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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC258 it is the complementary color #C43DA7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC258. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC258 shade: #40C253, #51D466, #62E679, #73F88C and #84FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC258. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC258 shade: #3BC258, #2AB045, #199E32, #088C1F and #007A0C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC258 shade: #3BC358, #43C33B, #67C33B, #8CC33B and #B0C33B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC258 shade: #3BC358, #3BC37D, #3BC3A1, #3BBFC3 and #3B9BC3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC258 shade matches the following richer shades: #3BC358, #27D74D and #12EC41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC258 shade: #3BC358, #50AE64, #659970, #79857C and #8E7088

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC258 shade: #68C33B, #44C33B, #3BC356, #3BC37A and #3BC39F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC258 shade: #28833C, #32A34A, #3BC358, #5BCC73 and #7BD68E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC258 shade: #3BC258, #3B8DC3 and #C33B56

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC258 shade: #3BC258, #563BC3 and #C3563B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC258 shade: #3BC258, #3B8DC3, #C33BA8 and #C3713B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC258 shade: #3BC258, #3B64C3, #C33BA8 and #C39A3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 55 / 24

HEX #3BC258

RGB 59 194 88

HSL 132.89, 0.53%, 0.5%

LAB 69.62, -58.14, 42.55

 

Complementary color

CMYK 0 / 69 / 15 / 23

HEX #C43DA7

RGB 196 61 167

HSL 312.89, 0.53%, 0.5%

LAB 49.33, 64.09, -28.61

 

CMYK 67 / 0 / 57 / 24

HEX #40C253

RGB 64 194 83

HSL 128.77, 0.52%, 0.51%

LAB 69.68, -57.89, 45.01

 

CMYK 62 / 0 / 52 / 17

HEX #51D466

RGB 81 212 102

HSL 129.62, 0.6%, 0.57%

LAB 75.94, -58.41, 43.64

 

CMYK 57 / 0 / 47 / 10

HEX #62E679

RGB 98 230 121

HSL 130.45, 0.73%, 0.64%

LAB 82.15, -58.68, 42.28

 

CMYK 54 / 0 / 44 / 3

HEX #73F88C

RGB 115 248 140

HSL 131.28, 0.9%, 0.71%

LAB 88.29, -58.77, 40.95

 

CMYK 48 / 0 / 38 / 0

HEX #84FF9F

RGB 132 255 159

HSL 133.17, 1%, 0.76%

LAB 91.2, -54.36, 35.5

 

CMYK 70 / 0 / 55 / 24

HEX #3BC258

RGB 59 194 88

HSL 132.89, 0.53%, 0.5%

LAB 69.62, -58.14, 42.55

 

CMYK 76 / 0 / 61 / 31

HEX #2AB045

RGB 42 176 69

HSL 132.09, 0.61%, 0.43%

LAB 63.32, -57.16, 43.96

 

CMYK 84 / 0 / 68 / 38

HEX #199E32

RGB 25 158 50

HSL 131.28, 0.73%, 0.36%

LAB 56.97, -55.57, 45.21

 

CMYK 94 / 0 / 78 / 45

HEX #088C1F

RGB 8 140 31

HSL 130.45, 0.89%, 0.29%

LAB 50.58, -53.11, 45.99

 

CMYK 100 / 0 / 90 / 52

HEX #007A0C

RGB 0 122 12

HSL 125.9, 1%, 0.24%

LAB 44.15, -49.45, 45.62

 

CMYK 70 / 0 / 55 / 24

HEX #3BC358

RGB 59 195 88

HSL 132.79, 0.54%, 0.5%

LAB 69.94, -58.49, 42.93

 

CMYK 66 / 0 / 70 / 24

HEX #43C33B

RGB 67 195 59

HSL 116.47, 0.54%, 0.5%

LAB 69.85, -60.2, 55.53

 

CMYK 47 / 0 / 70 / 24

HEX #67C33B

RGB 103 195 59

HSL 100.59, 0.54%, 0.5%

LAB 71.03, -50.97, 57.12

 

