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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3C0972 it is the complementary color #C3F68D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3C0972. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3C0972 shade: #41096D, #521B80, #632D93, #743FA6 and #8551B9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3C0972. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3C0972 shade: #3C0972, #2B005F, #1A004C, #090039 and #000026

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3C0972 shade: #3B0971, #570971, #71096E, #710952 and #710936

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3C0972 shade: #3B0971, #1F0971 and #090971

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3C0972 shade matches the following richer shades: #3B0971

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3C0972 shade: #3B0971, #3B1367, #3C1C5D, #3C2653 and #3C3049

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3C0972 shade: #090E71, #1F0971, #3B0971, #570971 and #71096F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3C0972 shade: #130224, #27064B, #3B0971, #4F0C97 and #630FBD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3C0972 shade: #3C0972, #71092A and #097111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3C0972 shade: #3C0972, #713B09 and #09713B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3C0972 shade: #3C0972, #71092A, #3E7109 and #097150

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3C0972 shade: #3C0972, #71090A, #3E7109 and #09716F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 92 / 0 / 55

HEX #3C0972

RGB 60 9 114

HSL 269.14, 0.85%, 0.24%

LAB 17.32, 43.69, -48.33

 

Complementary color

CMYK 21 / 0 / 43 / 4

HEX #C3F68D

RGB 195 246 141

HSL 89.14, 0.85%, 0.76%

LAB 91.43, -33.51, 45.22

 

CMYK 40 / 92 / 0 / 57

HEX #41096D

RGB 65 9 109

HSL 273.6, 0.85%, 0.23%

LAB 17.57, 43.13, -44.65

 

CMYK 36 / 79 / 0 / 50

HEX #521B80

RGB 82 27 128

HSL 272.67, 0.65%, 0.3%

LAB 24.12, 44.07, -46.04

 

CMYK 33 / 69 / 0 / 42

HEX #632D93

RGB 99 45 147

HSL 271.76, 0.53%, 0.38%

LAB 30.96, 43.79, -46.64

 

CMYK 30 / 62 / 0 / 35

HEX #743FA6

RGB 116 63 166

HSL 270.87, 0.45%, 0.45%

LAB 37.88, 43.04, -46.89

 

CMYK 28 / 56 / 0 / 27

HEX #8551B9

RGB 133 81 185

HSL 270, 0.43%, 0.52%

LAB 44.76, 42.13, -46.97

 

CMYK 47 / 92 / 0 / 55

HEX #3C0972

RGB 60 9 114

HSL 269.14, 0.85%, 0.24%

LAB 17.32, 43.69, -48.33

 

CMYK 55 / 100 / 0 / 63

HEX #2B005F

RGB 43 0 95

HSL 267.16, 1%, 0.19%

LAB 11.55, 40.34, -45.43

 

CMYK 66 / 100 / 0 / 70

HEX #1A004C

RGB 26 0 76

HSL 260.53, 1%, 0.15%

LAB 6.7, 33.7, -40.56

 

CMYK 84 / 100 / 0 / 78

HEX #090039

RGB 9 0 57

HSL 249.47, 1%, 0.11%

LAB 3.19, 21.1, -32.8

 

CMYK 100 / 100 / 0 / 85

HEX #000026

RGB 0 0 38

HSL 240, 1%, 0.07%

LAB 1.26, 8.88, -21.58

 

CMYK 48 / 92 / 0 / 56

HEX #3B0971

RGB 59 9 113

HSL 268.85, 0.85%, 0.24%

LAB 17.07, 43.31, -48.11

 

CMYK 23 / 92 / 0 / 56

HEX #570971

RGB 87 9 113

HSL 285, 0.85%, 0.24%

LAB 21.63, 47.47, -40.47

 

CMYK 0 / 92 / 3 / 56

HEX #71096E

RGB 113 9 110

HSL 301.73, 0.85%, 0.24%

LAB 26.25, 51.72, -30.84

 

CMYK 0 / 92 / 27 / 56

HEX #710952

RGB 113 9 82

HSL 317.88, 0.85%, 0.24%

LAB 24.69, 47.61, -14.89

 

CMYK 0 / 92 / 52 / 56

HEX #710936

RGB 113 9 54

HSL 334.04, 0.85%, 0.24%

LAB 23.58, 44.55, 2.55

 

CMYK 48 / 92 / 0 / 56

HEX #3B0971

RGB 59 9 113

HSL 268.85, 0.85%, 0.24%

LAB 17.07, 43.31, -48.11

 

CMYK 73 / 92 / 0 / 56

HEX #1F0971

RGB 31 9 113

HSL 252.69, 0.85%, 0.24%

LAB 13.7, 40.56, -53.79

 

CMYK 92 / 92 / 0 / 56

HEX #090971

RGB 9 9 113

HSL 240, 0.85%, 0.24%

LAB 12.26, 39.49, -56.23

 

CMYK 48 / 92 / 0 / 56

HEX #3B0971

RGB 59 9 113

HSL 268.85, 0.85%, 0.24%

LAB 17.07, 43.31, -48.11

 

CMYK 48 / 92 / 0 / 56

HEX #3B0971

RGB 59 9 113

HSL 268.85, 0.85%, 0.24%

LAB 17.07, 43.31, -48.11

 

CMYK 43 / 82 / 0 / 60

HEX #3B1367

RGB 59 19 103

HSL 268.57, 0.69%, 0.24%

LAB 17.34, 36.96, -41.13

 

