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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B2186 it is the complementary color #C4DE79. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B2186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B2186 shade: #402181, #513394, #6245A7, #7357BA and #8469CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B2186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B2186 shade: #3B2186, #2A0F73, #190060, #08004D and #00003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B2186 shade: #3B2186, #562186, #722186, #86217F and #862164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B2186 shade: #3B2186 and #212186

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B2186 shade matches the following richer shades: #3B2186, #351494 and #2E06A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B2186 shade: #3B2186, #422F79, #483C6B, #4F4A5D and #565850

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B2186 shade: #213E86, #212386, #3A2186, #552186 and #702186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B2186 shade: #1E1144, #2D1965, #3B2186, #4A29A7 and #5832C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B2186 shade: #3B2186, #862159 and #308621

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B2186 shade: #3B2186, #863A21 and #21863A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B2186 shade: #3B2186, #862159, #6D8621 and #21864F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B2186 shade: #3B2186, #86213A, #6D8621 and #21866D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

Complementary color

CMYK 12 / 0 / 45 / 13

HEX #C4DE79

RGB 196 222 121

HSL 75.45, 0.6%, 0.67%

LAB 84.67, -24.09, 46.46

 

CMYK 50 / 74 / 0 / 49

HEX #402181

RGB 64 33 129

HSL 259.38, 0.59%, 0.32%

LAB 22.87, 38.18, -48.8

 

CMYK 45 / 66 / 0 / 42

HEX #513394

RGB 81 51 148

HSL 258.56, 0.49%, 0.39%

LAB 30.05, 36.95, -48.84

 

CMYK 41 / 59 / 0 / 35

HEX #6245A7

RGB 98 69 167

HSL 257.76, 0.42%, 0.46%

LAB 37.19, 35.65, -48.7

 

CMYK 38 / 53 / 0 / 27

HEX #7357BA

RGB 115 87 186

HSL 256.97, 0.42%, 0.54%

LAB 44.24, 34.43, -48.5

 

CMYK 36 / 49 / 0 / 20

HEX #8469CD

RGB 132 105 205

HSL 256.2, 0.5%, 0.61%

LAB 51.17, 33.32, -48.3

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 63 / 87 / 0 / 55

HEX #2A0F73

RGB 42 15 115

HSL 256.2, 0.77%, 0.25%

LAB 15.86, 39.73, -51.48

 

CMYK 74 / 100 / 0 / 62

HEX #190060

RGB 25 0 96

HSL 255.63, 1%, 0.19%

LAB 9.41, 39.41, -49.72

 

CMYK 90 / 100 / 0 / 70

HEX #08004D

RGB 8 0 77

HSL 246.23, 1%, 0.15%

LAB 5.31, 31.87, -43.61

 

CMYK 100 / 100 / 0 / 77

HEX #00003A

RGB 0 0 58

HSL 240, 1%, 0.11%

LAB 2.76, 19.39, -34.26

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 36 / 75 / 0 / 47

HEX #562186

RGB 86 33 134

HSL 271.49, 0.6%, 0.33%

LAB 26.12, 43.65, -46.53

 

CMYK 15 / 75 / 0 / 47

HEX #722186

RGB 114 33 134

HSL 288.12, 0.6%, 0.33%

LAB 30.37, 49.48, -39.45

 

CMYK 0 / 75 / 5 / 47

HEX #86217F

RGB 134 33 127

HSL 304.16, 0.6%, 0.33%

LAB 33.33, 52.74, -30.17

 

CMYK 0 / 75 / 25 / 47

HEX #862164

RGB 134 33 100

HSL 320.2, 0.6%, 0.33%

LAB 31.98, 48.65, -15.13

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 75 / 75 / 0 / 47

HEX #212186

RGB 33 33 134

HSL 240, 0.6%, 0.33%

LAB 20.57, 35.48, -55.84

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 64 / 86 / 0 / 42

HEX #351494

RGB 53 20 148

HSL 255.47, 0.76%, 0.33%

LAB 21.56, 48.31, -62.87

 

CMYK 71 / 96 / 0 / 37

HEX #2E06A1

RGB 46 6 161

HSL 255.48, 0.93%, 0.33%

LAB 21.15, 55.52, -71.57

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 45 / 61 / 0 / 53

HEX #422F79

RGB 66 47 121

HSL 255.41, 0.44%, 0.33%

LAB 25.48, 27.91, -39.49

 

