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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C5AB3 it is the complementary color #C3A54C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C5AB3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C5AB3 shade: #415AAE, #526CC1, #637ED4, #7490E7 and #85A2FA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C5AB3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C5AB3 shade: #3C5AB3, #2B48A0, #1A368D, #09247A and #001267

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C5AB3 shade: #3B5AB3, #3E3BB3, #5E3BB3, #7E3BB3 and #9E3BB3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C5AB3 shade: #3B5AB3 and #3B3BB3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C5AB3 shade matches the following richer shades: #3B5AB3, #2850C7, #1546DA and #013DED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C5AB3 shade: #3B5AB3, #4F63A0, #626D8C, #767679 and #898066

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C5AB3 shade: #3B9BB3, #3B7BB3, #3B5BB3, #3B3BB3 and #5B3BB3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C5AB3 shade: #273B75, #314A94, #3B5AB3, #5370C5 and #7289D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C5AB3 shade: #3C5AB3, #AB3BB3 and #8BB33B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C5AB3 shade: #3C5AB3, #B33B5B and #5BB33B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C5AB3 shade: #3C5AB3, #AB3BB3, #B3933B and #43B33B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C5AB3 shade: #3C5AB3, #B33B97, #B3933B and #3BB357

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 50 / 0 / 30

HEX #3C5AB3

RGB 60 90 179

HSL 224.87, 0.5%, 0.47%

LAB 40.46, 18.54, -50.7

 

Complementary color

CMYK 0 / 15 / 61 / 24

HEX #C3A54C

RGB 195 165 76

HSL 44.87, 0.5%, 0.53%

LAB 68.78, 0.54, 49.2

 

CMYK 63 / 48 / 0 / 32

HEX #415AAE

RGB 65 90 174

HSL 226.24, 0.46%, 0.47%

LAB 40.4, 17.63, -47.83

 

CMYK 58 / 44 / 0 / 24

HEX #526CC1

RGB 82 108 193

HSL 225.95, 0.47%, 0.54%

LAB 47.46, 16.08, -47.56

 

CMYK 53 / 41 / 0 / 17

HEX #637ED4

RGB 99 126 212

HSL 225.66, 0.57%, 0.61%

LAB 54.37, 14.83, -47.33

 

CMYK 50 / 38 / 0 / 9

HEX #7490E7

RGB 116 144 231

HSL 225.39, 0.71%, 0.68%

LAB 61.16, 13.8, -47.15

 

CMYK 47 / 35 / 0 / 2

HEX #85A2FA

RGB 133 162 250

HSL 225.13, 0.92%, 0.75%

LAB 67.82, 12.92, -47.01

 

CMYK 66 / 50 / 0 / 30

HEX #3C5AB3

RGB 60 90 179

HSL 224.87, 0.5%, 0.47%

LAB 40.46, 18.54, -50.7

 

CMYK 73 / 55 / 0 / 37

HEX #2B48A0

RGB 43 72 160

HSL 225.13, 0.58%, 0.4%

LAB 33.32, 20.74, -50.96

 

CMYK 82 / 62 / 0 / 45

HEX #1A368D

RGB 26 54 141

HSL 225.39, 0.69%, 0.33%

LAB 26.1, 23.55, -51.13

 

CMYK 93 / 70 / 0 / 52

HEX #09247A

RGB 9 36 122

HSL 225.66, 0.86%, 0.26%

LAB 18.91, 27.1, -51.01

 

CMYK 100 / 83 / 0 / 60

HEX #001267

RGB 0 18 103

HSL 229.51, 1%, 0.2%

LAB 12.04, 31.04, -50.05

 

CMYK 67 / 50 / 0 / 30

HEX #3B5AB3

RGB 59 90 179

HSL 224.5, 0.5%, 0.47%

LAB 40.4, 18.37, -50.78

 

CMYK 65 / 67 / 0 / 30

HEX #3E3BB3

RGB 62 59 179

HSL 241.5, 0.5%, 0.47%

LAB 32.72, 38.65, -63.27

 

CMYK 47 / 67 / 0 / 30

HEX #5E3BB3

RGB 94 59 179

HSL 257.5, 0.5%, 0.47%

LAB 35.52, 43.96, -58.56

 

CMYK 30 / 67 / 0 / 30

HEX #7E3BB3

RGB 126 59 179

HSL 273.5, 0.5%, 0.47%

LAB 39.27, 50.5, -52.31

 

CMYK 12 / 67 / 0 / 30

HEX #9E3BB3

RGB 158 59 179

HSL 289.5, 0.5%, 0.47%

LAB 43.73, 57.7, -44.91

 

CMYK 67 / 50 / 0 / 30

HEX #3B5AB3

RGB 59 90 179

HSL 224.5, 0.5%, 0.47%

LAB 40.4, 18.37, -50.78

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 67 / 50 / 0 / 30

HEX #3B5AB3

RGB 59 90 179

HSL 224.5, 0.5%, 0.47%

LAB 40.4, 18.37, -50.78

 

CMYK 80 / 60 / 0 / 22

HEX #2850C7

RGB 40 80 199

HSL 224.91, 0.67%, 0.47%

LAB 38.4, 29.92, -65.77

 

CMYK 90 / 68 / 0 / 15

HEX #1546DA

RGB 21 70 218

HSL 225.08, 0.82%, 0.47%

LAB 37.12, 42.17, -78.85

 

CMYK 100 / 74 / 0 / 7

HEX #013DED

RGB 1 61 237

HSL 224.75, 0.99%, 0.47%

LAB 36.85, 53.72, -90.13

 

CMYK 67 / 50 / 0 / 30

HEX #3B5AB3

RGB 59 90 179

HSL 224.5, 0.5%, 0.47%

LAB 40.4, 18.37, -50.78

 

