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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C4B99 it is the complementary color #C3B466. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C4B99. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C4B99 shade: #414B94, #525DA7, #636FBA, #7481CD and #8593E0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C4B99. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C4B99 shade: #3C4B99, #2B3986, #1A2773, #091560 and #00034D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C4B99 shade: #3B4B9A, #463B9A, #5F3B9A, #793B9A and #923B9A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C4B99 shade: #3B4B9A and #3B3B9A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C4B99 shade matches the following richer shades: #3B4B9A, #2A3FAB, #1933BC and #0727CE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C4B99 shade: #3B4B9A, #4D5688, #5E6277, #6F6E66 and #817A54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C4B99 shade: #3B7D9A, #3B649A, #3B4B9A, #453B9A and #5E3B9A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C4B99 shade: #242E5E, #303C7C, #3B4B9A, #4759B7 and #6574C3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C4B99 shade: #3C4B99, #9A3B97 and #719A3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C4B99 shade: #3C4B99, #9A3B4B and #4B9A3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C4B99 shade: #3C4B99, #9A3B97, #9A8A3B and #3B9A3F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C4B99 shade: #3C4B99, #9A3B7A, #9A8A3B and #3B9A5B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 51 / 0 / 40

HEX #3C4B99

RGB 60 75 153

HSL 230.32, 0.44%, 0.42%

LAB 34.59, 19.02, -44.64

 

Complementary color

CMYK 0 / 8 / 48 / 24

HEX #C3B466

RGB 195 180 102

HSL 50.32, 0.44%, 0.58%

LAB 73.03, -5.25, 41.49

 

CMYK 56 / 49 / 0 / 42

HEX #414B94

RGB 65 75 148

HSL 232.77, 0.39%, 0.42%

LAB 34.59, 18.32, -41.59

 

CMYK 51 / 44 / 0 / 35

HEX #525DA7

RGB 82 93 167

HSL 232.24, 0.34%, 0.49%

LAB 41.86, 16.94, -41.29

 

CMYK 47 / 40 / 0 / 27

HEX #636FBA

RGB 99 111 186

HSL 231.72, 0.39%, 0.56%

LAB 48.97, 15.84, -41.05

 

CMYK 43 / 37 / 0 / 20

HEX #7481CD

RGB 116 129 205

HSL 231.24, 0.47%, 0.63%

LAB 55.91, 14.92, -40.88

 

CMYK 41 / 34 / 0 / 12

HEX #8593E0

RGB 133 147 224

HSL 230.77, 0.59%, 0.7%

LAB 62.71, 14.15, -40.76

 

CMYK 61 / 51 / 0 / 40

HEX #3C4B99

RGB 60 75 153

HSL 230.32, 0.44%, 0.42%

LAB 34.59, 19.02, -44.64

 

CMYK 68 / 57 / 0 / 47

HEX #2B3986

RGB 43 57 134

HSL 230.77, 0.51%, 0.35%

LAB 27.19, 21.03, -44.98

 

CMYK 77 / 66 / 0 / 55

HEX #1A2773

RGB 26 39 115

HSL 231.24, 0.63%, 0.28%

LAB 19.67, 23.65, -45.25

 

CMYK 91 / 78 / 0 / 62

HEX #091560

RGB 9 21 96

HSL 231.72, 0.83%, 0.21%

LAB 12.21, 26.93, -45.1

 

CMYK 100 / 96 / 0 / 70

HEX #00034D

RGB 0 3 77

HSL 237.66, 1%, 0.15%

LAB 5.43, 29.38, -43.42

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 55 / 62 / 0 / 40

HEX #463B9A

RGB 70 59 154

HSL 246.95, 0.45%, 0.42%

LAB 31.26, 31.72, -50.59

 

CMYK 38 / 62 / 0 / 40

HEX #5F3B9A

RGB 95 59 154

HSL 262.74, 0.45%, 0.42%

LAB 33.76, 37.15, -46.42

 

CMYK 21 / 62 / 0 / 40

HEX #793B9A

RGB 121 59 154

HSL 279.16, 0.45%, 0.42%

LAB 36.98, 43.53, -41.08

 

CMYK 5 / 62 / 0 / 40

HEX #923B9A

RGB 146 59 154

HSL 294.95, 0.45%, 0.42%

LAB 40.53, 49.98, -35.22

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 62 / 62 / 0 / 40

HEX #3B3B9A

RGB 59 59 154

HSL 240, 0.45%, 0.42%

LAB 30.38, 29.67, -52.06

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 75 / 63 / 0 / 33

HEX #2A3FAB

RGB 42 63 171

HSL 230.23, 0.61%, 0.42%

LAB 31.78, 30.75, -60.08

 

CMYK 87 / 73 / 0 / 26

HEX #1933BC

RGB 25 51 188

HSL 230.43, 0.77%, 0.42%

LAB 29.92, 43.19, -73.26

 

CMYK 97 / 81 / 0 / 19

HEX #0727CE

RGB 7 39 206

HSL 230.35, 0.93%, 0.42%

LAB 29.29, 55.29, -84.88

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 43 / 37 / 0 / 47

HEX #4D5688

RGB 77 86 136

HSL 230.85, 0.28%, 0.42%

LAB 37.86, 10.25, -29.03

 

