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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B3488 it is the complementary color #C4CB77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B3488. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B3488 shade: #403483, #514696, #6258A9, #736ABC and #847CCF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B3488. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B3488 shade: #3B3488, #2A2275, #191062, #08004F and #00003C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B3488 shade: #3A3388, #513388, #683388, #7F3388 and #88337B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B3488 shade: #3A3388 and #333388

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B3488 shade matches the following richer shades: #3A3388, #2E2498, #2115A7 and #1406B6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B3488 shade: #3A3388, #474379, #54526A, #61615B and #6D704B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B3488 shade: #335A88, #334388, #3A3388, #513388 and #683388

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B3488 shade: #211D4C, #2E286A, #3A3388, #473FA6 and #5A51BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B3488 shade: #3B3488, #883370 and #4E8833

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B3488 shade: #3B3488, #883A33 and #33883A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B3488 shade: #3B3488, #883370, #818833 and #33884B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B3488 shade: #3B3488, #883357, #818833 and #338865

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 62 / 0 / 47

HEX #3B3488

RGB 59 52 136

HSL 245, 0.45%, 0.37%

LAB 27.2, 28.04, -46.16

 

Complementary color

CMYK 3 / 0 / 41 / 20

HEX #C4CB77

RGB 196 203 119

HSL 65, 0.45%, 0.63%

LAB 79.49, -14.94, 41

 

CMYK 51 / 60 / 0 / 49

HEX #403483

RGB 64 52 131

HSL 249.11, 0.43%, 0.36%

LAB 27.25, 27.43, -42.93

 

CMYK 46 / 53 / 0 / 41

HEX #514696

RGB 81 70 150

HSL 248.25, 0.36%, 0.43%

LAB 34.66, 25.93, -42.61

 

CMYK 42 / 48 / 0 / 34

HEX #6258A9

RGB 98 88 169

HSL 247.41, 0.32%, 0.5%

LAB 41.91, 24.67, -42.33

 

CMYK 39 / 44 / 0 / 26

HEX #736ABC

RGB 115 106 188

HSL 246.59, 0.38%, 0.58%

LAB 48.99, 23.59, -42.1

 

CMYK 36 / 40 / 0 / 19

HEX #847CCF

RGB 132 124 207

HSL 245.78, 0.46%, 0.65%

LAB 55.91, 22.67, -41.92

 

CMYK 57 / 62 / 0 / 47

HEX #3B3488

RGB 59 52 136

HSL 245, 0.45%, 0.37%

LAB 27.2, 28.04, -46.16

 

CMYK 64 / 71 / 0 / 54

HEX #2A2275

RGB 42 34 117

HSL 245.78, 0.55%, 0.3%

LAB 19.72, 30.03, -46.41

 

CMYK 74 / 84 / 0 / 62

HEX #191062

RGB 25 16 98

HSL 246.59, 0.72%, 0.22%

LAB 12.35, 32.07, -46.18

 

CMYK 90 / 100 / 0 / 69

HEX #08004F

RGB 8 0 79

HSL 246.08, 1%, 0.15%

LAB 5.57, 32.78, -44.57

 

CMYK 100 / 100 / 0 / 76

HEX #00003C

RGB 0 0 60

HSL 240, 1%, 0.12%

LAB 2.95, 20.71, -35.41

 

CMYK 57 / 63 / 0 / 47

HEX #3A3388

RGB 58 51 136

HSL 244.94, 0.45%, 0.37%

LAB 26.86, 28.49, -46.71

 

CMYK 40 / 63 / 0 / 47

HEX #513388

RGB 81 51 136

HSL 261.18, 0.45%, 0.37%

LAB 29.14, 33.48, -42.9

 

CMYK 24 / 63 / 0 / 47

HEX #683388

RGB 104 51 136

HSL 277.41, 0.45%, 0.37%

LAB 32.01, 39.2, -38.15

 

CMYK 7 / 63 / 0 / 47

HEX #7F3388

RGB 127 51 136

HSL 293.65, 0.45%, 0.37%

LAB 35.32, 45.24, -32.68

 

CMYK 0 / 63 / 10 / 47

HEX #88337B

RGB 136 51 123

HSL 309.18, 0.45%, 0.37%

LAB 36.05, 45.34, -23.38

 

CMYK 57 / 63 / 0 / 47

HEX #3A3388

RGB 58 51 136

HSL 244.94, 0.45%, 0.37%

LAB 26.86, 28.49, -46.71

 

CMYK 63 / 63 / 0 / 47

HEX #333388

RGB 51 51 136

HSL 240, 0.45%, 0.37%

LAB 26.3, 27.18, -47.65

 

CMYK 57 / 63 / 0 / 47

HEX #3A3388

RGB 58 51 136

HSL 244.94, 0.45%, 0.37%

LAB 26.86, 28.49, -46.71

 

CMYK 70 / 76 / 0 / 40

HEX #2E2498

RGB 46 36 152

HSL 245.17, 0.62%, 0.37%

LAB 24.03, 41.2, -61.28

 

CMYK 80 / 87 / 0 / 35

HEX #2115A7

RGB 33 21 167

HSL 244.93, 0.78%, 0.37%

LAB 22.48, 52.08, -73.03

 

CMYK 89 / 97 / 0 / 29

HEX #1406B6

RGB 20 6 182

HSL 244.77, 0.94%, 0.37%

LAB 22.5, 60.22, -82.04

 

CMYK 57 / 63 / 0 / 47

HEX #3A3388

RGB 58 51 136

HSL 244.94, 0.45%, 0.37%

LAB 26.86, 28.49, -46.71

 

