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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B92F1 it is the complementary color #C46D0E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B92F1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B92F1 shade: #4092EC, #51A4FF, #62B6FF, #73C8FF and #84DAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B92F1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B92F1 shade: #3B92F1, #2A80DE, #196ECB, #085CB8 and #004AA5

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B92F1 shade: #3B92F1, #3B61F1, #463BF1, #773BF1 and #A83BF1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B92F1 shade: #3B92F1, #3B61F1 and #3B3BF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B92F1 shade matches the following richer shades: #3B92F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B92F1 shade: #3B92F1, #4C93E0, #5D93CF, #6E94BE and #7F95AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B92F1 shade: #3BF1EE, #3BC3F1, #3B93F1, #3B62F1 and #443BF1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B92F1 shade: #0E69CC, #147DEE, #3B92F1, #62A7F4 and #88BDF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B92F1 shade: #3B92F1, #BD3BF1 and #DCF13B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B92F1 shade: #3B92F1, #F13B93 and #93F13B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B92F1 shade: #3B92F1, #BD3BF1, #F1993B and #6FF13B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B92F1 shade: #3B92F1, #F13BEE, #F1993B and #3BF13E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

Complementary color

CMYK 0 / 44 / 93 / 23

HEX #C46D0E

RGB 196 109 14

HSL 31.32, 0.87%, 0.41%

LAB 54.77, 28.9, 59.62

 

CMYK 73 / 38 / 0 / 7

HEX #4092EC

RGB 64 146 236

HSL 211.4, 0.82%, 0.59%

LAB 59.62, 4.89, -52.5

 

CMYK 68 / 36 / 0 / 0

HEX #51A4FF

RGB 81 164 255

HSL 211.38, 1%, 0.66%

LAB 66.15, 3.32, -52.53

 

CMYK 62 / 29 / 0 / 0

HEX #62B6FF

RGB 98 182 255

HSL 207.9, 1%, 0.69%

LAB 71.74, -4.07, -43.69

 

CMYK 55 / 22 / 0 / 0

HEX #73C8FF

RGB 115 200 255

HSL 203.57, 1%, 0.73%

LAB 77.38, -10.6, -34.86

 

CMYK 48 / 15 / 0 / 0

HEX #84DAFF

RGB 132 218 255

HSL 198.05, 1%, 0.76%

LAB 83.06, -16.36, -26.09

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 81 / 42 / 0 / 13

HEX #2A80DE

RGB 42 128 222

HSL 211.33, 0.73%, 0.52%

LAB 53.17, 8.18, -55.02

 

CMYK 88 / 46 / 0 / 20

HEX #196ECB

RGB 25 110 203

HSL 211.35, 0.78%, 0.45%

LAB 46.54, 10.8, -54.9

 

CMYK 96 / 50 / 0 / 28

HEX #085CB8

RGB 8 92 184

HSL 211.36, 0.92%, 0.38%

LAB 39.86, 14.03, -54.67

 

CMYK 100 / 55 / 0 / 35

HEX #004AA5

RGB 0 74 165

HSL 213.09, 1%, 0.32%

LAB 33.17, 17.98, -54.27

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 76 / 60 / 0 / 5

HEX #3B61F1

RGB 59 97 241

HSL 227.47, 0.87%, 0.59%

LAB 46.75, 36.31, -76.05

 

CMYK 71 / 76 / 0 / 5

HEX #463BF1

RGB 70 59 241

HSL 243.63, 0.87%, 0.59%

LAB 39.21, 59.26, -88.42

 

CMYK 51 / 76 / 0 / 5

HEX #773BF1

RGB 119 59 241

HSL 259.78, 0.87%, 0.59%

LAB 43.36, 64.7, -81.44

 

CMYK 30 / 76 / 0 / 5

HEX #A83BF1

RGB 168 59 241

HSL 275.93, 0.87%, 0.59%

LAB 49.26, 72.22, -71.56

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 76 / 60 / 0 / 5

HEX #3B61F1

RGB 59 97 241

HSL 227.47, 0.87%, 0.59%

LAB 46.75, 36.31, -76.05

 

CMYK 76 / 76 / 0 / 5

HEX #3B3BF1

RGB 59 59 241

HSL 240, 0.87%, 0.59%

LAB 38.57, 58.41, -89.51

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 66 / 34 / 0 / 12

HEX #4C93E0

RGB 76 147 224

HSL 211.22, 0.7%, 0.59%

LAB 59.69, 1.88, -45.7

 

