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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDCE2 it is the complementary color #C4231D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDCE2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BDCE2 shade: #40DCDD, #51EEF0, #62FFFF, #73FFFF and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDCE2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BDCE2 shade: #3BDCE2, #2ACACF, #19B8BC, #08A6A9 and #009496

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BDCE2 shade: #3BDBE1, #3BAFE1, #3B82E1, #3B55E1 and #4E3BE1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BDCE2 shade: #3BDBE1, #3BAFE1, #3B82E1, #3B55E1 and #3B3BE1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BDCE2 shade matches the following richer shades: #3BDBE1 and #29ECF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BDCE2 shade: #3BDBE1, #4DCBCF, #60BABD, #72A9AB and #849899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BDCE2 shade: #3BE18E, #3BE1BB, #3BDCE1, #3BB0E1 and #3B83E1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BDCE2 shade: #1AABB0, #1FCED4, #3BDBE1, #5FE2E7 and #83E8EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BDCE2 shade: #3BDCE2, #623BE1 and #E1A43B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BDCE2 shade: #3BDCE2, #E13BDC and #DCE13B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BDCE2 shade: #3BDCE2, #623BE1, #E1413B and #BBE13B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BDCE2 shade: #3BDCE2, #943BE1, #E1413B and #89E13B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 74 / 3 / 0 / 11

HEX #3BDCE2

RGB 59 220 226

HSL 182.16, 0.74%, 0.56%

LAB 80.52, -37.86, -14.73

 

Complementary color

CMYK 0 / 82 / 85 / 23

HEX #C4231D

RGB 196 35 29

HSL 2.16, 0.74%, 0.44%

LAB 42.8, 60.75, 45.05

 

CMYK 71 / 0 / 0 / 13

HEX #40DCDD

RGB 64 220 221

HSL 180.38, 0.7%, 0.56%

LAB 80.46, -38.72, -12.15

 

CMYK 66 / 1 / 0 / 6

HEX #51EEF0

RGB 81 238 240

HSL 180.75, 0.84%, 0.63%

LAB 86.6, -39.42, -12.99

 

CMYK 62 / 0 / 0 / 0

HEX #62FFFF

RGB 98 255 255

HSL 180, 1%, 0.69%

LAB 92.28, -40.58, -12.28

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFF

RGB 115 255 255

HSL 180, 1%, 0.73%

LAB 92.74, -37.72, -11.54

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 74 / 3 / 0 / 11

HEX #3BDCE2

RGB 59 220 226

HSL 182.16, 0.74%, 0.56%

LAB 80.52, -37.86, -14.73

 

CMYK 80 / 2 / 0 / 19

HEX #2ACACF

RGB 42 202 207

HSL 181.82, 0.66%, 0.49%

LAB 74.34, -36.79, -13.83

 

CMYK 87 / 2 / 0 / 26

HEX #19B8BC

RGB 25 184 188

HSL 181.47, 0.77%, 0.42%

LAB 68.11, -35.41, -12.84

 

CMYK 95 / 2 / 0 / 34

HEX #08A6A9

RGB 8 166 169

HSL 181.12, 0.91%, 0.35%

LAB 61.82, -33.64, -11.72

 

CMYK 100 / 1 / 0 / 41

HEX #009496

RGB 0 148 150

HSL 180.8, 1%, 0.29%

LAB 55.46, -31.41, -10.47

 

CMYK 74 / 3 / 0 / 12

HEX #3BDBE1

RGB 59 219 225

HSL 182.17, 0.73%, 0.56%

LAB 80.2, -37.69, -14.69

 

CMYK 74 / 22 / 0 / 12

HEX #3BAFE1

RGB 59 175 225

HSL 198.07, 0.73%, 0.56%

LAB 67.3, -15.89, -34.39

 

CMYK 74 / 42 / 0 / 12

HEX #3B82E1

RGB 59 130 225

HSL 214.34, 0.73%, 0.56%

LAB 54.38, 9.92, -54.75

 

