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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C01DF it is the complementary color #C3FE20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C01DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C01DF shade: #4101DA, #5213ED, #6325FF, #7437FF and #8549FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C01DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C01DF shade: #3C01DF, #2B00CC, #1A00B9, #0900A6 and #000093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C01DF shade: #3C01DF, #7801DF, #B301DF, #DF01CE and #DF0192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C01DF shade: #3C01DF and #0101DF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C01DF shade matches the following richer shades: #3C01DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C01DF shade: #3C01DF, #4413CD, #4D25BA, #5537A8 and #5E4996

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C01DF shade: #0140DF, #0104DF, #3801DF, #7301DF and #AF01DF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C01DF shade: #26008D, #3100B6, #3C01DF, #4C0BFD and #6A34FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C01DF shade: #3C01DF, #DF017B and #22DF01

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C01DF shade: #3C01DF, #DF3801 and #01DF38

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C01DF shade: #3C01DF, #DF017B, #A7DF01 and #01DF65

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C01DF shade: #3C01DF, #DF0138, #A7DF01 and #01DFA7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

Complementary color

CMYK 23 / 0 / 87 / 0

HEX #C3FE20

RGB 195 254 32

HSL 75.95, 0.99%, 0.56%

LAB 92.83, -44.51, 86.13

 

CMYK 70 / 100 / 0 / 15

HEX #4101DA

RGB 65 1 218

HSL 257.7, 0.99%, 0.43%

LAB 29.93, 71.3, -90.71

 

CMYK 65 / 92 / 0 / 7

HEX #5213ED

RGB 82 19 237

HSL 257.34, 0.86%, 0.5%

LAB 34.75, 73.6, -93.52

 

CMYK 61 / 85 / 0 / 0

HEX #6325FF

RGB 99 37 255

HSL 257.06, 1%, 0.57%

LAB 39.91, 74.42, -95.06

 

CMYK 55 / 78 / 0 / 0

HEX #7437FF

RGB 116 55 255

HSL 258.3, 1%, 0.61%

LAB 43.75, 69.59, -88.66

 

CMYK 48 / 71 / 0 / 0

HEX #8549FF

RGB 133 73 255

HSL 259.78, 1%, 0.64%

LAB 48.22, 64, -81.24

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 79 / 100 / 0 / 20

HEX #2B00CC

RGB 43 0 204

HSL 252.65, 1%, 0.4%

LAB 26.37, 67.47, -88.55

 

CMYK 86 / 100 / 0 / 27

HEX #1A00B9

RGB 26 0 185

HSL 248.43, 1%, 0.36%

LAB 22.73, 62.48, -83.44

 

CMYK 95 / 100 / 0 / 35

HEX #0900A6

RGB 9 0 166

HSL 243.25, 1%, 0.33%

LAB 19.27, 57.51, -77.8

 

CMYK 100 / 100 / 0 / 42

HEX #000093

RGB 0 0 147

HSL 240, 1%, 0.29%

LAB 16.04, 52.53, -71.54

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 46 / 100 / 0 / 13

HEX #7801DF

RGB 120 1 223

HSL 272.16, 0.99%, 0.44%

LAB 36.64, 75.76, -82.28

 

CMYK 20 / 100 / 0 / 13

HEX #B301DF

RGB 179 1 223

HSL 288.11, 0.99%, 0.44%

LAB 45.54, 82.28, -67.33

 

CMYK 0 / 100 / 8 / 13

HEX #DF01CE

RGB 223 1 206

HSL 304.59, 0.99%, 0.44%

LAB 52.02, 86.36, -46.77

 

CMYK 0 / 100 / 35 / 13

HEX #DF0192

RGB 223 1 146

HSL 320.81, 0.99%, 0.44%

LAB 49.23, 79.34, -15.83

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 100 / 100 / 0 / 13

HEX #0101DF

RGB 1 1 223

HSL 240, 0.99%, 0.44%

LAB 27.73, 71.39, -97.34

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 67 / 91 / 0 / 20

HEX #4413CD

RGB 68 19 205

HSL 255.81, 0.83%, 0.44%

LAB 29.67, 64.9, -83.59

 

CMYK 59 / 80 / 0 / 27

HEX #4D25BA

RGB 77 37 186

HSL 256.11, 0.67%, 0.44%

LAB 30.51, 54.37, -71

 