CMYK 51 / 38 / 0 / 37

HEX #4F63A0

RGB 79 99 160

HSL 225.19, 0.34%, 0.47%

LAB 42.95, 10.16, -35.43

 

CMYK 30 / 22 / 0 / 45

HEX #626D8C

RGB 98 109 140

HSL 224.29, 0.18%, 0.47%

LAB 46.21, 3.47, -18.36

 

CMYK 2 / 2 / 0 / 53

HEX #767679

RGB 118 118 121

HSL 240, 0.01%, 0.47%

LAB 49.72, 0.62, -1.65

 

CMYK 0 / 7 / 26 / 46

HEX #898066

RGB 137 128 102

HSL 44.57, 0.15%, 0.47%

LAB 53.72, -1.01, 15.37

 

CMYK 67 / 13 / 0 / 30

HEX #3B9BB3

RGB 59 155 179

HSL 192, 0.5%, 0.47%

LAB 59.55, -20.24, -20.72

 

CMYK 67 / 31 / 0 / 30

HEX #3B7BB3

RGB 59 123 179

HSL 208, 0.5%, 0.47%

LAB 49.92, -2.29, -35.65

 

CMYK 67 / 49 / 0 / 30

HEX #3B5BB3

RGB 59 91 179

HSL 224, 0.5%, 0.47%

LAB 40.68, 17.72, -50.34

 

CMYK 67 / 67 / 0 / 30

HEX #3B3BB3

RGB 59 59 179

HSL 240, 0.5%, 0.47%

LAB 32.51, 38.24, -63.61

 

CMYK 49 / 67 / 0 / 30

HEX #5B3BB3

RGB 91 59 179

HSL 256, 0.5%, 0.47%

LAB 35.22, 43.39, -59.08

 

CMYK 67 / 50 / 0 / 54

HEX #273B75

RGB 39 59 117

HSL 224.62, 0.5%, 0.31%

LAB 26.28, 12.43, -35.77

 

CMYK 67 / 50 / 0 / 42

HEX #314A94

RGB 49 74 148

HSL 224.85, 0.5%, 0.39%

LAB 33.33, 15.8, -43.67

 

CMYK 67 / 50 / 0 / 30

HEX #3B5AB3

RGB 59 90 179

HSL 224.5, 0.5%, 0.47%

LAB 40.4, 18.37, -50.78

 

CMYK 58 / 43 / 0 / 23

HEX #5370C5

RGB 83 112 197

HSL 224.74, 0.5%, 0.55%

LAB 48.83, 15.14, -47.66

 

CMYK 45 / 34 / 0 / 18

HEX #7289D0

RGB 114 137 208

HSL 225.32, 0.5%, 0.63%

LAB 58.06, 10.56, -39.2

 

CMYK 66 / 50 / 0 / 30

HEX #3C5AB3

RGB 60 90 179

HSL 224.87, 0.5%, 0.47%

LAB 40.46, 18.54, -50.7

 

CMYK 4 / 67 / 0 / 30

HEX #AB3BB3

RGB 171 59 179

HSL 296, 0.5%, 0.47%

LAB 45.69, 60.72, -41.67

 

CMYK 22 / 0 / 67 / 30

HEX #8BB33B

RGB 139 179 59

HSL 80, 0.5%, 0.47%

LAB 68.05, -31.37, 54.6

 

CMYK 66 / 50 / 0 / 30

HEX #3C5AB3

RGB 60 90 179

HSL 224.87, 0.5%, 0.47%

LAB 40.46, 18.54, -50.7

 

CMYK 0 / 67 / 49 / 30

HEX #B33B5B

RGB 179 59 91

HSL 344, 0.5%, 0.47%

LAB 43.46, 50.91, 8.43

 

CMYK 49 / 0 / 67 / 30

HEX #5BB33B

RGB 91 179 59

HSL 104, 0.5%, 0.47%

LAB 65.58, -48.28, 51.23

 

CMYK 66 / 50 / 0 / 30

HEX #3C5AB3

RGB 60 90 179

HSL 224.87, 0.5%, 0.47%

LAB 40.46, 18.54, -50.7

 

CMYK 4 / 67 / 0 / 30

HEX #AB3BB3

RGB 171 59 179

HSL 296, 0.5%, 0.47%

LAB 45.69, 60.72, -41.67

 

CMYK 0 / 18 / 67 / 30

HEX #B3933B

RGB 179 147 59

HSL 44, 0.5%, 0.47%

LAB 62.31, 2.18, 49.52

 

CMYK 63 / 0 / 67 / 30

HEX #43B33B

RGB 67 179 59

HSL 116, 0.5%, 0.47%

LAB 64.76, -54.62, 50.11

 

CMYK 66 / 50 / 0 / 30

HEX #3C5AB3

RGB 60 90 179

HSL 224.87, 0.5%, 0.47%

LAB 40.46, 18.54, -50.7

 

CMYK 0 / 67 / 16 / 30

HEX #B33B97

RGB 179 59 151

HSL 314, 0.5%, 0.47%

LAB 45.56, 58.15, -25.16

 

CMYK 0 / 18 / 67 / 30

HEX #B3933B

RGB 179 147 59

HSL 44, 0.5%, 0.47%

LAB 62.31, 2.18, 49.52

 

CMYK 67 / 0 / 51 / 30

HEX #3BB357

RGB 59 179 87

HSL 134, 0.5%, 0.47%

LAB 64.85, -52.87, 37.22

 

Description

Color code: HEX #3C5AB3 | qconv.com Color code: HEX #3C5AB3 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 90 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 90 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 50 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 50% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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