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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B9E08 it is the complementary color #C461F7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B9E08. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B9E08 shade: #409E03, #51B016, #62C229, #73D43C and #84E64F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B9E08. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B9E08 shade: #3B9E08, #2A8C00, #197A00, #086800 and #005600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B9E08 shade: #3B9F08, #649F08, #8D9F08, #9F8908 and #9F6008

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B9E08 shade: #3B9F08, #139F08, #089F26, #089F4F and #089F78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B9E08 shade matches the following richer shades: #3B9F08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B9E08 shade: #3B9F08, #409216, #448423, #487731 and #4D693E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B9E08 shade: #8E9F08, #659F08, #3D9F08, #159F08 and #089F24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B9E08 shade: #1E5104, #2D7806, #3B9F08, #4AC70A and #59EE0C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B9E08 shade: #3B9E08, #089F89 and #9F087A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B9E08 shade: #3B9E08, #083D9F and #9F083D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B9E08 shade: #3B9E08, #089F89, #6A089F and #9F081F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B9E08 shade: #3B9E08, #08899F, #6A089F and #9F1F08

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 95 / 38

HEX #3B9E08

RGB 59 158 8

HSL 99.6, 0.9%, 0.33%

LAB 57.46, -52.13, 58.08

 

Complementary color

CMYK 21 / 61 / 0 / 3

HEX #C461F7

RGB 196 97 247

HSL 279.6, 0.9%, 0.67%

LAB 58.97, 63.12, -59.05

 

CMYK 59 / 0 / 98 / 38

HEX #409E03

RGB 64 158 3

HSL 96.39, 0.96%, 0.32%

LAB 57.61, -50.99, 59.01

 

CMYK 54 / 0 / 88 / 31

HEX #51B016

RGB 81 176 22

HSL 97.01, 0.78%, 0.39%

LAB 64.05, -52.35, 61.5

 

CMYK 49 / 0 / 79 / 24

HEX #62C229

RGB 98 194 41

HSL 97.65, 0.65%, 0.46%

LAB 70.41, -53.28, 62.6

 

CMYK 46 / 0 / 72 / 17

HEX #73D43C

RGB 115 212 60

HSL 98.29, 0.64%, 0.53%

LAB 76.71, -53.87, 62.72

 

CMYK 43 / 0 / 66 / 10

HEX #84E64F

RGB 132 230 79

HSL 98.94, 0.75%, 0.61%

LAB 82.95, -54.24, 62.26

 

CMYK 63 / 0 / 95 / 38

HEX #3B9E08

RGB 59 158 8

HSL 99.6, 0.9%, 0.33%

LAB 57.46, -52.13, 58.08

 

CMYK 70 / 0 / 100 / 45

HEX #2A8C00

RGB 42 140 0

HSL 102, 1%, 0.27%

LAB 50.98, -50.06, 53.95

 

CMYK 80 / 0 / 100 / 52

HEX #197A00

RGB 25 122 0

HSL 107.7, 1%, 0.24%

LAB 44.41, -47.28, 48.57

 

CMYK 92 / 0 / 100 / 59

HEX #086800

RGB 8 104 0

HSL 115.38, 1%, 0.2%

LAB 37.76, -43.73, 43.14

 

CMYK 100 / 0 / 100 / 66

HEX #005600

RGB 0 86 0

HSL 120, 1%, 0.17%

LAB 31.01, -39.06, 37.69

 

CMYK 63 / 0 / 95 / 38

HEX #3B9F08

RGB 59 159 8

HSL 99.74, 0.9%, 0.33%

LAB 57.79, -52.48, 58.35

 

CMYK 37 / 0 / 95 / 38

HEX #649F08

RGB 100 159 8

HSL 83.44, 0.9%, 0.33%

LAB 59.46, -39.72, 60.39

 

CMYK 11 / 0 / 95 / 38

HEX #8D9F08

RGB 141 159 8

HSL 67.15, 0.9%, 0.33%

LAB 62.06, -22.99, 63.56

 

CMYK 0 / 14 / 95 / 38

HEX #9F8908

RGB 159 137 8

HSL 51.26, 0.9%, 0.33%

LAB 57.35, -3.28, 60.64

 

CMYK 0 / 40 / 95 / 38

HEX #9F6008

RGB 159 96 8

HSL 34.97, 0.9%, 0.33%

LAB 46.65, 19.85, 52.78

 

CMYK 63 / 0 / 95 / 38

HEX #3B9F08

RGB 59 159 8

HSL 99.74, 0.9%, 0.33%

LAB 57.79, -52.48, 58.35

 

CMYK 88 / 0 / 95 / 38

HEX #139F08

RGB 19 159 8

HSL 115.63, 0.9%, 0.33%

LAB 57.03, -59.09, 57.4

 

CMYK 95 / 0 / 76 / 38

HEX #089F26

RGB 8 159 38

HSL 131.92, 0.9%, 0.33%

LAB 57.06, -58.32, 49.95

 

CMYK 95 / 0 / 50 / 38

HEX #089F4F

RGB 8 159 79

HSL 148.21, 0.9%, 0.33%

LAB 57.48, -53.21, 31.95

 

CMYK 95 / 0 / 25 / 38

HEX #089F78

RGB 8 159 120

HSL 164.5, 0.9%, 0.33%

LAB 58.23, -44.52, 10.64

 

CMYK 63 / 0 / 95 / 38

HEX #3B9F08

RGB 59 159 8

HSL 99.74, 0.9%, 0.33%

LAB 57.79, -52.48, 58.35

 

CMYK 63 / 0 / 95 / 38

HEX #3B9F08

RGB 59 159 8

HSL 99.74, 0.9%, 0.33%

LAB 57.79, -52.48, 58.35

 

