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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B5D51 it is the complementary color #C4A2AE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B5D51. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B5D51 shade: #405D4C, #516F5F, #628172, #739385 and #84A598

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B5D51. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B5D51 shade: #3B5D51, #2A4B3E, #19392B, #082718 and #001505

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B5D51 shade: #3B5D51, #3B5D48, #3B5D3F, #415D3B and #4A5D3B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B5D51 shade: #3B5D51, #3B5D5A, #3B575D, #3B4D5D and #3B445D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B5D51 shade matches the following richer shades: #3B5D51, #2F6955, #227658, #16825C and #0A8E60

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B5D51 shade: #3B5D51, #48504D, #54444A, #603846 and #6D2B42

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B5D51 shade: #3B5D3F, #3B5D48, #3B5D50, #3B5D59 and #3B575D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B5D51 shade: #1B2A25, #2B443B, #3B5D51, #4B7667 and #5B8F7D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B5D51 shade: #3B5D51, #3B415D and #5D433B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B5D51 shade: #3B5D51, #503B5D and #5D503B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B5D51 shade: #3B5D51, #3B415D, #5D3B48 and #5D573B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B5D51 shade: #3B5D51, #403B5D, #5D3B48 and #585D3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

Complementary color

CMYK 0 / 17 / 11 / 23

HEX #C4A2AE

RGB 196 162 174

HSL 338.82, 0.22%, 0.7%

LAB 69.92, 14.47, -1.5

 

CMYK 31 / 0 / 18 / 64

HEX #405D4C

RGB 64 93 76

HSL 144.83, 0.18%, 0.31%

LAB 36.82, -14.81, 6.36

 

CMYK 27 / 0 / 14 / 56

HEX #516F5F

RGB 81 111 95

HSL 148, 0.16%, 0.38%

LAB 44.15, -14.56, 5.41

 

CMYK 24 / 0 / 12 / 49

HEX #628172

RGB 98 129 114

HSL 150.97, 0.14%, 0.45%

LAB 51.28, -14.36, 4.54

 

CMYK 22 / 0 / 10 / 42

HEX #739385

RGB 115 147 133

HSL 153.75, 0.13%, 0.51%

LAB 58.23, -14.2, 3.74

 

CMYK 20 / 0 / 8 / 35

HEX #84A598

RGB 132 165 152

HSL 156.36, 0.15%, 0.58%

LAB 65.03, -14.06, 2.99

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 44 / 0 / 17 / 71

HEX #2A4B3E

RGB 42 75 62

HSL 156.36, 0.28%, 0.23%

LAB 29.09, -15.63, 3.98

 

CMYK 56 / 0 / 25 / 78

HEX #19392B

RGB 25 57 43

HSL 153.75, 0.39%, 0.16%

LAB 21.23, -15.87, 5.15

 

CMYK 79 / 0 / 38 / 85

HEX #082718

RGB 8 39 24

HSL 150.97, 0.66%, 0.09%

LAB 13.04, -15.95, 6.64

 

CMYK 100 / 0 / 76 / 92

HEX #001505

RGB 0 21 5

HSL 134.29, 1%, 0.04%

LAB 4.94, -9.2, 5.18

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 37 / 0 / 23 / 64

HEX #3B5D48

RGB 59 93 72

HSL 142.94, 0.22%, 0.3%

LAB 36.42, -17.48, 8.21

 

CMYK 37 / 0 / 32 / 64

HEX #3B5D3F

RGB 59 93 63

HSL 127.06, 0.22%, 0.3%

LAB 36.21, -19.37, 13.43

 

CMYK 30 / 0 / 37 / 64

HEX #415D3B

RGB 65 93 59

HSL 109.41, 0.22%, 0.3%

LAB 36.5, -17.86, 16.29

 

CMYK 20 / 0 / 37 / 64

HEX #4A5D3B

RGB 74 93 59

HSL 93.53, 0.22%, 0.3%

LAB 37.12, -14.22, 17.23

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 37 / 0 / 3 / 64

HEX #3B5D5A

RGB 59 93 90

HSL 174.71, 0.22%, 0.3%

LAB 36.92, -13.06, -2.2

 

CMYK 37 / 6 / 0 / 64

HEX #3B575D

RGB 59 87 93

HSL 190.59, 0.22%, 0.3%

LAB 35.08, -8.72, -6.82

 

CMYK 37 / 17 / 0 / 64

HEX #3B4D5D

RGB 59 77 93

HSL 208.24, 0.22%, 0.3%

LAB 31.87, -2.57, -11.66

 

CMYK 37 / 27 / 0 / 64

HEX #3B445D

RGB 59 68 93

HSL 224.12, 0.22%, 0.3%

LAB 29.04, 3.23, -15.99

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 55 / 0 / 19 / 59

HEX #2F6955

RGB 47 105 85

HSL 159.31, 0.38%, 0.3%

LAB 40.19, -24.31, 5.53

 

CMYK 71 / 0 / 25 / 54

HEX #227658

RGB 34 118 88

HSL 158.57, 0.55%, 0.3%

LAB 44.24, -32.59, 9.41

 

