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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C501F it is the complementary color #C3AFE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C501F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C501F shade: #41501A, #52622D, #637440, #748653 and #859866

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C501F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C501F shade: #3C501F, #2B3E0C, #1A2C00, #091A00 and #000800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C501F shade: #3C501F, #49501F, #504A1F, #503C1F and #502F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C501F shade: #3C501F, #2F501F, #22501F, #1F502A and #1F5037

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C501F shade matches the following richer shades: #3C501F, #3E5916, #3F620D and #416C04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C501F shade: #3C501F, #3A4728, #393E31, #37353A and #352C43

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C501F shade: #504A1F, #4A501F, #3D501F, #2F501F and #22501F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C501F shade: #101508, #263313, #3C501F, #526E2A and #698C36

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C501F shade: #3C501F, #1F503D and #501F50

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C501F shade: #3C501F, #1F3D50 and #501F3D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C501F shade: #3C501F, #1F503D, #331F50 and #501F33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C501F shade: #3C501F, #1F504B, #331F50 and #501F24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

Complementary color

CMYK 13 / 22 / 0 / 12

HEX #C3AFE0

RGB 195 175 224

HSL 264.49, 0.44%, 0.78%

LAB 74.6, 16.55, -21.99

 

CMYK 19 / 0 / 68 / 69

HEX #41501A

RGB 65 80 26

HSL 76.67, 0.51%, 0.21%

LAB 31.66, -15.19, 29.05

 

CMYK 16 / 0 / 54 / 62

HEX #52622D

RGB 82 98 45

HSL 78.11, 0.37%, 0.28%

LAB 39.1, -15.5, 27.9

 

CMYK 15 / 0 / 45 / 55

HEX #637440

RGB 99 116 64

HSL 79.62, 0.29%, 0.35%

LAB 46.33, -15.64, 26.6

 

CMYK 13 / 0 / 38 / 47

HEX #748653

RGB 116 134 83

HSL 81.18, 0.24%, 0.43%

LAB 53.37, -15.71, 25.34

 

CMYK 13 / 0 / 33 / 40

HEX #859866

RGB 133 152 102

HSL 82.8, 0.2%, 0.5%

LAB 60.25, -15.74, 24.14

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 31 / 0 / 81 / 76

HEX #2B3E0C

RGB 43 62 12

HSL 82.8, 0.68%, 0.15%

LAB 23.62, -16.64, 26.85

 

CMYK 41 / 0 / 100 / 83

HEX #1A2C00

RGB 26 44 0

HSL 84.55, 1%, 0.09%

LAB 15.6, -15.81, 22.31

 

CMYK 65 / 0 / 100 / 90

HEX #091A00

RGB 9 26 0

HSL 99.23, 1%, 0.05%

LAB 7.2, -11.28, 10.57

 

CMYK 100 / 0 / 100 / 97

HEX #000800

RGB 0 8 0

HSL 120, 1%, 0.02%

LAB 1.57, -3.2, 2.29

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 9 / 0 / 61 / 69

HEX #49501F

RGB 73 80 31

HSL 68.57, 0.44%, 0.22%

LAB 32.38, -10.95, 27.43

 

CMYK 0 / 7 / 61 / 69

HEX #504A1F

RGB 80 74 31

HSL 52.65, 0.44%, 0.22%

LAB 31.12, -3.96, 26.17

 

CMYK 0 / 25 / 61 / 69

HEX #503C1F

RGB 80 60 31

HSL 35.51, 0.44%, 0.22%

LAB 26.84, 4.82, 21.12

 

CMYK 0 / 41 / 61 / 69

HEX #502F1F

RGB 80 47 31

HSL 19.59, 0.44%, 0.22%

LAB 23.13, 13.19, 16.55

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 41 / 0 / 61 / 69

HEX #2F501F

RGB 47 80 31

HSL 100.41, 0.44%, 0.22%

LAB 30.5, -22.42, 24.77

 

CMYK 58 / 0 / 61 / 69

HEX #22501F

RGB 34 80 31

HSL 116.33, 0.44%, 0.22%

LAB 29.85, -27.04, 23.85

 

CMYK 61 / 0 / 48 / 69

HEX #1F502A

RGB 31 80 42

HSL 133.47, 0.44%, 0.22%

LAB 29.9, -26.11, 17.53

 

CMYK 61 / 0 / 31 / 69

HEX #1F5037

RGB 31 80 55

HSL 149.39, 0.44%, 0.22%

LAB 30.17, -23.31, 9.87

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 30 / 0 / 75 / 65

HEX #3E5916

RGB 62 89 22

HSL 84.18, 0.6%, 0.22%

LAB 34.45, -21.71, 33.81

 

CMYK 36 / 0 / 87 / 62

HEX #3F620D

RGB 63 98 13

HSL 84.71, 0.77%, 0.22%

LAB 37.52, -26.32, 40.09

 

