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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3BC4B6 it is the complementary color #C43B49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3BC4B6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3BC4B6 shade: #40C4B1, #51D6C4, #62E8D7, #73FAEA and #84FFFD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3BC4B6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3BC4B6 shade: #3BC4B6, #2AB2A3, #19A090, #088E7D and #007C6A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3BC4B6 shade: #3AC4B6, #3AC491, #3AC46C, #3AC446 and #53C43A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3BC4B6 shade: #3AC4B6, #3AADC4, #3A88C4, #3A63C4 and #3A3DC4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3BC4B6 shade matches the following richer shades: #3AC4B6, #26D8C6 and #11EDD7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3BC4B6 shade: #3AC4B6, #4FAFA5, #639B95, #788685 and #8D7174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3BC4B6 shade: #3AC46A, #3AC48F, #3AC4B4, #3AAFC4 and #3A8AC4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3BC4B6 shade: #27847B, #31A498, #3AC4B6, #5ACDC2 and #7AD7CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3BC4B6 shade: #3BC4B6, #463AC4 and #C47D3A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3BC4B6 shade: #3BC4B6, #B43AC4 and #C4B43A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3BC4B6 shade: #3BC4B6, #463AC4, #C43A4A and #B8C43A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3BC4B6 shade: #3BC4B6, #6F3AC4, #C43A4A and #8FC43A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 0 / 7 / 23

HEX #3BC4B6

RGB 59 196 182

HSL 173.87, 0.54%, 0.5%

LAB 72.09, -39.3, -3.58

 

Complementary color

CMYK 0 / 70 / 63 / 23

HEX #C43B49

RGB 196 59 73

HSL 353.87, 0.54%, 0.5%

LAB 46.1, 54.93, 23.59

 

CMYK 67 / 0 / 10 / 23

HEX #40C4B1

RGB 64 196 177

HSL 171.36, 0.53%, 0.51%

LAB 72.06, -39.92, -0.89

 

CMYK 62 / 0 / 8 / 16

HEX #51D6C4

RGB 81 214 196

HSL 171.88, 0.62%, 0.58%

LAB 78.36, -40.32, -1.86

 

CMYK 58 / 0 / 7 / 9

HEX #62E8D7

RGB 98 232 215

HSL 172.39, 0.74%, 0.65%

LAB 84.6, -40.58, -2.75

 

CMYK 54 / 0 / 6 / 2

HEX #73FAEA

RGB 115 250 234

HSL 172.89, 0.93%, 0.72%

LAB 90.76, -40.74, -3.58

 

CMYK 48 / 0 / 1 / 0

HEX #84FFFD

RGB 132 255 253

HSL 179.02, 1%, 0.76%

LAB 93.24, -34.9, -9.7

 

CMYK 70 / 0 / 7 / 23

HEX #3BC4B6

RGB 59 196 182

HSL 173.87, 0.54%, 0.5%

LAB 72.09, -39.3, -3.58

 

CMYK 76 / 0 / 8 / 30

HEX #2AB2A3

RGB 42 178 163

HSL 173.38, 0.62%, 0.43%

LAB 65.73, -38.53, -2.52

 

CMYK 84 / 0 / 10 / 37

HEX #19A090

RGB 25 160 144

HSL 172.89, 0.73%, 0.36%

LAB 59.31, -37.44, -1.33

 

CMYK 94 / 0 / 12 / 44

HEX #088E7D

RGB 8 142 125

HSL 172.39, 0.89%, 0.29%

LAB 52.82, -35.91, 0.02

 

CMYK 100 / 0 / 15 / 51

HEX #007C6A

RGB 0 124 106

HSL 171.29, 1%, 0.24%

LAB 46.25, -33.8, 1.57

 

CMYK 70 / 0 / 7 / 23

HEX #3AC4B6

RGB 58 196 182

HSL 173.91, 0.54%, 0.5%

LAB 72.07, -39.43, -3.61

 

CMYK 70 / 0 / 26 / 23

HEX #3AC491

RGB 58 196 145

HSL 157.83, 0.54%, 0.5%

LAB 71.16, -48.66, 15.16

 