CMYK 83 / 0 / 29 / 49

HEX #16825C

RGB 22 130 92

HSL 158.89, 0.71%, 0.3%

LAB 48.14, -38.53, 12.49

 

CMYK 93 / 0 / 32 / 44

HEX #0A8E60

RGB 10 142 96

HSL 159.09, 0.87%, 0.3%

LAB 52.12, -43.44, 15.68

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 10 / 0 / 4 / 69

HEX #48504D

RGB 72 80 77

HSL 157.5, 0.05%, 0.3%

LAB 33.24, -3.88, 0.67

 

CMYK 0 / 19 / 12 / 67

HEX #54444A

RGB 84 68 74

HSL 337.5, 0.11%, 0.3%

LAB 30.67, 8, -1.03

 

CMYK 0 / 42 / 27 / 62

HEX #603846

RGB 96 56 70

HSL 339, 0.26%, 0.3%

LAB 28.79, 19.89, -1.01

 

CMYK 0 / 61 / 39 / 57

HEX #6D2B42

RGB 109 43 66

HSL 339.09, 0.43%, 0.3%

LAB 27.77, 31.85, 0.38

 

CMYK 37 / 0 / 32 / 64

HEX #3B5D3F

RGB 59 93 63

HSL 127.06, 0.22%, 0.3%

LAB 36.21, -19.37, 13.43

 

CMYK 37 / 0 / 23 / 64

HEX #3B5D48

RGB 59 93 72

HSL 142.94, 0.22%, 0.3%

LAB 36.42, -17.48, 8.21

 

CMYK 37 / 0 / 14 / 64

HEX #3B5D50

RGB 59 93 80

HSL 157.06, 0.22%, 0.3%

LAB 36.63, -15.61, 3.57

 

CMYK 37 / 0 / 4 / 64

HEX #3B5D59

RGB 59 93 89

HSL 172.94, 0.22%, 0.3%

LAB 36.89, -13.32, -1.63

 

CMYK 37 / 6 / 0 / 64

HEX #3B575D

RGB 59 87 93

HSL 190.59, 0.22%, 0.3%

LAB 35.08, -8.72, -6.82

 

CMYK 36 / 0 / 12 / 84

HEX #1B2A25

RGB 27 42 37

HSL 160, 0.22%, 0.14%

LAB 15.6, -7.71, 1.24

 

CMYK 37 / 0 / 13 / 73

HEX #2B443B

RGB 43 68 59

HSL 158.4, 0.23%, 0.22%

LAB 26.63, -12, 2.4

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 36 / 0 / 13 / 54

HEX #4B7667

RGB 75 118 103

HSL 159.07, 0.22%, 0.38%

LAB 46.22, -18.56, 3.55

 

CMYK 36 / 0 / 13 / 44

HEX #5B8F7D

RGB 91 143 125

HSL 159.23, 0.22%, 0.46%

LAB 55.43, -21.62, 4.1

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 37 / 30 / 0 / 64

HEX #3B415D

RGB 59 65 93

HSL 229.41, 0.22%, 0.3%

LAB 28.12, 5.21, -17.42

 

CMYK 0 / 28 / 37 / 64

HEX #5D433B

RGB 93 67 59

HSL 14.12, 0.22%, 0.3%

LAB 31.01, 10, 9.26

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 14 / 37 / 0 / 64

HEX #503B5D

RGB 80 59 93

HSL 277.06, 0.22%, 0.3%

LAB 28.44, 16.49, -16.75

 

CMYK 0 / 14 / 37 / 64

HEX #5D503B

RGB 93 80 59

HSL 37.06, 0.22%, 0.3%

LAB 34.76, 1.88, 14.38

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 37 / 30 / 0 / 64

HEX #3B415D

RGB 59 65 93

HSL 229.41, 0.22%, 0.3%

LAB 28.12, 5.21, -17.42

 

CMYK 0 / 37 / 23 / 64

HEX #5D3B48

RGB 93 59 72

HSL 337.06, 0.22%, 0.3%

LAB 29.22, 17.13, -1.75

 

CMYK 0 / 6 / 37 / 64

HEX #5D573B

RGB 93 87 59

HSL 49.41, 0.22%, 0.3%

LAB 36.85, -2.38, 17.18

 

CMYK 37 / 0 / 13 / 64

HEX #3B5D51

RGB 59 93 81

HSL 158.82, 0.22%, 0.3%

LAB 36.65, -15.37, 2.99

 

CMYK 31 / 37 / 0 / 64

HEX #403B5D

RGB 64 59 93

HSL 248.82, 0.22%, 0.3%

LAB 26.76, 10.88, -19.5

 

CMYK 0 / 37 / 23 / 64

HEX #5D3B48

RGB 93 59 72

HSL 337.06, 0.22%, 0.3%

LAB 29.22, 17.13, -1.75

 

CMYK 5 / 0 / 37 / 64

HEX #585D3B

RGB 88 93 59

HSL 68.82, 0.22%, 0.3%

LAB 38.23, -8.18, 18.91

 

Description

Color code: HEX #3B5D51 | qconv.com Color code: HEX #3B5D51 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 93 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 93 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 13 yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 13% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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