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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C592A it is the complementary color #C3A6D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C592A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C592A shade: #415925, #526B38, #637D4B, #748F5E and #85A171

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C592A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C592A shade: #3C592A, #2B4717, #1A3504, #092300 and #001100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C592A shade: #3C5A2A, #495A2A, #565A2A, #5A512A and #5A442A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C592A shade: #3C5A2A, #2F5A2A, #2A5A31, #2A5A3E and #2A5A4B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C592A shade matches the following richer shades: #3C5A2A, #3A641F, #376F14 and #357A0A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C592A shade: #3C5A2A, #3F4F35, #41443F, #44394A and #462F55

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C592A shade: #565A2A, #495A2A, #3C5A2A, #305A2A and #2A5A31

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C592A shade: #162210, #293E1D, #3C5A2A, #4F7637 and #629244

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C592A shade: #3C592A, #2A5A51 and #5A2A4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C592A shade: #3C592A, #2A3C5A and #5A2A3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C592A shade: #3C592A, #2A5A51, #472A5A and #5A2A33

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C592A shade: #3C592A, #2A545A, #472A5A and #5A302A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 53 / 65

HEX #3C592A

RGB 60 89 42

HSL 97.02, 0.36%, 0.26%

LAB 34.54, -20.41, 23.68

 

Complementary color

CMYK 8 / 22 / 0 / 16

HEX #C3A6D5

RGB 195 166 213

HSL 277.02, 0.36%, 0.74%

LAB 72.01, 19.23, -19.91

 

CMYK 27 / 0 / 58 / 65

HEX #415925

RGB 65 89 37

HSL 87.69, 0.41%, 0.25%

LAB 34.81, -18.96, 26.85

 

CMYK 23 / 0 / 48 / 58

HEX #526B38

RGB 82 107 56

HSL 89.41, 0.31%, 0.32%

LAB 42.15, -18.99, 25.55

 

CMYK 21 / 0 / 40 / 51

HEX #637D4B

RGB 99 125 75

HSL 91.2, 0.25%, 0.39%

LAB 49.29, -18.94, 24.25

 

CMYK 19 / 0 / 34 / 44

HEX #748F5E

RGB 116 143 94

HSL 93.06, 0.21%, 0.46%

LAB 56.25, -18.85, 23.03

 

CMYK 17 / 0 / 30 / 37

HEX #85A171

RGB 133 161 113

HSL 95, 0.2%, 0.54%

LAB 63.07, -18.76, 21.89

 

CMYK 33 / 0 / 53 / 65

HEX #3C592A

RGB 60 89 42

HSL 97.02, 0.36%, 0.26%

LAB 34.54, -20.41, 23.68

 

CMYK 39 / 0 / 68 / 72

HEX #2B4717

RGB 43 71 23

HSL 95, 0.51%, 0.18%

LAB 26.97, -20.39, 24.97

 

CMYK 51 / 0 / 92 / 79

HEX #1A3504

RGB 26 53 4

HSL 93.06, 0.86%, 0.11%

LAB 19.12, -20.07, 24.96

 

CMYK 74 / 0 / 100 / 86

HEX #092300

RGB 9 35 0

HSL 104.57, 1%, 0.07%

LAB 10.99, -18.15, 16.01

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 33 / 0 / 53 / 65

HEX #3C5A2A

RGB 60 90 42

HSL 97.5, 0.36%, 0.26%

LAB 34.88, -20.93, 24.1

 

CMYK 19 / 0 / 53 / 65

HEX #495A2A

RGB 73 90 42

HSL 81.25, 0.36%, 0.26%

LAB 35.78, -15.41, 25.4

 

CMYK 4 / 0 / 53 / 65

HEX #565A2A

RGB 86 90 42

HSL 65, 0.36%, 0.26%

LAB 36.85, -9.49, 26.94

 

CMYK 0 / 10 / 53 / 65

HEX #5A512A

RGB 90 81 42

HSL 48.75, 0.36%, 0.26%

LAB 34.45, -2.26, 24.13

 

