.26, -18.93, 7.54

 

CMYK 24 / 0 / 13 / 31

HEX #85AF99

RGB 133 175 153

HSL 148.57, 0.21%, 0.6%

LAB 67.98, -18.73, 6.7

 

CMYK 42 / 0 / 20 / 60

HEX #3C6752

RGB 60 103 82

HSL 150.7, 0.26%, 0.32%

LAB 40.03, -20.25, 7.21

 

CMYK 49 / 0 / 26 / 67

HEX #2B553F

RGB 43 85 63

HSL 148.57, 0.33%, 0.25%

LAB 32.63, -20.52, 8.37

 

CMYK 61 / 0 / 34 / 74

HEX #1A432C

RGB 26 67 44

HSL 146.34, 0.44%, 0.18%

LAB 25, -20.71, 9.73

 

CMYK 82 / 0 / 49 / 81

HEX #093119

RGB 9 49 25

HSL 144, 0.69%, 0.11%

LAB 17.11, -20.54, 11.42

 

CMYK 100 / 0 / 81 / 88

HEX #001F06

RGB 0 31 6

HSL 131.61, 1%, 0.06%

LAB 8.93, -17.09, 10.59

 

CMYK 41 / 0 / 20 / 60

HEX #3C6652

RGB 60 102 82

HSL 151.43, 0.26%, 0.32%

LAB 39.7, -19.72, 6.74

 

CMYK 41 / 0 / 31 / 60

HEX #3C6646

RGB 60 102 70

HSL 134.29, 0.26%, 0.32%

LAB 39.42, -22.34, 13.6

 

CMYK 40 / 0 / 41 / 60

HEX #3D663C

RGB 61 102 60

HSL 118.57, 0.26%, 0.32%

LAB 39.28, -23.89, 19.33

 

CMYK 28 / 0 / 41 / 60

HEX #49663C

RGB 73 102 60

HSL 101.43, 0.26%, 0.32%

LAB 39.99, -19.38, 20.4

 

CMYK 18 / 0 / 41 / 60

HEX #54663C

RGB 84 102 60

HSL 85.71, 0.26%, 0.32%

LAB 40.76, -14.88, 21.54

 

CMYK 41 / 0 / 20 / 60

HEX #3C6652

RGB 60 102 82

HSL 151.43, 0.26%, 0.32%

LAB 39.7, -19.72, 6.74

 

CMYK 41 / 0 / 9 / 60

HEX #3C665D

RGB 60 102 93

HSL 167.14, 0.26%, 0.32%

LAB 40, -17.01, 0.47

 

CMYK 41 / 2 / 0 / 60

HEX #3C6466

RGB 60 100 102

HSL 182.86, 0.26%, 0.32%

LAB 39.64, -13.46, -5.58

 

CMYK 41 / 13 / 0 / 60

HEX #3C5966

RGB 60 89 102

HSL 198.57, 0.26%, 0.32%

LAB 36.11, -7.01, -10.88

 

CMYK 41 / 25 / 0 / 60

HEX #3C4D66

RGB 60 77 102

HSL 215.71, 0.26%, 0.32%

LAB 32.32, 0.46, -16.67

 

CMYK 41 / 0 / 20 / 60

HEX #3C6652

RGB 60 102 82

HSL 151.43, 0.26%, 0.32%

LAB 39.7, -19.72, 6.74

 

CMYK 59 / 0 / 29 / 55

HEX #2F7452

RGB 47 116 82

HSL 150.43, 0.42%, 0.32%

LAB 43.81, -30.39, 12.41

 

CMYK 74 / 0 / 36 / 49

HEX #218152

RGB 33 129 82

HSL 150.63, 0.59%, 0.32%

LAB 47.79, -38.93, 17.79

 

CMYK 86 / 0 / 42 / 44

HEX #148E53

RGB 20 142 83

HSL 150.98, 0.75%, 0.32%

LAB 51.97, -45.52, 22.76

 

CMYK 95 / 0 / 46 / 39

HEX #079B53

RGB 7 155 83

HSL 150.81, 0.91%, 0.32%

LAB 56.2, -51.17, 28.24

 

CMYK 41 / 0 / 20 / 60

HEX #3C6652

RGB 60 102 82

HSL 151.43, 0.26%, 0.32%

LAB 39.7, -19.72, 6.74

 

CMYK 18 / 0 / 9 / 65

HEX #495951

RGB 73 89 81

HSL 150, 0.1%, 0.32%

LAB 36.28, -8.02, 2.57

 

CMYK 0 / 12 / 6 / 66

HEX #564C51

RGB 86 76 81

HSL 330, 0.06%, 0.32%

LAB 33.44, 5.18, -1.44

 

CMYK 0 / 36 / 18 / 61

HEX #633F51

RGB 99 63 81

HSL 330, 0.22%, 0.32%

LAB 31.35, 18.69, -4.35

 