CMYK 21 / 18 / 0 / 53

HEX #5E6277

RGB 94 98 119

HSL 230.4, 0.12%, 0.42%

LAB 41.92, 3.35, -12.31

 

CMYK 0 / 1 / 8 / 56

HEX #6F6E66

RGB 111 110 102

HSL 53.33, 0.04%, 0.42%

LAB 46.3, -1.18, 4.59

 

CMYK 0 / 5 / 35 / 49

HEX #817A54

RGB 129 122 84

HSL 50.67, 0.21%, 0.42%

LAB 50.95, -3.52, 21.81

 

CMYK 62 / 19 / 0 / 40

HEX #3B7D9A

RGB 59 125 154

HSL 198.32, 0.45%, 0.42%

LAB 49.41, -11.92, -21.89

 

CMYK 62 / 35 / 0 / 40

HEX #3B649A

RGB 59 100 154

HSL 214.11, 0.45%, 0.42%

LAB 41.81, 3, -33.74

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 55 / 62 / 0 / 40

HEX #453B9A

RGB 69 59 154

HSL 246.32, 0.45%, 0.42%

LAB 31.18, 31.52, -50.73

 

CMYK 39 / 62 / 0 / 40

HEX #5E3B9A

RGB 94 59 154

HSL 262.11, 0.45%, 0.42%

LAB 33.65, 36.92, -46.61

 

CMYK 62 / 51 / 0 / 63

HEX #242E5E

RGB 36 46 94

HSL 229.66, 0.45%, 0.25%

LAB 20.59, 12.14, -30.07

 

CMYK 61 / 52 / 0 / 51

HEX #303C7C

RGB 48 60 124

HSL 230.53, 0.44%, 0.34%

LAB 27.61, 16.19, -38.02

 

CMYK 62 / 51 / 0 / 40

HEX #3B4B9A

RGB 59 75 154

HSL 229.89, 0.45%, 0.42%

LAB 34.59, 19.18, -45.24

 

CMYK 61 / 51 / 0 / 28

HEX #4759B7

RGB 71 89 183

HSL 230.36, 0.44%, 0.5%

LAB 41.06, 22.54, -52.04

 

CMYK 48 / 41 / 0 / 24

HEX #6574C3

RGB 101 116 195

HSL 230.43, 0.44%, 0.58%

LAB 50.92, 16.04, -43.13

 

CMYK 61 / 51 / 0 / 40

HEX #3C4B99

RGB 60 75 153

HSL 230.32, 0.44%, 0.42%

LAB 34.59, 19.02, -44.64

 

CMYK 0 / 62 / 2 / 40

HEX #9A3B97

RGB 154 59 151

HSL 301.89, 0.45%, 0.42%

LAB 41.58, 51.53, -31.67

 

CMYK 27 / 0 / 62 / 40

HEX #719A3B

RGB 113 154 59

HSL 85.89, 0.45%, 0.42%

LAB 58.92, -29.77, 44.27

 

CMYK 61 / 51 / 0 / 40

HEX #3C4B99

RGB 60 75 153

HSL 230.32, 0.44%, 0.42%

LAB 34.59, 19.02, -44.64

 

CMYK 0 / 62 / 51 / 40

HEX #9A3B4B

RGB 154 59 75

HSL 349.89, 0.45%, 0.42%

LAB 38.74, 41.07, 11.19

 

CMYK 51 / 0 / 62 / 40

HEX #4B9A3B

RGB 75 154 59

HSL 109.89, 0.45%, 0.42%

LAB 57, -42.98, 41.59

 

CMYK 61 / 51 / 0 / 40

HEX #3C4B99

RGB 60 75 153

HSL 230.32, 0.44%, 0.42%

LAB 34.59, 19.02, -44.64

 

CMYK 0 / 62 / 2 / 40

HEX #9A3B97

RGB 154 59 151

HSL 301.89, 0.45%, 0.42%

LAB 41.58, 51.53, -31.67

 

CMYK 0 / 10 / 62 / 40

HEX #9A8A3B

RGB 154 138 59

HSL 49.89, 0.45%, 0.42%

LAB 57.43, -4, 43.5

 

CMYK 62 / 0 / 59 / 40

HEX #3B9A3F

RGB 59 154 63

HSL 122.53, 0.45%, 0.42%

LAB 56.49, -46.78, 38.96

 

CMYK 61 / 51 / 0 / 40

HEX #3C4B99

RGB 60 75 153

HSL 230.32, 0.44%, 0.42%

LAB 34.59, 19.02, -44.64

 

CMYK 0 / 62 / 21 / 40

HEX #9A3B7A

RGB 154 59 122

HSL 320.21, 0.45%, 0.42%

LAB 40.25, 46.8, -16.02

 

CMYK 0 / 10 / 62 / 40

HEX #9A8A3B

RGB 154 138 59

HSL 49.89, 0.45%, 0.42%

LAB 57.43, -4, 43.5

 

CMYK 62 / 0 / 41 / 40

HEX #3B9A5B

RGB 59 154 91

HSL 140.21, 0.45%, 0.42%

LAB 56.88, -42.44, 24.99

 

Description

Color code: HEX #3C4B99 | qconv.com Color code: HEX #3C4B99 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 75 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 75 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 51 magenta, none yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 51% 0% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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