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Color name
HEX #3B1E5B

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3B1E5B it is the complementary color #C4E1A4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3B1E5B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3B1E5B shade: #401E56, #513069, #62427C, #73548F and #8466A2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3B1E5B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3B1E5B shade: #3B1E5B, #2A0C48, #190035, #080022 and #00000F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3B1E5B shade: #3B1E5B, #4C1E5B, #5B1E5A, #5B1E4A and #5B1E39

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3B1E5B shade: #3B1E5B, #2B1E5B and #1E1E5B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3B1E5B shade matches the following richer shades: #3B1E5B, #3B1465, #3A0A6F and #3A0079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3B1E5B shade: #3B1E5B, #3C2851, #3C3247, #3D3C3E and #3D4634

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3B1E5B shade: #1E225B, #2A1E5B, #3B1E5B, #4B1E5B and #5B1E5B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3B1E5B shade: #13091D, #27143C, #3B1E5B, #4F287A and #633399

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3B1E5B shade: #3B1E5B, #5B1E32 and #1E5B22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3B1E5B shade: #3B1E5B, #5B3B1E and #1E5B3B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3B1E5B shade: #3B1E5B, #5B1E32, #3F5B1E and #1E5B47

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3B1E5B shade: #3B1E5B, #5B1E20, #3F5B1E and #1E5B59

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

Complementary color

CMYK 13 / 0 / 27 / 12

HEX #C4E1A4

RGB 196 225 164

HSL 88.52, 0.5%, 0.76%

LAB 86.14, -20.12, 26.77

 

CMYK 26 / 65 / 0 / 66

HEX #401E56

RGB 64 30 86

HSL 276.43, 0.48%, 0.23%

LAB 18.76, 27.76, -27.51

 

CMYK 23 / 54 / 0 / 59

HEX #513069

RGB 81 48 105

HSL 274.74, 0.37%, 0.3%

LAB 26.4, 26.83, -27.69

 

CMYK 21 / 47 / 0 / 51

HEX #62427C

RGB 98 66 124

HSL 273.1, 0.31%, 0.37%

LAB 33.88, 25.87, -27.78

 

CMYK 20 / 41 / 0 / 44

HEX #73548F

RGB 115 84 143

HSL 271.53, 0.26%, 0.45%

LAB 41.17, 24.98, -27.85

 

CMYK 19 / 37 / 0 / 36

HEX #8466A2

RGB 132 102 162

HSL 270, 0.24%, 0.52%

LAB 48.28, 24.18, -27.94

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 42 / 83 / 0 / 72

HEX #2A0C48

RGB 42 12 72

HSL 270, 0.71%, 0.16%

LAB 10.73, 28.49, -31.06

 

CMYK 53 / 100 / 0 / 79

HEX #190035

RGB 25 0 53

HSL 268.3, 1%, 0.1%

LAB 4.19, 24.11, -28.19

 

CMYK 76 / 100 / 0 / 87

HEX #080022

RGB 8 0 34

HSL 254.12, 1%, 0.07%

LAB 1.51, 9.42, -18.02

 

CMYK 100 / 100 / 0 / 94

HEX #00000F

RGB 0 0 15

HSL 240, 1%, 0.03%

LAB 0.31, 2.19, -5.96

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 16 / 67 / 0 / 64

HEX #4C1E5B

RGB 76 30 91

HSL 285.25, 0.5%, 0.24%

LAB 20.91, 32.34, -27.32

 

CMYK 0 / 67 / 1 / 64

HEX #5B1E5A

RGB 91 30 90

HSL 300.98, 0.5%, 0.24%

LAB 23.31, 36.33, -22.69

 

CMYK 0 / 67 / 19 / 64

HEX #5B1E4A

RGB 91 30 74

HSL 316.72, 0.5%, 0.24%

LAB 22.47, 33.44, -13.28

 

CMYK 0 / 67 / 37 / 64

HEX #5B1E39

RGB 91 30 57

HSL 333.44, 0.5%, 0.24%

LAB 21.76, 30.86, -2.72

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 53 / 67 / 0 / 64

HEX #2B1E5B

RGB 43 30 91

HSL 252.79, 0.5%, 0.24%

LAB 16.49, 23.87, -34.65

 

CMYK 67 / 67 / 0 / 64

HEX #1E1E5B

RGB 30 30 91

HSL 240, 0.5%, 0.24%

LAB 15.28, 21.22, -36.68

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 42 / 80 / 0 / 60

HEX #3B1465

RGB 59 20 101

HSL 268.89, 0.67%, 0.24%

LAB 17.32, 35.95, -39.85

 

CMYK 48 / 91 / 0 / 56

HEX #3A0A6F

RGB 58 10 111

HSL 268.51, 0.83%, 0.24%

LAB 16.82, 42.36, -47.23

 

