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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BD45C it is the complementary color #C42BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BD45C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BD45C shade: #40D457, #51E66A, #62F87D, #73FF90 and #84FFA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BD45C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BD45C shade: #3BD45C, #2AC249, #19B036, #089E23 and #008C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BD45C shade: #3AD35B, #42D33A, #6CD33A, #95D33A and #BED33A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BD45C shade: #3AD35B, #3AD384, #3AD3AE, #3AD0D3 and #3AA6D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BD45C shade matches the following richer shades: #3AD35B, #27E750 and #13FA45

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BD45C shade: #3AD35B, #4DC066, #61AD71, #74997C and #888687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BD45C shade: #6DD33A, #44D33A, #3AD359, #3AD382 and #3AD3AA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BD45C shade: #21993B, #29BB48, #3AD35B, #5CDB77 and #7EE293

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BD45C shade: #3BD45C, #3A96D3 and #D33A59

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BD45C shade: #3BD45C, #593AD3 and #D3593A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BD45C shade: #3BD45C, #3A96D3, #D33AB5 and #D3773A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BD45C shade: #3BD45C, #3A68D3, #D33AB5 and #D3A53A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 0 / 57 / 17

HEX #3BD45C

RGB 59 212 92

HSL 132.94, 0.64%, 0.53%

LAB 75.32, -63.81, 47.47

 

Complementary color

CMYK 0 / 78 / 17 / 23

HEX #C42BA3

RGB 196 43 163

HSL 312.94, 0.64%, 0.47%

LAB 47.12, 69.29, -29.69

 

CMYK 70 / 0 / 59 / 17

HEX #40D457

RGB 64 212 87

HSL 129.32, 0.63%, 0.54%

LAB 75.37, -63.61, 49.82

 

CMYK 65 / 0 / 54 / 10

HEX #51E66A

RGB 81 230 106

HSL 130.07, 0.75%, 0.61%

LAB 81.5, -64.32, 48.5

 

CMYK 60 / 0 / 50 / 3

HEX #62F87D

RGB 98 248 125

HSL 130.8, 0.91%, 0.68%

LAB 87.59, -64.74, 47.14

 

CMYK 55 / 0 / 44 / 0

HEX #73FF90

RGB 115 255 144

HSL 132.43, 1%, 0.73%

LAB 90.4, -60.84, 41.71

 

CMYK 48 / 0 / 36 / 0

HEX #84FFA3

RGB 132 255 163

HSL 135.12, 1%, 0.76%

LAB 91.27, -53.71, 33.6

 

CMYK 72 / 0 / 57 / 17

HEX #3BD45C

RGB 59 212 92

HSL 132.94, 0.64%, 0.53%

LAB 75.32, -63.81, 47.47

 

CMYK 78 / 0 / 62 / 24

HEX #2AC249

RGB 42 194 73

HSL 132.24, 0.64%, 0.46%

LAB 69.15, -62.63, 48.82

 

CMYK 86 / 0 / 69 / 31

HEX #19B036

RGB 25 176 54

HSL 131.52, 0.75%, 0.39%

LAB 62.95, -60.85, 49.97

 

CMYK 95 / 0 / 78 / 38

HEX #089E23

RGB 8 158 35

HSL 130.8, 0.9%, 0.33%

LAB 56.71, -58.25, 50.64

 

CMYK 100 / 0 / 89 / 45

HEX #008C10

RGB 0 140 16

HSL 126.86, 1%, 0.27%

LAB 50.44, -54.59, 50.26

 

CMYK 73 / 0 / 57 / 17

HEX #3AD35B

RGB 58 211 91

HSL 132.94, 0.63%, 0.53%

LAB 74.98, -63.76, 47.52

 

CMYK 69 / 0 / 73 / 17

HEX #42D33A

RGB 66 211 58

HSL 116.86, 0.63%, 0.53%

LAB 74.86, -65.79, 61.05

 

