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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BF117 it is the complementary color #C40EE8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BF117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BF117 shade: #40F112, #51FF25, #62FF38, #73FF4B and #84FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BF117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BF117 shade: #3BF117, #2ADF04, #19CD00, #08BB00 and #00A900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BF117 shade: #3BF117, #76F117, #B1F117, #EBF117 and #F1BC17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BF117 shade: #3BF117, #17F12E, #17F169, #17F1A3 and #17F1DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BF117 shade matches the following richer shades: #3BF117

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BF117 shade: #3BF117, #48DD2B, #56C93F, #63B653 and #70A266

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BF117 shade: #B0F117, #76F117, #3BF117, #17F12D and #17F167

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BF117 shade: #24AC0A, #2DD30C, #3BF117, #5CF33E and #7DF665

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BF117 shade: #3BF117, #17EAF1 and #F11793

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BF117 shade: #3BF117, #173BF1 and #F1173B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BF117 shade: #3BF117, #17EAF1, #CD17F1 and #F11E17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BF117 shade: #3BF117, #17A8F1, #CD17F1 and #F16017

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

Complementary color

CMYK 16 / 94 / 0 / 9

HEX #C40EE8

RGB 196 14 232

HSL 290.09, 0.89%, 0.48%

LAB 49.35, 85.02, -66.15

 

CMYK 73 / 0 / 93 / 5

HEX #40F112

RGB 64 241 18

HSL 107.62, 0.89%, 0.51%

LAB 83.99, -77.17, 78.8

 

CMYK 68 / 0 / 85 / 0

HEX #51FF25

RGB 81 255 37

HSL 107.89, 1%, 0.57%

LAB 88.64, -77.95, 79.86

 

CMYK 62 / 0 / 78 / 0

HEX #62FF38

RGB 98 255 56

HSL 107.34, 1%, 0.61%

LAB 89.11, -73.72, 75.88

 

CMYK 55 / 0 / 71 / 0

HEX #73FF4B

RGB 115 255 75

HSL 106.67, 1%, 0.65%

LAB 89.71, -68.55, 70.61

 

CMYK 48 / 0 / 63 / 0

HEX #84FF5E

RGB 132 255 94

HSL 105.84, 1%, 0.68%

LAB 90.43, -62.53, 64.38

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 81 / 0 / 98 / 13

HEX #2ADF04

RGB 42 223 4

HSL 109.59, 0.96%, 0.45%

LAB 78.04, -75.18, 75.16

 

CMYK 88 / 0 / 100 / 20

HEX #19CD00

RGB 25 205 0

HSL 112.68, 1%, 0.4%

LAB 72.14, -71.85, 70.73

 

CMYK 96 / 0 / 100 / 27

HEX #08BB00

RGB 8 187 0

HSL 117.43, 1%, 0.37%

LAB 66.21, -67.9, 65.93

 

CMYK 100 / 0 / 100 / 34

HEX #00A900

RGB 0 169 0

HSL 120, 1%, 0.33%

LAB 60.23, -63.33, 61.12

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 51 / 0 / 90 / 5

HEX #76F117

RGB 118 241 23

HSL 93.85, 0.89%, 0.52%

LAB 85.41, -65.33, 79.91

 

CMYK 27 / 0 / 90 / 5

HEX #B1F117

RGB 177 241 23

HSL 77.61, 0.89%, 0.52%

LAB 88.12, -45.87, 83.24

 

CMYK 2 / 0 / 90 / 5

HEX #EBF117

RGB 235 241 23

HSL 61.65, 0.89%, 0.52%

LAB 91.97, -22.91, 87.92

 

CMYK 0 / 22 / 90 / 5

HEX #F1BC17

RGB 241 188 23

HSL 45.41, 0.89%, 0.52%

LAB 78.88, 6.18, 78.1

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 90 / 0 / 81 / 5

HEX #17F12E

RGB 23 241 46

HSL 126.33, 0.89%, 0.52%

LAB 83.59, -80.36, 72.98

 

CMYK 90 / 0 / 56 / 5

HEX #17F169

RGB 23 241 105

HSL 142.57, 0.89%, 0.52%

LAB 84.02, -74.96, 51.76

 

CMYK 90 / 0 / 32 / 5

HEX #17F1A3

RGB 23 241 163

HSL 158.53, 0.89%, 0.52%

LAB 84.86, -65.06, 24.58

 

CMYK 90 / 0 / 8 / 5

HEX #17F1DE

RGB 23 241 222

HSL 174.77, 0.89%, 0.52%

LAB 86.19, -50.79, -4.23

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 67 / 0 / 81 / 13

HEX #48DD2B

RGB 72 221 43

HSL 110.22, 0.72%, 0.52%

LAB 78.03, -68.84, 68.86

 