CMYK 0 / 56 / 29 / 56

HEX #713250

RGB 113 50 80

HSL 331.43, 0.39%, 0.32%

LAB 30.33, 31.51, -5

 

CMYK 40 / 0 / 41 / 60

HEX #3D663C

RGB 61 102 60

HSL 118.57, 0.26%, 0.32%

LAB 39.28, -23.89, 19.33

 

CMYK 41 / 0 / 31 / 60

HEX #3C6646

RGB 60 102 70

HSL 134.29, 0.26%, 0.32%

LAB 39.42, -22.34, 13.6

 

CMYK 41 / 0 / 21 / 60

HEX #3C6651

RGB 60 102 81

HSL 150, 0.26%, 0.32%

LAB 39.68, -19.96, 7.31

 

CMYK 41 / 0 / 10 / 60

HEX #3C665C

RGB 60 102 92

HSL 165.71, 0.26%, 0.32%

LAB 39.98, -17.27, 1.04

 

CMYK 41 / 1 / 0 / 60

HEX #3C6566

RGB 60 101 102

HSL 181.43, 0.26%, 0.32%

LAB 39.96, -14.03, -5.1

 

CMYK 42 / 0 / 20 / 80

HEX #1D3228

RGB 29 50 40

HSL 151.43, 0.27%, 0.15%

LAB 18.78, -11.19, 3.73

 

CMYK 41 / 0 / 20 / 70

HEX #2D4C3D

RGB 45 76 61

HSL 150.97, 0.26%, 0.24%

LAB 29.57, -15.43, 5.33

 

CMYK 41 / 0 / 20 / 60

HEX #3C6652

RGB 60 102 82

HSL 151.43, 0.26%, 0.32%

LAB 39.7, -19.72, 6.74

 

CMYK 41 / 0 / 20 / 50

HEX #4B8066

RGB 75 128 102

HSL 150.57, 0.26%, 0.4%

LAB 49.37, -24.01, 8.64

 

CMYK 42 / 0 / 20 / 40

HEX #5A9A7B

RGB 90 154 123

HSL 150.94, 0.26%, 0.48%

LAB 58.71, -27.9, 9.91

 

CMYK 42 / 0 / 20 / 60

HEX #3C6752

RGB 60 103 82

HSL 150.7, 0.26%, 0.32%

LAB 40.03, -20.25, 7.21

 

CMYK 41 / 28 / 0 / 60

HEX #3C4966

RGB 60 73 102

HSL 221.43, 0.26%, 0.32%

LAB 31.08, 3.05, -18.58

 

CMYK 0 / 37 / 41 / 60

HEX #66403C

RGB 102 64 60

HSL 5.71, 0.26%, 0.32%

LAB 31.39, 16.03, 9.32

 

CMYK 42 / 0 / 20 / 60

HEX #3C6752

RGB 60 103 82

HSL 150.7, 0.26%, 0.32%

LAB 40.03, -20.25, 7.21

 

CMYK 21 / 41 / 0 / 60

HEX #513C66

RGB 81 60 102

HSL 270, 0.26%, 0.32%

LAB 29.26, 18.48, -21.26

 

CMYK 0 / 21 / 41 / 60

HEX #66513C

RGB 102 81 60

HSL 30, 0.26%, 0.32%

LAB 36.05, 5.52, 15.67

 

CMYK 42 / 0 / 20 / 60

HEX #3C6752

RGB 60 103 82

HSL 150.7, 0.26%, 0.32%

LAB 40.03, -20.25, 7.21

 

CMYK 41 / 28 / 0 / 60

HEX #3C4966

RGB 60 73 102

HSL 221.43, 0.26%, 0.32%

LAB 31.08, 3.05, -18.58

 

CMYK 0 / 41 / 21 / 60

HEX #663C51

RGB 102 60 81

HSL 330, 0.26%, 0.32%

LAB 31, 21.72, -4.83

 

CMYK 0 / 12 / 41 / 60

HEX #665A3C

RGB 102 90 60

HSL 42.86, 0.26%, 0.32%

LAB 38.66, 0.05, 19.12

 

CMYK 42 / 0 / 20 / 60

HEX #3C6752

RGB 60 103 82

HSL 150.7, 0.26%, 0.32%

LAB 40.03, -20.25, 7.21

 

CMYK 41 / 41 / 0 / 60

HEX #3C3C66

RGB 60 60 102

HSL 240, 0.26%, 0.32%

LAB 27.16, 11.68, -24.7

 

CMYK 0 / 41 / 21 / 60

HEX #663C51

RGB 102 60 81

HSL 330, 0.26%, 0.32%

LAB 31, 21.72, -4.83

 

CMYK 0 / 0 / 41 / 60

HEX #66663C

RGB 102 102 60

HSL 60, 0.26%, 0.32%

LAB 42.24, -7.02, 23.73

 

Description

Color code: HEX #3C6752 | qconv.com Color code: HEX #3C6752 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 103 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 103 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 20 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 20% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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