CMYK 49 / 0 / 73 / 17

HEX #6CD33A

RGB 108 211 58

HSL 100.39, 0.63%, 0.53%

LAB 76.12, -55.72, 62.74

 

CMYK 29 / 0 / 73 / 17

HEX #95D33A

RGB 149 211 58

HSL 84.31, 0.63%, 0.53%

LAB 78.04, -42.08, 65.29

 

CMYK 10 / 0 / 73 / 17

HEX #BED33A

RGB 190 211 58

HSL 68.24, 0.63%, 0.53%

LAB 80.65, -26.05, 68.71

 

CMYK 73 / 0 / 57 / 17

HEX #3AD35B

RGB 58 211 91

HSL 132.94, 0.63%, 0.53%

LAB 74.98, -63.76, 47.52

 

CMYK 73 / 0 / 37 / 17

HEX #3AD384

RGB 58 211 132

HSL 149.02, 0.63%, 0.53%

LAB 75.55, -57.2, 28.02

 

CMYK 73 / 0 / 18 / 17

HEX #3AD3AE

RGB 58 211 174

HSL 165.49, 0.63%, 0.53%

LAB 76.4, -48.01, 7.02

 

CMYK 73 / 1 / 0 / 17

HEX #3AD0D3

RGB 58 208 211

HSL 181.18, 0.63%, 0.53%

LAB 76.51, -36.77, -12.72

 

CMYK 73 / 21 / 0 / 17

HEX #3AA6D3

RGB 58 166 211

HSL 197.65, 0.63%, 0.53%

LAB 64.06, -15.84, -31.69

 

CMYK 73 / 0 / 57 / 17

HEX #3AD35B

RGB 58 211 91

HSL 132.94, 0.63%, 0.53%

LAB 74.98, -63.76, 47.52

 

CMYK 83 / 0 / 65 / 9

HEX #27E750

RGB 39 231 80

HSL 132.81, 0.8%, 0.53%

LAB 80.83, -73.71, 58.85

 

CMYK 92 / 0 / 72 / 2

HEX #13FA45

RGB 19 250 69

HSL 132.99, 0.96%, 0.53%

LAB 86.47, -81.52, 68.85

 

CMYK 73 / 0 / 57 / 17

HEX #3AD35B

RGB 58 211 91

HSL 132.94, 0.63%, 0.53%

LAB 74.98, -63.76, 47.52

 

CMYK 60 / 0 / 47 / 25

HEX #4DC066

RGB 77 192 102

HSL 133.04, 0.48%, 0.53%

LAB 69.64, -51.75, 35.78

 

CMYK 44 / 0 / 35 / 32

HEX #61AD71

RGB 97 173 113

HSL 132.63, 0.32%, 0.53%

LAB 64.66, -36.76, 23.69

 

CMYK 24 / 0 / 19 / 40

HEX #74997C

RGB 116 153 124

HSL 132.97, 0.15%, 0.53%

LAB 59.84, -18.85, 11.15

 

CMYK 0 / 1 / 1 / 47

HEX #888687

RGB 136 134 135

HSL 330, 0.01%, 0.53%

LAB 56.12, 0.94, -0.28

 

CMYK 48 / 0 / 73 / 17

HEX #6DD33A

RGB 109 211 58

HSL 100, 0.63%, 0.53%

LAB 76.16, -55.43, 62.79

 

CMYK 68 / 0 / 73 / 17

HEX #44D33A

RGB 68 211 58

HSL 116.08, 0.63%, 0.53%

LAB 74.9, -65.42, 61.11

 

CMYK 73 / 0 / 58 / 17

HEX #3AD359

RGB 58 211 89

HSL 132.16, 0.63%, 0.53%

LAB 74.96, -64.01, 48.41

 

CMYK 73 / 0 / 38 / 17

HEX #3AD382

RGB 58 211 130

HSL 148.24, 0.63%, 0.53%

LAB 75.51, -57.58, 29.01

 

CMYK 73 / 0 / 19 / 17

HEX #3AD3AA

RGB 58 211 170

HSL 163.92, 0.63%, 0.53%

LAB 76.31, -48.98, 9.02

 

