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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B67B8 it is the complementary color #C49847. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B67B8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B67B8 shade: #4067B3, #5179C6, #628BD9, #739DEC and #84AFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B67B8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B67B8 shade: #3B67B8, #2A55A5, #194392, #08317F and #001F6C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B67B8 shade: #3B67B8, #3B46B8, #533BB8, #753BB8 and #963BB8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B67B8 shade: #3B67B8, #3B46B8 and #3B3BB8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B67B8 shade matches the following richer shades: #3B67B8, #2862CC, #145CE0 and #0056F4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B67B8 shade: #3B67B8, #4F6DA5, #637391, #77797D and #8B7F69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B67B8 shade: #3BACB8, #3B8BB8, #3B69B8, #3B48B8 and #503BB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B67B8 shade: #27447A, #315699, #3B67B8, #557EC8 and #7595D2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B67B8 shade: #3B67B8, #A43BB8 and #9BB83B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B67B8 shade: #3B67B8, #B83B69 and #69B83B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B67B8 shade: #3B67B8, #A43BB8, #B88B3B and #50B83B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B67B8 shade: #3B67B8, #B83BA8, #B88B3B and #3BB84C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

Complementary color

CMYK 0 / 22 / 64 / 23

HEX #C49847

RGB 196 152 71

HSL 38.88, 0.51%, 0.52%

LAB 65.47, 7.65, 47.9

 

CMYK 64 / 42 / 0 / 30

HEX #4067B3

RGB 64 103 179

HSL 219.65, 0.47%, 0.48%

LAB 44.3, 10.9, -44.53

 

CMYK 59 / 39 / 0 / 22

HEX #5179C6

RGB 81 121 198

HSL 219.49, 0.51%, 0.55%

LAB 51.27, 9.53, -44.37

 

CMYK 55 / 36 / 0 / 15

HEX #628BD9

RGB 98 139 217

HSL 219.33, 0.61%, 0.62%

LAB 58.11, 8.43, -44.24

 

CMYK 51 / 33 / 0 / 7

HEX #739DEC

RGB 115 157 236

HSL 219.17, 0.76%, 0.69%

LAB 64.82, 7.52, -44.15

 

CMYK 48 / 31 / 0 / 0

HEX #84AFFF

RGB 132 175 255

HSL 219.02, 1%, 0.76%

LAB 71.41, 6.76, -44.09

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 75 / 48 / 0 / 35

HEX #2A55A5

RGB 42 85 165

HSL 219.02, 0.59%, 0.41%

LAB 37.31, 13.84, -47.52

 

CMYK 83 / 54 / 0 / 43

HEX #194392

RGB 25 67 146

HSL 219.17, 0.71%, 0.34%

LAB 30.15, 16.46, -47.63

 

CMYK 94 / 61 / 0 / 50

HEX #08317F

RGB 8 49 127

HSL 219.33, 0.88%, 0.26%

LAB 22.93, 19.9, -47.59

 

CMYK 100 / 71 / 0 / 58

HEX #001F6C

RGB 0 31 108

HSL 222.78, 1%, 0.21%

LAB 15.81, 24.27, -47.09

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 68 / 62 / 0 / 28

HEX #3B46B8

RGB 59 70 184

HSL 234.72, 0.51%, 0.48%

LAB 35.54, 33.1, -61.62

 

CMYK 55 / 68 / 0 / 28

HEX #533BB8

RGB 83 59 184

HSL 251.52, 0.51%, 0.48%

LAB 34.86, 43.47, -62.65

 

CMYK 36 / 68 / 0 / 28

HEX #753BB8

RGB 117 59 184

HSL 267.84, 0.51%, 0.48%

LAB 38.5, 49.82, -56.57

 

CMYK 18 / 68 / 0 / 28

HEX #963BB8

RGB 150 59 184

HSL 283.68, 0.51%, 0.48%

LAB 42.87, 56.88, -49.29

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 68 / 62 / 0 / 28

HEX #3B46B8

RGB 59 70 184

HSL 234.72, 0.51%, 0.48%

LAB 35.54, 33.1, -61.62

 

CMYK 68 / 68 / 0 / 28

HEX #3B3BB8

RGB 59 59 184

HSL 240, 0.51%, 0.48%

LAB 32.96, 39.94, -65.84

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 80 / 52 / 0 / 20

HEX #2862CC

RGB 40 98 204

HSL 218.78, 0.67%, 0.48%

LAB 43.57, 20.1, -60.24

 

CMYK 91 / 59 / 0 / 12

HEX #145CE0

RGB 20 92 224

HSL 218.82, 0.84%, 0.48%

LAB 43.04, 30.34, -72.56

 

