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Color name
HEX #3AFD61

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AFD61 it is the complementary color #C5029E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AFD61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AFD61 shade: #3FFD5C, #50FF6F, #61FF82, #72FF95 and #83FFA8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AFD61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AFD61 shade: #3AFD61, #29EB4E, #18D93B, #07C728 and #00B515

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AFD61 shade: #3AFD61, #47FD3A, #7CFD3A, #B0FD3A and #E5FD3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AFD61 shade: #3AFD61, #3AFD95, #3AFDCA, #3AFBFD and #3AC6FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AFD61 shade matches the following richer shades: #3AFD61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AFD61 shade: #3AFD61, #4AEC6A, #5ADC74, #6ACC7E and #7ABC87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AFD61 shade: #7BFD3A, #47FD3A, #3AFD61, #3AFD95 and #3AFDC9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AFD61 shade: #02E22F, #11FC40, #3AFD61, #62FD81 and #8BFDA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AFD61 shade: #3AFD61, #3AAFFD and #FD3A61

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AFD61 shade: #3AFD61, #613AFD and #FD613A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AFD61 shade: #3AFD61, #3AAFFD, #FD3AD6 and #FD883A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AFD61 shade: #3AFD61, #3A74FD, #FD3AD6 and #FDC23A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

Complementary color

CMYK 0 / 99 / 20 / 23

HEX #C5029E

RGB 197 2 158

HSL 312, 0.98%, 0.39%

LAB 44.78, 75.49, -30.34

 

CMYK 75 / 0 / 64 / 1

HEX #3FFD5C

RGB 63 253 92

HSL 129.16, 0.98%, 0.62%

LAB 88.01, -76.42, 62

 

CMYK 69 / 0 / 56 / 0

HEX #50FF6F

RGB 80 255 111

HSL 130.63, 1%, 0.66%

LAB 89.1, -72.36, 55.27

 

CMYK 62 / 0 / 49 / 0

HEX #61FF82

RGB 97 255 130

HSL 132.53, 1%, 0.69%

LAB 89.71, -66.75, 47.41

 

CMYK 55 / 0 / 42 / 0

HEX #72FF95

RGB 114 255 149

HSL 134.89, 1%, 0.72%

LAB 90.44, -60.3, 39.32

 

CMYK 49 / 0 / 34 / 0

HEX #83FFA8

RGB 131 255 168

HSL 137.9, 1%, 0.76%

LAB 91.31, -53.12, 31.16

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 83 / 0 / 67 / 8

HEX #29EB4E

RGB 41 235 78

HSL 131.44, 0.83%, 0.54%

LAB 82.08, -74.91, 61.01

 

CMYK 89 / 0 / 73 / 15

HEX #18D93B

RGB 24 217 59

HSL 130.88, 0.8%, 0.47%

LAB 76.15, -72.72, 61.82

 

CMYK 96 / 0 / 80 / 22

HEX #07C728

RGB 7 199 40

HSL 130.31, 0.93%, 0.4%

LAB 70.21, -69.82, 62.07

 

CMYK 100 / 0 / 88 / 29

HEX #00B515

RGB 0 181 21

HSL 126.96, 1%, 0.35%

LAB 64.24, -66.06, 61.32

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 72 / 0 / 77 / 1

HEX #47FD3A

RGB 71 253 58

HSL 116, 0.98%, 0.61%

LAB 87.92, -78.01, 73.96

 

CMYK 51 / 0 / 77 / 1

HEX #7CFD3A

RGB 124 253 58

HSL 99.69, 0.98%, 0.61%

LAB 89.32, -66.58, 75.78

 

CMYK 30 / 0 / 77 / 1

HEX #B0FD3A

RGB 176 253 58

HSL 83.69, 0.98%, 0.61%

LAB 91.59, -50.16, 78.72

 

CMYK 9 / 0 / 77 / 1

HEX #E5FD3A

RGB 229 253 58

HSL 67.38, 0.98%, 0.61%

LAB 94.83, -30.08, 82.88

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 77 / 0 / 41 / 1

HEX #3AFD95

RGB 58 253 149

HSL 148, 0.98%, 0.61%

LAB 88.6, -69.13, 36.68

 

CMYK 77 / 0 / 20 / 1

HEX #3AFDCA

RGB 58 253 202

HSL 164.31, 0.98%, 0.61%

LAB 89.59, -58.24, 11.15

 

CMYK 77 / 1 / 0 / 1

HEX #3AFBFD

RGB 58 251 253

HSL 180.62, 0.98%, 0.61%

LAB 90.32, -44.21, -14.26

 

