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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AFBD5 it is the complementary color #C5042A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AFBD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AFBD5 shade: #3FFBD0, #50FFE3, #61FFF6, #72FFFF and #83FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AFBD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AFBD5 shade: #3AFBD5, #29E9C2, #18D7AF, #07C59C and #00B389

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AFBD5 shade: #3CFBD5, #3CFBA1, #3CFB6E, #3DFB3C and #70FB3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AFBD5 shade: #3CFBD5, #3CEDFB, #3CB9FB, #3C86FB and #3C52FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AFBD5 shade matches the following richer shades: #3CFBD5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AFBD5 shade: #3CFBD5, #4CEACB, #5CDAC1, #6CCAB8 and #7CBAAE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AFBD5 shade: #3CFB6E, #3CFBA1, #3CFBD4, #3CEEFB and #3CBBFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AFBD5 shade: #04E0B4, #13FACC, #3CFBD5, #64FBDE and #8CFCE6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AFBD5 shade: #3AFBD5, #3C3CFB and #FB883C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AFBD5 shade: #3AFBD5, #D43CFB and #FBD43C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AFBD5 shade: #3AFBD5, #3C3CFB, #FB3C62 and #FBFB3C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AFBD5 shade: #3AFBD5, #753CFB, #FB3C62 and #C1FB3C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 15 / 2

HEX #3AFBD5

RGB 58 251 213

HSL 168.19, 0.96%, 0.61%

LAB 89.25, -54.8, 4.98

 

Complementary color

CMYK 0 / 98 / 79 / 23

HEX #C5042A

RGB 197 4 42

HSL 348.19, 0.96%, 0.39%

LAB 41.41, 66.29, 36.68

 

CMYK 75 / 0 / 17 / 2

HEX #3FFBD0

RGB 63 251 208

HSL 166.28, 0.96%, 0.62%

LAB 89.21, -55.5, 7.52

 

CMYK 69 / 0 / 11 / 0

HEX #50FFE3

RGB 80 255 227

HSL 170.4, 1%, 0.66%

LAB 91.13, -50.4, 0.49

 

CMYK 62 / 0 / 4 / 0

HEX #61FFF6

RGB 97 255 246

HSL 176.58, 1%, 0.69%

LAB 92, -43.09, -8.03

 

CMYK 55 / 0 / 0 / 0

HEX #72FFFF

RGB 114 255 255

HSL 180, 1%, 0.72%

LAB 92.71, -37.9, -11.58

 

CMYK 49 / 0 / 0 / 0

HEX #83FFFF

RGB 131 255 255

HSL 180, 1%, 0.76%

LAB 93.26, -34.61, -10.71

 

CMYK 77 / 0 / 15 / 2

HEX #3AFBD5

RGB 58 251 213

HSL 168.19, 0.96%, 0.61%

LAB 89.25, -54.8, 4.98

 

CMYK 82 / 0 / 17 / 9

HEX #29E9C2

RGB 41 233 194

HSL 167.81, 0.81%, 0.54%

LAB 83.25, -53.78, 6.22

 

CMYK 89 / 0 / 19 / 16

HEX #18D7AF

RGB 24 215 175

HSL 167.43, 0.8%, 0.47%

LAB 77.22, -52.46, 7.59

 

CMYK 96 / 0 / 21 / 23

HEX #07C59C

RGB 7 197 156

HSL 167.05, 0.93%, 0.4%

LAB 71.13, -50.76, 9.09

 

CMYK 100 / 0 / 23 / 30

HEX #00B389

RGB 0 179 137

HSL 165.92, 1%, 0.35%

LAB 65, -48.62, 10.75

 

CMYK 76 / 0 / 15 / 2

HEX #3CFBD5

RGB 60 251 213

HSL 168.06, 0.96%, 0.61%

LAB 89.28, -54.6, 5.02

 