CMYK 78 / 0 / 61 / 40

HEX #21993B

RGB 33 153 59

HSL 133, 0.65%, 0.36%

LAB 55.5, -51.87, 39.57

 

CMYK 78 / 0 / 61 / 27

HEX #29BB48

RGB 41 187 72

HSL 132.74, 0.64%, 0.45%

LAB 66.89, -60.59, 46.68

 

CMYK 73 / 0 / 57 / 17

HEX #3AD35B

RGB 58 211 91

HSL 132.94, 0.63%, 0.53%

LAB 74.98, -63.76, 47.52

 

CMYK 58 / 0 / 46 / 14

HEX #5CDB77

RGB 92 219 119

HSL 132.76, 0.64%, 0.61%

LAB 78.62, -56.15, 38.76

 

CMYK 44 / 0 / 35 / 11

HEX #7EE293

RGB 126 226 147

HSL 132.6, 0.63%, 0.69%

LAB 82.34, -45.9, 29.74

 

CMYK 72 / 0 / 57 / 17

HEX #3BD45C

RGB 59 212 92

HSL 132.94, 0.64%, 0.53%

LAB 75.32, -63.81, 47.47

 

CMYK 73 / 29 / 0 / 17

HEX #3A96D3

RGB 58 150 211

HSL 203.92, 0.63%, 0.53%

LAB 59.36, -7, -39.02

 

CMYK 0 / 73 / 58 / 17

HEX #D33A59

RGB 211 58 89

HSL 347.84, 0.63%, 0.53%

LAB 49, 60.93, 18.21

 

CMYK 72 / 0 / 57 / 17

HEX #3BD45C

RGB 59 212 92

HSL 132.94, 0.64%, 0.53%

LAB 75.32, -63.81, 47.47

 

CMYK 58 / 73 / 0 / 17

HEX #593AD3

RGB 89 58 211

HSL 252.16, 0.63%, 0.53%

LAB 37.58, 52.92, -73.94

 

CMYK 0 / 58 / 73 / 17

HEX #D3593A

RGB 211 89 58

HSL 12.16, 0.63%, 0.53%

LAB 53.28, 46.31, 41.4

 

CMYK 72 / 0 / 57 / 17

HEX #3BD45C

RGB 59 212 92

HSL 132.94, 0.64%, 0.53%

LAB 75.32, -63.81, 47.47

 

CMYK 73 / 29 / 0 / 17

HEX #3A96D3

RGB 58 150 211

HSL 203.92, 0.63%, 0.53%

LAB 59.36, -7, -39.02

 

CMYK 0 / 73 / 14 / 17

HEX #D33AB5

RGB 211 58 181

HSL 311.76, 0.63%, 0.53%

LAB 52.08, 70.72, -32.35

 

CMYK 0 / 44 / 73 / 17

HEX #D3773A

RGB 211 119 58

HSL 23.92, 0.63%, 0.53%

LAB 59.3, 31.17, 47.92

 

CMYK 72 / 0 / 57 / 17

HEX #3BD45C

RGB 59 212 92

HSL 132.94, 0.64%, 0.53%

LAB 75.32, -63.81, 47.47

 

CMYK 73 / 51 / 0 / 17

HEX #3A68D3

RGB 58 104 211

HSL 221.96, 0.63%, 0.53%

LAB 46.32, 20.92, -59.78

 

CMYK 0 / 73 / 14 / 17

HEX #D33AB5

RGB 211 58 181

HSL 311.76, 0.63%, 0.53%

LAB 52.08, 70.72, -32.35

 

CMYK 0 / 22 / 73 / 17

HEX #D3A53A

RGB 211 165 58

HSL 41.96, 0.63%, 0.53%

LAB 70.22, 6.4, 59.14

 

Description

Color code: HEX #3BD45C | qconv.com Color code: HEX #3BD45C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 212 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 212 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, none magenta, 57 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 0% 57% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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