CMYK 56 / 0 / 85 / 43

HEX #409216

RGB 64 146 22

HSL 99.68, 0.74%, 0.33%

LAB 53.71, -45.96, 52.15

 

CMYK 48 / 0 / 73 / 48

HEX #448423

RGB 68 132 35

HSL 99.59, 0.58%, 0.33%

LAB 49.32, -38.33, 43.68

 

CMYK 39 / 0 / 59 / 53

HEX #487731

RGB 72 119 49

HSL 100.29, 0.42%, 0.33%

LAB 45.35, -29.79, 33.01

 

CMYK 27 / 0 / 41 / 59

HEX #4D693E

RGB 77 105 62

HSL 99.07, 0.26%, 0.33%

LAB 41.26, -19.08, 20.94

 

CMYK 11 / 0 / 95 / 38

HEX #8E9F08

RGB 142 159 8

HSL 66.75, 0.9%, 0.33%

LAB 62.14, -22.55, 63.65

 

CMYK 36 / 0 / 95 / 38

HEX #659F08

RGB 101 159 8

HSL 83.05, 0.9%, 0.33%

LAB 59.51, -39.35, 60.46

 

CMYK 62 / 0 / 95 / 38

HEX #3D9F08

RGB 61 159 8

HSL 98.94, 0.9%, 0.33%

LAB 57.85, -51.99, 58.42

 

CMYK 87 / 0 / 95 / 38

HEX #159F08

RGB 21 159 8

HSL 114.83, 0.9%, 0.33%

LAB 57.05, -58.91, 57.43

 

CMYK 95 / 0 / 77 / 38

HEX #089F24

RGB 8 159 36

HSL 131.13, 0.9%, 0.33%

LAB 57.05, -58.48, 50.64

 

CMYK 63 / 0 / 95 / 68

HEX #1E5104

RGB 30 81 4

HSL 99.74, 0.91%, 0.17%

LAB 29.84, -31.23, 35.52

 

CMYK 63 / 0 / 95 / 53

HEX #2D7806

RGB 45 120 6

HSL 99.47, 0.9%, 0.25%

LAB 44.24, -42.08, 47.3

 

CMYK 63 / 0 / 95 / 38

HEX #3B9F08

RGB 59 159 8

HSL 99.74, 0.9%, 0.33%

LAB 57.79, -52.48, 58.35

 

CMYK 63 / 0 / 95 / 22

HEX #4AC70A

RGB 74 199 10

HSL 99.68, 0.9%, 0.41%

LAB 71.09, -62.47, 69.18

 

CMYK 63 / 0 / 95 / 7

HEX #59EE0C

RGB 89 238 12

HSL 99.56, 0.9%, 0.49%

LAB 83.6, -71.75, 79.33

 

CMYK 63 / 0 / 95 / 38

HEX #3B9E08

RGB 59 158 8

HSL 99.6, 0.9%, 0.33%

LAB 57.46, -52.13, 58.08

 

CMYK 95 / 0 / 14 / 38

HEX #089F89

RGB 8 159 137

HSL 171.26, 0.9%, 0.33%

LAB 58.65, -39.99, 1.66

 

CMYK 0 / 95 / 23 / 38

HEX #9F087A

RGB 159 8 122

HSL 314.7, 0.9%, 0.33%

LAB 35.89, 62.93, -22.69

 

CMYK 63 / 0 / 95 / 38

HEX #3B9E08

RGB 59 158 8

HSL 99.6, 0.9%, 0.33%

LAB 57.46, -52.13, 58.08

 

CMYK 95 / 62 / 0 / 38

HEX #083D9F

RGB 8 61 159

HSL 218.94, 0.9%, 0.33%

LAB 29.14, 24.8, -57.21

 

CMYK 0 / 95 / 62 / 38

HEX #9F083D

RGB 159 8 61

HSL 338.94, 0.9%, 0.33%

LAB 33.73, 57.18, 13.5

 

CMYK 63 / 0 / 95 / 38

HEX #3B9E08

RGB 59 158 8

HSL 99.6, 0.9%, 0.33%

LAB 57.46, -52.13, 58.08

 

CMYK 95 / 0 / 14 / 38

HEX #089F89

RGB 8 159 137

HSL 171.26, 0.9%, 0.33%

LAB 58.65, -39.99, 1.66

 

CMYK 33 / 95 / 0 / 38

HEX #6A089F

RGB 106 8 159

HSL 278.94, 0.9%, 0.33%

LAB 28.75, 59.94, -57.54

 

CMYK 0 / 95 / 81 / 38

HEX #9F081F

RGB 159 8 31

HSL 350.86, 0.9%, 0.33%

LAB 33.23, 55.78, 32.1

 

CMYK 63 / 0 / 95 / 38

HEX #3B9E08

RGB 59 158 8

HSL 99.6, 0.9%, 0.33%

LAB 57.46, -52.13, 58.08

 

CMYK 95 / 14 / 0 / 38

HEX #08899F

RGB 8 137 159

HSL 188.74, 0.9%, 0.33%

LAB 52.34, -22.55, -20.4

 

CMYK 33 / 95 / 0 / 38

HEX #6A089F

RGB 106 8 159

HSL 278.94, 0.9%, 0.33%

LAB 28.75, 59.94, -57.54

 

CMYK 0 / 81 / 95 / 38

HEX #9F1F08

RGB 159 31 8

HSL 9.14, 0.9%, 0.33%

LAB 34.74, 50.49, 44.73

 

Description

Color code: HEX #3B9E08 | qconv.com Color code: HEX #3B9E08 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 158 green and 8 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 158 8 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 95 yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 95% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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