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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B5C91 it is the complementary color #C4A36E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B5C91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B5C91 shade: #405C8C, #516E9F, #6280B2, #7392C5 and #84A4D8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B5C91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B5C91 shade: #3B5C91, #2A4A7E, #19386B, #082658 and #001445

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B5C91 shade: #3B5C90, #3B4490, #483B90, #5F3B90 and #763B90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B5C91 shade: #3B5C90, #3B4490 and #3B3B90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B5C91 shade matches the following richer shades: #3B5C90, #2A58A1, #1A54B1 and #0950C2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B5C91 shade: #3B5C90, #4B5F80, #5C636F, #6C675F and #7D6B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B5C91 shade: #3B8B90, #3B7490, #3B5D90, #3B4690 and #463B90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B5C91 shade: #233656, #2F4973, #3B5C90, #476EAE and #6084BE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B5C91 shade: #3B5C91, #7F3B90 and #7F903B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B5C91 shade: #3B5C91, #903B5D and #5D903B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B5C91 shade: #3B5C91, #7F3B90, #906E3B and #4C903B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B5C91 shade: #3B5C91, #903B88, #906E3B and #3B9043

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 37 / 0 / 43

HEX #3B5C91

RGB 59 92 145

HSL 216.98, 0.42%, 0.4%

LAB 38.95, 4.9, -32.86

 

Complementary color

CMYK 0 / 17 / 44 / 23

HEX #C4A36E

RGB 196 163 110

HSL 36.98, 0.42%, 0.6%

LAB 68.79, 5.03, 32.03

 

CMYK 54 / 34 / 0 / 45

HEX #405C8C

RGB 64 92 140

HSL 217.89, 0.37%, 0.4%

LAB 38.96, 4.33, -29.79

 

CMYK 49 / 31 / 0 / 38

HEX #516E9F

RGB 81 110 159

HSL 217.69, 0.33%, 0.47%

LAB 46.18, 3.53, -29.75

 

CMYK 45 / 28 / 0 / 30

HEX #6280B2

RGB 98 128 178

HSL 217.5, 0.34%, 0.54%

LAB 53.22, 2.9, -29.77

 

CMYK 42 / 26 / 0 / 23

HEX #7392C5

RGB 115 146 197

HSL 217.32, 0.41%, 0.61%

LAB 60.1, 2.39, -29.82

 

CMYK 39 / 24 / 0 / 15

HEX #84A4D8

RGB 132 164 216

HSL 217.14, 0.52%, 0.68%

LAB 66.84, 1.97, -29.91

 

CMYK 59 / 37 / 0 / 43

HEX #3B5C91

RGB 59 92 145

HSL 216.98, 0.42%, 0.4%

LAB 38.95, 4.9, -32.86

 

CMYK 67 / 41 / 0 / 51

HEX #2A4A7E

RGB 42 74 126

HSL 217.14, 0.5%, 0.33%

LAB 31.57, 6.22, -32.97

 

CMYK 77 / 48 / 0 / 58

HEX #19386B

RGB 25 56 107

HSL 217.32, 0.62%, 0.26%

LAB 23.99, 8.1, -33.11

 

CMYK 91 / 57 / 0 / 65

HEX #082658

RGB 8 38 88

HSL 217.5, 0.83%, 0.19%

LAB 16.22, 10.91, -33.19

 

CMYK 100 / 71 / 0 / 73

HEX #001445

RGB 0 20 69

HSL 222.61, 1%, 0.14%

LAB 8.39, 15.17, -32.93

 

CMYK 59 / 36 / 0 / 44

HEX #3B5C90

RGB 59 92 144

HSL 216.71, 0.42%, 0.4%

LAB 38.89, 4.55, -32.34

 

CMYK 59 / 53 / 0 / 44

HEX #3B4490

RGB 59 68 144

HSL 233.65, 0.42%, 0.4%

LAB 31.98, 20.27, -43.36

 

