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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C15B6 it is the complementary color #C3EA49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C15B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C15B6 shade: #4115B1, #5227C4, #6339D7, #744BEA and #855DFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C15B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C15B6 shade: #3C15B6, #2B03A3, #1A0090, #09007D and #00006A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C15B6 shade: #3C15B6, #6715B6, #9315B6, #B615AE and #B61582

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C15B6 shade: #3C15B6 and #1515B6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C15B6 shade matches the following richer shades: #3C15B6 and #3304C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C15B6 shade: #3C15B6, #4425A6, #4D3695, #554685 and #5E5774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C15B6 shade: #1545B6, #151AB6, #3B15B6, #6615B6 and #9015B6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C15B6 shade: #230C6C, #301191, #3C15B6, #4819DB and #6136E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C15B6 shade: #3C15B6, #B61570 and #30B615

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C15B6 shade: #3C15B6, #B63B15 and #15B63B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C15B6 shade: #3C15B6, #B61570, #90B615 and #15B65B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C15B6 shade: #3C15B6, #B61540, #90B615 and #15B68B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

Complementary color

CMYK 17 / 0 / 69 / 8

HEX #C3EA49

RGB 195 234 73

HSL 74.53, 0.79%, 0.6%

LAB 87.45, -34.02, 70.26

 

CMYK 63 / 88 / 0 / 31

HEX #4115B1

RGB 65 21 177

HSL 256.92, 0.79%, 0.39%

LAB 26.26, 56.88, -72.71

 

CMYK 58 / 80 / 0 / 23

HEX #5227C4

RGB 82 39 196

HSL 256.43, 0.67%, 0.46%

LAB 32.33, 56.82, -73.88

 

CMYK 54 / 73 / 0 / 16

HEX #6339D7

RGB 99 57 215

HSL 255.95, 0.66%, 0.53%

LAB 38.7, 55.93, -74.37

 

CMYK 50 / 68 / 0 / 8

HEX #744BEA

RGB 116 75 234

HSL 255.47, 0.79%, 0.61%

LAB 45.2, 54.72, -74.49

 

CMYK 47 / 63 / 0 / 1

HEX #855DFD

RGB 133 93 253

HSL 255, 0.98%, 0.68%

LAB 51.73, 53.39, -74.41

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 74 / 98 / 0 / 36

HEX #2B03A3

RGB 43 3 163

HSL 255, 0.96%, 0.33%

LAB 20.92, 56.66, -73.19

 

CMYK 82 / 100 / 0 / 44

HEX #1A0090

RGB 26 0 144

HSL 250.83, 1%, 0.28%

LAB 16.67, 52.12, -68.59

 

CMYK 93 / 100 / 0 / 51

HEX #09007D

RGB 9 0 125

HSL 244.32, 1%, 0.25%

LAB 12.85, 46.82, -62.98

 

CMYK 100 / 100 / 0 / 58

HEX #00006A

RGB 0 0 106

HSL 240, 1%, 0.21%

LAB 9.33, 41.52, -56.55

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 43 / 88 / 0 / 29

HEX #6715B6

RGB 103 21 182

HSL 270.56, 0.79%, 0.4%

LAB 31.34, 61.91, -67.15

 

CMYK 19 / 88 / 0 / 29

HEX #9315B6

RGB 147 21 182

HSL 286.96, 0.79%, 0.4%

LAB 38.05, 68.06, -55.91

 

CMYK 0 / 88 / 4 / 29

HEX #B615AE

RGB 182 21 174

HSL 302.98, 0.79%, 0.4%

LAB 43.56, 72.76, -41.99

 

CMYK 0 / 88 / 29 / 29

HEX #B61582

RGB 182 21 130

HSL 319.38, 0.79%, 0.4%

LAB 41.36, 66.96, -18.83

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 88 / 88 / 0 / 29

HEX #1515B6

RGB 21 21 182

HSL 240, 0.79%, 0.4%

LAB 23.91, 56.04, -79.68

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 74 / 98 / 0 / 22

HEX #3304C7

RGB 51 4 199

HSL 254.46, 0.96%, 0.4%

LAB 26.49, 65.71, -85.41

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 59 / 78 / 0 / 35

HEX #4425A6

RGB 68 37 166

HSL 254.42, 0.64%, 0.4%

LAB 27.59, 47.6, -63.88

 

CMYK 48 / 64 / 0 / 42

HEX #4D3695

RGB 77 54 149

HSL 254.53, 0.47%, 0.4%

LAB 30.37, 34.64, -48.96

 