CMYK 74 / 62 / 0 / 12

HEX #3B55E1

RGB 59 85 225

HSL 230.6, 0.73%, 0.56%

LAB 42.56, 38.11, -73.87

 

CMYK 65 / 74 / 0 / 12

HEX #4E3BE1

RGB 78 59 225

HSL 246.87, 0.73%, 0.56%

LAB 38.17, 55.21, -81.03

 

CMYK 74 / 3 / 0 / 12

HEX #3BDBE1

RGB 59 219 225

HSL 182.17, 0.73%, 0.56%

LAB 80.2, -37.69, -14.69

 

CMYK 74 / 22 / 0 / 12

HEX #3BAFE1

RGB 59 175 225

HSL 198.07, 0.73%, 0.56%

LAB 67.3, -15.89, -34.39

 

CMYK 74 / 42 / 0 / 12

HEX #3B82E1

RGB 59 130 225

HSL 214.34, 0.73%, 0.56%

LAB 54.38, 9.92, -54.75

 

CMYK 74 / 62 / 0 / 12

HEX #3B55E1

RGB 59 85 225

HSL 230.6, 0.73%, 0.56%

LAB 42.56, 38.11, -73.87

 

CMYK 74 / 74 / 0 / 12

HEX #3B3BE1

RGB 59 59 225

HSL 240, 0.73%, 0.56%

LAB 36.92, 53.38, -83.14

 

CMYK 74 / 3 / 0 / 12

HEX #3BDBE1

RGB 59 219 225

HSL 182.17, 0.73%, 0.56%

LAB 80.2, -37.69, -14.69

 

CMYK 83 / 3 / 0 / 5

HEX #29ECF3

RGB 41 236 243

HSL 182.08, 0.89%, 0.56%

LAB 85.47, -41.74, -16.32

 

CMYK 74 / 3 / 0 / 12

HEX #3BDBE1

RGB 59 219 225

HSL 182.17, 0.73%, 0.56%

LAB 80.2, -37.69, -14.69

 

CMYK 63 / 2 / 0 / 19

HEX #4DCBCF

RGB 77 203 207

HSL 181.85, 0.58%, 0.56%

LAB 75.32, -32.95, -12.29

 

CMYK 49 / 2 / 0 / 26

HEX #60BABD

RGB 96 186 189

HSL 181.94, 0.41%, 0.56%

LAB 70.37, -26.02, -9.83

 

CMYK 33 / 1 / 0 / 33

HEX #72A9AB

RGB 114 169 171

HSL 182.11, 0.25%, 0.56%

LAB 65.67, -17.43, -6.79

 

CMYK 14 / 1 / 0 / 40

HEX #849899

RGB 132 152 153

HSL 182.86, 0.09%, 0.56%

LAB 61.36, -6.84, -2.92

HEX #849899

CMYK 74 / 0 / 37 / 12

HEX #3BE18E

RGB 59 225 142

HSL 150, 0.73%, 0.56%

LAB 80.03, -60.34, 28.86

 

CMYK 74 / 0 / 17 / 12

HEX #3BE1BB

RGB 59 225 187

HSL 166.27, 0.73%, 0.56%

LAB 80.94, -50.49, 6.62

 

CMYK 74 / 2 / 0 / 12

HEX #3BDCE1

RGB 59 220 225

HSL 181.81, 0.73%, 0.56%

LAB 80.49, -38.15, -14.25

 

CMYK 74 / 22 / 0 / 12

HEX #3BB0E1

RGB 59 176 225

HSL 197.71, 0.73%, 0.56%

LAB 67.59, -16.42, -33.93

 

CMYK 74 / 42 / 0 / 12

HEX #3B83E1

RGB 59 131 225

HSL 213.98, 0.73%, 0.56%

LAB 54.66, 9.31, -54.3

 

