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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C2441 it is the complementary color #C3DBBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C2441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C2441 shade: #41243C, #52364F, #634862, #745A75 and #856C88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C2441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C2441 shade: #3C2441, #2B122E, #1A001B and #090008

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C2441 shade: #3C2441, #41243E, #412436, #41242E and #412426

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C2441 shade: #3C2441, #342441, #2C2441, #242441 and #242441

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C2441 shade matches the following richer shades: #3C2441, #421B4A, #471352, #4C0B5A and #520362

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C2441 shade: #3C2441, #372C39, #313431, #2C3C29 and #274520

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C2441 shade: #2C2441, #342441, #3C2441, #41243F and #412437

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C2441 shade: #0B060C, #241527, #3C2441, #55325C and #6D4177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C2441 shade: #3C2441, #412424 and #244130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C2441 shade: #3C2441, #413C24 and #24413C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C2441 shade: #3C2441, #412424, #294124 and #244141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C2441 shade: #3C2441, #412D24, #294124 and #243841

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

Complementary color

CMYK 11 / 0 / 13 / 14

HEX #C3DBBE

RGB 195 219 190

HSL 109.66, 0.29%, 0.8%

LAB 84.99, -13.32, 11.58

 

CMYK 0 / 45 / 8 / 75

HEX #41243C

RGB 65 36 60

HSL 310.34, 0.29%, 0.2%

LAB 18.85, 18.11, -9.61

 

CMYK 0 / 34 / 4 / 68

HEX #52364F

RGB 82 54 79

HSL 306.43, 0.21%, 0.27%

LAB 26.73, 17.22, -10.22

 

CMYK 0 / 27 / 1 / 61

HEX #634862

RGB 99 72 98

HSL 302.22, 0.16%, 0.34%

LAB 34.33, 16.45, -10.74

 

CMYK 1 / 23 / 0 / 54

HEX #745A75

RGB 116 90 117

HSL 297.78, 0.13%, 0.41%

LAB 41.7, 15.77, -11.21

 

CMYK 2 / 21 / 0 / 47

HEX #856C88

RGB 133 108 136

HSL 293.57, 0.11%, 0.48%

LAB 48.87, 15.18, -11.66

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 7 / 61 / 0 / 82

HEX #2B122E

RGB 43 18 46

HSL 293.57, 0.44%, 0.13%

LAB 10.13, 18.26, -13.38

 

CMYK 4 / 100 / 0 / 89

HEX #1A001B

RGB 26 0 27

HSL 297.78, 1%, 0.05%

LAB 2.7, 13.92, -10.49

 

CMYK 0 / 100 / 11 / 96

HEX #090008

RGB 9 0 8

HSL 306.67, 1%, 0.02%

LAB 0.68, 3.47, -2.2

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 0 / 45 / 5 / 75

HEX #41243E

RGB 65 36 62

HSL 306.21, 0.29%, 0.2%

LAB 18.94, 18.54, -10.85

 

CMYK 0 / 45 / 17 / 75

HEX #412436

RGB 65 36 54

HSL 322.76, 0.29%, 0.2%

LAB 18.59, 16.87, -5.82

 

CMYK 0 / 45 / 29 / 75

HEX #41242E

RGB 65 36 46

HSL 339.31, 0.29%, 0.2%

LAB 18.29, 15.38, -0.67

 

CMYK 0 / 45 / 42 / 75

HEX #412426

RGB 65 36 38

HSL 355.86, 0.29%, 0.2%

LAB 18.03, 14.09, 4.58

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 20 / 45 / 0 / 75

HEX #342441

RGB 52 36 65

HSL 273.1, 0.29%, 0.2%

LAB 17.34, 14.34, -15.55

 

CMYK 32 / 45 / 0 / 75

HEX #2C2441

RGB 44 36 65

HSL 256.55, 0.29%, 0.2%

LAB 16.4, 11.46, -17.09

 

CMYK 45 / 45 / 0 / 75

HEX #242441

RGB 36 36 65

HSL 240, 0.29%, 0.2%

LAB 15.58, 8.75, -18.43

 

CMYK 45 / 45 / 0 / 75

HEX #242441

RGB 36 36 65

HSL 240, 0.29%, 0.2%

LAB 15.58, 8.75, -18.43

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 11 / 64 / 0 / 71

HEX #421B4A

RGB 66 27 74

HSL 289.79, 0.47%, 0.2%

LAB 17.63, 27.13, -21.15

 

CMYK 13 / 77 / 0 / 68

HEX #471352

RGB 71 19 82

HSL 289.52, 0.62%, 0.2%

LAB 17.53, 34.39, -26.72

 

CMYK 16 / 88 / 0 / 65

HEX #4C0B5A

RGB 76 11 90

HSL 289.37, 0.78%, 0.2%

LAB 17.98, 40.19, -31.34

 

