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Color name
HEX #3C1097

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C1097 it is the complementary color #C3EF68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C1097. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C1097 shade: #411092, #5222A5, #6334B8, #7446CB and #8558DE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C1097. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C1097 shade: #3C1097, #2B0084, #1A0071, #09005E and #00004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C1097 shade: #3C0F98, #610F98, #850F98, #980F85 and #980F61

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C1097 shade: #3C0F98, #170F98 and #0F0F98

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C1097 shade matches the following richer shades: #3C0F98 and #3702A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C1097 shade: #3C0F98, #411D8A, #452B7D, #4A386F and #4F4661

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C1097 shade: #0F2D98, #160F98, #3B0F98, #5F0F98 and #830F98

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C1097 shade: #1E084D, #2D0C72, #3C0F98, #4B13BD and #5A17E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C1097 shade: #3C1097, #980F51 and #1B980F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C1097 shade: #3C1097, #983B0F and #0F983B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C1097 shade: #3C1097, #980F51, #6D980F and #0F9856

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C1097 shade: #3C1097, #980F28, #6D980F and #0F987F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 89 / 0 / 41

HEX #3C1097

RGB 60 16 151

HSL 259.56, 0.81%, 0.33%

LAB 22.18, 51.17, -63.68

 

Complementary color

CMYK 18 / 0 / 56 / 6

HEX #C3EF68

RGB 195 239 104

HSL 79.56, 0.81%, 0.67%

LAB 89.08, -34.09, 59.53

 

CMYK 55 / 89 / 0 / 43

HEX #411092

RGB 65 16 146

HSL 262.62, 0.8%, 0.32%

LAB 22.19, 50.34, -60.55

 

CMYK 50 / 79 / 0 / 35

HEX #5222A5

RGB 82 34 165

HSL 261.98, 0.66%, 0.39%

LAB 28.52, 50.59, -61.68

 

CMYK 46 / 72 / 0 / 28

HEX #6334B8

RGB 99 52 184

HSL 261.36, 0.56%, 0.46%

LAB 35.14, 49.92, -62.12

 

CMYK 43 / 66 / 0 / 20

HEX #7446CB

RGB 116 70 203

HSL 260.75, 0.56%, 0.54%

LAB 41.85, 48.88, -62.22

 

CMYK 40 / 60 / 0 / 13

HEX #8558DE

RGB 133 88 222

HSL 260.15, 0.67%, 0.61%

LAB 48.56, 47.73, -62.16

 

CMYK 60 / 89 / 0 / 41

HEX #3C1097

RGB 60 16 151

HSL 259.56, 0.81%, 0.33%

LAB 22.18, 51.17, -63.68

 

CMYK 67 / 100 / 0 / 48

HEX #2B0084

RGB 43 0 132

HSL 259.55, 1%, 0.26%

LAB 16.4, 49.67, -61.45

 

CMYK 77 / 100 / 0 / 56

HEX #1A0071

RGB 26 0 113

HSL 253.81, 1%, 0.22%

LAB 12.04, 44.01, -56.57

 

CMYK 90 / 100 / 0 / 63

HEX #09005E

RGB 9 0 94

HSL 245.74, 1%, 0.18%

LAB 7.82, 38.34, -51.06

 

CMYK 100 / 100 / 0 / 71

HEX #00004B

RGB 0 0 75

HSL 240, 1%, 0.15%

LAB 4.59, 29.9, -43.41

 

CMYK 61 / 90 / 0 / 40

HEX #3C0F98

RGB 60 15 152

HSL 259.71, 0.82%, 0.33%

LAB 22.19, 51.74, -64.28

 

CMYK 36 / 90 / 0 / 40

HEX #610F98

RGB 97 15 152

HSL 275.91, 0.82%, 0.33%

LAB 27.16, 55.91, -55.92

 

CMYK 13 / 90 / 0 / 40

HEX #850F98

RGB 133 15 152

HSL 291.68, 0.82%, 0.33%

LAB 33.13, 61.49, -45.95

 

CMYK 0 / 90 / 13 / 40

HEX #980F85

RGB 152 15 133

HSL 308.32, 0.82%, 0.33%

LAB 35.42, 62.01, -30.38

 

CMYK 0 / 90 / 36 / 40

HEX #980F61

RGB 152 15 97

HSL 324.09, 0.82%, 0.33%

LAB 33.73, 57.49, -10.21

 

CMYK 61 / 90 / 0 / 40

HEX #3C0F98

RGB 60 15 152

HSL 259.71, 0.82%, 0.33%

LAB 22.19, 51.74, -64.28

 

CMYK 85 / 90 / 0 / 40

HEX #170F98

RGB 23 15 152

HSL 243.5, 0.82%, 0.33%

LAB 19.19, 49.52, -69.36

 

CMYK 90 / 90 / 0 / 40

HEX #0F0F98

RGB 15 15 152

HSL 240, 0.82%, 0.33%

LAB 18.84, 49.29, -69.94

 

CMYK 61 / 90 / 0 / 40

HEX #3C0F98

RGB 60 15 152

HSL 259.71, 0.82%, 0.33%

LAB 22.19, 51.74, -64.28

 

CMYK 67 / 99 / 0 / 35

HEX #3702A5

RGB 55 2 165

HSL 259.51, 0.98%, 0.33%

LAB 22.2, 57.95, -72.23

 

CMYK 61 / 90 / 0 / 40

HEX #3C0F98

RGB 60 15 152

HSL 259.71, 0.82%, 0.33%

LAB 22.19, 51.74, -64.28

 

