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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B9A4D it is the complementary color #C465B2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B9A4D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B9A4D shade: #409A48, #51AC5B, #62BE6E, #73D081 and #84E294

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B9A4D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B9A4D shade: #3B9A4D, #2A883A, #197627, #086414 and #005201

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B9A4D shade: #3A9B4D, #429B3A, #5C9B3A, #769B3A and #909B3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B9A4D shade: #3A9B4D, #3A9B67, #3A9B81, #3A9B9B and #3A819B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B9A4D shade matches the following richer shades: #3A9B4D, #29AC42, #18BD37 and #06CF2C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B9A4D shade: #3A9B4D, #4C8957, #5D7862, #6E676D and #805578

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B9A4D shade: #5C9B3A, #429B3A, #3A9B4C, #3A9B66 and #3A9B7F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B9A4D shade: #245F2F, #2F7D3E, #3A9B4D, #46B95C and #64C476

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B9A4D shade: #3B9A4D, #3A769B and #9B3A4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B9A4D shade: #3B9A4D, #4C3A9B and #9B4C3A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B9A4D shade: #3B9A4D, #3A769B, #9B3A89 and #9B5F3A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B9A4D shade: #3B9A4D, #3A599B, #9B3A89 and #9B7C3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

Complementary color

CMYK 0 / 48 / 9 / 23

HEX #C465B2

RGB 196 101 178

HSL 311.37, 0.45%, 0.58%

LAB 56.34, 48.1, -24.17

 

CMYK 58 / 0 / 53 / 40

HEX #409A48

RGB 64 154 72

HSL 125.33, 0.41%, 0.43%

LAB 56.75, -44.35, 34.87

 

CMYK 53 / 0 / 47 / 33

HEX #51AC5B

RGB 81 172 91

HSL 126.59, 0.36%, 0.5%

LAB 63.35, -44.47, 33.47

 

CMYK 48 / 0 / 42 / 25

HEX #62BE6E

RGB 98 190 110

HSL 127.83, 0.41%, 0.56%

LAB 69.86, -44.41, 32.12

 

CMYK 45 / 0 / 38 / 18

HEX #73D081

RGB 115 208 129

HSL 129.03, 0.5%, 0.63%

LAB 76.28, -44.25, 30.84

 

CMYK 42 / 0 / 35 / 11

HEX #84E294

RGB 132 226 148

HSL 130.21, 0.62%, 0.7%

LAB 82.61, -44.04, 29.63

 

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

CMYK 69 / 0 / 57 / 47

HEX #2A883A

RGB 42 136 58

HSL 130.21, 0.53%, 0.35%

LAB 49.98, -44.33, 33.64

 

CMYK 79 / 0 / 67 / 54

HEX #197627

RGB 25 118 39

HSL 129.03, 0.65%, 0.28%

LAB 43.23, -43.28, 35.04

 

CMYK 92 / 0 / 80 / 61

HEX #086414

RGB 8 100 20

HSL 127.83, 0.85%, 0.21%

LAB 36.4, -41.25, 35.96

 

CMYK 100 / 0 / 99 / 68

HEX #005201

RGB 0 82 1

HSL 120.73, 1%, 0.16%

LAB 29.51, -37.73, 36.1

 

CMYK 63 / 0 / 50 / 39

HEX #3A9B4D

RGB 58 155 77

HSL 131.75, 0.46%, 0.42%

LAB 56.96, -45.44, 32.52

 

CMYK 57 / 0 / 63 / 39

HEX #429B3A

RGB 66 155 58

HSL 115.05, 0.46%, 0.42%

LAB 56.98, -46.01, 41.95

 

CMYK 41 / 0 / 63 / 39

HEX #5C9B3A

RGB 92 155 58

HSL 98.97, 0.46%, 0.42%

LAB 58.06, -38.07, 43.45

 

CMYK 24 / 0 / 63 / 39

HEX #769B3A

RGB 118 155 58

HSL 82.89, 0.46%, 0.42%

LAB 59.53, -28.36, 45.49

 

CMYK 7 / 0 / 63 / 39

HEX #909B3A

RGB 144 155 58

HSL 66.8, 0.46%, 0.42%

LAB 61.37, -17.54, 48.04

 

CMYK 63 / 0 / 50 / 39

HEX #3A9B4D

RGB 58 155 77

HSL 131.75, 0.46%, 0.42%

LAB 56.96, -45.44, 32.52

 

CMYK 63 / 0 / 34 / 39

HEX #3A9B67

RGB 58 155 103

HSL 147.84, 0.46%, 0.42%

LAB 57.39, -40.74, 19.09

 

CMYK 63 / 0 / 17 / 39

HEX #3A9B81

RGB 58 155 129

HSL 163.92, 0.46%, 0.42%

LAB 57.97, -34.77, 5.3

 

CMYK 63 / 0 / 0 / 39

HEX #3A9B9B

RGB 58 155 155

HSL 180, 0.46%, 0.42%

LAB 58.7, -27.7, -8.39

 

CMYK 63 / 17 / 0 / 39

HEX #3A819B

RGB 58 129 155

HSL 196.08, 0.46%, 0.42%

LAB 50.65, -14.04, -20.58

 

CMYK 63 / 0 / 50 / 39

HEX #3A9B4D

RGB 58 155 77

HSL 131.75, 0.46%, 0.42%

LAB 56.96, -45.44, 32.52

 

CMYK 76 / 0 / 62 / 33

HEX #29AC42

RGB 41 172 66

HSL 131.45, 0.62%, 0.42%

LAB 61.97, -56.32, 43.78

 