CMYK 76 / 0 / 36 / 2

HEX #3CFBA1

RGB 60 251 161

HSL 151.73, 0.96%, 0.61%

LAB 88.22, -66.01, 30.21

 

CMYK 76 / 0 / 56 / 2

HEX #3CFB6E

RGB 60 251 110

HSL 135.71, 0.96%, 0.61%

LAB 87.52, -74.12, 53.77

 

CMYK 76 / 0 / 76 / 2

HEX #3DFB3C

RGB 61 251 60

HSL 119.69, 0.96%, 0.61%

LAB 87.15, -78.75, 72.56

 

CMYK 55 / 0 / 76 / 2

HEX #70FB3C

RGB 112 251 60

HSL 103.66, 0.96%, 0.61%

LAB 88.34, -68.9, 74.12

 

CMYK 76 / 0 / 15 / 2

HEX #3CFBD5

RGB 60 251 213

HSL 168.06, 0.96%, 0.61%

LAB 89.28, -54.6, 5.02

 

CMYK 76 / 6 / 0 / 2

HEX #3CEDFB

RGB 60 237 251

HSL 184.4, 0.96%, 0.61%

LAB 86.25, -38.3, -19.32

 

CMYK 76 / 26 / 0 / 2

HEX #3CB9FB

RGB 60 185 251

HSL 200.73, 0.96%, 0.61%

LAB 71.3, -12.44, -42.3

 

CMYK 76 / 47 / 0 / 2

HEX #3C86FB

RGB 60 134 251

HSL 216.75, 0.96%, 0.61%

LAB 57.05, 17.02, -64.91

 

CMYK 76 / 67 / 0 / 2

HEX #3C52FB

RGB 60 82 251

HSL 233.09, 0.96%, 0.61%

LAB 44.18, 48.97, -85.86

 

CMYK 76 / 0 / 15 / 2

HEX #3CFBD5

RGB 60 251 213

HSL 168.06, 0.96%, 0.61%

LAB 89.28, -54.6, 5.02

 

CMYK 76 / 0 / 15 / 2

HEX #3CFBD5

RGB 60 251 213

HSL 168.06, 0.96%, 0.61%

LAB 89.28, -54.6, 5.02

 

CMYK 68 / 0 / 13 / 8

HEX #4CEACB

RGB 76 234 203

HSL 168.23, 0.79%, 0.61%

LAB 84.33, -48.06, 3.11

 

CMYK 58 / 0 / 11 / 15

HEX #5CDAC1

RGB 92 218 193

HSL 168.1, 0.63%, 0.61%

LAB 79.77, -40.89, 1.83

 

CMYK 47 / 0 / 9 / 21

HEX #6CCAB8

RGB 108 202 184

HSL 168.51, 0.47%, 0.61%

LAB 75.38, -32.27, 0.34

 

CMYK 33 / 0 / 6 / 27

HEX #7CBAAE

RGB 124 186 174

HSL 168.39, 0.31%, 0.61%

LAB 71.19, -22.58, -0.26

 

CMYK 76 / 0 / 56 / 2

HEX #3CFB6E

RGB 60 251 110

HSL 135.71, 0.96%, 0.61%

LAB 87.52, -74.12, 53.77

 

CMYK 76 / 0 / 36 / 2

HEX #3CFBA1

RGB 60 251 161

HSL 151.73, 0.96%, 0.61%

LAB 88.22, -66.01, 30.21

 

CMYK 76 / 0 / 16 / 2

HEX #3CFBD4

RGB 60 251 212

HSL 167.75, 0.96%, 0.61%

LAB 89.26, -54.84, 5.5

 

CMYK 76 / 5 / 0 / 2

HEX #3CEEFB

RGB 60 238 251

HSL 184.08, 0.96%, 0.61%

LAB 86.54, -38.76, -18.88

 

CMYK 76 / 25 / 0 / 2

HEX #3CBBFB

RGB 60 187 251

HSL 200.1, 0.96%, 0.61%

LAB 71.87, -13.52, -41.41

 