CMYK 53 / 79 / 0 / 46

HEX #411D8A

RGB 65 29 138

HSL 259.82, 0.65%, 0.33%

LAB 23.13, 42.98, -54.03

 

CMYK 45 / 66 / 0 / 51

HEX #452B7D

RGB 69 43 125

HSL 259.02, 0.49%, 0.33%

LAB 25.18, 32.28, -42.49

 

CMYK 33 / 50 / 0 / 56

HEX #4A386F

RGB 74 56 111

HSL 259.64, 0.33%, 0.33%

LAB 27.93, 21.29, -29.16

 

CMYK 19 / 28 / 0 / 62

HEX #4F4661

RGB 79 70 97

HSL 260, 0.16%, 0.33%

LAB 31.59, 10.01, -14.48

 

CMYK 90 / 70 / 0 / 40

HEX #0F2D98

RGB 15 45 152

HSL 226.86, 0.82%, 0.33%

LAB 24.47, 33.17, -60.61

 

CMYK 86 / 90 / 0 / 40

HEX #160F98

RGB 22 15 152

HSL 243.07, 0.82%, 0.33%

LAB 19.14, 49.49, -69.44

 

CMYK 61 / 90 / 0 / 40

HEX #3B0F98

RGB 59 15 152

HSL 259.27, 0.82%, 0.33%

LAB 22.08, 51.65, -64.46

 

CMYK 38 / 90 / 0 / 40

HEX #5F0F98

RGB 95 15 152

HSL 275.04, 0.82%, 0.33%

LAB 26.85, 55.64, -56.43

 

CMYK 14 / 90 / 0 / 40

HEX #830F98

RGB 131 15 152

HSL 290.8, 0.82%, 0.33%

LAB 32.78, 61.15, -46.54

 

CMYK 61 / 90 / 0 / 70

HEX #1E084D

RGB 30 8 77

HSL 259.13, 0.81%, 0.17%

LAB 8.87, 29.96, -37.65

 

CMYK 61 / 89 / 0 / 55

HEX #2D0C72

RGB 45 12 114

HSL 259.41, 0.81%, 0.25%

LAB 15.67, 40.96, -51.12

 

CMYK 61 / 90 / 0 / 40

HEX #3C0F98

RGB 60 15 152

HSL 259.71, 0.82%, 0.33%

LAB 22.19, 51.74, -64.28

 

CMYK 60 / 90 / 0 / 26

HEX #4B13BD

RGB 75 19 189

HSL 259.76, 0.82%, 0.41%

LAB 28.47, 61.34, -76.15

 

CMYK 60 / 90 / 0 / 11

HEX #5A17E2

RGB 90 23 226

HSL 259.8, 0.82%, 0.49%

LAB 34.55, 70.55, -87.55

 

CMYK 60 / 89 / 0 / 41

HEX #3C1097

RGB 60 16 151

HSL 259.56, 0.81%, 0.33%

LAB 22.18, 51.17, -63.68

 

CMYK 0 / 90 / 47 / 40

HEX #980F51

RGB 152 15 81

HSL 331.09, 0.82%, 0.33%

LAB 33.16, 55.91, -0.67

 

CMYK 82 / 0 / 90 / 40

HEX #1B980F

RGB 27 152 15

HSL 114.74, 0.82%, 0.33%

LAB 54.79, -55.92, 54.37

 

CMYK 60 / 89 / 0 / 41

HEX #3C1097

RGB 60 16 151

HSL 259.56, 0.81%, 0.33%

LAB 22.18, 51.17, -63.68

 

CMYK 0 / 61 / 90 / 40

HEX #983B0F

RGB 152 59 15

HSL 19.27, 0.82%, 0.33%

LAB 37.55, 36.95, 43.53

 

CMYK 90 / 0 / 61 / 40

HEX #0F983B

RGB 15 152 59

HSL 139.27, 0.82%, 0.33%

LAB 54.94, -53.47, 38.87

 

CMYK 60 / 89 / 0 / 41

HEX #3C1097

RGB 60 16 151

HSL 259.56, 0.81%, 0.33%

LAB 22.18, 51.17, -63.68

 

CMYK 0 / 90 / 47 / 40

HEX #980F51

RGB 152 15 81

HSL 331.09, 0.82%, 0.33%

LAB 33.16, 55.91, -0.67

 

CMYK 28 / 0 / 90 / 40

HEX #6D980F

RGB 109 152 15

HSL 78.83, 0.82%, 0.33%

LAB 57.79, -32.96, 58.12

 

CMYK 90 / 0 / 43 / 40

HEX #0F9856

RGB 15 152 86

HSL 151.09, 0.82%, 0.33%

LAB 55.31, -49.06, 25.49

 

CMYK 60 / 89 / 0 / 41

HEX #3C1097

RGB 60 16 151

HSL 259.56, 0.81%, 0.33%

LAB 22.18, 51.17, -63.68

 

CMYK 0 / 90 / 74 / 40

HEX #980F28

RGB 152 15 40

HSL 349.05, 0.82%, 0.33%

LAB 32.19, 53.17, 24.91

 

CMYK 28 / 0 / 90 / 40

HEX #6D980F

RGB 109 152 15

HSL 78.83, 0.82%, 0.33%

LAB 57.79, -32.96, 58.12

 

CMYK 90 / 0 / 16 / 40

HEX #0F987F

RGB 15 152 127

HSL 169.05, 0.82%, 0.33%

LAB 56.18, -39.38, 3.76

 

Description

Color code: HEX #3C1097 | qconv.com Color code: HEX #3C1097 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 16 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 16 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, 89 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 89% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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