CMYK 50 / 59 / 0 / 44

HEX #483B90

RGB 72 59 144

HSL 249.18, 0.42%, 0.4%

LAB 30.69, 28.92, -45.4

 

CMYK 34 / 59 / 0 / 44

HEX #5F3B90

RGB 95 59 144

HSL 265.41, 0.42%, 0.4%

LAB 33.08, 34.43, -41.42

 

CMYK 18 / 59 / 0 / 44

HEX #763B90

RGB 118 59 144

HSL 281.65, 0.42%, 0.4%

LAB 35.97, 40.48, -36.63

 

CMYK 59 / 36 / 0 / 44

HEX #3B5C90

RGB 59 92 144

HSL 216.71, 0.42%, 0.4%

LAB 38.89, 4.55, -32.34

 

CMYK 59 / 53 / 0 / 44

HEX #3B4490

RGB 59 68 144

HSL 233.65, 0.42%, 0.4%

LAB 31.98, 20.27, -43.36

 

CMYK 59 / 59 / 0 / 44

HEX #3B3B90

RGB 59 59 144

HSL 240, 0.42%, 0.4%

LAB 29.59, 26.21, -47.22

 

CMYK 59 / 36 / 0 / 44

HEX #3B5C90

RGB 59 92 144

HSL 216.71, 0.42%, 0.4%

LAB 38.89, 4.55, -32.34

 

CMYK 74 / 45 / 0 / 37

HEX #2A58A1

RGB 42 88 161

HSL 216.81, 0.59%, 0.4%

LAB 37.92, 10.33, -44.14

 

CMYK 85 / 53 / 0 / 31

HEX #1A54B1

RGB 26 84 177

HSL 216.95, 0.74%, 0.4%

LAB 37.36, 17.52, -54.58

 

CMYK 95 / 59 / 0 / 24

HEX #0950C2

RGB 9 80 194

HSL 216.97, 0.91%, 0.4%

LAB 37.28, 26.09, -64.71

 

CMYK 59 / 36 / 0 / 44

HEX #3B5C90

RGB 59 92 144

HSL 216.71, 0.42%, 0.4%

LAB 38.89, 4.55, -32.34

 

CMYK 41 / 26 / 0 / 50

HEX #4B5F80

RGB 75 95 128

HSL 217.36, 0.26%, 0.4%

LAB 39.98, 1.56, -20.87

 

CMYK 17 / 11 / 0 / 56

HEX #5C636F

RGB 92 99 111

HSL 217.89, 0.09%, 0.4%

LAB 41.76, 0.07, -7.69

 

CMYK 0 / 5 / 12 / 58

HEX #6C675F

RGB 108 103 95

HSL 36.92, 0.06%, 0.4%

LAB 43.82, 0.43, 5.21

 

CMYK 0 / 14 / 38 / 51

HEX #7D6B4E

RGB 125 107 78

HSL 37.02, 0.23%, 0.4%

LAB 46.21, 2.59, 18.9

 

CMYK 59 / 3 / 0 / 44

HEX #3B8B90

RGB 59 139 144

HSL 183.53, 0.42%, 0.4%

LAB 53.39, -22.63, -10.02

 

CMYK 59 / 19 / 0 / 44

HEX #3B7490

RGB 59 116 144

HSL 199.76, 0.42%, 0.4%

LAB 46.22, -10.04, -20.92

 

CMYK 59 / 35 / 0 / 44

HEX #3B5D90

RGB 59 93 144

HSL 216, 0.42%, 0.4%

LAB 39.19, 3.91, -31.87

 

CMYK 59 / 51 / 0 / 44

HEX #3B4690

RGB 59 70 144

HSL 232.24, 0.42%, 0.4%

LAB 32.53, 18.94, -42.47

 

CMYK 51 / 59 / 0 / 44

HEX #463B90

RGB 70 59 144

HSL 247.76, 0.42%, 0.4%

LAB 30.51, 28.48, -45.7

 