CMYK 41 / 45 / 0 / 53

HEX #474379

RGB 71 67 121

HSL 244.44, 0.29%, 0.37%

LAB 31.19, 16.22, -30.32

 

CMYK 21 / 23 / 0 / 58

HEX #54526A

RGB 84 82 106

HSL 245, 0.13%, 0.37%

LAB 35.91, 6.46, -13.51

 

CMYK 0 / 0 / 6 / 62

HEX #61615B

RGB 97 97 91

HSL 60, 0.03%, 0.37%

LAB 40.97, -1.22, 3.41

 

CMYK 3 / 0 / 33 / 56

HEX #6D704B

RGB 109 112 75

HSL 64.86, 0.2%, 0.37%

LAB 46.11, -7.66, 20.24

 

CMYK 63 / 34 / 0 / 47

HEX #335A88

RGB 51 90 136

HSL 212.47, 0.45%, 0.37%

LAB 37.47, 1.29, -29.76

 

CMYK 63 / 51 / 0 / 47

HEX #334388

RGB 51 67 136

HSL 228.71, 0.45%, 0.37%

LAB 30.63, 16.44, -40.64

 

CMYK 57 / 63 / 0 / 47

HEX #3A3388

RGB 58 51 136

HSL 244.94, 0.45%, 0.37%

LAB 26.86, 28.49, -46.71

 

CMYK 40 / 63 / 0 / 47

HEX #513388

RGB 81 51 136

HSL 261.18, 0.45%, 0.37%

LAB 29.14, 33.48, -42.9

 

CMYK 24 / 63 / 0 / 47

HEX #683388

RGB 104 51 136

HSL 277.41, 0.45%, 0.37%

LAB 32.01, 39.2, -38.15

 

CMYK 57 / 62 / 0 / 70

HEX #211D4C

RGB 33 29 76

HSL 245.11, 0.45%, 0.21%

LAB 13.97, 16.93, -28.63

 

CMYK 57 / 62 / 0 / 58

HEX #2E286A

RGB 46 40 106

HSL 245.45, 0.45%, 0.29%

LAB 20.59, 22.98, -37.87

 

CMYK 57 / 63 / 0 / 47

HEX #3A3388

RGB 58 51 136

HSL 244.94, 0.45%, 0.37%

LAB 26.86, 28.49, -46.71

 

CMYK 57 / 62 / 0 / 35

HEX #473FA6

RGB 71 63 166

HSL 244.66, 0.45%, 0.45%

LAB 33.24, 33.33, -54.62

 

CMYK 52 / 57 / 0 / 26

HEX #5A51BD

RGB 90 81 189

HSL 245, 0.45%, 0.53%

LAB 40.79, 33.27, -55.92

 

CMYK 57 / 62 / 0 / 47

HEX #3B3488

RGB 59 52 136

HSL 245, 0.45%, 0.37%

LAB 27.2, 28.04, -46.16

 

CMYK 0 / 63 / 18 / 47

HEX #883370

RGB 136 51 112

HSL 316.94, 0.45%, 0.37%

LAB 35.54, 43.53, -17.27

 

CMYK 43 / 0 / 63 / 47

HEX #4E8833

RGB 78 136 51

HSL 100.94, 0.45%, 0.37%

LAB 51.23, -35.22, 38.85

 

CMYK 57 / 62 / 0 / 47

HEX #3B3488

RGB 59 52 136

HSL 245, 0.45%, 0.37%

LAB 27.2, 28.04, -46.16

 

CMYK 0 / 57 / 63 / 47

HEX #883A33

RGB 136 58 51

HSL 4.94, 0.45%, 0.37%

LAB 35, 32.82, 20.76

 

CMYK 63 / 0 / 57 / 47

HEX #33883A

RGB 51 136 58

HSL 124.94, 0.45%, 0.37%

LAB 50.24, -42.34, 34

 

CMYK 57 / 62 / 0 / 47

HEX #3B3488

RGB 59 52 136

HSL 245, 0.45%, 0.37%

LAB 27.2, 28.04, -46.16

 

CMYK 0 / 63 / 18 / 47

HEX #883370

RGB 136 51 112

HSL 316.94, 0.45%, 0.37%

LAB 35.54, 43.53, -17.27

 

CMYK 5 / 0 / 63 / 47

HEX #818833

RGB 129 136 51

HSL 64.94, 0.45%, 0.37%

LAB 54.57, -14.64, 43.48

 

CMYK 63 / 0 / 45 / 47

HEX #33884B

RGB 51 136 75

HSL 136.94, 0.45%, 0.37%

LAB 50.48, -39.67, 25.33

 

CMYK 57 / 62 / 0 / 47

HEX #3B3488

RGB 59 52 136

HSL 245, 0.45%, 0.37%

LAB 27.2, 28.04, -46.16

 

CMYK 0 / 63 / 36 / 47

HEX #883357

RGB 136 51 87

HSL 334.59, 0.45%, 0.37%

LAB 34.58, 39.98, -2.81

 

CMYK 5 / 0 / 63 / 47

HEX #818833

RGB 129 136 51

HSL 64.94, 0.45%, 0.37%

LAB 54.57, -14.64, 43.48

 

CMYK 63 / 0 / 26 / 47

HEX #338865

RGB 51 136 101

HSL 155.29, 0.45%, 0.37%

LAB 50.98, -34.31, 11.35

 

Description

Color code: HEX #3B3488 | qconv.com Color code: HEX #3B3488 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 52 green and 136 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 52 136 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, 62 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 62% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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