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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BD8CA it is the complementary color #C42735. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BD8CA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BD8CA shade: #40D8C5, #51EAD8, #62FCEB, #73FFFE and #84FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BD8CA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BD8CA shade: #3BD8CA, #2AC6B7, #19B4A4, #08A291 and #00907E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BD8CA shade: #3BD8CA, #3BD89F, #3BD875, #3BD84B and #55D83B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BD8CA shade: #3BD8CA, #3BBBD8, #3B91D8, #3B67D8 and #3B3CD8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BD8CA shade matches the following richer shades: #3BD8CA, #28EBD9 and #15FEE9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BD8CA shade: #3BD8CA, #4EC5BA, #61B2AB, #749F9B and #878C8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BD8CA shade: #3BD874, #3BD89E, #3BD8C8, #3BBED8 and #3B94D8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BD8CA shade: #1FA195, #26C3B5, #3BD8CA, #5DDFD3 and #80E5DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BD8CA shade: #3BD8CA, #4A3BD8 and #D8893B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BD8CA shade: #3BD8CA, #C83BD8 and #D8C83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BD8CA shade: #3BD8CA, #4A3BD8, #D83B4A and #C8D83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BD8CA shade: #3BD8CA, #793BD8, #D83B4A and #99D83B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

Complementary color

CMYK 0 / 80 / 73 / 23

HEX #C42735

RGB 196 39 53

HSL 354.65, 0.67%, 0.46%

LAB 43.42, 60.47, 32.34

 

CMYK 70 / 0 / 9 / 15

HEX #40D8C5

RGB 64 216 197

HSL 172.5, 0.66%, 0.55%

LAB 78.6, -43.49, -2.09

 

CMYK 65 / 0 / 8 / 8

HEX #51EAD8

RGB 81 234 216

HSL 172.94, 0.78%, 0.62%

LAB 84.77, -44.04, -3.08

 

CMYK 61 / 0 / 7 / 1

HEX #62FCEB

RGB 98 252 235

HSL 173.38, 0.96%, 0.69%

LAB 90.88, -44.42, -3.98

 

CMYK 55 / 0 / 0 / 0

HEX #73FFFE

RGB 115 255 254

HSL 179.57, 1%, 0.73%

LAB 92.72, -37.98, -11.06

 

CMYK 48 / 0 / 0 / 0

HEX #84FFFF

RGB 132 255 255

HSL 180, 1%, 0.76%

LAB 93.3, -34.4, -10.66

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 79 / 0 / 8 / 22

HEX #2AC6B7

RGB 42 198 183

HSL 174.23, 0.65%, 0.47%

LAB 72.43, -41.88, -3.65

 

CMYK 86 / 0 / 9 / 29

HEX #19B4A4

RGB 25 180 164

HSL 173.81, 0.76%, 0.4%

LAB 66.16, -40.66, -2.47

 

CMYK 95 / 0 / 10 / 36

HEX #08A291

RGB 8 162 145

HSL 173.38, 0.91%, 0.33%

LAB 59.83, -39.03, -1.15

 

CMYK 100 / 0 / 13 / 44

HEX #00907E

RGB 0 144 126

HSL 172.5, 1%, 0.28%

LAB 53.44, -36.91, 0.35

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 73 / 0 / 26 / 15

HEX #3BD89F

RGB 59 216 159

HSL 158.22, 0.67%, 0.54%

LAB 77.61, -53.41, 16.7

 

CMYK 73 / 0 / 46 / 15

HEX #3BD875

RGB 59 216 117

HSL 142.17, 0.67%, 0.54%

LAB 76.88, -61.53, 37.37

 

CMYK 73 / 0 / 65 / 15

HEX #3BD84B

RGB 59 216 75

HSL 126.11, 0.67%, 0.54%

LAB 76.41, -67.08, 56.12

 

CMYK 61 / 0 / 73 / 15

HEX #55D83B

RGB 85 216 59

HSL 110.06, 0.67%, 0.54%

LAB 76.9, -63.45, 62.92

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 73 / 13 / 0 / 15

HEX #3BBBD8

RGB 59 187 216

HSL 191.08, 0.67%, 0.54%

LAB 70.47, -25.02, -24.56

 

CMYK 73 / 33 / 0 / 15

HEX #3B91D8

RGB 59 145 216

HSL 207.13, 0.67%, 0.54%

LAB 58.17, -2.25, -43.69

 

CMYK 73 / 52 / 0 / 15

HEX #3B67D8

RGB 59 103 216

HSL 223.18, 0.67%, 0.54%

LAB 46.43, 23.51, -62.45

 

CMYK 73 / 72 / 0 / 15

HEX #3B3CD8

RGB 59 60 216

HSL 239.62, 0.67%, 0.54%

LAB 36.21, 49.95, -79.15

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 83 / 0 / 8 / 8

HEX #28EBD9

RGB 40 235 217

HSL 174.46, 0.83%, 0.54%

LAB 84.42, -48.69, -4.19

 

