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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BFC71 it is the complementary color #C4038E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BFC71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BFC71 shade: #40FC6C, #51FF7F, #62FF92, #73FFA5 and #84FFB8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BFC71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BFC71 shade: #3BFC71, #2AEA5E, #19D84B, #08C638 and #00B425

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BFC71 shade: #3BFC71, #3BFC3D, #6DFC3B, #A1FC3B and #D5FC3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BFC71 shade: #3BFC71, #3BFCA5, #3BFCD9, #3BEAFC and #3BB6FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BFC71 shade matches the following richer shades: #3BFC71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BFC71 shade: #3BFC71, #4BEB78, #5BDB7F, #6BCB86 and #7BBB8D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BFC71 shade: #6EFC3B, #3BFC3B, #3BFC6E, #3BFCA1 and #3BFCD5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BFC71 shade: #03E141, #12FB53, #3BFC71, #63FC8E and #8CFDAB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BFC71 shade: #3BFC71, #3BA1FC and #FC3B54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BFC71 shade: #3BFC71, #6E3BFC and #FC6E3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BFC71 shade: #3BFC71, #3BA1FC, #FC3BC8 and #FC953B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BFC71 shade: #3BFC71, #3B68FC, #FC3BC8 and #FCCE3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

Complementary color

CMYK 0 / 98 / 28 / 23

HEX #C4038E

RGB 196 3 142

HSL 316.79, 0.97%, 0.39%

LAB 43.88, 73.33, -22.08

 

CMYK 75 / 0 / 57 / 1

HEX #40FC6C

RGB 64 252 108

HSL 134.04, 0.97%, 0.62%

LAB 87.87, -74.17, 55.07

 

CMYK 68 / 0 / 50 / 0

HEX #51FF7F

RGB 81 255 127

HSL 135.86, 1%, 0.66%

LAB 89.3, -70.09, 48.23

 

CMYK 62 / 0 / 43 / 0

HEX #62FF92

RGB 98 255 146

HSL 138.34, 1%, 0.69%

LAB 89.95, -64.15, 40.06

 

CMYK 55 / 0 / 35 / 0

HEX #73FFA5

RGB 115 255 165

HSL 141.43, 1%, 0.73%

LAB 90.73, -57.42, 31.78

 

CMYK 48 / 0 / 28 / 0

HEX #84FFB8

RGB 132 255 184

HSL 145.37, 1%, 0.76%

LAB 91.63, -50.01, 23.52

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 82 / 0 / 60 / 8

HEX #2AEA5E

RGB 42 234 94

HSL 136.25, 0.82%, 0.54%

LAB 81.92, -72.79, 54.21

 

CMYK 88 / 0 / 65 / 15

HEX #19D84B

RGB 25 216 75

HSL 135.71, 0.79%, 0.47%

LAB 75.96, -70.87, 55.51

 

CMYK 96 / 0 / 72 / 22

HEX #08C638

RGB 8 198 56

HSL 135.16, 0.92%, 0.4%

LAB 69.98, -68.31, 56.55

 

CMYK 100 / 0 / 79 / 29

HEX #00B425

RGB 0 180 37

HSL 132.33, 1%, 0.35%

LAB 63.98, -64.94, 57.02

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 77 / 0 / 76 / 1

HEX #3BFC3D

RGB 59 252 61

HSL 120.62, 0.97%, 0.61%

LAB 87.43, -79.24, 72.52

 

CMYK 57 / 0 / 77 / 1

HEX #6DFC3B

RGB 109 252 59

HSL 104.46, 0.97%, 0.61%

LAB 88.54, -70.04, 74.57

 

CMYK 36 / 0 / 77 / 1

HEX #A1FC3B

RGB 161 252 59

HSL 88.29, 0.97%, 0.61%

LAB 90.56, -54.87, 77.2

 

CMYK 15 / 0 / 77 / 1

HEX #D5FC3B

RGB 213 252 59

HSL 72.12, 0.97%, 0.61%

LAB 93.49, -35.88, 80.98

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 77 / 0 / 35 / 1

HEX #3BFCA5

RGB 59 252 165

HSL 152.95, 0.97%, 0.61%

LAB 88.58, -65.71, 28.67

 

CMYK 77 / 0 / 14 / 1

HEX #3BFCD9

RGB 59 252 217

HSL 169.12, 0.97%, 0.61%

LAB 89.65, -54.11, 3.48

 

CMYK 77 / 7 / 0 / 1

HEX #3BEAFC

RGB 59 234 252

HSL 185.6, 0.97%, 0.61%

LAB 85.4, -36.73, -21.12

 

CMYK 77 / 28 / 0 / 1

HEX #3BB6FC

RGB 59 182 252

HSL 201.76, 0.97%, 0.61%

LAB 70.46, -10.59, -44.15

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 68 / 0 / 49 / 8

HEX #4BEB78

RGB 75 235 120

HSL 136.88, 0.8%, 0.61%

LAB 83.06, -65.2, 43.77

 