CMYK 98 / 0 / 20 / 12

HEX #04E0B4

RGB 4 224 180

HSL 168, 0.96%, 0.45%

LAB 79.97, -55.48, 8.87

 

CMYK 92 / 0 / 18 / 2

HEX #13FACC

RGB 19 250 204

HSL 168.05, 0.96%, 0.53%

LAB 88.39, -59.22, 8.35

 

CMYK 76 / 0 / 15 / 2

HEX #3CFBD5

RGB 60 251 213

HSL 168.06, 0.96%, 0.61%

LAB 89.28, -54.6, 5.02

 

CMYK 60 / 0 / 12 / 2

HEX #64FBDE

RGB 100 251 222

HSL 168.48, 0.95%, 0.69%

LAB 90.31, -46.86, 1.95

 

CMYK 44 / 0 / 9 / 1

HEX #8CFCE6

RGB 140 252 230

HSL 168.21, 0.95%, 0.77%

LAB 92.09, -37.21, 0.55

 

CMYK 77 / 0 / 15 / 2

HEX #3AFBD5

RGB 58 251 213

HSL 168.19, 0.96%, 0.61%

LAB 89.25, -54.8, 4.98

 

CMYK 76 / 76 / 0 / 2

HEX #3C3CFB

RGB 60 60 251

HSL 240, 0.96%, 0.61%

LAB 39.84, 61.04, -93.01

 

CMYK 0 / 46 / 76 / 2

HEX #FB883C

RGB 251 136 60

HSL 23.87, 0.96%, 0.61%

LAB 68.35, 38.45, 58.01

 

CMYK 77 / 0 / 15 / 2

HEX #3AFBD5

RGB 58 251 213

HSL 168.19, 0.96%, 0.61%

LAB 89.25, -54.8, 4.98

 

CMYK 16 / 76 / 0 / 2

HEX #D43CFB

RGB 212 60 251

HSL 287.75, 0.96%, 0.61%

LAB 56.28, 81.52, -65.48

 

CMYK 0 / 16 / 76 / 2

HEX #FBD43C

RGB 251 212 60

HSL 47.75, 0.96%, 0.61%

LAB 85.97, -0.94, 74.85

 

CMYK 77 / 0 / 15 / 2

HEX #3AFBD5

RGB 58 251 213

HSL 168.19, 0.96%, 0.61%

LAB 89.25, -54.8, 4.98

 

CMYK 76 / 76 / 0 / 2

HEX #3C3CFB

RGB 60 60 251

HSL 240, 0.96%, 0.61%

LAB 39.84, 61.04, -93.01

 

CMYK 0 / 76 / 61 / 2

HEX #FB3C62

RGB 251 60 98

HSL 348.06, 0.96%, 0.61%

LAB 56.71, 72.24, 24.39

 

CMYK 0 / 0 / 76 / 2

HEX #FBFB3C

RGB 251 251 60

HSL 60, 0.96%, 0.61%

LAB 95.93, -20.2, 83.91

 

CMYK 77 / 0 / 15 / 2

HEX #3AFBD5

RGB 58 251 213

HSL 168.19, 0.96%, 0.61%

LAB 89.25, -54.8, 4.98

 

CMYK 53 / 76 / 0 / 2

HEX #753CFB

RGB 117 60 251

HSL 257.91, 0.96%, 0.61%

LAB 44.2, 66.59, -85.67

 

CMYK 0 / 76 / 61 / 2

HEX #FB3C62

RGB 251 60 98

HSL 348.06, 0.96%, 0.61%

LAB 56.71, 72.24, 24.39

 

CMYK 23 / 0 / 76 / 2

HEX #C1FB3C

RGB 193 251 60

HSL 78.22, 0.96%, 0.61%

LAB 91.98, -43.03, 78.85

 

Description

Color code: HEX #3AFBD5 | qconv.com Color code: HEX #3AFBD5 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 251 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 251 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 15 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 15% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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