CMYK 40 / 0 / 96 / 58

HEX #416C04

RGB 65 108 4

HSL 84.81, 0.93%, 0.22%

LAB 40.99, -30.57, 45.44

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 18 / 0 / 44 / 72

HEX #3A4728

RGB 58 71 40

HSL 85.16, 0.28%, 0.22%

LAB 28.27, -11.55, 16.95

 

CMYK 8 / 0 / 21 / 76

HEX #393E31

RGB 57 62 49

HSL 83.08, 0.12%, 0.22%

LAB 25.37, -4.93, 7.3

 

CMYK 5 / 9 / 0 / 77

HEX #37353A

RGB 55 53 58

HSL 264, 0.05%, 0.22%

LAB 22.53, 2.04, -2.82

 

CMYK 21 / 34 / 0 / 74

HEX #352C43

RGB 53 44 67

HSL 263.48, 0.21%, 0.22%

LAB 19.9, 9.73, -12.94

 

CMYK 0 / 7 / 61 / 69

HEX #504A1F

RGB 80 74 31

HSL 52.65, 0.44%, 0.22%

LAB 31.12, -3.96, 26.17

 

CMYK 7 / 0 / 61 / 69

HEX #4A501F

RGB 74 80 31

HSL 67.35, 0.44%, 0.22%

LAB 32.46, -10.47, 27.55

 

CMYK 24 / 0 / 61 / 69

HEX #3D501F

RGB 61 80 31

HSL 83.27, 0.44%, 0.22%

LAB 31.41, -16.51, 26.07

 

CMYK 41 / 0 / 61 / 69

HEX #2F501F

RGB 47 80 31

HSL 100.41, 0.44%, 0.22%

LAB 30.5, -22.42, 24.77

 

CMYK 58 / 0 / 61 / 69

HEX #22501F

RGB 34 80 31

HSL 116.33, 0.44%, 0.22%

LAB 29.85, -27.04, 23.85

 

CMYK 24 / 0 / 62 / 92

HEX #101508

RGB 16 21 8

HSL 83.08, 0.45%, 0.06%

LAB 6, -4.32, 5.62

 

CMYK 25 / 0 / 63 / 80

HEX #263313

RGB 38 51 19

HSL 84.38, 0.46%, 0.14%

LAB 19.34, -11.99, 18.34

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 25 / 0 / 62 / 57

HEX #526E2A

RGB 82 110 42

HSL 84.71, 0.45%, 0.3%

LAB 42.93, -22.2, 33.91

 

CMYK 25 / 0 / 61 / 45

HEX #698C36

RGB 105 140 54

HSL 84.42, 0.44%, 0.38%

LAB 54.05, -26.63, 41.03

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 61 / 0 / 24 / 69

HEX #1F503D

RGB 31 80 61

HSL 156.73, 0.44%, 0.22%

LAB 30.32, -21.81, 6.29

 

CMYK 0 / 61 / 0 / 69

HEX #501F50

RGB 80 31 80

HSL 300, 0.44%, 0.22%

LAB 21.07, 30.57, -19.65

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 61 / 24 / 0 / 69

HEX #1F3D50

RGB 31 61 80

HSL 203.27, 0.44%, 0.22%

LAB 24.35, -4.73, -14.92

 

CMYK 0 / 61 / 24 / 69

HEX #501F3D

RGB 80 31 61

HSL 323.27, 0.44%, 0.22%

LAB 20.13, 27, -8.13

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 61 / 0 / 24 / 69

HEX #1F503D

RGB 31 80 61

HSL 156.73, 0.44%, 0.22%

LAB 30.32, -21.81, 6.29

 

CMYK 36 / 61 / 0 / 69

HEX #331F50

RGB 51 31 80

HSL 264.49, 0.44%, 0.22%

LAB 16.81, 21.74, -26.68

 

CMYK 0 / 61 / 36 / 69

HEX #501F33

RGB 80 31 51

HSL 335.51, 0.44%, 0.22%

LAB 19.74, 25.43, -1.76

 

CMYK 25 / 0 / 61 / 69

HEX #3C501F

RGB 60 80 31

HSL 84.49, 0.44%, 0.22%

LAB 31.34, -16.96, 25.97

 

CMYK 61 / 0 / 6 / 69

HEX #1F504B

RGB 31 80 75

HSL 173.88, 0.44%, 0.22%

LAB 30.73, -17.84, -2.04

 

CMYK 36 / 61 / 0 / 69

HEX #331F50

RGB 51 31 80

HSL 264.49, 0.44%, 0.22%

LAB 16.81, 21.74, -26.68

 

CMYK 0 / 61 / 55 / 69

HEX #501F24

RGB 80 31 36

HSL 353.88, 0.44%, 0.22%

LAB 19.28, 23.53, 8.1

 

Description

Color code: HEX #3C501F | qconv.com Color code: HEX #3C501F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 80 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 80 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 61 yellow and 69 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 61% 69% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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