CMYK 33 / 44 / 0 / 58

HEX #483C6B

RGB 72 60 107

HSL 255.32, 0.28%, 0.33%

LAB 28.57, 16.91, -25.62

 

CMYK 15 / 20 / 0 / 64

HEX #4F4A5D

RGB 79 74 93

HSL 255.79, 0.11%, 0.33%

LAB 32.59, 6.43, -10.41

 

CMYK 2 / 0 / 9 / 65

HEX #565850

RGB 86 88 80

HSL 75, 0.05%, 0.33%

LAB 37, -2.46, 4.36

 

CMYK 75 / 54 / 0 / 47

HEX #213E86

RGB 33 62 134

HSL 222.77, 0.6%, 0.33%

LAB 28.09, 16.03, -43.55

 

CMYK 75 / 74 / 0 / 47

HEX #212386

RGB 33 35 134

HSL 238.81, 0.6%, 0.33%

LAB 21.01, 34.25, -55.12

 

CMYK 57 / 75 / 0 / 47

HEX #3A2186

RGB 58 33 134

HSL 254.85, 0.6%, 0.33%

LAB 22.68, 38.69, -52.28

 

CMYK 37 / 75 / 0 / 47

HEX #552186

RGB 85 33 134

HSL 270.89, 0.6%, 0.33%

LAB 25.98, 43.46, -46.76

 

CMYK 16 / 75 / 0 / 47

HEX #702186

RGB 112 33 134

HSL 286.93, 0.6%, 0.33%

LAB 30.04, 49.04, -39.99

 

CMYK 56 / 75 / 0 / 73

HEX #1E1144

RGB 30 17 68

HSL 255.29, 0.6%, 0.17%

LAB 9.75, 21.76, -29.91

 

CMYK 55 / 75 / 0 / 60

HEX #2D1965

RGB 45 25 101

HSL 255.79, 0.6%, 0.25%

LAB 16.47, 30.7, -41.32

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 56 / 75 / 0 / 35

HEX #4A29A7

RGB 74 41 167

HSL 255.71, 0.61%, 0.41%

LAB 28.98, 46.72, -62.17

 

CMYK 56 / 75 / 0 / 22

HEX #5832C8

RGB 88 50 200

HSL 255.2, 0.6%, 0.49%

LAB 35.06, 53.64, -71.7

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 0 / 75 / 34 / 47

HEX #862159

RGB 134 33 89

HSL 326.73, 0.6%, 0.33%

LAB 31.53, 47.22, -8.7

 

CMYK 64 / 0 / 75 / 47

HEX #308621

RGB 48 134 33

HSL 111.09, 0.6%, 0.33%

LAB 49.24, -45.01, 44.14

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 0 / 57 / 75 / 47

HEX #863A21

RGB 134 58 33

HSL 14.85, 0.6%, 0.33%

LAB 34.4, 30.89, 30.75

 

CMYK 75 / 0 / 57 / 47

HEX #21863A

RGB 33 134 58

HSL 134.85, 0.6%, 0.33%

LAB 49.1, -45.24, 32.54

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 0 / 75 / 34 / 47

HEX #862159

RGB 134 33 89

HSL 326.73, 0.6%, 0.33%

LAB 31.53, 47.22, -8.7

 

CMYK 19 / 0 / 75 / 47

HEX #6D8621

RGB 109 134 33

HSL 74.85, 0.6%, 0.33%

LAB 52.3, -23.55, 48.19

 

CMYK 75 / 0 / 41 / 47

HEX #21864F

RGB 33 134 79

HSL 147.33, 0.6%, 0.33%

LAB 49.42, -41.59, 21.66

 

CMYK 56 / 75 / 0 / 47

HEX #3B2186

RGB 59 33 134

HSL 255.45, 0.6%, 0.33%

LAB 22.79, 38.85, -52.11

 

CMYK 0 / 75 / 57 / 47

HEX #86213A

RGB 134 33 58

HSL 345.15, 0.6%, 0.33%

LAB 30.55, 44.05, 10.28

 

CMYK 19 / 0 / 75 / 47

HEX #6D8621

RGB 109 134 33

HSL 74.85, 0.6%, 0.33%

LAB 52.3, -23.55, 48.19

 

CMYK 75 / 0 / 19 / 47

HEX #21866D

RGB 33 134 109

HSL 165.15, 0.6%, 0.33%

LAB 50.07, -34.56, 5.37

 

Description

Color code: HEX #3B2186 | qconv.com Color code: HEX #3B2186 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 33 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 33 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 75 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 75% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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