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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C17AA it is the complementary color #C3E855. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C17AA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C17AA shade: #4117A5, #5229B8, #633BCB, #744DDE and #855FF1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C17AA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C17AA shade: #3C17AA, #2B0597, #1A0084, #090071 and #00005E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C17AA shade: #3C17AA, #6417AA, #8B17AA, #AA17A1 and #AA1779

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C17AA shade: #3C17AA and #1717AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C17AA shade matches the following richer shades: #3C17AA and #3407BA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C17AA shade: #3C17AA, #44269A, #4B368B, #53467B and #5B556B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C17AA shade: #1740AA, #1719AA, #3C17AA, #6317AA and #8A17AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C17AA shade: #220D61, #2F1286, #3C17AA, #491CCE and #5E31E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C17AA shade: #3C17AA, #AA1768 and #2DAA17

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C17AA shade: #3C17AA, #AA3C17 and #17AA3C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C17AA shade: #3C17AA, #AA1768, #85AA17 and #17AA59

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C17AA shade: #3C17AA, #AA173C, #85AA17 and #17AA85

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

Complementary color

CMYK 16 / 0 / 63 / 9

HEX #C3E855

RGB 195 232 85

HSL 75.1, 0.76%, 0.62%

LAB 86.98, -32.34, 65.2

 

CMYK 61 / 86 / 0 / 35

HEX #4117A5

RGB 65 23 165

HSL 257.75, 0.76%, 0.37%

LAB 25.12, 52.99, -67.36

 

CMYK 55 / 78 / 0 / 28

HEX #5229B8

RGB 82 41 184

HSL 257.2, 0.64%, 0.44%

LAB 31.44, 52.63, -68.26

 

CMYK 51 / 71 / 0 / 20

HEX #633BCB

RGB 99 59 203

HSL 256.67, 0.58%, 0.51%

LAB 38.01, 51.6, -68.57

 

CMYK 48 / 65 / 0 / 13

HEX #744DDE

RGB 116 77 222

HSL 256.14, 0.69%, 0.59%

LAB 44.65, 50.33, -68.57

 

CMYK 45 / 61 / 0 / 5

HEX #855FF1

RGB 133 95 241

HSL 255.62, 0.84%, 0.66%

LAB 51.29, 49.02, -68.44

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 72 / 97 / 0 / 41

HEX #2B0597

RGB 43 5 151

HSL 255.62, 0.94%, 0.31%

LAB 19.46, 53.05, -68.25

 

CMYK 80 / 100 / 0 / 48

HEX #1A0084

RGB 26 0 132

HSL 251.82, 1%, 0.26%

LAB 14.87, 49.01, -64.04

 

CMYK 92 / 100 / 0 / 56

HEX #090071

RGB 9 0 113

HSL 244.78, 1%, 0.22%

LAB 10.92, 43.59, -58.46

 

CMYK 100 / 100 / 0 / 63

HEX #00005E

RGB 0 0 94

HSL 240, 1%, 0.18%

LAB 7.3, 38.07, -51.95

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 41 / 86 / 0 / 33

HEX #6417AA

RGB 100 23 170

HSL 271.43, 0.76%, 0.38%

LAB 29.97, 58.25, -62.23

 

CMYK 18 / 86 / 0 / 33

HEX #8B17AA

RGB 139 23 170

HSL 287.35, 0.76%, 0.38%

LAB 35.99, 64.14, -52.16

 

CMYK 0 / 86 / 5 / 33

HEX #AA17A1

RGB 170 23 161

HSL 303.67, 0.76%, 0.38%

LAB 40.79, 68.23, -38.77

 

CMYK 0 / 86 / 29 / 33

HEX #AA1779

RGB 170 23 121

HSL 320, 0.76%, 0.38%

LAB 38.79, 62.87, -17.39

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 86 / 86 / 0 / 33

HEX #1717AA

RGB 23 23 170

HSL 240, 0.76%, 0.38%

LAB 22.64, 51.78, -74.59

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 72 / 96 / 0 / 27

HEX #3407BA

RGB 52 7 186

HSL 255.08, 0.93%, 0.38%

LAB 25.04, 61.92, -80.14

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 56 / 75 / 0 / 40

HEX #44269A

RGB 68 38 154

HSL 255.52, 0.6%, 0.38%

LAB 26.59, 43.57, -58.23

 

