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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BEE88 it is the complementary color #C41177. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BEE88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BEE88 shade: #40EE83, #51FF96, #62FFA9, #73FFBC and #84FFCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BEE88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BEE88 shade: #3BEE88, #2ADC75, #19CA62, #08B84F and #00A63C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BEE88 shade: #39ED87, #39ED56, #4DED39, #7EED39 and #AEED39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BEE88 shade: #39ED87, #39EDB7, #39EDE8, #39C2ED and #3992ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BEE88 shade matches the following richer shades: #39ED87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BEE88 shade: #39ED87, #4BDC89, #5CCB8C, #6DB98E and #7FA891

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BEE88 shade: #4EED39, #39ED54, #39ED84, #39EDB4 and #39EDE4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BEE88 shade: #11C45E, #14EA70, #39ED87, #5FF19E and #85F4B5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BEE88 shade: #3BEE88, #397EED and #ED3C39

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BEE88 shade: #3BEE88, #8439ED and #ED8439

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BEE88 shade: #3BEE88, #397EED, #ED39A2 and #EDA839

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BEE88 shade: #3BEE88, #3948ED, #ED39A2 and #EDDE39

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 43 / 7

HEX #3BEE88

RGB 59 238 136

HSL 145.81, 0.84%, 0.58%

LAB 83.89, -66.07, 36.97

 

Complementary color

CMYK 0 / 91 / 39 / 23

HEX #C41177

RGB 196 17 119

HSL 325.81, 0.84%, 0.42%

LAB 43.46, 69.5, -8.59

 

CMYK 73 / 0 / 45 / 7

HEX #40EE83

RGB 64 238 131

HSL 143.1, 0.84%, 0.59%

LAB 83.9, -66.24, 39.46

 

CMYK 68 / 0 / 41 / 0

HEX #51FF96

RGB 81 255 150

HSL 143.79, 1%, 0.66%

LAB 89.61, -66.52, 37.59

 

CMYK 62 / 0 / 34 / 0

HEX #62FFA9

RGB 98 255 169

HSL 147.13, 1%, 0.69%

LAB 90.31, -60.19, 29.13

 

CMYK 55 / 0 / 26 / 0

HEX #73FFBC

RGB 115 255 188

HSL 151.29, 1%, 0.73%

LAB 91.14, -53.12, 20.71

 

CMYK 48 / 0 / 19 / 0

HEX #84FFCF

RGB 132 255 207

HSL 156.59, 1%, 0.76%

LAB 92.1, -45.45, 12.4

 

CMYK 75 / 0 / 43 / 7

HEX #3BEE88

RGB 59 238 136

HSL 145.81, 0.84%, 0.58%

LAB 83.89, -66.07, 36.97

 

CMYK 81 / 0 / 47 / 14

HEX #2ADC75

RGB 42 220 117

HSL 145.28, 0.72%, 0.51%

LAB 77.85, -65.02, 38.56

 

CMYK 88 / 0 / 51 / 21

HEX #19CA62

RGB 25 202 98

HSL 144.75, 0.78%, 0.45%

LAB 71.78, -63.53, 40.23

 

CMYK 96 / 0 / 57 / 28

HEX #08B84F

RGB 8 184 79

HSL 144.2, 0.92%, 0.38%

LAB 65.67, -61.46, 41.95

 

CMYK 100 / 0 / 64 / 35

HEX #00A63C

RGB 0 166 60

HSL 141.69, 1%, 0.33%

LAB 59.52, -58.67, 43.61

 

CMYK 76 / 0 / 43 / 7

HEX #39ED87

RGB 57 237 135

HSL 146, 0.83%, 0.58%

LAB 83.54, -66.14, 37.01

 

CMYK 76 / 0 / 64 / 7

HEX #39ED56

RGB 57 237 86

HSL 129.67, 0.83%, 0.58%

LAB 82.97, -72.88, 58.84

 

CMYK 68 / 0 / 76 / 7

HEX #4DED39

RGB 77 237 57

HSL 113.33, 0.83%, 0.58%

LAB 83.15, -72.14, 69.69

 

CMYK 47 / 0 / 76 / 7

HEX #7EED39

RGB 126 237 57

HSL 97, 0.83%, 0.58%

LAB 84.64, -60.26, 71.65

 

CMYK 27 / 0 / 76 / 7

HEX #AEED39

RGB 174 237 57

HSL 81, 0.83%, 0.58%

LAB 86.93, -44.17, 74.63

 

CMYK 76 / 0 / 43 / 7

HEX #39ED87

RGB 57 237 135

HSL 146, 0.83%, 0.58%

LAB 83.54, -66.14, 37.01

 

CMYK 76 / 0 / 23 / 7

HEX #39EDB7

RGB 57 237 183

HSL 162, 0.83%, 0.58%

LAB 84.41, -56.49, 13.66

 

CMYK 76 / 0 / 2 / 7

HEX #39EDE8

RGB 57 237 232

HSL 178.33, 0.83%, 0.58%

LAB 85.64, -44.01, -10.26

 

CMYK 76 / 18 / 0 / 7

HEX #39C2ED

RGB 57 194 237

HSL 194.33, 0.83%, 0.58%

LAB 73.26, -22.11, -31.69

 

CMYK 76 / 38 / 0 / 7

HEX #3992ED

RGB 57 146 237

HSL 210.33, 0.83%, 0.58%

LAB 59.47, 4.39, -53.3

 

CMYK 76 / 0 / 43 / 7

HEX #39ED87

RGB 57 237 135

HSL 146, 0.83%, 0.58%

LAB 83.54, -66.14, 37.01

 

