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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #3AF796 it is the complementary color #C50869. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #3AF796. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #3AF796 shade: #3FF791, #50FFA4, #61FFB7, #72FFCA and #83FFDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #3AF796. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #3AF796 shade: #3AF796, #29E583, #18D370, #07C15D and #00AF4A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #3AF796 shade: #3BF696, #3BF663, #45F63B, #77F63B and #AAF63B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #3AF796 shade: #3BF696, #3BF6C9, #3BF1F6, #3BBFF6 and #3B8CF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #3AF796 shade matches the following richer shades: #3BF696

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #3AF796 shade: #3BF696, #4BE696, #5CD597, #6CC597 and #7DB498

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #3AF796 shade: #44F63B, #3BF663, #3BF695, #3BF6C7 and #3BF3F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #3AF796 shade: #08D66D, #13F581, #3BF696, #62F8AB and #8AFAC0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #3AF796 shade: #3AF796, #3B76F6 and #F64A3B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #3AF796 shade: #3AF796, #953BF6 and #F6953B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #3AF796 shade: #3AF796, #3B76F6, #F63B9C and #F6BB3B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #3AF796 shade: #3AF796, #3B3EF6, #F63B9C and #F6F33B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 39 / 3

HEX #3AF796

RGB 58 247 150

HSL 149.21, 0.92%, 0.6%

LAB 86.81, -66.87, 33.83

 

Complementary color

CMYK 0 / 96 / 47 / 23

HEX #C50869

RGB 197 8 105

HSL 329.21, 0.92%, 0.4%

LAB 42.86, 69.46, -0.73

 

CMYK 74 / 0 / 41 / 3

HEX #3FF791

RGB 63 247 145

HSL 146.74, 0.92%, 0.61%

LAB 86.81, -67.15, 36.33

 

CMYK 69 / 0 / 36 / 0

HEX #50FFA4

RGB 80 255 164

HSL 148.8, 1%, 0.66%

LAB 89.82, -64.2, 30.9

 

CMYK 62 / 0 / 28 / 0

HEX #61FFB7

RGB 97 255 183

HSL 152.66, 1%, 0.69%

LAB 90.54, -57.67, 22.35

 

CMYK 55 / 0 / 21 / 0

HEX #72FFCA

RGB 114 255 202

HSL 157.45, 1%, 0.72%

LAB 91.4, -50.45, 13.89

 

CMYK 49 / 0 / 13 / 0

HEX #83FFDD

RGB 131 255 221

HSL 163.55, 1%, 0.76%

LAB 92.38, -42.65, 5.58

 

CMYK 77 / 0 / 39 / 3

HEX #3AF796

RGB 58 247 150

HSL 149.21, 0.92%, 0.6%

LAB 86.81, -66.87, 33.83

 

CMYK 82 / 0 / 43 / 10

HEX #29E583

RGB 41 229 131

HSL 148.72, 0.78%, 0.53%

LAB 80.82, -65.8, 35.42

 

CMYK 89 / 0 / 47 / 17

HEX #18D370

RGB 24 211 112

HSL 148.24, 0.8%, 0.46%

LAB 74.8, -64.32, 37.12

 

CMYK 96 / 0 / 52 / 24

HEX #07C15D

RGB 7 193 93

HSL 147.74, 0.93%, 0.39%

LAB 68.73, -62.32, 38.9

 

CMYK 100 / 0 / 58 / 31

HEX #00AF4A

RGB 0 175 74

HSL 145.37, 1%, 0.34%

LAB 62.64, -59.66, 40.72

 

CMYK 76 / 0 / 39 / 4

HEX #3BF696

RGB 59 246 150

HSL 149.2, 0.91%, 0.6%

LAB 86.53, -66.4, 33.46

 

CMYK 76 / 0 / 60 / 4

HEX #3BF663

RGB 59 246 99

HSL 132.83, 0.91%, 0.6%

LAB 85.88, -74.01, 56.66

 

