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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B82D2 it is the complementary color #C47D2D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B82D2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B82D2 shade: #4082CD, #5194E0, #62A6F3, #73B8FF and #84CAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B82D2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B82D2 shade: #3B82D2, #2A70BF, #195EAC, #084C99 and #003A86

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B82D2 shade: #3B82D2, #3B59D2, #463BD2, #6E3BD2 and #973BD2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B82D2 shade: #3B82D2, #3B59D2 and #3B3BD2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B82D2 shade matches the following richer shades: #3B82D2, #2881E6 and #1480F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B82D2 shade: #3B82D2, #4F83BF, #6284AB, #758698 and #898785

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B82D2 shade: #3BD2D0, #3BACD2, #3B84D2, #3B5CD2 and #433BD2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B82D2 shade: #225A99, #2A6EBA, #3B82D2, #5D98DA and #7EADE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B82D2 shade: #3B82D2, #A73BD2 and #C1D23B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B82D2 shade: #3B82D2, #D23B84 and #84D23B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B82D2 shade: #3B82D2, #A73BD2, #D2893B and #66D23B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B82D2 shade: #3B82D2, #D23BD0, #D2893B and #3BD23E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

Complementary color

CMYK 0 / 36 / 77 / 23

HEX #C47D2D

RGB 196 125 45

HSL 31.79, 0.63%, 0.47%

LAB 58.6, 21.05, 52.49

 

CMYK 69 / 37 / 0 / 20

HEX #4082CD

RGB 64 130 205

HSL 211.91, 0.59%, 0.53%

LAB 53.45, 3.46, -44.94

 

CMYK 64 / 34 / 0 / 12

HEX #5194E0

RGB 81 148 224

HSL 211.89, 0.7%, 0.6%

LAB 60.17, 2.14, -44.94

 

CMYK 60 / 32 / 0 / 5

HEX #62A6F3

RGB 98 166 243

HSL 211.86, 0.86%, 0.67%

LAB 66.78, 1.07, -44.95

 

CMYK 55 / 28 / 0 / 0

HEX #73B8FF

RGB 115 184 255

HSL 210.43, 1%, 0.73%

LAB 72.99, -1.94, -41.69

 

CMYK 48 / 21 / 0 / 0

HEX #84CAFF

RGB 132 202 255

HSL 205.85, 1%, 0.76%

LAB 78.68, -8.02, -32.8

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 78 / 41 / 0 / 25

HEX #2A70BF

RGB 42 112 191

HSL 211.81, 0.64%, 0.46%

LAB 46.77, 6.41, -47.61

 

CMYK 85 / 45 / 0 / 33

HEX #195EAC

RGB 25 94 172

HSL 211.84, 0.75%, 0.39%

LAB 39.9, 8.84, -47.53

 

CMYK 95 / 50 / 0 / 40

HEX #084C99

RGB 8 76 153

HSL 211.86, 0.9%, 0.32%

LAB 32.96, 11.97, -47.36

 

CMYK 100 / 57 / 0 / 47

HEX #003A86

RGB 0 58 134

HSL 214.03, 1%, 0.26%

LAB 26, 15.99, -46.98

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 72 / 58 / 0 / 18

HEX #3B59D2

RGB 59 89 210

HSL 228.08, 0.63%, 0.53%

LAB 42.35, 30.25, -65.64

 

CMYK 67 / 72 / 0 / 18

HEX #463BD2

RGB 70 59 210

HSL 244.37, 0.63%, 0.53%

LAB 36.14, 49.71, -75.78

 

CMYK 48 / 72 / 0 / 18

HEX #6E3BD2

RGB 110 59 210

HSL 260.26, 0.63%, 0.53%

LAB 39.74, 55.27, -69.74

 

CMYK 28 / 72 / 0 / 18

HEX #973BD2

RGB 151 59 210

HSL 276.56, 0.63%, 0.53%

LAB 44.75, 62.57, -61.37

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 72 / 58 / 0 / 18

HEX #3B59D2

RGB 59 89 210

HSL 228.08, 0.63%, 0.53%

LAB 42.35, 30.25, -65.64

 

CMYK 72 / 72 / 0 / 18

HEX #3B3BD2

RGB 59 59 210

HSL 240, 0.63%, 0.53%

LAB 35.42, 48.56, -76.99

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 83 / 44 / 0 / 10

HEX #2881E6

RGB 40 129 230

HSL 211.89, 0.79%, 0.53%

LAB 53.88, 10.39, -58.37

 

CMYK 92 / 49 / 0 / 2

HEX #1480F9

RGB 20 128 249

HSL 211.7, 0.95%, 0.53%

LAB 54.48, 17.03, -67.99

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 59 / 31 / 0 / 25

HEX #4F83BF

RGB 79 131 191

HSL 212.14, 0.47%, 0.53%

LAB 53.66, 0.78, -36.6

 