CMYK 36 / 47 / 0 / 48

HEX #554685

RGB 85 70 133

HSL 254.29, 0.31%, 0.4%

LAB 33.99, 21.88, -33.26

 

CMYK 19 / 25 / 0 / 55

HEX #5E5774

RGB 94 87 116

HSL 254.48, 0.14%, 0.4%

LAB 38.65, 9.4, -15.44

 

CMYK 88 / 62 / 0 / 29

HEX #1545B6

RGB 21 69 182

HSL 222.11, 0.79%, 0.4%

LAB 33.55, 29.21, -63.75

 

CMYK 88 / 86 / 0 / 29

HEX #151AB6

RGB 21 26 182

HSL 238.14, 0.79%, 0.4%

LAB 24.56, 54.08, -78.6

 

CMYK 68 / 88 / 0 / 29

HEX #3B15B6

RGB 59 21 182

HSL 254.16, 0.79%, 0.4%

LAB 26.28, 57.77, -75.67

 

CMYK 44 / 88 / 0 / 29

HEX #6615B6

RGB 102 21 182

HSL 270.19, 0.79%, 0.4%

LAB 31.2, 61.79, -67.38

 

CMYK 21 / 88 / 0 / 29

HEX #9015B6

RGB 144 21 182

HSL 285.84, 0.79%, 0.4%

LAB 37.56, 67.59, -56.73

 

CMYK 68 / 89 / 0 / 58

HEX #230C6C

RGB 35 12 108

HSL 254.38, 0.8%, 0.24%

LAB 13.84, 38.2, -50.28

 

CMYK 67 / 88 / 0 / 43

HEX #301191

RGB 48 17 145

HSL 254.53, 0.79%, 0.32%

LAB 20.34, 48.16, -63.06

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 67 / 89 / 0 / 14

HEX #4819DB

RGB 72 25 219

HSL 254.54, 0.8%, 0.48%

LAB 32.23, 67.07, -87.44

 

CMYK 58 / 77 / 0 / 9

HEX #6136E7

RGB 97 54 231

HSL 254.58, 0.79%, 0.56%

LAB 39.49, 61.49, -82.22

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 0 / 88 / 38 / 29

HEX #B61570

RGB 182 21 112

HSL 326.09, 0.79%, 0.4%

LAB 40.66, 65.02, -8.71

 

CMYK 74 / 0 / 88 / 29

HEX #30B615

RGB 48 182 21

HSL 109.94, 0.79%, 0.4%

LAB 65.07, -61.88, 62.24

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 0 / 68 / 88 / 29

HEX #B63B15

RGB 182 59 21

HSL 14.16, 0.79%, 0.4%

LAB 42.95, 48.11, 47.7

 

CMYK 88 / 0 / 68 / 29

HEX #15B63B

RGB 21 182 59

HSL 134.16, 0.79%, 0.4%

LAB 64.91, -62.53, 50.03

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 0 / 88 / 38 / 29

HEX #B61570

RGB 182 21 112

HSL 326.09, 0.79%, 0.4%

LAB 40.66, 65.02, -8.71

 

CMYK 21 / 0 / 88 / 29

HEX #90B615

RGB 144 182 21

HSL 74.16, 0.79%, 0.4%

LAB 69.07, -32.54, 67.21

 

CMYK 88 / 0 / 50 / 29

HEX #15B65B

RGB 21 182 91

HSL 146.09, 0.79%, 0.4%

LAB 65.26, -58.27, 35.59

 

CMYK 67 / 88 / 0 / 29

HEX #3C15B6

RGB 60 21 182

HSL 254.53, 0.79%, 0.4%

LAB 26.37, 57.84, -75.52

 

CMYK 0 / 88 / 65 / 29

HEX #B61540

RGB 182 21 64

HSL 343.98, 0.79%, 0.4%

LAB 39.33, 61.29, 19.86

 

CMYK 21 / 0 / 88 / 29

HEX #90B615

RGB 144 182 21

HSL 74.16, 0.79%, 0.4%

LAB 69.07, -32.54, 67.21

 

CMYK 88 / 0 / 24 / 29

HEX #15B68B

RGB 21 182 139

HSL 163.98, 0.79%, 0.4%

LAB 66.12, -48.39, 11.26

 

Description

Color code: HEX #3C15B6 | qconv.com Color code: HEX #3C15B6 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 21 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 21 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 88 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 88% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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