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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B6512 it is the complementary color #C49AED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B6512. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B6512 shade: #40650D, #517720, #628933, #739B46 and #84AD59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B6512. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B6512 shade: #3B6512, #2A5300, #194100, #082F00 and #001D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B6512 shade: #3A6311, #506311, #636011, #634A11 and #633411

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B6512 shade: #3A6311, #246311, #116315, #11632B and #116341

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B6512 shade matches the following richer shades: #3A6311 and #3A6D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B6512 shade: #3A6311, #3A5A1B, #3A5024, #3A472E and #3A3D37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B6512 shade: #636011, #506311, #3A6311, #246311 and #116314

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B6512 shade: #111D05, #25400B, #3A6311, #4E8617 and #63A91D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B6512 shade: #3B6512, #11634B and #63115B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B6512 shade: #3B6512, #113A63 and #63113A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B6512 shade: #3B6512, #11634B, #3A1163 and #63112A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B6512 shade: #3B6512, #116363, #3A1163 and #631111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 82 / 60

HEX #3B6512

RGB 59 101 18

HSL 90.36, 0.7%, 0.23%

LAB 38.34, -29.07, 39.13

 

Complementary color

CMYK 17 / 35 / 0 / 7

HEX #C49AED

RGB 196 154 237

HSL 270.36, 0.7%, 0.77%

LAB 70.15, 31.23, -35.92

 

CMYK 37 / 0 / 87 / 60

HEX #40650D

RGB 64 101 13

HSL 85.23, 0.77%, 0.22%

LAB 38.6, -27.35, 41.08

 

CMYK 32 / 0 / 73 / 53

HEX #517720

RGB 81 119 32

HSL 86.21, 0.58%, 0.3%

LAB 45.7, -27.94, 41.42

 

CMYK 28 / 0 / 63 / 46

HEX #628933

RGB 98 137 51

HSL 87.21, 0.46%, 0.37%

LAB 52.65, -28.25, 40.74

 

CMYK 26 / 0 / 55 / 39

HEX #739B46

RGB 115 155 70

HSL 88.24, 0.38%, 0.44%

LAB 59.46, -28.38, 39.69

 

CMYK 24 / 0 / 49 / 32

HEX #84AD59

RGB 132 173 89

HSL 89.29, 0.34%, 0.51%

LAB 66.15, -28.42, 38.52

 

CMYK 42 / 0 / 82 / 60

HEX #3B6512

RGB 59 101 18

HSL 90.36, 0.7%, 0.23%

LAB 38.34, -29.07, 39.13

 

CMYK 49 / 0 / 100 / 67

HEX #2A5300

RGB 42 83 0

HSL 89.64, 1%, 0.16%

LAB 31.06, -28.25, 38.23

 

CMYK 62 / 0 / 100 / 75

HEX #194100

RGB 25 65 0

HSL 96.92, 1%, 0.13%

LAB 23.63, -26.38, 31.46

 

CMYK 83 / 0 / 100 / 82

HEX #082F00

RGB 8 47 0

HSL 109.79, 1%, 0.09%

LAB 15.93, -23.94, 22.54

 

CMYK 100 / 0 / 100 / 89

HEX #001D00

RGB 0 29 0

HSL 120, 1%, 0.06%

LAB 7.94, -16.22, 11.59

 

CMYK 41 / 0 / 83 / 61

HEX #3A6311

RGB 58 99 17

HSL 90, 0.71%, 0.23%

LAB 37.6, -28.58, 38.76

 

CMYK 19 / 0 / 83 / 61

HEX #506311

RGB 80 99 17

HSL 73.9, 0.71%, 0.23%

LAB 39.02, -19.21, 40.59

 

CMYK 0 / 3 / 83 / 61

HEX #636011

RGB 99 96 17

HSL 57.8, 0.71%, 0.23%

LAB 39.68, -8.53, 41.79

 

CMYK 0 / 25 / 83 / 61

HEX #634A11

RGB 99 74 17

HSL 41.71, 0.71%, 0.23%

LAB 33.12, 4.6, 35.8

 

CMYK 0 / 47 / 83 / 61

HEX #633411

RGB 99 52 17

HSL 25.61, 0.71%, 0.23%

LAB 27.16, 18.19, 30.11

 

CMYK 41 / 0 / 83 / 61

HEX #3A6311

RGB 58 99 17

HSL 90, 0.71%, 0.23%

LAB 37.6, -28.58, 38.76

 

CMYK 64 / 0 / 83 / 61

HEX #246311

RGB 36 99 17

HSL 106.1, 0.71%, 0.23%

LAB 36.63, -35.94, 37.5

 

CMYK 83 / 0 / 79 / 61

HEX #116315

RGB 17 99 21

HSL 122.93, 0.71%, 0.23%

LAB 36.17, -39.69, 35.39

 

CMYK 83 / 0 / 57 / 61

HEX #11632B

RGB 17 99 43

HSL 139.02, 0.71%, 0.23%

LAB 36.4, -36.91, 25.02

 

CMYK 83 / 0 / 34 / 61

HEX #116341

RGB 17 99 65

HSL 155.12, 0.71%, 0.23%

LAB 36.79, -32.43, 12.76

 

CMYK 41 / 0 / 83 / 61

HEX #3A6311

RGB 58 99 17

HSL 90, 0.71%, 0.23%

LAB 37.6, -28.58, 38.76

 

CMYK 47 / 0 / 93 / 57

HEX #3A6D08

RGB 58 109 8

HSL 90.3, 0.86%, 0.23%

LAB 40.98, -33.5, 44.31

 