CMYK 87 / 0 / 71 / 26

HEX #18BD37

RGB 24 189 55

HSL 131.27, 0.77%, 0.42%

LAB 67.18, -64.82, 54.04

 

CMYK 97 / 0 / 79 / 19

HEX #06CF2C

RGB 6 207 44

HSL 131.34, 0.94%, 0.42%

LAB 72.79, -71.85, 63.35

 

CMYK 63 / 0 / 50 / 39

HEX #3A9B4D

RGB 58 155 77

HSL 131.75, 0.46%, 0.42%

LAB 56.96, -45.44, 32.52

 

CMYK 45 / 0 / 36 / 46

HEX #4C8957

RGB 76 137 87

HSL 130.82, 0.29%, 0.42%

LAB 51.97, -31.15, 20.82

 

CMYK 23 / 0 / 18 / 53

HEX #5D7862

RGB 93 120 98

HSL 131.11, 0.13%, 0.42%

LAB 47.81, -14.57, 8.92

 

CMYK 0 / 6 / 1 / 57

HEX #6E676D

RGB 110 103 109

HSL 308.57, 0.03%, 0.42%

LAB 44.4, 3.95, -2.38

 

CMYK 0 / 34 / 6 / 50

HEX #805578

RGB 128 85 120

HSL 311.16, 0.2%, 0.42%

LAB 41.91, 23.8, -12.6

 

CMYK 41 / 0 / 63 / 39

HEX #5C9B3A

RGB 92 155 58

HSL 98.97, 0.46%, 0.42%

LAB 58.06, -38.07, 43.45

 

CMYK 57 / 0 / 63 / 39

HEX #429B3A

RGB 66 155 58

HSL 115.05, 0.46%, 0.42%

LAB 56.98, -46.01, 41.95

 

CMYK 63 / 0 / 51 / 39

HEX #3A9B4C

RGB 58 155 76

HSL 131.13, 0.46%, 0.42%

LAB 56.94, -45.59, 33.02

 

CMYK 63 / 0 / 34 / 39

HEX #3A9B66

RGB 58 155 102

HSL 147.22, 0.46%, 0.42%

LAB 57.37, -40.95, 19.62

 

CMYK 63 / 0 / 18 / 39

HEX #3A9B7F

RGB 58 155 127

HSL 162.68, 0.46%, 0.42%

LAB 57.92, -35.27, 6.36

 

CMYK 62 / 0 / 51 / 63

HEX #245F2F

RGB 36 95 47

HSL 131.19, 0.45%, 0.26%

LAB 35.53, -30.68, 21.8

 

CMYK 62 / 0 / 50 / 51

HEX #2F7D3E

RGB 47 125 62

HSL 131.54, 0.45%, 0.34%

LAB 46.47, -38.25, 27.29

 

CMYK 63 / 0 / 50 / 39

HEX #3A9B4D

RGB 58 155 77

HSL 131.75, 0.46%, 0.42%

LAB 56.96, -45.44, 32.52

 

CMYK 62 / 0 / 50 / 27

HEX #46B95C

RGB 70 185 92

HSL 131.48, 0.45%, 0.5%

LAB 67.11, -52.12, 37.58

 

CMYK 49 / 0 / 40 / 23

HEX #64C476

RGB 100 196 118

HSL 131.25, 0.45%, 0.58%

LAB 71.89, -45.1, 30.65

 

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

CMYK 63 / 24 / 0 / 39

HEX #3A769B

RGB 58 118 155

HSL 202.89, 0.46%, 0.42%

LAB 47.27, -7.76, -25.8

 

CMYK 0 / 63 / 49 / 39

HEX #9B3A4F

RGB 155 58 79

HSL 347.01, 0.46%, 0.42%

LAB 38.83, 42.27, 8.82

 

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

CMYK 51 / 63 / 0 / 39

HEX #4C3A9B

RGB 76 58 155

HSL 251.13, 0.46%, 0.42%

LAB 31.65, 33.86, -50.55

 

CMYK 0 / 51 / 63 / 39

HEX #9B4C3A

RGB 155 76 58

HSL 11.13, 0.46%, 0.42%

LAB 41.91, 31.35, 25.85

 

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

CMYK 63 / 24 / 0 / 39

HEX #3A769B

RGB 58 118 155

HSL 202.89, 0.46%, 0.42%

LAB 47.27, -7.76, -25.8

 

CMYK 0 / 63 / 12 / 39

HEX #9B3A89

RGB 155 58 137

HSL 311.13, 0.46%, 0.42%

LAB 40.9, 49.88, -24.23

 

CMYK 0 / 39 / 63 / 39

HEX #9B5F3A

RGB 155 95 58

HSL 22.89, 0.46%, 0.42%

LAB 46.26, 20.76, 31.15

 

CMYK 62 / 0 / 50 / 40

HEX #3B9A4D

RGB 59 154 77

HSL 131.37, 0.45%, 0.42%

LAB 56.66, -44.81, 32.16

 

CMYK 63 / 43 / 0 / 39

HEX #3A599B

RGB 58 89 155

HSL 220.82, 0.46%, 0.42%

LAB 38.57, 10.16, -39.48

 

CMYK 0 / 63 / 12 / 39

HEX #9B3A89

RGB 155 58 137

HSL 311.13, 0.46%, 0.42%

LAB 40.9, 49.88, -24.23

 

CMYK 0 / 20 / 63 / 39

HEX #9B7C3A

RGB 155 124 58

HSL 40.82, 0.46%, 0.42%

LAB 53.7, 4.19, 39.83

 

Description

Color code: HEX #3B9A4D | qconv.com Color code: HEX #3B9A4D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 154 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 154 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, none magenta, 50 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 0% 50% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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