CMYK 28 / 0 / 70 / 24

HEX #8CC33B

RGB 140 195 59

HSL 84.26, 0.54%, 0.5%

LAB 72.84, -38.32, 59.55

 

CMYK 10 / 0 / 70 / 24

HEX #B0C33B

RGB 176 195 59

HSL 68.38, 0.54%, 0.5%

LAB 75.19, -24.03, 62.68

 

CMYK 70 / 0 / 55 / 24

HEX #3BC358

RGB 59 195 88

HSL 132.79, 0.54%, 0.5%

LAB 69.94, -58.49, 42.93

 

CMYK 70 / 0 / 36 / 24

HEX #3BC37D

RGB 59 195 125

HSL 149.12, 0.54%, 0.5%

LAB 70.48, -52.33, 24.9

 

CMYK 70 / 0 / 17 / 24

HEX #3BC3A1

RGB 59 195 161

HSL 165, 0.54%, 0.5%

LAB 71.24, -44.32, 6.62

 

CMYK 70 / 2 / 0 / 24

HEX #3BBFC3

RGB 59 191 195

HSL 181.76, 0.54%, 0.5%

LAB 70.96, -33.33, -12.35

 

CMYK 70 / 21 / 0 / 24

HEX #3B9BC3

RGB 59 155 195

HSL 197.65, 0.54%, 0.5%

LAB 60.17, -15.06, -28.78

 

CMYK 70 / 0 / 55 / 24

HEX #3BC358

RGB 59 195 88

HSL 132.79, 0.54%, 0.5%

LAB 69.94, -58.49, 42.93

 

CMYK 82 / 0 / 64 / 16

HEX #27D74D

RGB 39 215 77

HSL 132.95, 0.69%, 0.5%

LAB 75.8, -69.16, 54.55

 

CMYK 92 / 0 / 72 / 7

HEX #12EC41

RGB 18 236 65

HSL 132.94, 0.86%, 0.5%

LAB 82.11, -77.98, 65.78

 

CMYK 70 / 0 / 55 / 24

HEX #3BC358

RGB 59 195 88

HSL 132.79, 0.54%, 0.5%

LAB 69.94, -58.49, 42.93

 

CMYK 54 / 0 / 43 / 32

HEX #50AE64

RGB 80 174 100

HSL 132.77, 0.37%, 0.5%

LAB 64.08, -44.12, 29.71

 

CMYK 34 / 0 / 27 / 40

HEX #659970

RGB 101 153 112

HSL 132.69, 0.2%, 0.5%

LAB 58.71, -26.23, 16.18

 

CMYK 9 / 0 / 7 / 48

HEX #79857C

RGB 121 133 124

HSL 135, 0.05%, 0.5%

LAB 54.34, -6.23, 3.34

 

CMYK 0 / 21 / 4 / 44

HEX #8E7088

RGB 142 112 136

HSL 312, 0.12%, 0.5%

LAB 50.82, 16.12, -8.64

 

CMYK 47 / 0 / 70 / 24

HEX #68C33B

RGB 104 195 59

HSL 100.15, 0.54%, 0.5%

LAB 71.07, -50.67, 57.17

 

CMYK 65 / 0 / 70 / 24

HEX #44C33B

RGB 68 195 59

HSL 116.03, 0.54%, 0.5%

LAB 69.88, -60, 55.56

 

CMYK 70 / 0 / 56 / 24

HEX #3BC356

RGB 59 195 86

HSL 131.91, 0.54%, 0.5%

LAB 69.92, -58.76, 43.85

 

CMYK 70 / 0 / 37 / 24

HEX #3BC37A

RGB 59 195 122

HSL 147.79, 0.54%, 0.5%

LAB 70.43, -52.91, 26.41

 

CMYK 70 / 0 / 18 / 24

HEX #3BC39F

RGB 59 195 159

HSL 164.12, 0.54%, 0.5%

LAB 71.19, -44.81, 7.63

 