CMYK 70 / 0 / 45 / 23

HEX #3AC46C

RGB 58 196 108

HSL 141.74, 0.54%, 0.5%

LAB 70.5, -55.97, 33.74

 

CMYK 70 / 0 / 64 / 23

HEX #3AC446

RGB 58 196 70

HSL 125.22, 0.54%, 0.5%

LAB 70.05, -61.19, 51.2

 

CMYK 58 / 0 / 70 / 23

HEX #53C43A

RGB 83 196 58

HSL 109.13, 0.54%, 0.5%

LAB 70.61, -56.98, 56.84

 

CMYK 70 / 0 / 7 / 23

HEX #3AC4B6

RGB 58 196 182

HSL 173.91, 0.54%, 0.5%

LAB 72.07, -39.43, -3.61

 

CMYK 70 / 12 / 0 / 23

HEX #3AADC4

RGB 58 173 196

HSL 190, 0.54%, 0.5%

LAB 65.57, -24.33, -21.05

 

CMYK 70 / 31 / 0 / 23

HEX #3A88C4

RGB 58 136 196

HSL 206.09, 0.54%, 0.5%

LAB 54.55, -4.16, -38.12

 

CMYK 70 / 49 / 0 / 23

HEX #3A63C4

RGB 58 99 196

HSL 222.17, 0.54%, 0.5%

LAB 43.96, 18.62, -54.97

 

CMYK 70 / 69 / 0 / 23

HEX #3A3DC4

RGB 58 61 196

HSL 238.7, 0.54%, 0.5%

LAB 34.44, 42.66, -70.46

 

CMYK 70 / 0 / 7 / 23

HEX #3AC4B6

RGB 58 196 182

HSL 173.91, 0.54%, 0.5%

LAB 72.07, -39.43, -3.61

 

CMYK 82 / 0 / 8 / 15

HEX #26D8C6

RGB 38 216 198

HSL 173.93, 0.7%, 0.5%

LAB 78.23, -45.91, -3.22

 

CMYK 93 / 0 / 9 / 7

HEX #11EDD7

RGB 17 237 215

HSL 174, 0.87%, 0.5%

LAB 84.79, -51.25, -2.62

 

CMYK 70 / 0 / 7 / 23

HEX #3AC4B6

RGB 58 196 182

HSL 173.91, 0.54%, 0.5%

LAB 72.07, -39.43, -3.61

 

CMYK 55 / 0 / 6 / 31

HEX #4FAFA5

RGB 79 175 165

HSL 173.75, 0.38%, 0.5%

LAB 65.78, -30.67, -3.45

 

CMYK 36 / 0 / 4 / 39

HEX #639B95

RGB 99 155 149

HSL 173.57, 0.22%, 0.5%

LAB 60.13, -19.79, -2.7

 

CMYK 10 / 0 / 1 / 47

HEX #788685

RGB 120 134 133

HSL 175.71, 0.06%, 0.5%

LAB 54.8, -5.3, -1.21

 

CMYK 0 / 20 / 18 / 45

HEX #8D7174

RGB 141 113 116

HSL 353.57, 0.11%, 0.5%

LAB 50.37, 11.51, 2.51

 

CMYK 70 / 0 / 46 / 23

HEX #3AC46A

RGB 58 196 106

HSL 140.87, 0.54%, 0.5%

LAB 70.47, -56.3, 34.72

 

CMYK 70 / 0 / 27 / 23

HEX #3AC48F

RGB 58 196 143

HSL 156.96, 0.54%, 0.5%

LAB 71.12, -49.11, 16.18

 

CMYK 70 / 0 / 8 / 23

HEX #3AC4B4

RGB 58 196 180

HSL 173.04, 0.54%, 0.5%

LAB 72.01, -39.97, -2.6

 

CMYK 70 / 11 / 0 / 23

HEX #3AAFC4

RGB 58 175 196

HSL 189.13, 0.54%, 0.5%

LAB 66.17, -25.34, -20.14

 