CMYK 16 / 97 / 0 / 62

HEX #520362

RGB 82 3 98

HSL 289.89, 0.94%, 0.2%

LAB 18.97, 45.15, -35.01

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 4 / 23 / 0 / 78

HEX #372C39

RGB 55 44 57

HSL 290.77, 0.13%, 0.2%

LAB 19.68, 7.92, -6.4

 

CMYK 6 / 0 / 6 / 80

HEX #313431

RGB 49 52 49

HSL 120, 0.03%, 0.2%

LAB 21.32, -2, 1.44

 

CMYK 27 / 0 / 32 / 76

HEX #2C3C29

RGB 44 60 41

HSL 110.53, 0.19%, 0.2%

LAB 23.43, -10.98, 9.7

 

CMYK 43 / 0 / 54 / 73

HEX #274520

RGB 39 69 32

HSL 108.65, 0.37%, 0.2%

LAB 26.13, -19.73, 18.83

 

CMYK 32 / 45 / 0 / 75

HEX #2C2441

RGB 44 36 65

HSL 256.55, 0.29%, 0.2%

LAB 16.4, 11.46, -17.09

 

CMYK 20 / 45 / 0 / 75

HEX #342441

RGB 52 36 65

HSL 273.1, 0.29%, 0.2%

LAB 17.34, 14.34, -15.55

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 0 / 45 / 3 / 75

HEX #41243F

RGB 65 36 63

HSL 304.14, 0.29%, 0.2%

LAB 18.99, 18.76, -11.47

 

CMYK 0 / 45 / 15 / 75

HEX #412437

RGB 65 36 55

HSL 320.69, 0.29%, 0.2%

LAB 18.63, 17.07, -6.46

 

CMYK 8 / 50 / 0 / 95

HEX #0B060C

RGB 11 6 12

HSL 290, 0.33%, 0.04%

LAB 2.06, 2.16, -1.85

 

CMYK 8 / 46 / 0 / 85

HEX #241527

RGB 36 21 39

HSL 290, 0.3%, 0.12%

LAB 9.46, 11.68, -9.32

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 8 / 46 / 0 / 64

HEX #55325C

RGB 85 50 92

HSL 290, 0.3%, 0.28%

LAB 26.69, 23.74, -18.77

 

CMYK 8 / 45 / 0 / 53

HEX #6D4177

RGB 109 65 119

HSL 288.89, 0.29%, 0.36%

LAB 34.73, 28.83, -23.23

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 0 / 45 / 45 / 75

HEX #412424

RGB 65 36 36

HSL 0, 0.29%, 0.2%

LAB 17.98, 13.8, 5.91

 

CMYK 45 / 0 / 26 / 75

HEX #244130

RGB 36 65 48

HSL 144.83, 0.29%, 0.2%

LAB 24.86, -15.47, 7.01

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 0 / 8 / 45 / 75

HEX #413C24

RGB 65 60 36

HSL 49.66, 0.29%, 0.2%

LAB 25.21, -2.06, 15.62

 

CMYK 45 / 0 / 8 / 75

HEX #24413C

RGB 36 65 60

HSL 169.66, 0.29%, 0.2%

LAB 25.2, -12.32, -0.38

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 0 / 45 / 45 / 75

HEX #412424

RGB 65 36 36

HSL 0, 0.29%, 0.2%

LAB 17.98, 13.8, 5.91

 

CMYK 37 / 0 / 45 / 75

HEX #294124

RGB 41 65 36

HSL 109.66, 0.29%, 0.2%

LAB 24.89, -16.09, 14.81

 

CMYK 45 / 0 / 0 / 75

HEX #244141

RGB 36 65 65

HSL 180, 0.29%, 0.2%

LAB 25.37, -10.86, -3.43

 

CMYK 8 / 45 / 0 / 75

HEX #3C2441

RGB 60 36 65

HSL 289.66, 0.29%, 0.2%

LAB 18.38, 17.32, -13.84

 

CMYK 0 / 31 / 45 / 75

HEX #412D24

RGB 65 45 36

HSL 18.62, 0.29%, 0.2%

LAB 20.55, 7.8, 9.45

 

CMYK 37 / 0 / 45 / 75

HEX #294124

RGB 41 65 36

HSL 109.66, 0.29%, 0.2%

LAB 24.89, -16.09, 14.81

 

CMYK 45 / 14 / 0 / 75

HEX #243841

RGB 36 56 65

HSL 198.62, 0.29%, 0.2%

LAB 22.25, -5.19, -8.12

 

Description

Color code: HEX #3C2441 | qconv.com Color code: HEX #3C2441 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 36 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 36 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 45 magenta, none yellow and 75 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 45% 0% 75% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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