CMYK 57 / 0 / 69 / 21

HEX #56C93F

RGB 86 201 63

HSL 110, 0.56%, 0.52%

LAB 72.3, -57.62, 56.71

 

CMYK 46 / 0 / 54 / 29

HEX #63B653

RGB 99 182 83

HSL 110.3, 0.4%, 0.52%

LAB 67.08, -44.56, 42.2

 

CMYK 31 / 0 / 37 / 36

HEX #70A266

RGB 112 162 102

HSL 110, 0.24%, 0.52%

LAB 61.86, -28.63, 26.03

 

CMYK 27 / 0 / 90 / 5

HEX #B0F117

RGB 176 241 23

HSL 77.89, 0.89%, 0.52%

LAB 88.07, -46.24, 83.17

 

CMYK 51 / 0 / 90 / 5

HEX #76F117

RGB 118 241 23

HSL 93.85, 0.89%, 0.52%

LAB 85.41, -65.33, 79.91

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 90 / 0 / 81 / 5

HEX #17F12D

RGB 23 241 45

HSL 126.06, 0.89%, 0.52%

LAB 83.59, -80.41, 73.24

 

CMYK 90 / 0 / 57 / 5

HEX #17F167

RGB 23 241 103

HSL 142.02, 0.89%, 0.52%

LAB 84, -75.22, 52.63

 

CMYK 79 / 0 / 94 / 33

HEX #24AC0A

RGB 36 172 10

HSL 110.37, 0.89%, 0.36%

LAB 61.57, -60.98, 60.99

 

CMYK 79 / 0 / 94 / 17

HEX #2DD30C

RGB 45 211 12

HSL 110.05, 0.89%, 0.44%

LAB 74.3, -71.26, 71.35

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 62 / 0 / 74 / 5

HEX #5CF33E

RGB 92 243 62

HSL 110.06, 0.88%, 0.6%

LAB 85.36, -70.74, 70.41

 

CMYK 49 / 0 / 59 / 4

HEX #7DF665

RGB 125 246 101

HSL 110.07, 0.89%, 0.68%

LAB 87.59, -60.41, 58.21

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 90 / 3 / 0 / 5

HEX #17EAF1

RGB 23 234 241

HSL 181.93, 0.89%, 0.52%

LAB 84.68, -42.38, -16.47

 

CMYK 0 / 90 / 39 / 5

HEX #F11793

RGB 241 23 147

HSL 325.87, 0.89%, 0.52%

LAB 53.41, 81.21, -9.8

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 90 / 76 / 0 / 5

HEX #173BF1

RGB 23 59 241

HSL 230.09, 0.89%, 0.52%

LAB 37.23, 56.61, -91.77

 

CMYK 0 / 90 / 76 / 5

HEX #F1173B

RGB 241 23 59

HSL 350.09, 0.89%, 0.52%

LAB 51.42, 75.72, 40.31

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 90 / 3 / 0 / 5

HEX #17EAF1

RGB 23 234 241

HSL 181.93, 0.89%, 0.52%

LAB 84.68, -42.38, -16.47

 

CMYK 15 / 90 / 0 / 5

HEX #CD17F1

RGB 205 23 241

HSL 290.09, 0.89%, 0.52%

LAB 51.77, 86.77, -67.23

 

CMYK 0 / 88 / 90 / 5

HEX #F11E17

RGB 241 30 23

HSL 1.93, 0.89%, 0.52%

LAB 51.49, 73.85, 58.27

 

CMYK 76 / 0 / 90 / 5

HEX #3BF117

RGB 59 241 23

HSL 110.09, 0.89%, 0.52%

LAB 83.91, -77.78, 78.05

 

CMYK 90 / 30 / 0 / 5

HEX #17A8F1

RGB 23 168 241

HSL 200.09, 0.89%, 0.52%

LAB 65.39, -9.5, -46.18

 

CMYK 15 / 90 / 0 / 5

HEX #CD17F1

RGB 205 23 241

HSL 290.09, 0.89%, 0.52%

LAB 51.77, 86.77, -67.23

 

CMYK 0 / 60 / 90 / 5

HEX #F16017

RGB 241 96 23

HSL 20.09, 0.89%, 0.52%

LAB 59.09, 52.92, 63.51

 

Description

Color code: HEX #3BF117 | qconv.com Color code: HEX #3BF117 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 241 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 241 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 90 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 90% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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