CMYK 76 / 0 / 43 / 7

HEX #39ED87

RGB 57 237 135

HSL 146, 0.83%, 0.58%

LAB 83.54, -66.14, 37.01

 

CMYK 66 / 0 / 38 / 14

HEX #4BDC89

RGB 75 220 137

HSL 145.66, 0.67%, 0.58%

LAB 78.75, -56.93, 29.77

 

CMYK 55 / 0 / 31 / 20

HEX #5CCB8C

RGB 92 203 140

HSL 145.95, 0.52%, 0.58%

LAB 74.11, -46.09, 22.05

 

CMYK 41 / 0 / 23 / 27

HEX #6DB98E

RGB 109 185 142

HSL 146.05, 0.35%, 0.58%

LAB 69.4, -33.29, 14.56

 

CMYK 24 / 0 / 14 / 34

HEX #7FA891

RGB 127 168 145

HSL 146.34, 0.19%, 0.58%

LAB 65.41, -18.73, 7.4

 

CMYK 67 / 0 / 76 / 7

HEX #4EED39

RGB 78 237 57

HSL 113, 0.83%, 0.58%

LAB 83.17, -71.95, 69.72

 

CMYK 76 / 0 / 65 / 7

HEX #39ED54

RGB 57 237 84

HSL 129, 0.83%, 0.58%

LAB 82.96, -73.09, 59.64

 

CMYK 76 / 0 / 44 / 7

HEX #39ED84

RGB 57 237 132

HSL 145, 0.83%, 0.58%

LAB 83.5, -66.65, 38.43

 

CMYK 76 / 0 / 24 / 7

HEX #39EDB4

RGB 57 237 180

HSL 161, 0.83%, 0.58%

LAB 84.35, -57.18, 15.14

 

CMYK 76 / 0 / 4 / 7

HEX #39EDE4

RGB 57 237 228

HSL 177, 0.83%, 0.58%

LAB 85.52, -45.11, -8.33

 

CMYK 91 / 0 / 52 / 23

HEX #11C45E

RGB 17 196 94

HSL 145.81, 0.84%, 0.42%

LAB 69.76, -62.69, 39.68

 

CMYK 91 / 0 / 52 / 8

HEX #14EA70

RGB 20 234 112

HSL 145.79, 0.84%, 0.5%

LAB 81.93, -71.98, 46.01

 

CMYK 76 / 0 / 43 / 7

HEX #39ED87

RGB 57 237 135

HSL 146, 0.83%, 0.58%

LAB 83.54, -66.14, 37.01

 

CMYK 61 / 0 / 34 / 5

HEX #5FF19E

RGB 95 241 158

HSL 145.89, 0.84%, 0.66%

LAB 85.91, -57.4, 28.74

 

CMYK 45 / 0 / 26 / 4

HEX #85F4B5

RGB 133 244 181

HSL 145.95, 0.83%, 0.74%

LAB 88.46, -45.65, 20.67

 

CMYK 75 / 0 / 43 / 7

HEX #3BEE88

RGB 59 238 136

HSL 145.81, 0.84%, 0.58%

LAB 83.89, -66.07, 36.97

 

CMYK 76 / 47 / 0 / 7

HEX #397EED

RGB 57 126 237

HSL 217, 0.83%, 0.58%

LAB 53.93, 16.51, -62.18

 

CMYK 0 / 75 / 76 / 7

HEX #ED3C39

RGB 237 60 57

HSL 1, 0.83%, 0.58%

LAB 53.53, 66.32, 43.5

 

CMYK 75 / 0 / 43 / 7

HEX #3BEE88

RGB 59 238 136

HSL 145.81, 0.84%, 0.58%

LAB 83.89, -66.07, 36.97

 

CMYK 44 / 76 / 0 / 7

HEX #8439ED

RGB 132 57 237

HSL 265, 0.83%, 0.58%

LAB 44.16, 66.38, -77.82

 

CMYK 0 / 44 / 76 / 7

HEX #ED8439

RGB 237 132 57

HSL 25, 0.83%, 0.58%

LAB 65.59, 34.84, 55.97

 

CMYK 75 / 0 / 43 / 7

HEX #3BEE88

RGB 59 238 136

HSL 145.81, 0.84%, 0.58%

LAB 83.89, -66.07, 36.97

 

CMYK 76 / 47 / 0 / 7

HEX #397EED

RGB 57 126 237

HSL 217, 0.83%, 0.58%

LAB 53.93, 16.51, -62.18

 

CMYK 0 / 76 / 32 / 7

HEX #ED39A2

RGB 237 57 162

HSL 325, 0.83%, 0.58%

LAB 55.62, 74.85, -15.4

 

CMYK 0 / 29 / 76 / 7

HEX #EDA839

RGB 237 168 57

HSL 37, 0.83%, 0.58%

LAB 73.74, 15.9, 63.92

 

CMYK 75 / 0 / 43 / 7

HEX #3BEE88

RGB 59 238 136

HSL 145.81, 0.84%, 0.58%

LAB 83.89, -66.07, 36.97

 

CMYK 76 / 70 / 0 / 7

HEX #3948ED

RGB 57 72 237

HSL 235, 0.83%, 0.58%

LAB 40.6, 49.85, -83.88

 

CMYK 0 / 76 / 32 / 7

HEX #ED39A2

RGB 237 57 162

HSL 325, 0.83%, 0.58%

LAB 55.62, 74.85, -15.4

 

CMYK 0 / 6 / 76 / 7

HEX #EDDE39

RGB 237 222 57

HSL 55, 0.83%, 0.58%

LAB 87.26, -11.97, 76.54

 

Description

Color code: HEX #3BEE88 | qconv.com Color code: HEX #3BEE88 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 238 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 238 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 43 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 43% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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