CMYK 46 / 61 / 0 / 45

HEX #4B368B

RGB 75 54 139

HSL 254.82, 0.44%, 0.38%

LAB 29.41, 31.16, -44.37

 

CMYK 33 / 43 / 0 / 52

HEX #53467B

RGB 83 70 123

HSL 254.72, 0.27%, 0.38%

LAB 33.24, 18.42, -28.26

 

CMYK 15 / 21 / 0 / 58

HEX #5B556B

RGB 91 85 107

HSL 256.36, 0.11%, 0.38%

LAB 37.45, 7.35, -11.73

 

CMYK 86 / 62 / 0 / 33

HEX #1740AA

RGB 23 64 170

HSL 223.27, 0.76%, 0.38%

LAB 31.23, 27.98, -60.4

 

CMYK 86 / 85 / 0 / 33

HEX #1719AA

RGB 23 25 170

HSL 239.18, 0.76%, 0.38%

LAB 22.93, 50.93, -74.11

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 42 / 86 / 0 / 33

HEX #6317AA

RGB 99 23 170

HSL 271.02, 0.76%, 0.38%

LAB 29.83, 58.12, -62.47

 

CMYK 19 / 86 / 0 / 33

HEX #8A17AA

RGB 138 23 170

HSL 286.94, 0.76%, 0.38%

LAB 35.83, 63.97, -52.44

 

CMYK 65 / 87 / 0 / 62

HEX #220D61

RGB 34 13 97

HSL 255, 0.76%, 0.22%

LAB 12.55, 34.27, -45.15

 

CMYK 65 / 87 / 0 / 47

HEX #2F1286

RGB 47 18 134

HSL 255, 0.76%, 0.3%

LAB 19.05, 44.55, -58.31

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 65 / 86 / 0 / 19

HEX #491CCE

RGB 73 28 206

HSL 255.17, 0.76%, 0.46%

LAB 31.12, 62.84, -81.75

 

CMYK 58 / 78 / 0 / 11

HEX #5E31E2

RGB 94 49 226

HSL 255.25, 0.75%, 0.54%

LAB 37.96, 62, -81.9

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 0 / 86 / 39 / 33

HEX #AA1768

RGB 170 23 104

HSL 326.94, 0.76%, 0.38%

LAB 38.13, 61.01, -7.71

 

CMYK 74 / 0 / 86 / 33

HEX #2DAA17

RGB 45 170 23

HSL 111.02, 0.76%, 0.38%

LAB 61.11, -58.53, 58.31

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 0 / 65 / 86 / 33

HEX #AA3C17

RGB 170 60 23

HSL 15.1, 0.76%, 0.38%

LAB 40.96, 43.45, 44.33

 

CMYK 86 / 0 / 65 / 33

HEX #17AA3C

RGB 23 170 60

HSL 135.1, 0.76%, 0.38%

LAB 61.01, -58.51, 45.32

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 0 / 86 / 39 / 33

HEX #AA1768

RGB 170 23 104

HSL 326.94, 0.76%, 0.38%

LAB 38.13, 61.01, -7.71

 

CMYK 22 / 0 / 86 / 33

HEX #85AA17

RGB 133 170 23

HSL 75.1, 0.76%, 0.38%

LAB 64.8, -31.37, 62.96

 

CMYK 86 / 0 / 48 / 33

HEX #17AA59

RGB 23 170 89

HSL 146.94, 0.76%, 0.38%

LAB 61.35, -54.32, 31.7

 

CMYK 65 / 86 / 0 / 33

HEX #3C17AA

RGB 60 23 170

HSL 255.1, 0.76%, 0.38%

LAB 25.19, 53.91, -70.29

 

CMYK 0 / 86 / 65 / 33

HEX #AA173C

RGB 170 23 60

HSL 344.9, 0.76%, 0.38%

LAB 36.9, 57.5, 18.77

 

CMYK 22 / 0 / 86 / 33

HEX #85AA17

RGB 133 170 23

HSL 75.1, 0.76%, 0.38%

LAB 64.8, -31.37, 62.96

 

CMYK 86 / 0 / 22 / 33

HEX #17AA85

RGB 23 170 133

HSL 164.9, 0.76%, 0.38%

LAB 62.19, -44.87, 9

 

Description

Color code: HEX #3C17AA | qconv.com Color code: HEX #3C17AA | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 23 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 23 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, 86 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 86% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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