CMYK 43 / 23 / 0 / 33

HEX #6284AB

RGB 98 132 171

HSL 212.05, 0.3%, 0.53%

LAB 54.07, -1.49, -24.43

 

CMYK 23 / 12 / 0 / 40

HEX #758698

RGB 117 134 152

HSL 210.86, 0.15%, 0.53%

LAB 55.17, -2, -11.67

 

CMYK 0 / 1 / 3 / 46

HEX #898785

RGB 137 135 133

HSL 30, 0.02%, 0.53%

LAB 56.43, 0.36, 1.33

 

CMYK 72 / 0 / 1 / 18

HEX #3BD2D0

RGB 59 210 208

HSL 179.21, 0.63%, 0.53%

LAB 77.03, -38.43, -10.33

 

CMYK 72 / 18 / 0 / 18

HEX #3BACD2

RGB 59 172 210

HSL 195.1, 0.63%, 0.53%

LAB 65.82, -19.22, -28.42

 

CMYK 72 / 37 / 0 / 18

HEX #3B84D2

RGB 59 132 210

HSL 210.99, 0.63%, 0.53%

LAB 54.12, 3.3, -46.72

 

CMYK 72 / 56 / 0 / 18

HEX #3B5CD2

RGB 59 92 210

HSL 226.89, 0.63%, 0.53%

LAB 43.12, 28.34, -64.39

 

CMYK 68 / 72 / 0 / 18

HEX #433BD2

RGB 67 59 210

HSL 243.18, 0.63%, 0.53%

LAB 35.93, 49.38, -76.13

 

CMYK 78 / 41 / 0 / 40

HEX #225A99

RGB 34 90 153

HSL 211.76, 0.64%, 0.37%

LAB 37.76, 4.85, -39.63

 

CMYK 77 / 41 / 0 / 27

HEX #2A6EBA

RGB 42 110 186

HSL 211.67, 0.63%, 0.45%

LAB 45.89, 5.77, -46.11

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 57 / 30 / 0 / 15

HEX #5D98DA

RGB 93 152 218

HSL 211.68, 0.63%, 0.61%

LAB 61.52, 0.12, -39.44

 

CMYK 44 / 23 / 0 / 12

HEX #7EADE1

RGB 126 173 225

HSL 211.52, 0.62%, 0.69%

LAB 69.3, -2.12, -31.08

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 20 / 72 / 0 / 18

HEX #A73BD2

RGB 167 59 210

HSL 282.91, 0.63%, 0.53%

LAB 46.97, 65.7, -57.67

 

CMYK 8 / 0 / 72 / 18

HEX #C1D23B

RGB 193 210 59

HSL 66.75, 0.63%, 0.53%

LAB 80.6, -24.29, 68.4

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 0 / 72 / 37 / 18

HEX #D23B84

RGB 210 59 132

HSL 330.99, 0.63%, 0.53%

LAB 50.09, 64.07, -6.35

 

CMYK 37 / 0 / 72 / 18

HEX #84D23B

RGB 132 210 59

HSL 90.99, 0.63%, 0.53%

LAB 76.87, -47.63, 63.48

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 20 / 72 / 0 / 18

HEX #A73BD2

RGB 167 59 210

HSL 282.91, 0.63%, 0.53%

LAB 46.97, 65.7, -57.67

 

CMYK 0 / 35 / 72 / 18

HEX #D2893B

RGB 210 137 59

HSL 30.99, 0.63%, 0.53%

LAB 63.27, 21.14, 51.59

 

CMYK 51 / 0 / 72 / 18

HEX #66D23B

RGB 102 210 59

HSL 102.91, 0.63%, 0.53%

LAB 75.6, -56.99, 61.78

 

CMYK 72 / 38 / 0 / 18

HEX #3B82D2

RGB 59 130 210

HSL 211.79, 0.63%, 0.53%

LAB 53.54, 4.51, -47.63

 

CMYK 0 / 72 / 1 / 18

HEX #D23BD0

RGB 210 59 208

HSL 300.79, 0.63%, 0.53%

LAB 53.37, 74.22, -45.92

 

CMYK 0 / 35 / 72 / 18

HEX #D2893B

RGB 210 137 59

HSL 30.99, 0.63%, 0.53%

LAB 63.27, 21.14, 51.59

 

CMYK 72 / 0 / 70 / 18

HEX #3BD23E

RGB 59 210 62

HSL 121.19, 0.63%, 0.53%

LAB 74.43, -66.36, 59.11

 

Description

Color code: HEX #3B82D2 | qconv.com Color code: HEX #3B82D2 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 130 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 130 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 72 cyan, 38 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
72% 38% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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