CMYK 58 / 0 / 42 / 14

HEX #5BDB7F

RGB 91 219 127

HSL 136.88, 0.64%, 0.61%

LAB 78.71, -55.11, 34.88

 

CMYK 47 / 0 / 34 / 20

HEX #6BCB86

RGB 107 203 134

HSL 136.88, 0.48%, 0.61%

LAB 74.55, -43.46, 25.88

 

CMYK 34 / 0 / 25 / 27

HEX #7BBB8D

RGB 123 187 141

HSL 136.88, 0.32%, 0.61%

LAB 70.65, -30.24, 16.94

 

CMYK 56 / 0 / 77 / 1

HEX #6EFC3B

RGB 110 252 59

HSL 104.15, 0.97%, 0.61%

LAB 88.57, -69.79, 74.61

 

CMYK 77 / 0 / 77 / 1

HEX #3BFC3B

RGB 59 252 59

HSL 120, 0.97%, 0.61%

LAB 87.42, -79.37, 73.11

 

CMYK 77 / 0 / 56 / 1

HEX #3BFC6E

RGB 59 252 110

HSL 135.85, 0.97%, 0.61%

LAB 87.81, -74.57, 54.1

 

CMYK 77 / 0 / 36 / 1

HEX #3BFCA1

RGB 59 252 161

HSL 151.71, 0.97%, 0.61%

LAB 88.51, -66.48, 30.59

 

CMYK 77 / 0 / 15 / 1

HEX #3BFCD5

RGB 59 252 213

HSL 167.88, 0.97%, 0.61%

LAB 89.56, -55.1, 5.42

 

CMYK 99 / 0 / 71 / 12

HEX #03E141

RGB 3 225 65

HSL 136.76, 0.97%, 0.45%

LAB 78.61, -75.43, 62.17

 

CMYK 93 / 0 / 67 / 2

HEX #12FB53

RGB 18 251 83

HSL 136.74, 0.97%, 0.53%

LAB 86.87, -80.63, 64.19

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 61 / 0 / 44 / 1

HEX #63FC8E

RGB 99 252 142

HSL 136.86, 0.96%, 0.69%

LAB 89.03, -63.48, 40.83

 

CMYK 45 / 0 / 32 / 1

HEX #8CFDAB

RGB 140 253 171

HSL 136.46, 0.97%, 0.77%

LAB 91.13, -49.46, 29.46

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 77 / 36 / 0 / 1

HEX #3BA1FC

RGB 59 161 252

HSL 208.29, 0.97%, 0.61%

LAB 64.52, 1.19, -53.52

 

CMYK 0 / 77 / 67 / 1

HEX #FC3B54

RGB 252 59 84

HSL 352.23, 0.97%, 0.61%

LAB 56.55, 72.04, 32.43

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 56 / 77 / 0 / 1

HEX #6E3BFC

RGB 110 59 252

HSL 255.85, 0.97%, 0.61%

LAB 43.46, 66.44, -87.47

 

CMYK 0 / 56 / 77 / 1

HEX #FC6E3B

RGB 252 110 59

HSL 15.85, 0.97%, 0.61%

LAB 63.48, 51.43, 53.63

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 77 / 36 / 0 / 1

HEX #3BA1FC

RGB 59 161 252

HSL 208.29, 0.97%, 0.61%

LAB 64.52, 1.19, -53.52

 

CMYK 0 / 77 / 21 / 1

HEX #FC3BC8

RGB 252 59 200

HSL 316.17, 0.97%, 0.61%

LAB 59.88, 82.21, -30.64

 

CMYK 0 / 41 / 77 / 1

HEX #FC953B

RGB 252 149 59

HSL 27.98, 0.97%, 0.61%

LAB 71.22, 32.16, 61.3

 

CMYK 77 / 0 / 55 / 1

HEX #3BFC71

RGB 59 252 113

HSL 136.79, 0.97%, 0.61%

LAB 87.84, -74.18, 52.8

 

CMYK 77 / 59 / 0 / 1

HEX #3B68FC

RGB 59 104 252

HSL 226.01, 0.97%, 0.61%

LAB 49.32, 35.88, -77.99

 

CMYK 0 / 77 / 21 / 1

HEX #FC3BC8

RGB 252 59 200

HSL 316.17, 0.97%, 0.61%

LAB 59.88, 82.21, -30.64

 

CMYK 0 / 18 / 77 / 1

HEX #FCCE3B

RGB 252 206 59

HSL 45.7, 0.97%, 0.61%

LAB 84.56, 2.5, 73.92

 

Description

Color code: HEX #3BFC71 | qconv.com Color code: HEX #3BFC71 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 252 green and 113 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 252 113 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 55 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 55% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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