CMYK 77 / 22 / 0 / 1

HEX #3AC6FD

RGB 58 198 253

HSL 196.92, 0.98%, 0.61%

LAB 75.06, -18.86, -37.51

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 69 / 0 / 55 / 7

HEX #4AEC6A

RGB 74 236 106

HSL 131.85, 0.81%, 0.61%

LAB 83.17, -67.65, 50.46

 

CMYK 59 / 0 / 47 / 14

HEX #5ADC74

RGB 90 220 116

HSL 132, 0.65%, 0.61%

LAB 78.82, -57.43, 40.48

 

CMYK 48 / 0 / 38 / 20

HEX #6ACC7E

RGB 106 204 126

HSL 132.24, 0.49%, 0.61%

LAB 74.67, -45.53, 30.2

 

CMYK 35 / 0 / 28 / 26

HEX #7ABC87

RGB 122 188 135

HSL 131.82, 0.33%, 0.61%

LAB 70.77, -32.13, 20.34

 

CMYK 51 / 0 / 77 / 1

HEX #7BFD3A

RGB 123 253 58

HSL 100, 0.98%, 0.61%

LAB 89.28, -66.85, 75.74

 

CMYK 72 / 0 / 77 / 1

HEX #47FD3A

RGB 71 253 58

HSL 116, 0.98%, 0.61%

LAB 87.92, -78.01, 73.96

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 77 / 0 / 41 / 1

HEX #3AFD95

RGB 58 253 149

HSL 148, 0.98%, 0.61%

LAB 88.6, -69.13, 36.68

 

CMYK 77 / 0 / 21 / 1

HEX #3AFDC9

RGB 58 253 201

HSL 164, 0.98%, 0.61%

LAB 89.56, -58.48, 11.64

 

CMYK 99 / 0 / 79 / 11

HEX #02E22F

RGB 2 226 47

HSL 132.05, 0.98%, 0.45%

LAB 78.82, -77.05, 68.21

 

CMYK 93 / 0 / 75 / 1

HEX #11FC40

RGB 17 252 64

HSL 132, 0.98%, 0.53%

LAB 87.05, -82.53, 71.07

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 61 / 0 / 49 / 1

HEX #62FD81

RGB 98 253 129

HSL 132, 0.97%, 0.69%

LAB 89.13, -65.98, 47.17

 

CMYK 45 / 0 / 36 / 1

HEX #8BFDA2

RGB 139 253 162

HSL 132.11, 0.97%, 0.77%

LAB 90.94, -51.23, 33.71

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 77 / 31 / 0 / 1

HEX #3AAFFD

RGB 58 175 253

HSL 204, 0.98%, 0.61%

LAB 68.5, -6.5, -47.78

 

CMYK 0 / 77 / 62 / 1

HEX #FD3A61

RGB 253 58 97

HSL 348, 0.98%, 0.61%

LAB 56.85, 73.29, 25.24

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 62 / 77 / 0 / 1

HEX #613AFD

RGB 97 58 253

HSL 252, 0.98%, 0.61%

LAB 42.25, 65.73, -90.08

 

CMYK 0 / 62 / 77 / 1

HEX #FD613A

RGB 253 97 58

HSL 12, 0.98%, 0.61%

LAB 61.43, 57.53, 52.09

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 77 / 31 / 0 / 1

HEX #3AAFFD

RGB 58 175 253

HSL 204, 0.98%, 0.61%

LAB 68.5, -6.5, -47.78

 

CMYK 0 / 77 / 15 / 1

HEX #FD3AD6

RGB 253 58 214

HSL 312, 0.98%, 0.61%

LAB 60.57, 84.47, -37.51

 

CMYK 0 / 46 / 77 / 1

HEX #FD883A

RGB 253 136 58

HSL 24, 0.98%, 0.61%

LAB 68.6, 39.16, 59.23

 

CMYK 77 / 0 / 62 / 1

HEX #3AFD61

RGB 58 253 97

HSL 132, 0.98%, 0.61%

LAB 87.97, -76.53, 59.89

 

CMYK 77 / 54 / 0 / 1

HEX #3A74FD

RGB 58 116 253

HSL 222.15, 0.98%, 0.61%

LAB 52.38, 28.67, -73.57

 

CMYK 0 / 77 / 15 / 1

HEX #FD3AD6

RGB 253 58 214

HSL 312, 0.98%, 0.61%

LAB 60.57, 84.47, -37.51

 

CMYK 0 / 23 / 77 / 1

HEX #FDC23A

RGB 253 194 58

HSL 41.85, 0.98%, 0.61%

LAB 81.71, 9.08, 71.66

 

Description

Color code: HEX #3AFD61 | qconv.com Color code: HEX #3AFD61 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 253 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 253 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 62 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 62% 1% C M Y K

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Provide designers and agencies with accurate color values.

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