CMYK 0 / 24 / 53 / 65

HEX #5A442A

RGB 90 68 42

HSL 32.5, 0.36%, 0.26%

LAB 30.58, 5.78, 19.33

 

CMYK 33 / 0 / 53 / 65

HEX #3C5A2A

RGB 60 90 42

HSL 97.5, 0.36%, 0.26%

LAB 34.88, -20.93, 24.1

 

CMYK 48 / 0 / 53 / 65

HEX #2F5A2A

RGB 47 90 42

HSL 113.75, 0.36%, 0.26%

LAB 34.16, -25.82, 23.04

 

CMYK 53 / 0 / 46 / 65

HEX #2A5A31

RGB 42 90 49

HSL 128.75, 0.36%, 0.26%

LAB 34.04, -26.29, 18.79

 

CMYK 53 / 0 / 31 / 65

HEX #2A5A3E

RGB 42 90 62

HSL 145, 0.36%, 0.26%

LAB 34.3, -23.64, 11.29

 

CMYK 53 / 0 / 17 / 65

HEX #2A5A4B

RGB 42 90 75

HSL 161.25, 0.36%, 0.26%

LAB 34.63, -20.45, 3.69

 

CMYK 33 / 0 / 53 / 65

HEX #3C5A2A

RGB 60 90 42

HSL 97.5, 0.36%, 0.26%

LAB 34.88, -20.93, 24.1

 

CMYK 42 / 0 / 69 / 61

HEX #3A641F

RGB 58 100 31

HSL 96.52, 0.53%, 0.26%

LAB 38.04, -27.96, 33.43

 

CMYK 50 / 0 / 82 / 56

HEX #376F14

RGB 55 111 20

HSL 96.92, 0.69%, 0.26%

LAB 41.58, -34.83, 41.44

 

CMYK 57 / 0 / 92 / 52

HEX #357A0A

RGB 53 122 10

HSL 96.96, 0.85%, 0.26%

LAB 45.22, -40.43, 47.39

 

CMYK 33 / 0 / 53 / 65

HEX #3C5A2A

RGB 60 90 42

HSL 97.5, 0.36%, 0.26%

LAB 34.88, -20.93, 24.1

 

CMYK 20 / 0 / 33 / 69

HEX #3F4F35

RGB 63 79 53

HSL 96.92, 0.2%, 0.26%

LAB 31.59, -11.88, 13.36

 

CMYK 4 / 0 / 7 / 73

HEX #41443F

RGB 65 68 63

HSL 96, 0.04%, 0.26%

LAB 28.42, -2.35, 2.59

 

CMYK 8 / 23 / 0 / 71

HEX #44394A

RGB 68 57 74

HSL 278.82, 0.13%, 0.26%

LAB 25.71, 8.58, -8.61

 

CMYK 18 / 45 / 0 / 67

HEX #462F55

RGB 70 47 85

HSL 276.32, 0.29%, 0.26%

LAB 23.64, 18.72, -19.07

 

CMYK 4 / 0 / 53 / 65

HEX #565A2A

RGB 86 90 42

HSL 65, 0.36%, 0.26%

LAB 36.85, -9.49, 26.94

 

CMYK 19 / 0 / 53 / 65

HEX #495A2A

RGB 73 90 42

HSL 81.25, 0.36%, 0.26%

LAB 35.78, -15.41, 25.4

 

CMYK 33 / 0 / 53 / 65

HEX #3C5A2A

RGB 60 90 42

HSL 97.5, 0.36%, 0.26%

LAB 34.88, -20.93, 24.1

 

CMYK 47 / 0 / 53 / 65

HEX #305A2A

RGB 48 90 42

HSL 112.5, 0.36%, 0.26%

LAB 34.21, -25.47, 23.11

 

CMYK 53 / 0 / 46 / 65

HEX #2A5A31

RGB 42 90 49

HSL 128.75, 0.36%, 0.26%

LAB 34.04, -26.29, 18.79

 