CMYK 69 / 0 / 54 / 49

HEX #28833C

RGB 40 131 60

HSL 133.19, 0.53%, 0.34%

LAB 48.27, -42.52, 30.54

 

CMYK 69 / 0 / 55 / 36

HEX #32A34A

RGB 50 163 74

HSL 132.74, 0.53%, 0.42%

LAB 59.31, -50.58, 36.88

 

CMYK 70 / 0 / 55 / 24

HEX #3BC358

RGB 59 195 88

HSL 132.79, 0.54%, 0.5%

LAB 69.94, -58.49, 42.93

 

CMYK 55 / 0 / 44 / 20

HEX #5BCC73

RGB 91 204 115

HSL 132.74, 0.53%, 0.58%

LAB 73.96, -51.16, 34.81

 

CMYK 43 / 0 / 34 / 16

HEX #7BD68E

RGB 123 214 142

HSL 132.53, 0.53%, 0.66%

LAB 78.61, -42.41, 27.29

 

CMYK 70 / 0 / 55 / 24

HEX #3BC258

RGB 59 194 88

HSL 132.89, 0.53%, 0.5%

LAB 69.62, -58.14, 42.55

 

CMYK 70 / 28 / 0 / 24

HEX #3B8DC3

RGB 59 141 195

HSL 203.82, 0.54%, 0.5%

LAB 56.01, -7.25, -35.26

 

CMYK 0 / 70 / 56 / 24

HEX #C33B56

RGB 195 59 86

HSL 348.09, 0.54%, 0.5%

LAB 46.18, 55.51, 15.73

 

CMYK 70 / 0 / 55 / 24

HEX #3BC258

RGB 59 194 88

HSL 132.89, 0.53%, 0.5%

LAB 69.62, -58.14, 42.55

 

CMYK 56 / 70 / 0 / 24

HEX #563BC3

RGB 86 59 195

HSL 251.91, 0.54%, 0.5%

LAB 36.07, 47.25, -67.12

 

CMYK 0 / 56 / 70 / 24

HEX #C3563B

RGB 195 86 59

HSL 11.91, 0.54%, 0.5%

LAB 50.18, 41.87, 36.68

 

CMYK 70 / 0 / 55 / 24

HEX #3BC258

RGB 59 194 88

HSL 132.89, 0.53%, 0.5%

LAB 69.62, -58.14, 42.55

 

CMYK 70 / 28 / 0 / 24

HEX #3B8DC3

RGB 59 141 195

HSL 203.82, 0.54%, 0.5%

LAB 56.01, -7.25, -35.26

 

CMYK 0 / 70 / 14 / 24

HEX #C33BA8

RGB 195 59 168

HSL 311.91, 0.54%, 0.5%

LAB 48.95, 64.71, -29.79

 

CMYK 0 / 42 / 70 / 24

HEX #C3713B

RGB 195 113 59

HSL 23.82, 0.54%, 0.5%

LAB 55.81, 27.83, 43.02

 

CMYK 70 / 0 / 55 / 24

HEX #3BC258

RGB 59 194 88

HSL 132.89, 0.53%, 0.5%

LAB 69.62, -58.14, 42.55

 

CMYK 70 / 49 / 0 / 24

HEX #3B64C3

RGB 59 100 195

HSL 221.91, 0.54%, 0.5%

LAB 44.21, 17.76, -53.98

 

CMYK 0 / 70 / 14 / 24

HEX #C33BA8

RGB 195 59 168

HSL 311.91, 0.54%, 0.5%

LAB 48.95, 64.71, -29.79

 

CMYK 0 / 21 / 70 / 24

HEX #C39A3B

RGB 195 154 59

HSL 41.91, 0.54%, 0.5%

LAB 65.77, 5.41, 53.66

 

Description

Color code: HEX #3BC258 | qconv.com Color code: HEX #3BC258 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 194 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 194 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 55 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 55% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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