CMYK 70 / 30 / 0 / 23

HEX #3A8AC4

RGB 58 138 196

HSL 205.22, 0.54%, 0.5%

LAB 55.14, -5.33, -37.19

 

CMYK 70 / 0 / 7 / 48

HEX #27847B

RGB 39 132 123

HSL 174.19, 0.54%, 0.34%

LAB 49.93, -28.83, -2.99

 

CMYK 70 / 0 / 7 / 36

HEX #31A498

RGB 49 164 152

HSL 173.74, 0.54%, 0.42%

LAB 61.19, -34.31, -3.03

 

CMYK 70 / 0 / 7 / 23

HEX #3AC4B6

RGB 58 196 182

HSL 173.91, 0.54%, 0.5%

LAB 72.07, -39.43, -3.61

 

CMYK 56 / 0 / 5 / 20

HEX #5ACDC2

RGB 90 205 194

HSL 174.26, 0.53%, 0.58%

LAB 75.9, -35.1, -4.37

 

CMYK 43 / 0 / 5 / 16

HEX #7AD7CD

RGB 122 215 205

HSL 173.55, 0.54%, 0.66%

LAB 80.26, -30.06, -3.72

 

CMYK 70 / 0 / 7 / 23

HEX #3BC4B6

RGB 59 196 182

HSL 173.87, 0.54%, 0.5%

LAB 72.09, -39.3, -3.58

 

CMYK 64 / 70 / 0 / 23

HEX #463AC4

RGB 70 58 196

HSL 245.22, 0.54%, 0.5%

LAB 34.63, 45.85, -70.13

 

CMYK 0 / 36 / 70 / 23

HEX #C47D3A

RGB 196 125 58

HSL 29.13, 0.54%, 0.5%

LAB 58.7, 21.67, 46.7

 

CMYK 70 / 0 / 7 / 23

HEX #3BC4B6

RGB 59 196 182

HSL 173.87, 0.54%, 0.5%

LAB 72.09, -39.3, -3.58

 

CMYK 8 / 70 / 0 / 23

HEX #B43AC4

RGB 180 58 196

HSL 293.04, 0.54%, 0.5%

LAB 47.9, 66.13, -48

 

CMYK 0 / 8 / 70 / 23

HEX #C4B43A

RGB 196 180 58

HSL 53.04, 0.54%, 0.5%

LAB 72.68, -8.03, 61.11

 

CMYK 70 / 0 / 7 / 23

HEX #3BC4B6

RGB 59 196 182

HSL 173.87, 0.54%, 0.5%

LAB 72.09, -39.3, -3.58

 

CMYK 64 / 70 / 0 / 23

HEX #463AC4

RGB 70 58 196

HSL 245.22, 0.54%, 0.5%

LAB 34.63, 45.85, -70.13

 

CMYK 0 / 70 / 62 / 23

HEX #C43A4A

RGB 196 58 74

HSL 353.04, 0.54%, 0.5%

LAB 45.98, 55.37, 22.83

 

CMYK 6 / 0 / 70 / 23

HEX #B8C43A

RGB 184 196 58

HSL 65.22, 0.54%, 0.5%

LAB 76.05, -21.25, 64.1

 

CMYK 70 / 0 / 7 / 23

HEX #3BC4B6

RGB 59 196 182

HSL 173.87, 0.54%, 0.5%

LAB 72.09, -39.3, -3.58

 

CMYK 43 / 70 / 0 / 23

HEX #6F3AC4

RGB 111 58 196

HSL 263.04, 0.54%, 0.5%

LAB 38.54, 52.24, -63.58

 

CMYK 0 / 70 / 62 / 23

HEX #C43A4A

RGB 196 58 74

HSL 353.04, 0.54%, 0.5%

LAB 45.98, 55.37, 22.83

 

CMYK 27 / 0 / 70 / 23

HEX #8FC43A

RGB 143 196 58

HSL 83.04, 0.54%, 0.5%

LAB 73.3, -37.7, 60.45

 

Description

Color code: HEX #3BC4B6 | qconv.com Color code: HEX #3BC4B6 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 196 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 196 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, none magenta, 7 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 0% 7% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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