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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BDCC9 it is the complementary color #C42336. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BDCC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BDCC9 shade: #40DCC4, #51EED7, #62FFEA, #73FFFD and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BDCC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BDCC9 shade: #3BDCC9, #2ACAB6, #19B8A3, #08A690 and #00947D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BDCC9 shade: #3BDCC9, #3BDC9E, #3BDC72, #3BDC47 and #5BDC3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BDCC9 shade: #3BDCC9, #3BC4DC, #3B98DC, #3B6DDC and #3B42DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BDCC9 shade matches the following richer shades: #3BDCC9 and #29EFD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BDCC9 shade: #3BDCC9, #4ECABB, #61B7AD, #73A49F and #869290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BDCC9 shade: #3BDC71, #3BDC9C, #3BDCC7, #3BC7DC and #3B9CDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BDCC9 shade: #1DA897, #23CBB7, #3BDCC9, #5EE2D3 and #82E8DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BDCC9 shade: #3BDCC9, #463BDC and #DC863B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BDCC9 shade: #3BDCC9, #C73BDC and #DCC73B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BDCC9 shade: #3BDCC9, #463BDC, #DC3B51 and #D1DC3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BDCC9 shade: #3BDCC9, #763BDC, #DC3B51 and #A1DC3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

Complementary color

CMYK 0 / 82 / 72 / 23

HEX #C42336

RGB 196 35 54

HSL 352.92, 0.7%, 0.45%

LAB 43.07, 61.56, 31.33

 

CMYK 71 / 0 / 11 / 14

HEX #40DCC4

RGB 64 220 196

HSL 170.77, 0.69%, 0.56%

LAB 79.76, -45.49, 0.14

 

CMYK 66 / 0 / 10 / 7

HEX #51EED7

RGB 81 238 215

HSL 171.21, 0.82%, 0.63%

LAB 85.91, -46.03, -0.88

 

CMYK 62 / 0 / 8 / 0

HEX #62FFEA

RGB 98 255 234

HSL 171.97, 1%, 0.69%

LAB 91.71, -45.98, -2.24

 

CMYK 55 / 0 / 1 / 0

HEX #73FFFD

RGB 115 255 253

HSL 179.14, 1%, 0.73%

LAB 92.69, -38.23, -10.58

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 79 / 0 / 10 / 21

HEX #2ACAB6

RGB 42 202 182

HSL 172.5, 0.66%, 0.48%

LAB 73.62, -43.9, -1.36

 

CMYK 86 / 0 / 11 / 28

HEX #19B8A3

RGB 25 184 163

HSL 172.08, 0.76%, 0.41%

LAB 67.38, -42.68, -0.14

 

CMYK 95 / 0 / 13 / 35

HEX #08A690

RGB 8 166 144

HSL 171.65, 0.91%, 0.34%

LAB 61.08, -41.06, 1.24

 

CMYK 100 / 0 / 16 / 42

HEX #00947D

RGB 0 148 125

HSL 170.68, 1%, 0.29%

LAB 54.72, -38.95, 2.78

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 73 / 0 / 28 / 14

HEX #3BDC9E

RGB 59 220 158

HSL 156.89, 0.7%, 0.55%

LAB 78.8, -55.2, 18.89

 

CMYK 73 / 0 / 48 / 14

HEX #3BDC72

RGB 59 220 114

HSL 140.5, 0.7%, 0.55%

LAB 78.07, -63.41, 40.36

 

CMYK 73 / 0 / 68 / 14

HEX #3BDC47

RGB 59 220 71

HSL 124.47, 0.7%, 0.55%

LAB 77.62, -68.74, 59.04

 

CMYK 59 / 0 / 73 / 14

HEX #5BDC3B

RGB 91 220 59

HSL 108.07, 0.7%, 0.55%

LAB 78.3, -63.42, 64.39

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 73 / 11 / 0 / 14

HEX #3BC4DC

RGB 59 196 220

HSL 188.94, 0.7%, 0.55%

LAB 73.27, -28.25, -22.47

 

CMYK 73 / 31 / 0 / 14

HEX #3B98DC

RGB 59 152 220

HSL 205.34, 0.7%, 0.55%

LAB 60.39, -4.88, -42.43

 

CMYK 73 / 50 / 0 / 14

HEX #3B6DDC

RGB 59 109 220

HSL 221.37, 0.7%, 0.55%

LAB 48.3, 21.17, -61.69

 

CMYK 73 / 70 / 0 / 14

HEX #3B42DC

RGB 59 66 220

HSL 237.39, 0.7%, 0.55%

LAB 37.83, 47.85, -78.78

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 83 / 0 / 10 / 6

HEX #29EFD7

RGB 41 239 215

HSL 172.73, 0.86%, 0.55%

LAB 85.56, -50.83, -1.47

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 61 / 0 / 7 / 21

HEX #4ECABB

RGB 78 202 187

HSL 172.74, 0.54%, 0.55%

LAB 74.48, -37.74, -2.73

 