CMYK 41 / 0 / 83 / 61

HEX #3A6311

RGB 58 99 17

HSL 90, 0.71%, 0.23%

LAB 37.6, -28.58, 38.76

 

CMYK 36 / 0 / 70 / 65

HEX #3A5A1B

RGB 58 90 27

HSL 90.48, 0.54%, 0.23%

LAB 34.58, -23.48, 31.59

 

CMYK 28 / 0 / 55 / 69

HEX #3A5024

RGB 58 80 36

HSL 90, 0.38%, 0.23%

LAB 31.26, -17.23, 23.06

 

CMYK 18 / 0 / 35 / 72

HEX #3A472E

RGB 58 71 46

HSL 91.2, 0.21%, 0.23%

LAB 28.39, -10.57, 13.37

 

CMYK 5 / 0 / 10 / 76

HEX #3A3D37

RGB 58 61 55

HSL 90, 0.05%, 0.23%

LAB 25.3, -2.61, 3.26

 

CMYK 0 / 3 / 83 / 61

HEX #636011

RGB 99 96 17

HSL 57.8, 0.71%, 0.23%

LAB 39.68, -8.53, 41.79

 

CMYK 19 / 0 / 83 / 61

HEX #506311

RGB 80 99 17

HSL 73.9, 0.71%, 0.23%

LAB 39.02, -19.21, 40.59

 

CMYK 41 / 0 / 83 / 61

HEX #3A6311

RGB 58 99 17

HSL 90, 0.71%, 0.23%

LAB 37.6, -28.58, 38.76

 

CMYK 64 / 0 / 83 / 61

HEX #246311

RGB 36 99 17

HSL 106.1, 0.71%, 0.23%

LAB 36.63, -35.94, 37.5

 

CMYK 83 / 0 / 80 / 61

HEX #116314

RGB 17 99 20

HSL 122.2, 0.71%, 0.23%

LAB 36.16, -39.78, 35.77

 

CMYK 41 / 0 / 83 / 89

HEX #111D05

RGB 17 29 5

HSL 90, 0.71%, 0.07%

LAB 9.07, -10.48, 11.32

 

CMYK 42 / 0 / 83 / 75

HEX #25400B

RGB 37 64 11

HSL 90.57, 0.71%, 0.15%

LAB 23.95, -20.45, 27.49

 

CMYK 41 / 0 / 83 / 61

HEX #3A6311

RGB 58 99 17

HSL 90, 0.71%, 0.23%

LAB 37.6, -28.58, 38.76

 

CMYK 42 / 0 / 83 / 47

HEX #4E8617

RGB 78 134 23

HSL 90.27, 0.71%, 0.31%

LAB 50.37, -36.5, 49.06

 

CMYK 41 / 0 / 83 / 34

HEX #63A91D

RGB 99 169 29

HSL 90, 0.71%, 0.39%

LAB 62.61, -43.65, 58.84

 

CMYK 42 / 0 / 82 / 60

HEX #3B6512

RGB 59 101 18

HSL 90.36, 0.7%, 0.23%

LAB 38.34, -29.07, 39.13

 

CMYK 83 / 0 / 24 / 61

HEX #11634B

RGB 17 99 75

HSL 162.44, 0.71%, 0.23%

LAB 37.02, -29.88, 7.01

 

CMYK 0 / 83 / 8 / 61

HEX #63115B

RGB 99 17 91

HSL 305.85, 0.71%, 0.23%

LAB 23.03, 43.67, -23.69

 

CMYK 42 / 0 / 82 / 60

HEX #3B6512

RGB 59 101 18

HSL 90.36, 0.7%, 0.23%

LAB 38.34, -29.07, 39.13

 

CMYK 83 / 41 / 0 / 61

HEX #113A63

RGB 17 58 99

HSL 210, 0.71%, 0.23%

LAB 23.82, 2.21, -28.22

 

CMYK 0 / 83 / 41 / 61

HEX #63113A

RGB 99 17 58

HSL 330, 0.71%, 0.23%

LAB 21.43, 38.97, -3.73

 

CMYK 42 / 0 / 82 / 60

HEX #3B6512

RGB 59 101 18

HSL 90.36, 0.7%, 0.23%

LAB 38.34, -29.07, 39.13

 

CMYK 83 / 0 / 24 / 61

HEX #11634B

RGB 17 99 75

HSL 162.44, 0.71%, 0.23%

LAB 37.02, -29.88, 7.01

 

CMYK 41 / 83 / 0 / 61

HEX #3A1163

RGB 58 17 99

HSL 270, 0.71%, 0.23%

LAB 16.51, 36.6, -39.86

 

CMYK 0 / 83 / 58 / 61

HEX #63112A

RGB 99 17 42

HSL 341.71, 0.71%, 0.23%

LAB 20.91, 37.36, 6.72

 

CMYK 42 / 0 / 82 / 60

HEX #3B6512

RGB 59 101 18

HSL 90.36, 0.7%, 0.23%

LAB 38.34, -29.07, 39.13

 

CMYK 83 / 0 / 0 / 61

HEX #116363

RGB 17 99 99

HSL 180, 0.71%, 0.23%

LAB 37.74, -22.61, -6.72

 

CMYK 41 / 83 / 0 / 61

HEX #3A1163

RGB 58 17 99

HSL 270, 0.71%, 0.23%

LAB 16.51, 36.6, -39.86

 

CMYK 0 / 83 / 83 / 61

HEX #631111

RGB 99 17 17

HSL 0, 0.71%, 0.23%

LAB 20.42, 35.81, 23.18

 

Description

Color code: HEX #3B6512 | qconv.com Color code: HEX #3B6512 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 101 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 101 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 82 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 82% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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