CMYK 85 / 3 / 0 / 31

HEX #1AABB0

RGB 26 171 176

HSL 182, 0.74%, 0.4%

LAB 63.74, -32.91, -12.74

 

CMYK 85 / 3 / 0 / 17

HEX #1FCED4

RGB 31 206 212

HSL 181.99, 0.74%, 0.48%

LAB 75.57, -37.95, -14.71

 

CMYK 74 / 3 / 0 / 12

HEX #3BDBE1

RGB 59 219 225

HSL 182.17, 0.73%, 0.56%

LAB 80.2, -37.69, -14.69

 

CMYK 59 / 2 / 0 / 9

HEX #5FE2E7

RGB 95 226 231

HSL 182.21, 0.74%, 0.64%

LAB 83.23, -34.18, -13.24

 

CMYK 44 / 2 / 0 / 7

HEX #83E8EC

RGB 131 232 236

HSL 182.29, 0.73%, 0.72%

LAB 86.3, -28.5, -11.16

 

CMYK 74 / 3 / 0 / 11

HEX #3BDCE2

RGB 59 220 226

HSL 182.16, 0.74%, 0.56%

LAB 80.52, -37.86, -14.73

 

CMYK 56 / 74 / 0 / 12

HEX #623BE1

RGB 98 59 225

HSL 254.1, 0.73%, 0.56%

LAB 39.85, 57.61, -78.21

 

CMYK 0 / 27 / 74 / 12

HEX #E1A43B

RGB 225 164 59

HSL 37.95, 0.73%, 0.56%

LAB 71.47, 13.01, 60.47

 

CMYK 74 / 3 / 0 / 11

HEX #3BDCE2

RGB 59 220 226

HSL 182.16, 0.74%, 0.56%

LAB 80.52, -37.86, -14.73

 

CMYK 0 / 74 / 2 / 12

HEX #E13BDC

RGB 225 59 220

HSL 301.81, 0.73%, 0.56%

LAB 56.39, 79.21, -47.81

 

CMYK 2 / 0 / 74 / 12

HEX #DCE13B

RGB 220 225 59

HSL 61.81, 0.73%, 0.56%

LAB 86.69, -20.43, 74.89

 

CMYK 74 / 3 / 0 / 11

HEX #3BDCE2

RGB 59 220 226

HSL 182.16, 0.74%, 0.56%

LAB 80.52, -37.86, -14.73

 

CMYK 56 / 74 / 0 / 12

HEX #623BE1

RGB 98 59 225

HSL 254.1, 0.73%, 0.56%

LAB 39.85, 57.61, -78.21

 

CMYK 0 / 71 / 74 / 12

HEX #E1413B

RGB 225 65 59

HSL 2.17, 0.73%, 0.56%

LAB 51.95, 61.09, 40.05

 

CMYK 17 / 0 / 74 / 12

HEX #BBE13B

RGB 187 225 59

HSL 73.73, 0.73%, 0.56%

LAB 84.34, -33.77, 71.84

 

CMYK 74 / 3 / 0 / 11

HEX #3BDCE2

RGB 59 220 226

HSL 182.16, 0.74%, 0.56%

LAB 80.52, -37.86, -14.73

 

CMYK 34 / 74 / 0 / 12

HEX #943BE1

RGB 148 59 225

HSL 272.17, 0.73%, 0.56%

LAB 45.44, 65.33, -68.84

 

CMYK 0 / 71 / 74 / 12

HEX #E1413B

RGB 225 65 59

HSL 2.17, 0.73%, 0.56%

LAB 51.95, 61.09, 40.05

 

CMYK 39 / 0 / 74 / 12

HEX #89E13B

RGB 137 225 59

HSL 91.81, 0.73%, 0.56%

LAB 81.56, -52.06, 68.19

 

Description

Color code: HEX #3BDCE2 | qconv.com Color code: HEX #3BDCE2 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 74 cyan, 3 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
74% 3% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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