CMYK 35 / 0 / 53 / 87

HEX #162210

RGB 22 34 16

HSL 100, 0.36%, 0.1%

LAB 11.63, -9.68, 10.07

 

CMYK 34 / 0 / 53 / 76

HEX #293E1D

RGB 41 62 29

HSL 98.18, 0.36%, 0.18%

LAB 23.69, -15.58, 17.62

 

CMYK 33 / 0 / 53 / 65

HEX #3C5A2A

RGB 60 90 42

HSL 97.5, 0.36%, 0.26%

LAB 34.88, -20.93, 24.1

 

CMYK 33 / 0 / 53 / 54

HEX #4F7637

RGB 79 118 55

HSL 97.14, 0.36%, 0.34%

LAB 45.49, -25.95, 30.16

 

CMYK 33 / 0 / 53 / 43

HEX #629244

RGB 98 146 68

HSL 96.92, 0.36%, 0.42%

LAB 55.66, -30.74, 35.92

 

CMYK 33 / 0 / 53 / 65

HEX #3C592A

RGB 60 89 42

HSL 97.02, 0.36%, 0.26%

LAB 34.54, -20.41, 23.68

 

CMYK 53 / 0 / 10 / 65

HEX #2A5A51

RGB 42 90 81

HSL 168.75, 0.36%, 0.26%

LAB 34.8, -18.82, 0.19

 

CMYK 0 / 53 / 12 / 65

HEX #5A2A4F

RGB 90 42 79

HSL 313.75, 0.36%, 0.26%

LAB 24.93, 27.57, -12.86

 

CMYK 33 / 0 / 53 / 65

HEX #3C592A

RGB 60 89 42

HSL 97.02, 0.36%, 0.26%

LAB 34.54, -20.41, 23.68

 

CMYK 53 / 33 / 0 / 65

HEX #2A3C5A

RGB 42 60 90

HSL 217.5, 0.36%, 0.26%

LAB 25.14, 2.41, -20.2

 

CMYK 0 / 53 / 33 / 65

HEX #5A2A3C

RGB 90 42 60

HSL 337.5, 0.36%, 0.26%

LAB 24.18, 24.34, -1.22

 

CMYK 33 / 0 / 53 / 65

HEX #3C592A

RGB 60 89 42

HSL 97.02, 0.36%, 0.26%

LAB 34.54, -20.41, 23.68

 

CMYK 53 / 0 / 10 / 65

HEX #2A5A51

RGB 42 90 81

HSL 168.75, 0.36%, 0.26%

LAB 34.8, -18.82, 0.19

 

CMYK 21 / 53 / 0 / 65

HEX #472A5A

RGB 71 42 90

HSL 276.25, 0.36%, 0.26%

LAB 22.77, 23.57, -23.74

 

CMYK 0 / 53 / 43 / 65

HEX #5A2A33

RGB 90 42 51

HSL 348.75, 0.36%, 0.26%

LAB 23.9, 23.07, 4.48

 

CMYK 33 / 0 / 53 / 65

HEX #3C592A

RGB 60 89 42

HSL 97.02, 0.36%, 0.26%

LAB 34.54, -20.41, 23.68

 

CMYK 53 / 7 / 0 / 65

HEX #2A545A

RGB 42 84 90

HSL 187.5, 0.36%, 0.26%

LAB 33.07, -12.76, -8.03

 

CMYK 21 / 53 / 0 / 65

HEX #472A5A

RGB 71 42 90

HSL 276.25, 0.36%, 0.26%

LAB 22.77, 23.57, -23.74

 

CMYK 0 / 47 / 53 / 65

HEX #5A302A

RGB 90 48 42

HSL 7.5, 0.36%, 0.26%

LAB 25.12, 18.37, 12.22

 

Description

Color code: HEX #3C592A | qconv.com Color code: HEX #3C592A | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 89 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 89 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 53 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 53% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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