CMYK 100 / 65 / 0 / 4

HEX #0056F4

RGB 0 86 244

HSL 218.85, 1%, 0.48%

LAB 43.04, 41.18, -83.86

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 52 / 34 / 0 / 35

HEX #4F6DA5

RGB 79 109 165

HSL 219.07, 0.35%, 0.48%

LAB 46.06, 5.56, -33.48

 

CMYK 32 / 21 / 0 / 43

HEX #637391

RGB 99 115 145

HSL 219.13, 0.19%, 0.48%

LAB 48.21, 1.53, -18.27

 

CMYK 5 / 3 / 0 / 51

HEX #77797D

RGB 119 121 125

HSL 220, 0.02%, 0.48%

LAB 50.78, 0.08, -2.45

 

CMYK 0 / 9 / 24 / 45

HEX #8B7F69

RGB 139 127 105

HSL 38.82, 0.14%, 0.48%

LAB 53.69, 0.84, 13.63

 

CMYK 68 / 7 / 0 / 28

HEX #3BACB8

RGB 59 172 184

HSL 185.76, 0.51%, 0.48%

LAB 64.88, -27.37, -15.43

 

CMYK 68 / 24 / 0 / 28

HEX #3B8BB8

RGB 59 139 184

HSL 201.6, 0.51%, 0.48%

LAB 54.92, -9.86, -30.69

 

CMYK 68 / 43 / 0 / 28

HEX #3B69B8

RGB 59 105 184

HSL 217.92, 0.51%, 0.48%

LAB 44.93, 10.57, -46.44

 

CMYK 68 / 61 / 0 / 28

HEX #3B48B8

RGB 59 72 184

HSL 233.76, 0.51%, 0.48%

LAB 36.03, 31.83, -60.81

 

CMYK 57 / 68 / 0 / 28

HEX #503BB8

RGB 80 59 184

HSL 250.08, 0.51%, 0.48%

LAB 34.59, 42.98, -63.11

 

CMYK 68 / 44 / 0 / 52

HEX #27447A

RGB 39 68 122

HSL 219.04, 0.52%, 0.32%

LAB 29.34, 8.17, -34.03

 

CMYK 68 / 44 / 0 / 40

HEX #315699

RGB 49 86 153

HSL 218.65, 0.51%, 0.4%

LAB 37.13, 9.71, -40.6

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 58 / 37 / 0 / 22

HEX #557EC8

RGB 85 126 200

HSL 218.61, 0.51%, 0.56%

LAB 52.97, 7.97, -42.79

 

CMYK 44 / 29 / 0 / 18

HEX #7595D2

RGB 117 149 210

HSL 219.35, 0.51%, 0.64%

LAB 61.59, 4.9, -34.78

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 11 / 68 / 0 / 28

HEX #A43BB8

RGB 164 59 184

HSL 290.4, 0.51%, 0.48%

LAB 44.92, 60.02, -45.91

 

CMYK 16 / 0 / 68 / 28

HEX #9BB83B

RGB 155 184 59

HSL 73.92, 0.51%, 0.48%

LAB 70.57, -27.33, 57.53

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 0 / 68 / 43 / 28

HEX #B83B69

RGB 184 59 105

HSL 337.92, 0.51%, 0.48%

LAB 44.71, 53.81, 1.68

 

CMYK 43 / 0 / 68 / 28

HEX #69B83B

RGB 105 184 59

HSL 97.92, 0.51%, 0.48%

LAB 67.72, -45.93, 53.69

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 11 / 68 / 0 / 28

HEX #A43BB8

RGB 164 59 184

HSL 290.4, 0.51%, 0.48%

LAB 44.92, 60.02, -45.91

 

CMYK 0 / 24 / 68 / 28

HEX #B88B3B

RGB 184 139 59

HSL 38.4, 0.51%, 0.48%

LAB 60.76, 8.79, 48.02

 

CMYK 57 / 0 / 68 / 28

HEX #50B83B

RGB 80 184 59

HSL 109.92, 0.51%, 0.48%

LAB 66.75, -53.27, 52.36

 

CMYK 68 / 44 / 0 / 28

HEX #3B67B8

RGB 59 103 184

HSL 218.88, 0.51%, 0.48%

LAB 44.36, 11.84, -47.35

 

CMYK 0 / 68 / 9 / 28

HEX #B83BA8

RGB 184 59 168

HSL 307.68, 0.51%, 0.48%

LAB 47.16, 62, -32.72

 

CMYK 0 / 24 / 68 / 28

HEX #B88B3B

RGB 184 139 59

HSL 38.4, 0.51%, 0.48%

LAB 60.76, 8.79, 48.02

 

CMYK 68 / 0 / 59 / 28

HEX #3BB84C

RGB 59 184 76

HSL 128.16, 0.51%, 0.48%

LAB 66.32, -56.18, 44.29

 

Description

Color code: HEX #3B67B8 | qconv.com Color code: HEX #3B67B8 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 103 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 103 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 68 cyan, 44 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
68% 44% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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