CMYK 72 / 0 / 76 / 4

HEX #45F63B

RGB 69 246 59

HSL 116.79, 0.91%, 0.6%

LAB 85.75, -76.16, 71.55

 

CMYK 52 / 0 / 76 / 4

HEX #77F63B

RGB 119 246 59

HSL 100.75, 0.91%, 0.6%

LAB 87.07, -65.4, 73.28

 

CMYK 31 / 0 / 76 / 4

HEX #AAF63B

RGB 170 246 59

HSL 84.39, 0.91%, 0.6%

LAB 89.29, -49.33, 76.17

 

CMYK 76 / 0 / 39 / 4

HEX #3BF696

RGB 59 246 150

HSL 149.2, 0.91%, 0.6%

LAB 86.53, -66.4, 33.46

 

CMYK 76 / 0 / 18 / 4

HEX #3BF6C9

RGB 59 246 201

HSL 165.56, 0.91%, 0.6%

LAB 87.51, -55.61, 8.71

 

CMYK 76 / 2 / 0 / 4

HEX #3BF1F6

RGB 59 241 246

HSL 181.6, 0.91%, 0.6%

LAB 87.24, -41.65, -15.21

 

CMYK 76 / 22 / 0 / 4

HEX #3BBFF6

RGB 59 191 246

HSL 197.65, 0.91%, 0.6%

LAB 72.79, -17.41, -37.28

 

CMYK 76 / 43 / 0 / 4

HEX #3B8CF6

RGB 59 140 246

HSL 214.01, 0.91%, 0.6%

LAB 58.36, 11.45, -60.05

 

CMYK 76 / 0 / 39 / 4

HEX #3BF696

RGB 59 246 150

HSL 149.2, 0.91%, 0.6%

LAB 86.53, -66.4, 33.46

 

CMYK 76 / 0 / 39 / 4

HEX #3BF696

RGB 59 246 150

HSL 149.2, 0.91%, 0.6%

LAB 86.53, -66.4, 33.46

 

CMYK 67 / 0 / 35 / 10

HEX #4BE696

RGB 75 230 150

HSL 149.03, 0.76%, 0.6%

LAB 82, -58.29, 27.46

 

CMYK 57 / 0 / 29 / 16

HEX #5CD597

RGB 92 213 151

HSL 149.26, 0.59%, 0.6%

LAB 77.34, -48.11, 20.67

 

CMYK 45 / 0 / 23 / 23

HEX #6CC597

RGB 108 197 151

HSL 148.99, 0.43%, 0.6%

LAB 73.13, -37.28, 14.91

 

CMYK 31 / 0 / 16 / 29

HEX #7DB498

RGB 125 180 152

HSL 149.45, 0.27%, 0.6%

LAB 68.95, -24.03, 8.57

 

CMYK 72 / 0 / 76 / 4

HEX #44F63B

RGB 68 246 59

HSL 117.11, 0.91%, 0.6%

LAB 85.73, -76.31, 71.53

 

CMYK 76 / 0 / 60 / 4

HEX #3BF663

RGB 59 246 99

HSL 132.83, 0.91%, 0.6%

LAB 85.88, -74.01, 56.66

 

CMYK 76 / 0 / 39 / 4

HEX #3BF695

RGB 59 246 149

HSL 148.88, 0.91%, 0.6%

LAB 86.51, -66.58, 33.94

 

CMYK 76 / 0 / 19 / 4

HEX #3BF6C7

RGB 59 246 199

HSL 164.92, 0.91%, 0.6%

LAB 87.47, -56.09, 9.68

 

CMYK 76 / 1 / 0 / 4

HEX #3BF3F6

RGB 59 243 246

HSL 180.96, 0.91%, 0.6%

LAB 87.82, -42.55, -14.35

 

