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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC855 it is the complementary color #C437AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC855. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC855 shade: #40C850, #51DA63, #62EC76, #73FE89 and #84FF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC855. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC855 shade: #3BC855, #2AB642, #19A42F, #08921C and #008009

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC855 shade: #3CC855, #48C83C, #6DC83C, #93C83C and #B9C83C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC855 shade: #3CC855, #3CC87B, #3CC8A1, #3CC8C7 and #3CA3C8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC855 shade matches the following richer shades: #3CC855, #27DC49 and #13F03C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC855 shade: #3CC855, #50B362, #649F6F, #788B7C and #8C7788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC855 shade: #6DC83C, #47C83C, #3CC855, #3CC87B and #3CC8A0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC855 shade: #278A39, #30AA46, #3CC855, #5CD171 and #7CDA8D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC855 shade: #3BC855, #3C92C8 and #C83C5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC855 shade: #3BC855, #553CC8 and #C8553C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC855 shade: #3BC855, #3C92C8, #C83CAE and #C8713C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC855 shade: #3BC855, #3C68C8, #C83CAE and #C89B3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 58 / 22

HEX #3BC855

RGB 59 200 85

HSL 131.06, 0.56%, 0.51%

LAB 71.48, -60.63, 46.17

 

Complementary color

CMYK 0 / 72 / 13 / 23

HEX #C437AA

RGB 196 55 170

HSL 311.06, 0.56%, 0.49%

LAB 48.72, 66.62, -31.32

 

CMYK 68 / 0 / 60 / 22

HEX #40C850

RGB 64 200 80

HSL 127.06, 0.55%, 0.52%

LAB 71.54, -60.35, 48.54

 

CMYK 63 / 0 / 55 / 15

HEX #51DA63

RGB 81 218 99

HSL 127.88, 0.65%, 0.59%

LAB 77.75, -60.98, 47.25

 

CMYK 58 / 0 / 50 / 7

HEX #62EC76

RGB 98 236 118

HSL 128.7, 0.78%, 0.65%

LAB 83.91, -61.34, 45.91

 

CMYK 55 / 0 / 46 / 0

HEX #73FE89

RGB 115 254 137

HSL 129.5, 0.99%, 0.72%

LAB 90.01, -61.49, 44.59

 

CMYK 48 / 0 / 39 / 0

HEX #84FF9C

RGB 132 255 156

HSL 131.71, 1%, 0.76%

LAB 91.16, -54.84, 36.93

 

CMYK 71 / 0 / 58 / 22

HEX #3BC855

RGB 59 200 85

HSL 131.06, 0.56%, 0.51%

LAB 71.48, -60.63, 46.17

 

CMYK 77 / 0 / 64 / 29

HEX #2AB642

RGB 42 182 66

HSL 130.29, 0.63%, 0.44%

LAB 65.23, -59.51, 47.48

 

CMYK 85 / 0 / 71 / 36

HEX #19A42F

RGB 25 164 47

HSL 129.5, 0.74%, 0.37%

LAB 58.94, -57.77, 48.53

 

CMYK 95 / 0 / 81 / 43

HEX #08921C

RGB 8 146 28

HSL 128.7, 0.9%, 0.3%

LAB 52.61, -55.16, 48.97

 

CMYK 100 / 0 / 93 / 50

HEX #008009

RGB 0 128 9

HSL 124.22, 1%, 0.25%

LAB 46.26, -51.35, 48.07

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 64 / 0 / 70 / 22

HEX #48C83C

RGB 72 200 60

HSL 114.86, 0.56%, 0.51%

LAB 71.56, -60.78, 56.97

 

CMYK 46 / 0 / 70 / 22

HEX #6DC83C

RGB 109 200 60

HSL 99, 0.56%, 0.51%

LAB 72.82, -51.03, 58.66

 

CMYK 27 / 0 / 70 / 22

HEX #93C83C

RGB 147 200 60

HSL 82.71, 0.56%, 0.51%

LAB 74.72, -37.85, 61.22

 

CMYK 8 / 0 / 70 / 22

HEX #B9C83C

RGB 185 200 60

HSL 66.43, 0.56%, 0.51%

LAB 77.25, -22.69, 64.58

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 70 / 0 / 39 / 22

HEX #3CC87B

RGB 60 200 123

HSL 147, 0.56%, 0.51%

LAB 72.03, -54.47, 28.01

 

CMYK 70 / 0 / 20 / 22

HEX #3CC8A1

RGB 60 200 161

HSL 163.29, 0.56%, 0.51%

LAB 72.79, -46.29, 8.84

 

CMYK 70 / 0 / 0 / 22

HEX #3CC8C7

RGB 60 200 199

HSL 179.57, 0.56%, 0.51%

LAB 73.8, -36.26, -10.28

 

CMYK 70 / 19 / 0 / 22

HEX #3CA3C8

RGB 60 163 200

HSL 195.86, 0.56%, 0.51%

LAB 62.78, -17.57, -27.55

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 82 / 0 / 67 / 14

HEX #27DC49

RGB 39 220 73

HSL 131.27, 0.72%, 0.51%

LAB 77.34, -71.1, 57.86

 

CMYK 92 / 0 / 75 / 6

HEX #13F03C

RGB 19 240 60

HSL 131.13, 0.88%, 0.51%

LAB 83.33, -79.42, 68.67

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 55 / 0 / 45 / 30

HEX #50B362

RGB 80 179 98

HSL 130.91, 0.39%, 0.51%

LAB 65.61, -46.51, 32.73

 