CMYK 55 / 29 / 0 / 19

HEX #5D93CF

RGB 93 147 207

HSL 211.58, 0.54%, 0.59%

LAB 59.62, -0.48, -36.28

 

CMYK 42 / 22 / 0 / 25

HEX #6E94BE

RGB 110 148 190

HSL 211.5, 0.38%, 0.59%

LAB 60.08, -2.05, -25.93

 

CMYK 27 / 14 / 0 / 32

HEX #7F95AD

RGB 127 149 173

HSL 211.3, 0.22%, 0.59%

LAB 60.8, -2.19, -15.12

 

CMYK 76 / 0 / 1 / 5

HEX #3BF1EE

RGB 59 241 238

HSL 179.01, 0.87%, 0.59%

LAB 87, -43.91, -11.37

 

CMYK 76 / 19 / 0 / 5

HEX #3BC3F1

RGB 59 195 241

HSL 195.16, 0.87%, 0.59%

LAB 73.75, -21.11, -33.1

 

CMYK 76 / 39 / 0 / 5

HEX #3B93F1

RGB 59 147 241

HSL 210.99, 0.87%, 0.59%

LAB 60.02, 5.46, -54.64

 

CMYK 76 / 59 / 0 / 5

HEX #3B62F1

RGB 59 98 241

HSL 227.14, 0.87%, 0.59%

LAB 47, 35.69, -75.65

 

CMYK 72 / 76 / 0 / 5

HEX #443BF1

RGB 68 59 241

HSL 242.97, 0.87%, 0.59%

LAB 39.08, 59.1, -88.63

 

CMYK 93 / 49 / 0 / 20

HEX #0E69CC

RGB 14 105 204

HSL 211.26, 0.87%, 0.43%

LAB 45.02, 13.81, -57.92

 

CMYK 92 / 47 / 0 / 7

HEX #147DEE

RGB 20 125 238

HSL 211.1, 0.87%, 0.51%

LAB 52.94, 14.68, -64.37

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 60 / 32 / 0 / 4

HEX #62A7F4

RGB 98 167 244

HSL 211.64, 0.87%, 0.67%

LAB 67.1, 0.82, -44.99

 

CMYK 45 / 23 / 0 / 4

HEX #88BDF6

RGB 136 189 246

HSL 211.09, 0.86%, 0.75%

LAB 75, -2.6, -33.63

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 22 / 76 / 0 / 5

HEX #BD3BF1

RGB 189 59 241

HSL 282.86, 0.87%, 0.59%

LAB 52.17, 75.87, -66.7

 

CMYK 9 / 0 / 76 / 5

HEX #DCF13B

RGB 220 241 59

HSL 66.92, 0.87%, 0.59%

LAB 90.98, -28.05, 78.86

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 0 / 76 / 39 / 5

HEX #F13B93

RGB 241 59 147

HSL 330.99, 0.87%, 0.59%

LAB 56.02, 73.71, -5.89

 

CMYK 39 / 0 / 76 / 5

HEX #93F13B

RGB 147 241 59

HSL 90.99, 0.87%, 0.59%

LAB 86.72, -55.14, 73.33

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 22 / 76 / 0 / 5

HEX #BD3BF1

RGB 189 59 241

HSL 282.86, 0.87%, 0.59%

LAB 52.17, 75.87, -66.7

 

CMYK 0 / 37 / 76 / 5

HEX #F1993B

RGB 241 153 59

HSL 30.99, 0.87%, 0.59%

LAB 70.73, 25.58, 60.36

 

CMYK 54 / 0 / 76 / 5

HEX #6FF13B

RGB 111 241 59

HSL 102.86, 0.87%, 0.59%

LAB 85.3, -65.75, 71.49

 

CMYK 76 / 39 / 0 / 5

HEX #3B92F1

RGB 59 146 241

HSL 211.32, 0.87%, 0.59%

LAB 59.74, 6.06, -55.08

 

CMYK 0 / 76 / 1 / 5

HEX #F13BEE

RGB 241 59 238

HSL 300.99, 0.87%, 0.59%

LAB 59.89, 85.13, -52.21

 

CMYK 0 / 37 / 76 / 5

HEX #F1993B

RGB 241 153 59

HSL 30.99, 0.87%, 0.59%

LAB 70.73, 25.58, 60.36

 

CMYK 76 / 0 / 74 / 5

HEX #3BF13E

RGB 59 241 62

HSL 120.99, 0.87%, 0.59%

LAB 84.06, -75.93, 68.89

 

Description

Color code: HEX #3B92F1 | qconv.com Color code: HEX #3B92F1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 146 green and 241 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 146 241 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 39 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 39% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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