CMYK 52 / 100 / 0 / 53

HEX #3A0079

RGB 58 0 121

HSL 268.76, 1%, 0.24%

LAB 16.89, 47.98, -53.57

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 26 / 51 / 0 / 68

HEX #3C2851

RGB 60 40 81

HSL 269.27, 0.34%, 0.24%

LAB 20.33, 18.86, -21.69

 

CMYK 15 / 30 / 0 / 72

HEX #3C3247

RGB 60 50 71

HSL 268.57, 0.17%, 0.24%

LAB 22.64, 9.38, -11.37

 

CMYK 2 / 3 / 0 / 76

HEX #3D3C3E

RGB 61 60 62

HSL 270, 0.02%, 0.24%

LAB 25.48, 0.88, -1.08

 

CMYK 13 / 0 / 26 / 73

HEX #3D4634

RGB 61 70 52

HSL 90, 0.15%, 0.24%

LAB 28.43, -7.55, 9.66

 

CMYK 67 / 63 / 0 / 64

HEX #1E225B

RGB 30 34 91

HSL 236.07, 0.5%, 0.24%

LAB 16.38, 18.36, -34.88

 

CMYK 54 / 67 / 0 / 64

HEX #2A1E5B

RGB 42 30 91

HSL 251.8, 0.5%, 0.24%

LAB 16.39, 23.64, -34.83

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 18 / 67 / 0 / 64

HEX #4B1E5B

RGB 75 30 91

HSL 284.26, 0.5%, 0.24%

LAB 20.75, 32.07, -27.57

 

CMYK 0 / 67 / 0 / 64

HEX #5B1E5B

RGB 91 30 91

HSL 300, 0.5%, 0.24%

LAB 23.37, 36.53, -23.26

 

CMYK 34 / 69 / 0 / 89

HEX #13091D

RGB 19 9 29

HSL 270, 0.53%, 0.07%

LAB 3.82, 7.64, -10.5

 

CMYK 35 / 67 / 0 / 76

HEX #27143C

RGB 39 20 60

HSL 268.5, 0.5%, 0.16%

LAB 10.98, 19.47, -22.21

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 35 / 67 / 0 / 52

HEX #4F287A

RGB 79 40 122

HSL 268.54, 0.51%, 0.32%

LAB 25.52, 35.46, -39.99

 

CMYK 35 / 67 / 0 / 40

HEX #633399

RGB 99 51 153

HSL 268.24, 0.5%, 0.4%

LAB 32.53, 42.22, -47.79

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 0 / 67 / 45 / 64

HEX #5B1E32

RGB 91 30 50

HSL 340.33, 0.5%, 0.24%

LAB 21.52, 29.96, 1.78

 

CMYK 67 / 0 / 63 / 64

HEX #1E5B22

RGB 30 91 34

HSL 123.93, 0.5%, 0.24%

LAB 33.72, -32.55, 26.74

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 0 / 35 / 67 / 64

HEX #5B3B1E

RGB 91 59 30

HSL 28.52, 0.5%, 0.24%

LAB 27.97, 10.8, 23.42

 

CMYK 67 / 0 / 35 / 64

HEX #1E5B3B

RGB 30 91 59

HSL 148.52, 0.5%, 0.24%

LAB 34.14, -27.94, 12.83

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 0 / 67 / 45 / 64

HEX #5B1E32

RGB 91 30 50

HSL 340.33, 0.5%, 0.24%

LAB 21.52, 29.96, 1.78

 

CMYK 31 / 0 / 67 / 64

HEX #3F5B1E

RGB 63 91 30

HSL 87.54, 0.5%, 0.24%

LAB 35.27, -21.61, 30.97

 

CMYK 67 / 0 / 22 / 64

HEX #1E5B47

RGB 30 91 71

HSL 160.33, 0.5%, 0.24%

LAB 34.42, -24.96, 5.83

 

CMYK 35 / 67 / 0 / 64

HEX #3B1E5B

RGB 59 30 91

HSL 268.52, 0.5%, 0.24%

LAB 18.43, 27.77, -31.43

 

CMYK 0 / 67 / 65 / 64

HEX #5B1E20

RGB 91 30 32

HSL 358.03, 0.5%, 0.24%

LAB 21.04, 28.16, 13.6

 

CMYK 31 / 0 / 67 / 64

HEX #3F5B1E

RGB 63 91 30

HSL 87.54, 0.5%, 0.24%

LAB 35.27, -21.61, 30.97

 

CMYK 67 / 0 / 2 / 64

HEX #1E5B59

RGB 30 91 89

HSL 178.03, 0.5%, 0.24%

LAB 34.96, -19.7, -4.62

 

Description

Color code: HEX #3B1E5B | qconv.com Color code: HEX #3B1E5B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 59 red, 30 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
59 30 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 67 magenta, none yellow and 64 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 67% 0% 64% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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