CMYK 92 / 0 / 8 / 0

HEX #15FEE9

RGB 21 254 233

HSL 174.59, 0.99%, 0.54%

LAB 90.29, -53.28, -3.94

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 60 / 0 / 6 / 23

HEX #4EC5BA

RGB 78 197 186

HSL 174.45, 0.51%, 0.54%

LAB 72.96, -35.7, -4.42

 

CMYK 46 / 0 / 4 / 30

HEX #61B2AB

RGB 97 178 171

HSL 174.81, 0.34%, 0.54%

LAB 67.52, -26.51, -4.14

 

CMYK 27 / 0 / 3 / 38

HEX #749F9B

RGB 116 159 155

HSL 174.42, 0.18%, 0.54%

LAB 62.4, -15.39, -2.64

 

CMYK 4 / 0 / 1 / 45

HEX #878C8B

RGB 135 140 139

HSL 168, 0.02%, 0.54%

LAB 57.82, -2.03, -0.11

 

CMYK 73 / 0 / 46 / 15

HEX #3BD874

RGB 59 216 116

HSL 141.78, 0.67%, 0.54%

LAB 76.86, -61.69, 37.85

 

CMYK 73 / 0 / 27 / 15

HEX #3BD89E

RGB 59 216 158

HSL 157.83, 0.67%, 0.54%

LAB 77.58, -53.63, 17.2

 

CMYK 73 / 0 / 7 / 15

HEX #3BD8C8

RGB 59 216 200

HSL 173.89, 0.67%, 0.54%

LAB 78.58, -43.32, -3.73

 

CMYK 73 / 12 / 0 / 15

HEX #3BBED8

RGB 59 190 216

HSL 189.94, 0.67%, 0.54%

LAB 71.36, -26.52, -23.21

 

CMYK 73 / 31 / 0 / 15

HEX #3B94D8

RGB 59 148 216

HSL 205.99, 0.67%, 0.54%

LAB 59.04, -3.98, -42.32

 

CMYK 81 / 0 / 7 / 37

HEX #1FA195

RGB 31 161 149

HSL 174.46, 0.68%, 0.38%

LAB 59.84, -35.93, -3.36

 

CMYK 81 / 0 / 7 / 24

HEX #26C3B5

RGB 38 195 181

HSL 174.65, 0.67%, 0.46%

LAB 71.4, -41.48, -4.08

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 58 / 0 / 5 / 13

HEX #5DDFD3

RGB 93 223 211

HSL 174.46, 0.67%, 0.62%

LAB 81.73, -38.44, -4.87

 

CMYK 44 / 0 / 4 / 10

HEX #80E5DC

RGB 128 229 220

HSL 174.65, 0.66%, 0.7%

LAB 84.89, -31.68, -4.84

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 66 / 73 / 0 / 15

HEX #4A3BD8

RGB 74 59 216

HSL 245.73, 0.67%, 0.54%

LAB 37.01, 52.03, -77.8

 

CMYK 0 / 37 / 73 / 15

HEX #D8893B

RGB 216 137 59

HSL 29.81, 0.67%, 0.54%

LAB 64, 23.67, 52.58

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 7 / 73 / 0 / 15

HEX #C83BD8

RGB 200 59 216

HSL 293.89, 0.67%, 0.54%

LAB 52.25, 73.45, -52.36

 

CMYK 0 / 7 / 73 / 15

HEX #D8C83B

RGB 216 200 59

HSL 53.89, 0.67%, 0.54%

LAB 79.74, -9.69, 68.21

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 66 / 73 / 0 / 15

HEX #4A3BD8

RGB 74 59 216

HSL 245.73, 0.67%, 0.54%

LAB 37.01, 52.03, -77.8

 

CMYK 0 / 73 / 66 / 15

HEX #D83B4A

RGB 216 59 74

HSL 354.27, 0.67%, 0.54%

LAB 49.76, 61.15, 28.4

 

CMYK 7 / 0 / 73 / 15

HEX #C8D83B

RGB 200 216 59

HSL 66.11, 0.67%, 0.54%

LAB 82.76, -24.31, 70.65

 

CMYK 73 / 0 / 6 / 15

HEX #3BD8CA

RGB 59 216 202

HSL 174.65, 0.67%, 0.54%

LAB 78.64, -42.78, -4.72

 

CMYK 44 / 73 / 0 / 15

HEX #793BD8

RGB 121 59 216

HSL 263.69, 0.67%, 0.54%

LAB 41.45, 58.62, -70.34

 

CMYK 0 / 73 / 66 / 15

HEX #D83B4A

RGB 216 59 74

HSL 354.27, 0.67%, 0.54%

LAB 49.76, 61.15, 28.4

 

CMYK 29 / 0 / 73 / 15

HEX #99D83B

RGB 153 216 59

HSL 84.08, 0.67%, 0.54%

LAB 79.73, -42.72, 66.67

 

Description

Color code: HEX #3BD8CA | qconv.com Color code: HEX #3BD8CA | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 216 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 216 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, none magenta, 6 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 0% 6% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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