CMYK 37 / 0 / 30 / 38

HEX #649F6F

RGB 100 159 111

HSL 131.19, 0.24%, 0.51%

LAB 60.47, -29.67, 19.14

 

CMYK 14 / 0 / 11 / 45

HEX #788B7C

RGB 120 139 124

HSL 132.63, 0.08%, 0.51%

LAB 56, -9.93, 5.73

 

CMYK 0 / 15 / 3 / 45

HEX #8C7788

RGB 140 119 136

HSL 311.43, 0.08%, 0.51%

LAB 52.45, 11.28, -6.23

 

CMYK 46 / 0 / 70 / 22

HEX #6DC83C

RGB 109 200 60

HSL 99, 0.56%, 0.51%

LAB 72.82, -51.03, 58.66

 

CMYK 65 / 0 / 70 / 22

HEX #47C83C

RGB 71 200 60

HSL 115.29, 0.56%, 0.51%

LAB 71.54, -60.99, 56.94

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 70 / 0 / 39 / 22

HEX #3CC87B

RGB 60 200 123

HSL 147, 0.56%, 0.51%

LAB 72.03, -54.47, 28.01

 

CMYK 70 / 0 / 20 / 22

HEX #3CC8A0

RGB 60 200 160

HSL 162.86, 0.56%, 0.51%

LAB 72.76, -46.53, 9.34

 

CMYK 72 / 0 / 59 / 46

HEX #278A39

RGB 39 138 57

HSL 130.91, 0.56%, 0.35%

LAB 50.57, -45.81, 34.82

 

CMYK 72 / 0 / 59 / 33

HEX #30AA46

RGB 48 170 70

HSL 130.82, 0.56%, 0.43%

LAB 61.5, -54, 41.41

 

CMYK 70 / 0 / 58 / 22

HEX #3CC855

RGB 60 200 85

HSL 130.71, 0.56%, 0.51%

LAB 71.5, -60.45, 46.2

 

CMYK 56 / 0 / 46 / 18

HEX #5CD171

RGB 92 209 113

HSL 130.77, 0.56%, 0.59%

LAB 75.49, -53.2, 37.78

 

CMYK 43 / 0 / 35 / 15

HEX #7CDA8D

RGB 124 218 141

HSL 130.85, 0.56%, 0.67%

LAB 79.81, -44.03, 29.42

 

CMYK 71 / 0 / 58 / 22

HEX #3BC855

RGB 59 200 85

HSL 131.06, 0.56%, 0.51%

LAB 71.48, -60.63, 46.17

 

CMYK 70 / 27 / 0 / 22

HEX #3C92C8

RGB 60 146 200

HSL 203.14, 0.56%, 0.51%

LAB 57.74, -8.23, -35.37

 

CMYK 0 / 70 / 55 / 22

HEX #C83C5A

RGB 200 60 90

HSL 347.14, 0.56%, 0.51%

LAB 47.3, 56.98, 14.95

 

CMYK 71 / 0 / 58 / 22

HEX #3BC855

RGB 59 200 85

HSL 131.06, 0.56%, 0.51%

LAB 71.48, -60.63, 46.17

 

CMYK 58 / 70 / 0 / 22

HEX #553CC8

RGB 85 60 200

HSL 250.71, 0.56%, 0.51%

LAB 36.62, 48.05, -69.15

 

CMYK 0 / 58 / 70 / 22

HEX #C8553C

RGB 200 85 60

HSL 10.71, 0.56%, 0.51%

LAB 50.81, 44.27, 37.05

 

CMYK 71 / 0 / 58 / 22

HEX #3BC855

RGB 59 200 85

HSL 131.06, 0.56%, 0.51%

LAB 71.48, -60.63, 46.17

 

CMYK 70 / 27 / 0 / 22

HEX #3C92C8

RGB 60 146 200

HSL 203.14, 0.56%, 0.51%

LAB 57.74, -8.23, -35.37

 

CMYK 0 / 70 / 13 / 22

HEX #C83CAE

RGB 200 60 174

HSL 311.14, 0.56%, 0.51%

LAB 50.18, 66.44, -31.36

 

CMYK 0 / 44 / 70 / 22

HEX #C8713C

RGB 200 113 60

HSL 22.71, 0.56%, 0.51%

LAB 56.5, 29.96, 43.47

 

CMYK 71 / 0 / 58 / 22

HEX #3BC855

RGB 59 200 85

HSL 131.06, 0.56%, 0.51%

LAB 71.48, -60.63, 46.17

 

CMYK 70 / 48 / 0 / 22

HEX #3C68C8

RGB 60 104 200

HSL 221.14, 0.56%, 0.51%

LAB 45.68, 17.18, -54.51

 

CMYK 0 / 70 / 13 / 22

HEX #C83CAE

RGB 200 60 174

HSL 311.14, 0.56%, 0.51%

LAB 50.18, 66.44, -31.36

 

CMYK 0 / 23 / 70 / 22

HEX #C89B3C

RGB 200 155 60

HSL 40.71, 0.56%, 0.51%

LAB 66.56, 7.1, 54.21

 

Description

Color code: HEX #3BC855 | qconv.com Color code: HEX #3BC855 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 200 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 200 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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