CMYK 96 / 0 / 49 / 16

HEX #08D66D

RGB 8 214 109

HSL 149.42, 0.93%, 0.44%

LAB 75.61, -66.55, 39.6

 

CMYK 92 / 0 / 47 / 4

HEX #13F581

RGB 19 245 129

HSL 149.2, 0.92%, 0.52%

LAB 85.52, -72.88, 42.39

 

CMYK 76 / 0 / 39 / 4

HEX #3BF696

RGB 59 246 150

HSL 149.2, 0.91%, 0.6%

LAB 86.53, -66.4, 33.46

 

CMYK 60 / 0 / 31 / 3

HEX #62F8AB

RGB 98 248 171

HSL 149.2, 0.91%, 0.68%

LAB 88.29, -57.09, 25.37

 

CMYK 45 / 0 / 23 / 2

HEX #8AFAC0

RGB 138 250 192

HSL 148.93, 0.92%, 0.76%

LAB 90.59, -44.85, 18.01

 

CMYK 77 / 0 / 39 / 3

HEX #3AF796

RGB 58 247 150

HSL 149.21, 0.92%, 0.6%

LAB 86.81, -66.87, 33.83

 

CMYK 76 / 52 / 0 / 4

HEX #3B76F6

RGB 59 118 246

HSL 221.07, 0.91%, 0.6%

LAB 52.44, 24.99, -69.58

 

CMYK 0 / 70 / 76 / 4

HEX #F64A3B

RGB 246 74 59

HSL 4.81, 0.91%, 0.6%

LAB 56.89, 64.38, 46.5

 

CMYK 77 / 0 / 39 / 3

HEX #3AF796

RGB 58 247 150

HSL 149.21, 0.92%, 0.6%

LAB 86.81, -66.87, 33.83

 

CMYK 39 / 76 / 0 / 4

HEX #953BF6

RGB 149 59 246

HSL 268.88, 0.91%, 0.6%

LAB 47.2, 70.25, -77.82

 

CMYK 0 / 39 / 76 / 4

HEX #F6953B

RGB 246 149 59

HSL 28.88, 0.91%, 0.6%

LAB 70.46, 29.73, 60.3

 

CMYK 77 / 0 / 39 / 3

HEX #3AF796

RGB 58 247 150

HSL 149.21, 0.92%, 0.6%

LAB 86.81, -66.87, 33.83

 

CMYK 76 / 52 / 0 / 4

HEX #3B76F6

RGB 59 118 246

HSL 221.07, 0.91%, 0.6%

LAB 52.44, 24.99, -69.58

 

CMYK 0 / 76 / 37 / 4

HEX #F63B9C

RGB 246 59 156

HSL 328.88, 0.91%, 0.6%

LAB 57.19, 75.85, -9.36

 

CMYK 0 / 24 / 76 / 4

HEX #F6BB3B

RGB 246 187 59

HSL 41.07, 0.91%, 0.6%

LAB 79.3, 9.8, 68.8

 

CMYK 77 / 0 / 39 / 3

HEX #3AF796

RGB 58 247 150

HSL 149.21, 0.92%, 0.6%

LAB 86.81, -66.87, 33.83

 

CMYK 76 / 75 / 0 / 4

HEX #3B3EF6

RGB 59 62 246

HSL 239.04, 0.91%, 0.6%

LAB 39.63, 58.41, -90.56

 

CMYK 0 / 76 / 37 / 4

HEX #F63B9C

RGB 246 59 156

HSL 328.88, 0.91%, 0.6%

LAB 57.19, 75.85, -9.36

 

CMYK 0 / 1 / 76 / 4

HEX #F6F33B

RGB 246 243 59

HSL 59.04, 0.91%, 0.6%

LAB 93.45, -18.44, 81.83

 

Description

Color code: HEX #3AF796 | qconv.com Color code: HEX #3AF796 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 58 red, 247 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
58 247 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 39 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 39% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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