CMYK 47 / 0 / 5 / 28

HEX #61B7AD

RGB 97 183 173

HSL 173.02, 0.37%, 0.55%

LAB 69.06, -28.46, -2.98

 

CMYK 30 / 0 / 3 / 36

HEX #73A49F

RGB 115 164 159

HSL 173.88, 0.21%, 0.55%

LAB 63.92, -17.4, -2.67

 

CMYK 8 / 0 / 1 / 43

HEX #869290

RGB 134 146 144

HSL 170, 0.05%, 0.55%

LAB 59.56, -4.72, -0.43

 

CMYK 73 / 0 / 49 / 14

HEX #3BDC71

RGB 59 220 113

HSL 140.12, 0.7%, 0.55%

LAB 78.06, -63.56, 40.83

 

CMYK 73 / 0 / 29 / 14

HEX #3BDC9C

RGB 59 220 156

HSL 156.15, 0.7%, 0.55%

LAB 78.76, -55.63, 19.89

 

CMYK 73 / 0 / 10 / 14

HEX #3BDCC7

RGB 59 220 199

HSL 172.17, 0.7%, 0.55%

LAB 79.75, -45.33, -1.48

 

CMYK 73 / 10 / 0 / 14

HEX #3BC7DC

RGB 59 199 220

HSL 187.83, 0.7%, 0.55%

LAB 74.15, -29.72, -21.13

 

CMYK 73 / 29 / 0 / 14

HEX #3B9CDC

RGB 59 156 220

HSL 203.85, 0.7%, 0.55%

LAB 61.55, -7.15, -40.6

 

CMYK 83 / 0 / 10 / 34

HEX #1DA897

RGB 29 168 151

HSL 172.66, 0.71%, 0.39%

LAB 62.08, -38.7, -1.2

 

CMYK 83 / 0 / 10 / 20

HEX #23CBB7

RGB 35 203 183

HSL 172.86, 0.71%, 0.47%

LAB 73.86, -44.66, -1.56

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 58 / 0 / 7 / 11

HEX #5EE2D3

RGB 94 226 211

HSL 173.18, 0.69%, 0.63%

LAB 82.63, -39.62, -3.53

 

CMYK 44 / 0 / 5 / 9

HEX #82E8DC

RGB 130 232 220

HSL 172.94, 0.69%, 0.71%

LAB 85.82, -32.63, -3.46

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 68 / 73 / 0 / 14

HEX #463BDC

RGB 70 59 220

HSL 244.1, 0.7%, 0.55%

LAB 37.11, 52.84, -79.94

 

CMYK 0 / 39 / 73 / 14

HEX #DC863B

RGB 220 134 59

HSL 27.95, 0.7%, 0.55%

LAB 63.82, 26.95, 52.55

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 10 / 73 / 0 / 14

HEX #C73BDC

RGB 199 59 220

HSL 292.17, 0.7%, 0.55%

LAB 52.33, 73.94, -54.52

 

CMYK 0 / 10 / 73 / 14

HEX #DCC73B

RGB 220 199 59

HSL 52.17, 0.7%, 0.55%

LAB 79.83, -7.48, 68.42

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 68 / 73 / 0 / 14

HEX #463BDC

RGB 70 59 220

HSL 244.1, 0.7%, 0.55%

LAB 37.11, 52.84, -79.94

 

CMYK 0 / 73 / 63 / 14

HEX #DC3B51

RGB 220 59 81

HSL 351.8, 0.7%, 0.55%

LAB 50.61, 62.74, 25.46

 

CMYK 5 / 0 / 73 / 14

HEX #D1DC3B

RGB 209 220 59

HSL 64.1, 0.7%, 0.55%

LAB 84.51, -22.54, 72.55

 

CMYK 73 / 0 / 9 / 14

HEX #3BDCC9

RGB 59 220 201

HSL 172.92, 0.7%, 0.55%

LAB 79.8, -44.8, -2.47

 

CMYK 46 / 73 / 0 / 14

HEX #763BDC

RGB 118 59 220

HSL 261.99, 0.7%, 0.55%

LAB 41.45, 59.16, -72.65

 

CMYK 0 / 73 / 63 / 14

HEX #DC3B51

RGB 220 59 81

HSL 351.8, 0.7%, 0.55%

LAB 50.61, 62.74, 25.46

 

CMYK 27 / 0 / 73 / 14

HEX #A1DC3B

RGB 161 220 59

HSL 81.99, 0.7%, 0.55%

LAB 81.34, -41.51, 68.4

 

Description

Color code: HEX #3BDCC9 | qconv.com Color code: HEX #3BDCC9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 220 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 220 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 9 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 9% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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