CMYK 49 / 67 / 0 / 34

HEX #5537A8

RGB 85 55 168

HSL 255.93, 0.51%, 0.44%

LAB 32.9, 41.31, -56.32

 

CMYK 37 / 51 / 0 / 41

HEX #5E4996

RGB 94 73 150

HSL 256.36, 0.35%, 0.44%

LAB 36.64, 27.38, -39.38

 

CMYK 100 / 71 / 0 / 13

HEX #0140DF

RGB 1 64 223

HSL 222.97, 0.99%, 0.44%

LAB 35.99, 47.11, -83.6

 

CMYK 100 / 98 / 0 / 13

HEX #0104DF

RGB 1 4 223

HSL 239.19, 0.99%, 0.44%

LAB 27.9, 70.84, -97.05

 

CMYK 75 / 100 / 0 / 13

HEX #3801DF

RGB 56 1 223

HSL 254.86, 0.99%, 0.44%

LAB 29.89, 72.18, -93.68

 

CMYK 48 / 100 / 0 / 13

HEX #7301DF

RGB 115 1 223

HSL 270.81, 0.99%, 0.44%

LAB 35.97, 75.34, -83.39

 

CMYK 22 / 100 / 0 / 13

HEX #AF01DF

RGB 175 1 223

HSL 287.03, 0.99%, 0.44%

LAB 44.89, 81.75, -68.42

 

CMYK 73 / 100 / 0 / 45

HEX #26008D

RGB 38 0 141

HSL 256.17, 1%, 0.28%

LAB 17.16, 51.73, -65.88

 

CMYK 73 / 100 / 0 / 29

HEX #3100B6

RGB 49 0 182

HSL 256.15, 1%, 0.36%

LAB 23.77, 62.31, -79.87

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 70 / 96 / 0 / 1

HEX #4C0BFD

RGB 76 11 253

HSL 256.12, 0.98%, 0.52%

LAB 35.73, 78.49, -100.94

 

CMYK 58 / 79 / 0 / 1

HEX #6A34FD

RGB 106 52 253

HSL 256.12, 0.98%, 0.6%

LAB 42.17, 69.19, -90.17

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 0 / 100 / 45 / 13

HEX #DF017B

RGB 223 1 123

HSL 327.03, 0.99%, 0.44%

LAB 48.44, 77.26, -3.07

 

CMYK 85 / 0 / 100 / 13

HEX #22DF01

RGB 34 223 1

HSL 111.08, 0.99%, 0.44%

LAB 77.94, -76.03, 75.32

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 0 / 75 / 100 / 13

HEX #DF3801

RGB 223 56 1

HSL 14.86, 0.99%, 0.44%

LAB 50.12, 62.3, 61.9

 

CMYK 100 / 0 / 75 / 13

HEX #01DF38

RGB 1 223 56

HSL 134.86, 0.99%, 0.44%

LAB 77.91, -75.66, 64.58

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 0 / 100 / 45 / 13

HEX #DF017B

RGB 223 1 123

HSL 327.03, 0.99%, 0.44%

LAB 48.44, 77.26, -3.07

 

CMYK 25 / 0 / 100 / 13

HEX #A7DF01

RGB 167 223 1

HSL 75.14, 0.99%, 0.44%

LAB 82.37, -42.2, 80.69

 

CMYK 100 / 0 / 55 / 13

HEX #01DF65

RGB 1 223 101

HSL 147.03, 0.99%, 0.44%

LAB 78.3, -70.83, 46.73

 

CMYK 73 / 100 / 0 / 13

HEX #3C01DF

RGB 60 1 223

HSL 255.95, 0.99%, 0.44%

LAB 30.18, 72.3, -93.18

 

CMYK 0 / 100 / 75 / 13

HEX #DF0138

RGB 223 1 56

HSL 345.14, 0.99%, 0.44%

LAB 46.97, 73.34, 36.07

 

CMYK 25 / 0 / 100 / 13

HEX #A7DF01

RGB 167 223 1

HSL 75.14, 0.99%, 0.44%

LAB 82.37, -42.2, 80.69

 

CMYK 100 / 0 / 25 / 13

HEX #01DFA7

RGB 1 223 167

HSL 164.86, 0.99%, 0.44%

LAB 79.37, -58.33, 14.88

 

Description

Color code: HEX #3C01DF | qconv.com Color code: HEX #3C01DF | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 1 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 1 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 100 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 100% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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