CMYK 59 / 37 / 0 / 66

HEX #233656

RGB 35 54 86

HSL 217.65, 0.42%, 0.24%

LAB 22.54, 3.21, -21.68

 

CMYK 59 / 37 / 0 / 55

HEX #2F4973

RGB 47 73 115

HSL 217.06, 0.42%, 0.32%

LAB 30.9, 3.89, -27.14

 

CMYK 59 / 36 / 0 / 44

HEX #3B5C90

RGB 59 92 144

HSL 216.71, 0.42%, 0.4%

LAB 38.89, 4.55, -32.34

 

CMYK 59 / 37 / 0 / 32

HEX #476EAE

RGB 71 110 174

HSL 217.28, 0.42%, 0.48%

LAB 46.38, 6.15, -38.29

 

CMYK 49 / 31 / 0 / 25

HEX #6084BE

RGB 96 132 190

HSL 217.02, 0.42%, 0.56%

LAB 54.77, 3.66, -34.23

 

CMYK 59 / 37 / 0 / 43

HEX #3B5C91

RGB 59 92 145

HSL 216.98, 0.42%, 0.4%

LAB 38.95, 4.9, -32.86

 

CMYK 12 / 59 / 0 / 44

HEX #7F3B90

RGB 127 59 144

HSL 288, 0.42%, 0.4%

LAB 37.21, 42.92, -34.58

 

CMYK 12 / 0 / 59 / 44

HEX #7F903B

RGB 127 144 59

HSL 72, 0.42%, 0.4%

LAB 56.85, -19.06, 42.23

 

CMYK 59 / 37 / 0 / 43

HEX #3B5C91

RGB 59 92 145

HSL 216.98, 0.42%, 0.4%

LAB 38.95, 4.9, -32.86

 

CMYK 0 / 59 / 35 / 44

HEX #903B5D

RGB 144 59 93

HSL 336, 0.42%, 0.4%

LAB 37.57, 39.56, -2.08

 

CMYK 35 / 0 / 59 / 44

HEX #5D903B

RGB 93 144 59

HSL 96, 0.42%, 0.4%

LAB 54.65, -32.66, 39.12

 

CMYK 59 / 37 / 0 / 43

HEX #3B5C91

RGB 59 92 145

HSL 216.98, 0.42%, 0.4%

LAB 38.95, 4.9, -32.86

 

CMYK 12 / 59 / 0 / 44

HEX #7F3B90

RGB 127 59 144

HSL 288, 0.42%, 0.4%

LAB 37.21, 42.92, -34.58

 

CMYK 0 / 24 / 59 / 44

HEX #906E3B

RGB 144 110 59

HSL 36, 0.42%, 0.4%

LAB 48.76, 7.3, 33.27

 

CMYK 47 / 0 / 59 / 44

HEX #4C903B

RGB 76 144 59

HSL 108, 0.42%, 0.4%

LAB 53.81, -38.48, 37.94

 

CMYK 59 / 37 / 0 / 43

HEX #3B5C91

RGB 59 92 145

HSL 216.98, 0.42%, 0.4%

LAB 38.95, 4.9, -32.86

 

CMYK 0 / 59 / 6 / 44

HEX #903B88

RGB 144 59 136

HSL 305.65, 0.42%, 0.4%

LAB 39.3, 46.13, -26.24

 

CMYK 0 / 24 / 59 / 44

HEX #906E3B

RGB 144 110 59

HSL 36, 0.42%, 0.4%

LAB 48.76, 7.3, 33.27

 

CMYK 59 / 0 / 53 / 44

HEX #3B9043

RGB 59 144 67

HSL 125.65, 0.42%, 0.4%

LAB 53.26, -42.3, 33.12

 

Description

Color code: HEX #3B5C91 | qconv.com Color code: HEX #3B5C91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 92 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 92 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 37 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 37% 0% 43% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - Plus500 | Online CFD...
Link: http://www.plus500.co.uk

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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