CMYK 35 / 70 / 0 / 64

HEX #3C1C5D

RGB 60 28 93

HSL 269.54, 0.54%, 0.24%

LAB 18.28, 29.76, -32.98

 

CMYK 28 / 54 / 0 / 67

HEX #3C2653

RGB 60 38 83

HSL 269.33, 0.37%, 0.24%

LAB 19.93, 20.74, -23.66

 

CMYK 18 / 34 / 0 / 71

HEX #3C3049

RGB 60 48 73

HSL 268.8, 0.21%, 0.24%

LAB 22.14, 11.27, -13.48

 

CMYK 92 / 88 / 0 / 56

HEX #090E71

RGB 9 14 113

HSL 237.12, 0.85%, 0.24%

LAB 13.01, 37.24, -54.97

 

CMYK 73 / 92 / 0 / 56

HEX #1F0971

RGB 31 9 113

HSL 252.69, 0.85%, 0.24%

LAB 13.7, 40.56, -53.79

 

CMYK 48 / 92 / 0 / 56

HEX #3B0971

RGB 59 9 113

HSL 268.85, 0.85%, 0.24%

LAB 17.07, 43.31, -48.11

 

CMYK 23 / 92 / 0 / 56

HEX #570971

RGB 87 9 113

HSL 285, 0.85%, 0.24%

LAB 21.63, 47.47, -40.47

 

CMYK 0 / 92 / 2 / 56

HEX #71096F

RGB 113 9 111

HSL 301.15, 0.85%, 0.24%

LAB 26.31, 51.89, -31.38

 

CMYK 47 / 94 / 0 / 86

HEX #130224

RGB 19 2 36

HSL 270, 0.89%, 0.07%

LAB 2.79, 12.89, -17.55

 

CMYK 48 / 92 / 0 / 71

HEX #27064B

RGB 39 6 75

HSL 268.7, 0.85%, 0.16%

LAB 9.56, 31.72, -35.08

 

CMYK 48 / 92 / 0 / 56

HEX #3B0971

RGB 59 9 113

HSL 268.85, 0.85%, 0.24%

LAB 17.07, 43.31, -48.11

 

CMYK 48 / 92 / 0 / 41

HEX #4F0C97

RGB 79 12 151

HSL 268.92, 0.85%, 0.32%

LAB 24.19, 54.16, -60.28

 

CMYK 48 / 92 / 0 / 26

HEX #630FBD

RGB 99 15 189

HSL 268.97, 0.85%, 0.4%

LAB 31.04, 64.42, -71.81

 

CMYK 47 / 92 / 0 / 55

HEX #3C0972

RGB 60 9 114

HSL 269.14, 0.85%, 0.24%

LAB 17.32, 43.69, -48.33

 

CMYK 0 / 92 / 63 / 56

HEX #71092A

RGB 113 9 42

HSL 340.96, 0.85%, 0.24%

LAB 23.25, 43.61, 10.43

 

CMYK 92 / 0 / 85 / 56

HEX #097111

RGB 9 113 17

HSL 124.62, 0.85%, 0.24%

LAB 41.07, -45.6, 41.5

 

CMYK 47 / 92 / 0 / 55

HEX #3C0972

RGB 60 9 114

HSL 269.14, 0.85%, 0.24%

LAB 17.32, 43.69, -48.33

 

CMYK 0 / 48 / 92 / 56

HEX #713B09

RGB 113 59 9

HSL 28.85, 0.85%, 0.24%

LAB 31.02, 20.27, 37.83

 

CMYK 92 / 0 / 48 / 56

HEX #09713B

RGB 9 113 59

HSL 148.85, 0.85%, 0.24%

LAB 41.51, -40.23, 22.49

 

CMYK 47 / 92 / 0 / 55

HEX #3C0972

RGB 60 9 114

HSL 269.14, 0.85%, 0.24%

LAB 17.32, 43.69, -48.33

 

CMYK 0 / 92 / 63 / 56

HEX #71092A

RGB 113 9 42

HSL 340.96, 0.85%, 0.24%

LAB 23.25, 43.61, 10.43

 

CMYK 45 / 0 / 92 / 56

HEX #3E7109

RGB 62 113 9

HSL 89.42, 0.85%, 0.24%

LAB 42.54, -33.76, 45.48

 

CMYK 92 / 0 / 29 / 56

HEX #097150

RGB 9 113 80

HSL 160.96, 0.85%, 0.24%

LAB 41.92, -35.52, 10.85

 

CMYK 47 / 92 / 0 / 55

HEX #3C0972

RGB 60 9 114

HSL 269.14, 0.85%, 0.24%

LAB 17.32, 43.69, -48.33

 

CMYK 0 / 92 / 91 / 56

HEX #71090A

RGB 113 9 10

HSL 359.42, 0.85%, 0.24%

LAB 22.75, 42.18, 30.08

 

CMYK 45 / 0 / 92 / 56

HEX #3E7109

RGB 62 113 9

HSL 89.42, 0.85%, 0.24%

LAB 42.54, -33.76, 45.48

 

CMYK 92 / 0 / 2 / 56

HEX #09716F

RGB 9 113 111

HSL 178.85, 0.85%, 0.24%

LAB 42.79, -26.45, -6.51

 

Description

Color code: HEX #3C0972 | qconv.com Color code: HEX #3C0972 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 60 red, 9 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
60 9 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 92 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 92% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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